Bliss by Fiona Zedde is a finding-your-place story as much as it is a love story; or you could say it’s a love story between a woman and the self she’s supposed to be or the type of life she’s supposed to be living. It’s also highly erotic, reveling in the sensuality of its characters’ bodies, but in a respectful and almost reverential way that elevates ordinary body parts to a sort of glowing, visceral divinity.
Don’t Explain is a collection of short stories by Black lesbian author, activist, and philanthropist Jewelle Gomez. Most widely known for her Black lesbian vampire novel The Gilda Stories, Gomez’s Don’t Explain is a collection of nine stories that employ rich, sensual, language to introduce readers to several carefully constructed characters whose stories set our minds and bodies afire. Although the collection was written in 1998, the stories are as poignant and relatable as they were when the book was published nearly twenty years ago.
For example, my favorite story in the collection, “Water With the Wine” is a new take on an old trope, the May-December romance. Gomez carefully deconstructs the most commonly held notions about romance between older and younger lesbians, and posits another reality for the women in her story. Alberta and Emma meet and become involved at an academic conference; however, differences in age, class and race threaten to destroy their budding relationship. Gomez deals sensitively and honestly with these issues and deepens our understanding of what it means to fall in love after the blossom of youth.
“White Flower” is a chronicle of desire, not quite erotica, but pretty close. Luisa and Naomi “can’t have a relationship, it’s too consuming too everything,” so their meetings are infrequent but filled with all of the lust and passion that two women can share. This story will leave you panting, it will also leave you wondering at what point the unbridled desire turns to obsession and manipulation.
In “Lynx and Strand,” the longest story in the collection, Gomez forays into the genre where I believe she does her best writing, speculative fiction. To put it simply, speculative fiction is not quite science fiction, not quite fantasy, but an imaginative blend of the two genres, and in this story, explores what it means to live in a future where same-sex relationships are still policed by the state. Here, Gomez tackles issues of futuristic state governments, homophobia, body art, and what it means to truly become one with your partner. The story is timely, some might say prophetic, because even though it was written nearly two decades ago, LGBTQ persons’ right to bodily autonomy is still being challenged, even threatened, in 2016.
For those familiar with Gomez’s The Gilda Stories, “Houston” offers a new chapter into the life of her Black lesbian vampire and offers a provocative look at what it means to be humane when you actually aren’t human at all.
All of the stories in this collection are sensitive, sensual, and offer a pleasant alternative to “mainstream” lesbian fiction. The collection also focuses on Black women’s experiences, and this is what truly sets it apart from most of the lesbian fiction on the market today. The collection is short, only 168 pages long, but each of the stories offers entrée into the life of Black women, mostly lesbian, that illuminates the complexity of our lives and the power of our loving. If you have not had an opportunity to read any of Jewelle Gomez’s work, start with this collection and I am certain that you will want to read more!
I’m always hesitant to read books by people that I know personally, because I know at some point they’ll ask me what I thought, and I know that if I don’t love it, I’ll have to figure out how to say that without ruining the relationship. In this case, I can say without reservation that I did indeed love The Dawn of Nia. Let me count the ways:
I liked that fact that The Dawn of Nia is focused on family relationships and the ways in which secrets can devastate families or force them to reckon with their past misdeeds. Nurse Nia Ellis is a single, attractive, Black lesbian who has recently lost her friend and mentor Pat to cancer. What Nia doesn’t know is that Pat had a secret, and that Pat’s secret is going to change her life. This first secret is revealed right after Pat’s funeral, which Nia attends with her best friend Jacoby, and the novel just explodes with drama from there. It’s a bit of a challenge to write about this novel without giving too much away, but just know that secrets, lies, betrayal, and a $350,000 estate are at the crux of the story.
I was also really impressed with the character development. All of the characters in this novel are deeply flawed. The protagonist Nia is the poster child for bad decision-making. At one point while reading I nearly threw the novel across the room. I found myself yelling at Nia: “Girl what the heck are you doing? You know that Kayla is going to start some mess!” But I couldn’t stop reading. Jacoby, Nia’s best friend, is the epitome of male privilege. To put it nicely, he’s an ass, and there were times when I just couldn’t figure out why Nia remained friends with him. Tasha, another close friend, is always hooking up with Ms. Right now, instead of waiting on Ms. Right. Even Nia’s parents have issues that span their 30-year marriage. The other women in Nia’s life, her ex-girlfriend Kayla, and new love interest Deidra, are connected in ways that are impossible to untangle, even though Nia tries her best to keep the women apart. It is a testament to Cherelle’s skill as a writer that not only was I able to keep up with all of these characters, but I found myself rooting for some to succeed, and hoping that karma would catch up with others.
The novel has excellent pacing. It never felt rushed or to seemed to drag. I was always anxious to get to the next chapter to see what was going to happen next. However, my only critique of the novel is that it probably could have been just a few pages shorter. A couple of scenes at the end just didn’t seem necessary.
Finally, at its core, The Dawn of Nia is a story about love: what do you do when your heart has been broken but you want, sorely need, to give love another chance? How do you keep your past mistakes from ruining your future? Can any relationship survive lies and deceit? Why do lesbians move in with each other so quickly? I’m generally not one for reading romance, but I loved every minute of this story, even as it was driving me crazy. If you like your romance spiked with a bit of family drama, this is definitely the novel for you. Cherelle is a masterful storyteller and this novel is a welcome addition to the growing canon of contemporary Black lesbian literature.
Trigger warnings: Mild violence, brief mention of sexual abuse
Date with Destiny is a Black lesbian thriller–written by a Black woman, prolific author Yolanda Wallace writing under the name Mason Dixon–set in the banking industry of Savannah, Georgia. Rashida, the lead, is a driven, frugal Black bank executive who has risen to the top of the bank her grandmother once cleaned as a janitor. Her work-oriented but lonely life is headed for a collision course with the unemployed, blue-collar Destiny, who she meets at a coffeeshop one morning. Is finding Destiny a job at her bank a worthy act of kindness or a dangerous temptation? After all, the bank has strict policies against workplace dating–but Destiny’s sexuality is practically a force of nature.
Date with Destiny is full of sensuality between women and eventually love but it’s not entirely a romance; it’s a thriller that will be more fun for the reader if they go in expecting a wild ride.