Kelleen reviews Mooncakes by Wendy Xu and Suzanne Walker

Mooncakes by Wendy Xu and Suzanne Walker

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At the risk of being profoundly cliche (and profoundly redundant as I reviewed a graphic novel last month), I’ve decided to review Mooncakes.

I am not a spooky season gal. I’m a curl up with a cozy blanket and a hot cup of tea, watching Gilmore Girls by the light of a sandalwood scented candle while orange and yellow leaves fall outside my window kind of gal.

But somehow, I think this YA graphic novel is perfect for both kinds of autumnal gals. It tells the story of Nova Huang, a hard-of-hearing witch working at her aunt’s magical bookshop as she navigates mysterious mystical forces, rabid demons, and the sudden reappearance of her childhood crush Tam Lang, a nonbinary werewolf who needs Nova’s help.

This graphic novel is an absolute delight. The artwork is beautiful and cheeky, with expressive, evocative coloring and atmospheric detail. And the story is so heartwarming and entertaining! Part mystery, part romance, whole paranormal romp, Mooncakes is a captivating story that practically turns its own pages. The characters are empathetic and hilarious, and the relationships between them are so sweet. In fact, the whole thing is cozy. It’s the perfect quick autumnal read. It’s bite-sized, but it packs a punch of queer paranormal joy.

The writing is fast and witty, and the representation is off the charts. The world that Xu and Walker create is adorable, but also incredibly powerful: queer disabled witches, nonbinary werewolves, and a world with no homophobia or ableism that still manages to honor the complexities of these identities. They explore the nuances of what it means to have a queer sense of home; the powerful, nurturing friendships between young women; and even present an allusion to the epidemic of queer homelessness that is treated with tenderness and care.

It is such a comfortable, loving book. It’s a book about transformation and safety, and finding home in the people who love you. In my most humble opinion, it is the perfect read for any time of year, but especially for spooky season.

In fact, writing this review (while drinking tea and watching Gilmore Girls) is making me want to reread it all over again.

You can read more of Kelleen’s reviews on her bookstagram (@booms.books) and on Goodreads.

Danika reviews Doughnuts and Doom by Balazs Lorinczi

the cover of Doughnuts and Doom

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I love silly, fluffy sapphic graphic novels. I also seek out queer witchy books to read in October. So I thought this book was going to be a slam dunk! It’s about Margot, a witch who runs a potions business out of her kitchen and starts off the story failing her spell exam to get her license. In a mood, she goes to get a donut and then throws a temper tantrum at the person behind the desk, Elena, who would rather be working on her music career. Could Elena have had better customer service? Sure. But did she deserve having the donut shop crash down around her and getting cursed? No. Now Margot has to make it right

We’ve got sapphic witches, donuts, a snake familiar, and a make-or-break concert. We’ve got two queer women whose snark turns into flirting. We’ve got a romantic broom ride together. It should have been perfect!

But the truth is, I felt like this fell a little flat. It was a cute romcom, but it felt very short, like watching one episode of a TV show instead of the full story. While I generally love a fluffy comic, I just didn’t connect to this one.

Danika reviews Payback’s a Witch by Lana Harper

Payback’s a Witch cover

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If you’re looking for a book equivalent of watching Hocus Pocus or Halloweentown–but as a bisexual romance novel–this is the book for you. Emmy Harlow left her childhood home of Thistle Grove after a humiliating breakup. She was determined to make a new life for herself in Chicago, leaving behind her friends and family and cutting her waist-length hair to her chin. And she did reinvent herself: she’s happy with her new life and her new job… even if she is a little lonely. Now, though, she’s on her way back to Thistle Grove to visit, because she has duties to fulfill as the scion of House Harlow. Because Thistle Grove isn’t your average small town: it’s magic, with 4 families of witches that date back to the 4 founders.

Gareth Blackmoore is the scion of the Blackmoore family, the most powerful one in Thistle Grove, as they are happy to tell you. Their family has run the town for generations, slowly squeezing out the other families. And he’s also the one who broke Emmy’s heart.

Emmy has returned to town to be the arbiter of the spellcasting tournament, a competition between the families that Blackmoore has won every year. It gives the winner more power as well as leadership over the other families. This time will be different, though, because Emmy quickly realizes she’s not the only one Gareth has wronged. Her high school crush, Talia, and her best friend, Linden, have since had relationships with him–and for each of them, he insisted on keeping their relationship a secret and then dumped them because they didn’t live up to his standards of greatness. The three of them make a pact to get revenge on Gareth, and the competition might be the perfect opportunity to give him a taste of humiliation.

I cannot overstate how much Halloween is packed into this book. Not only is it about witches, but the town itself doubles as a Halloween tourist trap, with visitors blissfully unaware of the real magic going on just out of sight. Every restaurant or bar is decked out in decorations and has witchy cocktails. Mixed in with the fake stuff are real seances, spells, and more. It even got a little bit over the top for me sometimes, like being punched in the face with Halloween, but I know that’s what a lot of people are hoping for.

While this is a fantasy novel, there’s also a strong romance component. Emmy and Talia immediately have a lot of heat between them, and you know it’s only a matter of time before they give into it. It’s not instalove, because they knew each other a bit in high school, but it is insta-attraction. Insta-lust. The romance builds based on that. I never got fully invested, I’ll be honest, because I couldn’t get a good sense of their dynamic (other than Emmy drooling over Talia), but I’m pretty sure I’m in the minority there.

More than the romance, the revenge, and even the competition, though, this is about Emmy’s struggle with where she belongs, where home is. When she left Thistle Grove, it meant leaving behind her magic–which was never very strong, but it was a part of her. Her cousin is eager to step into the role of scion, waiting for Emmy to officially give up that title, but she’s not sure. Returning has made her realize how much she missed this place, her family, and Linden.

There’s an aspect of “blood family is the most important” and “there’s nowhere like home” that I don’t love, but it is discussed some. She left town to run away from a bad relationship with a guy. Yes, she balked at how Thistle Grove slots people into roles based on their family, but she wouldn’t have left if Gareth didn’t taint the place for her.

If a bisexual romance novel version of Halloweentown appeals to you, definitely pick this one up. It’s perfect for diving headfirst into Halloween, and it’s a cute, fun read–just what you want from a holiday romance. The competition aspect is also exciting and cinematic: I’d love to see it on screen. This is the first in the series, with the next following another Thistle Grove inhabitant!

Meagan Kimberly reviews The Dark Tide by Alicia Jasinska

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Every year the witch queen of Caldella must choose a lover from the town to sacrifice to the dark tide, saving the island and its people from annihilation. Every year another boy is taken and everyone accepts it. But when Lina’s brother is in danger of becoming the sacrifice, she can no longer sit idly by. Tomas—her crush and the only boy who ever escaped the witch queen’s sacrifice—helps her keep her brother safe, but ends up being taken again. Feeling guilty and not wanting to lose him, Lina sets out to his rescue and takes his place. Lina and the witch queen, Eva, butt heads at first, but they soon come to know each other better until they’re willing to fight for changes.

Perhaps it was the audiobook narration, but the overall story was underwhelming. The world-building and magic were the strongest aspects of the story. Magic is established straightaway as a luxury to be bought as spells and potions. It’s also shown that the dark tide is only kept at bay when the witch queen’s sacrifice is truly a sacrifice, meaning she has to love them.

The characters’ relationships never feel organic. On paper, they’re written as falling in love, with all the familiar markers of enemies to lovers. But the connection between Eva and Lina never feels authentic. Similarly, Lina’s love for Tomas is more of a crush. But this speaks to Lina’s tendency to romanticize everything. She lives in fantasy, thinking the world works as good and evil, with good prevailing and true love winning the day.

Lina’s relationship with her brother, Finley, is one of the more interesting dynamics that only touched the surface. Coming from her point of view, it seems like she and Finley fight like normal siblings. However, it’s established from the beginning that his anger was so violent that he ended up hurting her, leading to her broken ankle. Every time she thinks about the incident, she makes excuses saying she shouldn’t have made him angry and that he really loves her, but his temper gets the best of him. It’s the narrative her family has been telling her whole life, so of course, she believes that his actions are mistakes and not abuse. It’s not until Eva tells her that Finley abuses her and that she doesn’t have to accept that abuse that Lina begins to see their relationship differently.

Lina, with her head in fantasy and giving people the benefit of the doubt, plays the role of the “good girl,” while Eva, the literal witch who doesn’t allow others to disrespect her boundaries, is “evil.” These dynamics are the more intriguing storyline, but the book gets bogged down in trying to make their eventual romance the focus.

Content warning: abuse

Maggie reviews Wild and Wicked Things by Francesca May

the cover of Wild and Wicked Things

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With a frenetic, Roaring Twenties-type vibe, Wild and Wicked Things by Francesca May is set in a post-WWI society where half of society is trying desperately to recover from the devastation of the Great War, and the other half is trying desperately to party hard enough that they forget there was devastation in the first place. There is a Prohibition in full effect, if Prohibition was for magic and magic paraphernalia rather than alcohol, but on isolated Crow Island, real magic is still available for the right price or if one knows where to look. Timid Annie Mason arrives on the island to settle her late father’s affairs and locate her estranged friend Beatrice, and she is unprepared for the brazen island nightlife, or the lure of the forbidden. Full of gothic decaying houses, blood magic, and that feeling of getting an instant crush on a girl in a well-made suit, Wild and Wicked Things is a thrilling summer fantasy for anyone interested in witchcraft with a side of house parties.

When Annie moves to Crow Island for the summer, she rents what she thinks is an isolated cottage, only to find that it’s next door to a large and rundown mansion named Cross House that still hosts opulent parties. Next door, Emmeline Delacroix and her friends desperately continue hosting the magical parties their late mentor Cilla used to be famous for in a desperate attempt to keep their lives on track. Emmeline is drawn to Annie, despite Annie having no place in her world of underground deals and rituals. Annie, for her part, is drawn both to glitz and the thrill of a little danger that she hasn’t experienced before and her connection with Emmeline who she finds dark, mysterious and compelling. And the more she digs into why Beatrice came to the island and her late father’s affairs, the more she becomes enmeshed in Emmeline’s world of underground magic. 

I quite enjoyed the vibes of this book. The atmosphere is lush and compelling, but May doesn’t fail to convey the gothic undertones of decay that lurk in every corner of the island. All through this glittering scenery is the sense that official ruin could fall at any moment if the wrong person decides to notice their banned magic, and yet Cross House’s livelihoods demand that the glittering party goes on. Emmeline and Annie’s budding relationship seems both inevitable and doomed, and I loved the slow reveal of backstory for all of the main characters. Into this heavy atmosphere, May injects a series of bad decisions and unfortunate circumstances that leave both the characters and the reader scrambling.

In conclusion, Wild and Wicked Things is a thrilling summer read. The vibes are immaculate, the setting is decadent, and the action is wild.  It’s a perfect way to simulate a little getaway thrill and indulge in your gothic witchcraft side at the same time. 

Nat reviews The Mermaid, the Witch, and the Sea by Maggie Tokuda-Hall

the cover of The Mermaid, the Witch, and the Sea

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Sometimes we pick up a book with certain expectations – sometimes we also discover that those expectations are way off the mark. When I set out to read The Mermaid, the Witch, and the Sea I knew this: it was a YA book with romance, it was gaaay, the cover was kind of cute (so pretty!), and it was a fantasy setting with mermaids and witches (obvs from the title). 

Here’s the thing, I was not emotionally prepared for what the book actually contained. I was still recovering from the turmoil of reading C.L Clark’s The Unbroken (which I highly recommend) and I needed something light to cleanse my reading palate. A pirate adventure on the high seas, perhaps! As someone who doesn’t read much YA, I thought, hey, this is probably gonna be an angsty, romantic tale with sidelong glances featuring mermaids! Magic! Fun! Haha. What I did not realize: this was going to be a dark, brooding journey about serious issues like colonialism and childhood trauma and sexual assault and one that does not shy away from depicting their brutality. That it would make me feel feelings. Sad feelings, which are right on the top of my big “No, Thanks” list right now and for all of the next decade. 

Now, after all that you might be thinking that I did not enjoy the book. Not true! I think this is a wonderful book! You just need to make sure to adjust your expectations

TLDR: Seriously, do not judge this book by its cover. AND Yes I did like the book but I’m still hella mad about everything that happened in this fictional world.

Our two young protagonists are not set up for success. Flora, who lives as Florian, is a young, Black gender bending pirate just doing his best to survive on a slaver ship called the Dove, and doing morally frowned upon things like pirates are known to do. Saddled with guilt and fiercely loyal to his only family, his brother Alfie, who, by no fault of his own, is kind of a screw up. The relationship between Alfie and Florian is depressing and complicated. In fact, every single relationship in this book is like that. 

Both of our MC’s are morally ambiguous, well meaning, gay disasters. For Florian, an orphan in constant survival mode, it’s along the lines of “I thieved and kidnapped and maybe even did a murder to survive, but it doesn’t define me. I want to be better.” For Evelyn, daughter of an elite Imperial family, it is “everything I knew about my insulated and privileged but miserable world is wrong. Am I the baddy? I want to do the right thing.” 

While Flora and Evelyn are struggling to right the wrongs of their pasts and in the world, the villains are out there just deliberately being evil. This book has no shortage of characters to despise. I’m talking no-redeeming-qualities dot com, with possible sociopathic tendencies. The murdering, rapey, sadist kind of villains who you really want to see walked off a short plank and snacked on by shark teefies. Nameless Captain, I’m looking at you. And don’t even get me started on that sneaky witch in the Floating Islands. 

There are also some dynamic foils, such as Rake, our captain’s stoic, red haired first mate. He’s our second chances man, both receiving and giving them while still allowing brutality to unfold before him. And let’s not forget the mysterious, non-binary arbiter of justice, the Pirate Supreme. 

Speaking of gender, that was one of the things I really enjoyed in the book. Flora/Florian’s exploration of gender is as complicated as you would expect, while also entangled with her identity as a pirate. How do others see Flora… or Florian? How does Flora/ian look at the world when moving between gender presentations? 

(spoilers, highlight to read) For the romance, I wasn’t convinced that our characters got a truly happy ending. I mean, sure, technically they’re together, but it was kind of weird, creepy “here’s my best offer” from the devil kind of union… romantic like, well, they didn’t die! (spoilers end) Then again, this book never really felt like a romance, more of a dark tinted fantasy with a romantic arc. 

But hey, great news, you can be extremely mad at a book and appreciate it at the same time. Like I sometimes feel about my cat, for instance. Is this book like a cat? Perhaps. It will put its paws all over your tender feelings and then knock them off the shelf, only to try and curl up in your lap hours later. This book, like a cat, is a little of a shite but we love them anyway. 

TLDR, this is a four star read to be enjoyed in the right mindset and with proper expectations. Don’t forget, kids, YA books can mess you up real good. 

Trigger warnings: violence, implied/offscreen sexual assault/rape, drug use, addiction, amputation

Danika reviews A Lesson in Vengeance by Victoria Lee

the cover of A Lesson in Vengeance

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I feel a little “dead dove, do not eat” about this reading experience. I went into it looking for a creepy, unsettling read and then finished feeling unnerved and unhappy about feeling that way. So while I didn’t enjoy this read as a whole, that’s down to my own choices. I also started listening to this in October, when I love reading horror and thrillers, but it expired when I was halfway through and I finished in about a month later. Likely if I hadn’t have had that gap in between, I would have enjoyed it more.

This is a dark academia YA novel about Felicity, who has come back to her exclusive/pretentious boarding school after taking a leave to take care of her mental health. Last year, her girlfriend died in a tragic accident. At the time, she’d been obsessed with Dalloway House’s history, with its murders and rumors of witchcraft. This time, she’s determined to set aside the attraction to witchcraft and concentrate on her studies.

That’s when Ellis shows up: a famous (teen) author who is writing about the Dalloway murders and pulls Felicity in to her research. Soon, she finds herself immersed in a world of magic and murder again, even as Ellis tries to prove the Dalloway “witches” were just ordinary women and that the murders could happen without magic. Felicity has more and more trouble telling reality from fiction, especially as she stops medicating for her psychotic depression (a diagnosis the author shares).

If you’re looking for sapphic dark academia, this definitely fits the brief. Dalloway House is a creepy boarding school, and the students are just the kind of pretentious academics you’d expect from the setting. They recite poetry in rooms lit by candlelight, they write their essays on typewriters and eschew cell phones, and they dress like they’re in a period piece.

Part of the reason I didn’t personally enjoy it was that I have a terrible memory and have a bit of a phobia of it becoming worse, so reading from the perspective of someone who often lost touch with reality was very unsettling. (Again, that’s not a fault of the book, but with what I brought to it.) Ellis and Felicity also have an unhealthy relationship, with Ellis being manipulative and often leading Felicity into dangerous territory for her well being, which was hard to watch, especially as Felicity seems to miss a lot of the red flags.

I don’t want to criticize the depiction of Felicity’s mental illness, because it is own voices, but I will say I was a bit confused comparing the author’s note (and her Goodreads review) with how Felicity is portrayed.

This seems to be a divisive read, but I will say many of the criticisms I’ve read are just of the premise or it being in this subgenre. This is dark academia: of course it has unlikable, pretentious, morally gray (at best) main characters. And no, you should not go to this book expecting a cute F/F romance. That’s not what it’s trying to do.

Despite the fact that I didn’t love it personally, I’d still recommend it to readers looking for a dark academic book. I also recommend reading the Lesbrary reviews from Carolina and Sinclair Sexsmith, who both really enjoyed this one, for some other perspectives!

Kayla Bell reviews Coming Back by Jessi Zabarsky

the cover of Coming Back

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What a better way to start the new year than with a beautiful, evocative graphic novel that puts the relationship between two women, their family, and their society at the front and center of the narrative? Jessi Zabarsky’s new graphic novel, Coming Back, is all that and more. 

Preet and Valissa are partners that live in a magical society. Preet has magic and is a talented healer. Valissa doesn’t share Preet’s skill at magic but serves as a librarian, the keeper of their society’s histories and stories. After tragedy strikes the community, Valissa takes it upon herself to venture beyond the borders of their town and try to make things right. But she must take this long journey alone. Will Valissa and Preet’s love survive this trial, and what will they both learn during their time apart? 

One thing I loved about Coming Back, that so many graphic novels I’ve read don’t do, is how it often lets the art speak for itself. It’s the ultimate version of show, don’t tell: presenting the pictures and letting the readers formulate their own telling of the story. In addition to sparking the readers’ imaginations and allowing us to build a deeper bond to the story, it also allows us to appreciate the beautiful artwork. Coming Back’s minimalist, muted color palette and friendly art style worked really well for me, and I appreciated the opportunity to enjoy it fully. 

The only problem with the lack of telling in the story is that sometimes the plot can be a little bit hard to follow. For me, that was doubly true because the plot definitely didn’t go in the direction I was expecting. Personally, I would have appreciated a little bit more worldbuilding or exposition to fully understand the story. I think that would have made the ending of the story land better, as well. 

Despite this, one of my favorite parts of the story was the worldbuilding we did get. Like I said before, Valissa is the keeper of their community’s histories. As a society where shapeshifting and magical rituals are commonplace, these stories are as interesting as you can imagine. In addition to being beautifully constructed and illustrated, they also serve as the lynchpin for the story. Coming Back’s main theme is tradition: what it means, what it becomes over time, and when it might be time to change it. While the story was relatively short, I think it did a great job of addressing these questions. 

I thought that the characters were a strong suit of this graphic novel. Each character is very unique and individual. Preet and Valissa are no exception. Each of their personalities and flaws were the heart of the narrative. I loved seeing two complex women navigate their relationship with each other and life’s challenges. The fact that both characters were able to grow and develop so much in such a short amount of time was a real achievement. 

Coming Back is an excellent, female-centered graphic novel that explores how people relate to each other, their family, and their history. It has an interesting, inviting art style and well-crafted characters. It releases on the 18th of this month. Thank you to the publisher for providing an advanced copy to review.

Anke reviews Mooncakes by Suzanne Walker and Wendy Xu

Mooncakes by Wendy Xu and Suzanne Walker

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As we’re moving through autumn, Mooncakes is a warm cup of your favourite beverage in book form. If you are looking for a sweet, cozy and ultimately wholesome graphic novel to light up the darker season, you should turn to this adorable, modern-supernatural and intersectionally queer love story about family, belonging and taming one’s (very literal) demons. 

I’ve been in love with Mooncakes since its webcomic days on tumblr, since before it was published by Oni Press in 2019 in a revised version. Suzanne Walker, co-creator and writer of the story, has been a dear friend of mine since our shared fandom days. What’s stayed constant since then is her ability to completely ace the emotional beats of any story she chooses to tell, so naturally the same is true for Mooncakes. To match Suzanne Walker’s writing, Wendy Xu, illustrator and the other co-creator of Mooncakes, has brought the story to endearing, vibrant life and colour.

The story begins with a reunion: Chinese-American teenage witch Nova Huang, who works at her grandmothers’ café-and-magical-bookshop, encounters her childhood crush Tam Lang in the forest while investigating reports of strange goings-on one autumn night. Not only is Tam a werewolf, they are also fighting a demon designated to possess them by a creepy cult hoping to harness their little-explored but extremely powerful wolf magic. The story that unfolds features help from Nova’s grandmas Qiuli and Nechama (a married couple of Chinese-American and Jewish kickass old lady witches! Yes!), a bunch of black cats, enchanting forest spirits and emotional-support scientist Tatyana.

The sweet, uncomplicated romance between Nova and Tam, whose feelings rekindle as they collaborate to solve Tam’s demon problems, is a delight to watch. After a decade of missing each other, their budding relationship comes as a delightfully warm and sincere emotional backdrop that both heightens the stakes and adds depth to the story. Considering that the comic is rather short at 243 pages (and some bonus content), there is not much room for a complicated plot to top everything off, nor does there need to be. It’s all about the emotional and personal coming-of-age journeys of Nova and Tam, their shared affinity for magic, and how they come into their own during the events of the story. What endears the characters further to the reader is the fact that the intersectional representation that adds so much joy to the story is also intensely personal to the authors. 

In an article at Women Write About Comics, Walker describes Nova as an amalgamation between the two co-creators, explains how the story was always going to be queer, that Nova is bisexual and that Tam is nonbinary and uses they/them pronouns (and it’s accepted by everyone in the story, including the creepy cultists). Nova’s hearing loss as a recurring motif of the story is treated with respect and finesse regarding characterization and worldbuilding, just as the comic as a whole expands on existing witch and werewolf lore in interesting ways. Magic, in Mooncakes, has no panacea to offer against disabilities, but they are accommodated rather than bypassed. Workarounds like nonverbal magic and an especially adapted wand let Nova practice witchcraft regardless of her hearing aids, a melding of tradition and innovation that reoccurs throughout the story and finds its echoes in other intersectional moments that always work toward the themes of family and belonging, growing roots and letting go. 

(Spoilers, highlight to read) Mooncakes concludes with an open but satisfying ending that should delight fanfiction writers everywhere with the potential it offers: Both Nova and Tam take steps into a self-determined adulthood, and we are assured that they will go there together. (end of spoilers)

Kayla Bell reviews Payback’s a Witch by Lana Harper

Payback’s a Witch cover

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Happy Halloween season, readers! For October, I was looking for something sapphic and spooky. Luckily, I was approved for an ARC of Payback’s A Witch by Lana Harper, which meets those two requirements perfectly. I absolutely loved this fun, feminist story and am excited to share it with you all. 

Our story begins with our protagonist, Emmy Harlow, returning after a long time away to her hometown of Thistle Grove. Thistle Grove might seem like your run-of-the-mill Halloween-themed tourist trap, but it secretly is the home of four powerful witch families: the Harlows, the Thorns, the Avramovs, and the Blackmoores. As Emmy returns, it’s time for the families to compete in a magical competition called the Gauntlet, and it’s Emmy’s turn to be the judge. Before the tournament starts, Emmy meets with her best friend Linden and their other classmate, Talia. It turns out that all three of them have had their hearts broken by golden boy Gareth Blackmoore. The three hatch a witchy plan for Talia, the only one of them actually competing, to take Gareth down and seek sweet revenge. 

The plot is surprisingly intricate, so there are also layers I didn’t mention in my short summary. It’s basically John Tucker Must Die meets The Craft, with an extra serving of queer relationships. The book is as fun as it sounds. I loved the short, page-turning chapters and engaging competition between all of our characters. All of the challenges in the Gauntlet were fun to read about and had compelling stakes. The central romance in the book really worked for me, as well. Tension and surprise happened at every turn without the plot becoming too complicated or dour. I also really liked the ending, especially the final setpiece. To avoid spoilers, I will leave my review at that. I encourage you to read this book for yourself and see how you like it. 

All that being said, my favorite aspect of this novel was the setting. Thistle Grove felt like a real place, and Harper’s vivid descriptions brought the Halloween vibes in a big way. That’s probably why I found the book so comforting to read. I especially loved the cozy feel of the Harlows’ witchy bookstore and the town dive bar, the Shamrock Cauldron. The powerful, scary aura of the town’s lake was similarly striking. The book opens with Emmy almost being bowled over by the magic of her hometown, and I felt the same way reading about it. Thistle Grove was definitely a place I would want to spend time in, and that compelled me to keep reading. 

At times, the characters did feel a little flat, especially the extended family members of our four core competitors. However, that didn’t take away from the story at all for me. At the heart of this story was friendship and forgiveness. Forgiving others, yes, but also forgiving yourself for past mistakes. All of this was wrapped up in a bow of Halloween excellence. Payback’s A Witch comes out on October 5th, 2021. Thank you to Berkeley Publishing Group for the Netgalley ARC in exchange for an honest review.