Emily Joy reviews Tokyo Love by Rica Takashima

Tokyo Love

Trigger warning for some transphobia

In Tokyo Love, Rica Takashima explores a semi-autobiographical story of recently-out college-age lesbian, and what it was like to be queer in Tokyo in the 1990s before dating apps and online LGBTQ communities became more commonplace. This book is an omnibus of a serial manga she created originally for the lesbian magazine Anise(now defunct), and includes later chapters published after Anise was discontinued.

Tokyo Love follows a young woman named Rica (not to be confused with the author) after she first comes to Tokyo for college and ventures into Shinjuku Ni-choume, Tokyo’s gay district. Rica is adorably naïve and genuine and full of enthusiastic curiosity. She quickly meets an art student named Miho, and through the rest of the manga, Miho is her Ni-choume guide, and eventual girlfriend. Focusing primarily on their relationship, Tokyo Love showcases Japanese lesbian experiences in short episodic doses.

All and all, I found this book to be cute and fun. Some of the best parts of this book are in some of the earliest chapters where readers learn along with Rica about Ni-choume and Japanese lesbian bar culture. Although I live in Japan, I don’t particularly enjoy bars and haven’t gotten up my introvert courage to visit Ni-choume. This manga was fascinating, and I loved enjoying it from the quiet of my own apartment.

Although this is not necessarily a “coming out” story, over the course of the manga, Rica experiences many “firsts” of her lesbian experience, allowing the narrative to explore different topics like bar culture, having sex for the first time, her first girlfriend, and discovering LGBTQ community. Despite all these first experiences, Rica is already sure and established in her sexuality and attraction to women, and there isn’t any of the coming out drama that might otherwise be included.

Chapters are also included which show Rica and Miho’s respective childhoods and first feelings of attraction towards other girls, which is a nice addition.

My only major criticism of Tokyo Love is the depiction of a trans woman in one of the chapters. Rica meets a woman at a college mixer, and they agree to go on a date. However, when Rica suggests they end the night at a women-only bar, her date declines, fearing that she hasn’t “perfected her female body” enough to go inside. After realizing that her date is assigned male at birth, Rica responds in a thought bubble, “You’re a man!” It’s played off as very lighthearted and comical, and Rica’s date doesn’t seem upset in the least, but it was a rather jarring experience for me as the reader.  While not stated outright, this seems to end the potential for another date, and the character is never mentioned again.  It was a very disappointing scene, in an otherwise good manga. And although there isn’t anything offensive in the rest of the book, this chapter might have been enough for me to think poorly of it as a whole.

Despite being left with a sour taste in my mouth from that chapter, the rest of the manga was mostly enjoyable. The art is cute, and although the story became a bit dull for me at a certain point, I still enjoyed it for what it was, and read it until the end. If you are curious about the experience of being a lesbian in Japan in the 90s, you might consider this one.

If you’d like to read Tokyo Love, the publisher has made it free online, and you can read it and download it as a PDF: http://www.yuricon.com/yuriconalc/RTKO/files/inc/1218031951.pdf You can also purchase a Kindle edition on Amazon, but I don’t recommend it, because the text is sometimes too small or blurry to read, but is clear on the PDF!

Susan reviews éclair

Éclair: A Girls’ Love Anthology That Resonates in Your Heart

éclair is ostensibly an anthology of lesbian romance manga, collecting stories whose protagonists range from primary school children learning about trust to young adults trying to juggle relationships and work. It’s got a generally high quality of art. However. There are perhaps sixteen stories included in this volume, and there’s maybe two that I would count as a functional relationship, which is a bad ratio for something advertised as romance.

Here’s a quick overview of the stories:

1) “Happiness in the Shape of a Scar” by Nio Nakatera follows a girl who tries to befriend a solitary pianist, and grows increasingly frustrated and jealous of her focus on the piano – to the point of actively fantasising about her hands being broken because of the rejection. The relationship that grows out of it is kinda sweet, but the fact that it’s rooted so thoroughly in the protagonist’s guilt and the love interest’s pain means that I’m not sold on it.

2) “Tears in the Clean Room” by Shiori Nishio is about a school girl finding out that her best friend has a girlfriend, and becoming overwhelmingly jealous. And her jealousy manifests as homophobia, the belief that her love is “purer,” and relief that her feelings were “neatly cut off without ever becoming corrupted.” Yeah, no, this wasn’t for me; I don’t know about you, but I don’t expect an explicitly queer anthology to drop a story where the protagonist is actively homophobic the entire way through. [Caution warning: homophobia]

3) “Human Emotion” by Shuninta Amano finds the protagonist – a woman is so good at everything that people have described her as inhuman and bullied her – starting to work with a woman who struggles with almost everything and decides to keep her. Like, explicitly comparing her to a pet and setting her up to fail for the protagonist’s enjoyment levels of keeping her. This was one of the relationships that I was suspicious of because of how unhealthy it was, and the way the protagonist’s mental state actually seems to be deteriorating over the course of the story. [Caution warning: bullying]

4) “Intro” by Chihiro Harumi follows a girl who immediately gets a crush on her oblivious new tutor, who happens to not notice anything that isn’t history, and decides to make her notice. If you like teacher/student romances, this is probably fine? I liked the way that the protagonist started to wonder more about the history her tutor loves as the story goes on, but on the whole it wasn’t for me. [Caution warning: teacher/student relationship]

5) “The Unemployed Woman and the High School Girl” by Kanno has an unemployed woman who gets money by being a sugar baby tying to fend off the advances of a teenage girl from a wealthy family who has a crush on her. I maybe like this one for the fact that both of the characters have someone they can be entirely honest around, and the woman is clearly trying to be a decent person despite all of her worst instincts, but I think that I like it solely because I’m not reading it as a romance, so take that under advisement. [Caution warning: adult/teen relationship]

6) “The Hairdresser” by Uta Isuki is about a girl who loves styling hair as she finally gets a chance to work on the model of her dreams: one of her classmates with long, silky hair. I think this one is quite sweet and silly, and does read as a sweet beginning to a relationship! The art is funny, and I enjoy Chika’s enthusiasm and her poses, even if I disagree with her hairstyle choices. It’s not bad!

7) “Alice in the Miniature Garden” by Sakuya Amano follows a maid responsible for tutoring an unwanted illegitimate child, and I have mixed feelings about it. When it’s being sweet about two unwanted girls choosing each other over and over again, I like it! But to get to those bits, you have to get through them both being needlessly cruel to each other, and I’m not sure I can be bothered with it.

8) “Master for 1/365” by Mekimeki has one of the few functional relationships in this book! The protagonist’s best friend volunteers to be her servant for a day and do anything she asks to make up for forgetting her birthday. It’s actually pretty cute and simple, which I appreciated after some of the other stories in this collection.

9) “Two Years and Eleven Months” by Kabocha is a melancholy story about childhood friends making a last ditch attempt to stay together after they start growing apart. It’s a quiet story with a bittersweet ending and both girls disappointing each other throughout, but it’s pretty well-told and I enjoyed how clear it was that the two of them still cared for each other even though it was hard.

10) “Game Over” by Kagekichi Tadano is about two school girls searching for a bed at the end of the world, and it manages to be equal parts atmospheric and silly. I like the way the reveal was handled, and I enjoyed how much the two girls seemed to like each other. [Caution warning: jokes about suicide]

11) “My Cute Bitch” by Izumi Kawanami was possibly one of the most frustrating stories in éclair. The protagonist moves in with a friend who likes casual sex with men, who then decides that maybe she’d like to date the protagonist! But as the love interest has no female friends, the protagonist decides that they can’t sleep together because a platonic friendship would mean a lot more. I… Have no idea why that’s in a girl’s love anthology when it seems extremely counter to that premise, but go off I guess! [Caution warning: cheating, slut-shaming]

12) “A Tale of Weeds” by Kazuno Yuikawa is the story about primary school kids I mentioned; a girl who adores her best friend starts to realise that maybe her best friend isn’t actually the nicest person when the friend starts bullying a new girl in class. It’s cute! It has characters learning about trust and friendship! I don’t necessarily understand why it’s in a romance anthology, but it is cute. [Caution warning: bullying]

13) “The Two of Us and Apples” by Taki Kitao is another sweet and goofy story; the protagonist has a crush on her best friend, who keeps asking for help learning to cook for men! The art is cute and squishy, giving everything a comedic tone that I think went well with the story and helped to show the protagonist’s frustration and fondness clearly! I think this might have been one of my favourite stories in the collection.

14) “Belle the Rabbit and the Wolf” by Hachi Itou is the only fantasy story in éclair, which makes it feel out of place. It’s a cute story about a bunny girl who owns a café helping a wolf-girl track down a delicious food that she can’t remember, and the art is lovely? The story is fine, there’s not a lot of drama? But tonally it’s very different from the other stories so I’m not sure how well it fits in.

15) “Your Jinx” by Fumiko Takada is so ridiculous that I’m honestly tempted to skip over it. A schoolgirl approaches her crush (who she has never even spoken to), to announce that she’s pregnant with the crush’s baby. I would like to stress the fact that they never even spoke before this! It’s ridiculous, the punchline is kinda gross, and if you do get a copy of éclair I’d suggest just skipping over this.

16) “My Idol” by Auri Hirao is another frustrating one. Two idols use on-stage fan service as an excuse for physical contact, which obviously ends in tears. I didn’t like this one, mainly because I didn’t see the point of it, especially not in an anthology that’s supposed to be about love?

I think the problem might be in the way that I interpreted the marketing. It’s advertised as a girl’s love anthology, which I took to mean it would be an anthology of romances, with the attendant happy endings and relationships that go with it. What I got was an anthology that didn’t seem to have a unifying theme or tone beyond having two female leads, some of which have a romance/romantic feelings and several of which don’t. This isn’t necessarily a problem, because sometimes you do need stories about unhealthy disfunctional relationships, and sometimes you do need stories about friendships between queer women! But in a manga advertised as a girl’s love anthology, I expected the stories to be similar in tone or structure or level of romance, anything, and they’re not, so I came away feeling quite disappointed.

Marthese reviews Kase-san and Morning Glories by Hiromi Takashima

Kase-San and Morning Glories Vol 1

Don’t you just love when you discover new queer lit (especially mangas which are so rare!) thanks to a public library?

Kase-san and Morning Glories manga is about Yamada (despite the name) who develops a crush on Kase-san, a tomboyish track athlete from next class. Yamada is at times reminded that Kase is also a girl and is always berating herself, but she does eventually get used to it. The two develop a friendship over gardening, walking together and training, and Yamada starts to believe in herself because Kase does.

It has manga-style sexiness (panty shots and boob shots) but there is nothing explicit and in fact, I found this in the Junior section at the library! It’s actually really cute at times. The two are obviously crushing on each other and, hurray, the ending was great! The story doesn’t drag out too long, though I do love slow-burn. It’s very fluffy: I mean, Yamada has a tendency to tug at Kase’s jacket to get her attention! And the support they give each other is so healthy and cute! A highly recommended series for those that like girls loving girls (or women loving women). It actually has a plot although a generic slice of life/high school theme.

The series in general has 5 books and there is a spin-off called Kase-san and Yamada which so far has 1 book. There’s translations in English and German available and there is even an OVA available to watch! 

Susan reviews My Solo Exchange Diary Volume 2 by Nagata Kabi

My Solo Exchange Diary Volume 2

My Solo Exchange Diary Volume 2 is another set of autobiographical essays about Nagata Kabi’s life and depression. Where Volume 1 followed her attempts at independence and romantic intimacy while unpicking her relationship with her family, whereas volume 2 finds Nagata Kabi enjoying friendship and emotional intimacy, while her mental health takes a nosedive.

Just like with the first volume, My Solo Exchange Diary can be a rough read. Nagata Kabi is frank about her mental health and the setbacks she suffered – being equally unable to cope with living alone and living with her family, drinking, and voluntary hospitalisation – and that is often harrowing! Sometimes funny, but definitely hard sometimes. Her cartoony style still doesn’t soften any of the blows, and sometimes make it worse, but her art is clean and striking, so it works! (And just on a purely over-analysing level: I love that the cover is finally her reaching out to herself and talking, because I feel like that drawing alone represents so much growth in her attitude to herself and her own pain.)

I think what really struck me for the first time as I read this is that because of the format – a collected edition of visual essays that were originally serialised monthly – it’s actually really tense to read, because you don’t have the same reassurance that the creator must have been fine because they finished the book as you would in a more standard autobiography. It accounts for the significant shifts in tone and subject between the chapters, and the way that she is much more enthusiastic and loving about her family than she was in the first volume, even as she talks about the pain they have caused and still cause her. It makes sense, because My Solo Exchange Diary is very much about the ways that Nagata Kabi’s family hurt her, but still rallied around when she needed them, but it was a little surprising to read.

The depiction of her struggle with independence and her stay in hospital felt very relatable to me, especially in her reactions to being stuck in the hospital without being able to articulate her fear and despair at the idea of having to stay there for months on end. It doesn’t feel advisory or demonstrative, it’s not a “here is what staying in hospital for mental health reasons is like,” it’s just what it was like for her, and the ways in which it helped her and scared her.

Unsurprisingly, My Solo Exchange Diary is still hard and harrowing to read, but it feels more hopeful than the previous volume. Nagata Kabi specifically talks about her support network that cares for her, and there is an epilogue where she recognises that packaging her life in neat little chunks for an audience is maybe not the best choice for her right now, which I’m honestly in favour of because I’d rather she focus on her recovery. Seeing her asking how her future self was doing at the end of some of the chapters broke my heart a little, but gave me hope that she was going to be okay. … Especially because she FINALLY got the hug that she’s been waiting for, and I nearly cried for her.

[Caution warning: alcoholism, depression, hospitalisation, self-harm, suicide attempt]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found writing for Hugo-winning media blog Lady Business or bringing the tweets and shouting on twitter.

Susan reviews Sweet Blue Flowers Volume 2 by Takako Shimura

Sweet Blue Flowers Volume Two by Takako Shimura cover

Sweet Blue Flowers Volume Two by Takako Shimura expands Fumi and Akira’s worlds a little more; it covers the summer holiday and their move up to second year in school, with all the attendant new people that comes with it, as well as the fall-out from Fumi and Yasuko’s relationship ending.

The art continues to be very cute, especially with the addition of new students to the established friendship groups! The kids look believably young, which is adorable, and I really appreciate that! (It can be a little confusing to keep track of who’s related to who, however, which I’m not sure is a fault of the art.) And it continues to have more realistic reactions to things than I expect from manga – Fumi is completely understandably upset with Yasuko, and the ways it manifests feel sadly plausible (such as her need to prove herself in Sugimoto’s shadow)! Akira’s confusion about sexuality and relationships also feels completely genuine, considering her age! I like that a book whose drama hinges entirely on relationships makes it clear that Akira not knowing how she feels about them is fine! (It also specifically discusses the different expectations the girls have for relationships, which is a lot more frank than I expected Sweet Blue Flowers to be, especially considering the girls’ ages. It’s probably good that it is frank, because yay for modelling discussions? But also: wow, I did not see that coming.) And on the topic of realism: the “obligatory clueless person putting their foot in it” in this volume is played by a first year who is Earnestly Concerned about her unmarried sister and the friend she lives with. The scene where she’s trying to talk about it to Fumi, who visibly has no idea how to react or what she can reveal about her own queerness was hard to read, but it felt really familiar.

The side-stories in this book are a little more central and tied into the main plot than in volume one; there’s a relationship that actually lasts into adulthood, there’s more unfortunate teenage crushes, and there’s something of a train-wreck relationship that everyone involved acknowledges is a bad idea. I like that it shows a variety of relationships – there’s healthy and unhealthy relationships, reciprocated feelings and not, and seeing Sweet Blue Flowers show so many different ways relationships can work out makes me really happy!

In conclusion, it’s still a good series and I really need to know where it’s going next, because I just want all of these girls to be happy!

[Caution warnings: mentions of incest]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found writing for Hugo-winning media blog Lady Business or bringing the tweets and shouting on twitter.

Susan reviews Sweet Blue Flowers by Takako Shimura

Sweet Blue Flowers Vol 1 by Takako Shimura cover

Sweet Blue Flowers Volume 1 is the latest series from Takako Shimura, the creator of the excellent Wandering Son. Sweet Blue Flowers follows Fumi and Akira, former childhood friends who are reunited when Akira rescues them from gropers on the train to high school, as the girls have to reckon with their own romantic entanglements and those of their friends.

The art is incredibly cute, as you could probably expect from Takako Shimura; it’s spare but emotive, and all of the teenage characters actually look like believable teenagers! They behave like them too – the thing that I like the most about Sweet Blue Flowers is that all of the characters have realistically complicated and messy relationships for high school students. There are crushes that don’t lead anywhere! There are break-ups at the worst possible times and in the worst possible ways! There are friends trying to choose between supporting a friend who was rejected by her crush, and the friend who got asked out instead! There are miscommunications and active choices against communicating that might be frustrating in another setting, but because it’s a high school, it all makes perfect sense to me. It’s delicious in its drama and the recognisable (and surprisingly realistic for a manga) responses all of the characters have to it.

It’s also possibly the first manga I’ve seen where there’s actual coming out scenes to someone who isn’t the inevitable love interest! I liked the different reactions to people coming out – Akira’s immediate response to Fumi coming out is to ask how she can support her and what she needs, which is the purest and sweetest thing in the entire manga, especially because when Fumi tells her, she actually goes through with it! I absolutely need more friendships like that in my media. And the flip side is that when Fumi’s girlfriend comes out to her family (and by extension, outs Fumi), their reaction is to treat it as a joke, or ask invasive questions. Both of them are believable, and neither of them are a thing that I’ve seen represented in manga before despite experiencing both in real life!

My only concerns about representation is whether Yasuko’s character is going to play into biphobic stereotypes in the future for reasons that are entirely spoilery (I’m happy to give details in the comments!), and whether the feelings these girls have get dismissed as pashes or pretend relationships. I have faith in Takako Shimura that they won’t do either of these things, because their depictions of queer characters are generally kind! I am hoping that there is an accounting for Fumi’s crush on her cousin, and how many of her tangled feelings about her queerness are because of that relationship.

In conclusion: I really recommend Sweet Blue Flowers. It’s cute and emotional, and is a marginally more realistic depiction of teenage romantic drama than I expect from manga!

[CW: sexual harrassment from strangers on trains, mentions of emotional incest, outing]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found writing for Hugo-winning media blog Lady Business or bringing the tweets and shouting on twitter.

Susan reviews My Solo Exchange Diary Volume 1 by Nagata Kabi

My Solo Exchange Diary cover

Nagata Kabi’s My Solo Exchange Diary Volume One is a follow-up to her hit autobiographical manga My Lesbian Experience With Loneliness (which I reviewed in June!). It is an autobiographical essay collection talking about her depression, her attempts to leave home and gain her independence, and her relationship with her family; and it is harrowing. Compulsive, excellent reading, but it left me feeling like I’d been hit by a truck afterwards.

It’s a very introspective series of graphic essays, where she talks about her realisations in the past month and the work that she has done on her own well-being. Sometimes this means that the essays meander a little, and sometimes it means that they’re laser-focused on one issue, like having to be confident in her own identity before she can let herself be influenced by others. The art style is still the same as in My Lesbian Experience With Loneliness, so it’s still cute and cartoony, but the contrast between that art style and the subject matter alternates wildly between making things more bearable and making things harrowing.

If anything, My Solo Exchange Diary is even more clearly and explicitly about Nagata Kabi’s loneliness, despite it being about her search for connection and friendships! It analyses her support network (which… Isn’t really a network), and how unsupportive her family is, not just of her as a creator, but of her as a human being, and that is rough. (If you remember in My Lesbian Experience With Loneliness, how she said that she had the classic traits of someone who was abused as a child despite not being abused? Yeah, about that.) She’s also frank to the point of cruelty about her own self-harm and suicide attempts (which she mentions not necessarily casually, but almost as a background detail for what’s going on) and readiness for relationships, which means that the end of the book is really hard to bear! To the point where I just had to put the book down and stare into space for five minutes to process how it was making me feel.

The first volume of My Solo Exchange Diary is a beautiful, gutting read. If you liked My Lesbian Experience With Loneliness then it is definitely worth picking up, but it is a lot rougher emotionally!

[Caution warnings: depression, self-harm, emotional neglect/abuse, mentions of eating disorders]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found writing for Hugo-winning media blog Lady Business or bringing the tweets and shouting on twitter.

Susan reviews My Lesbian Experience With Loneliness by Nagata Kabi

Nagata Kabi’s My Lesbian Experience With Loneliness is an autobiographical manga about the creator’s life as a young queer Japanese woman with depression, who decides that the best way to resolve her difficulties connecting with people and her understanding of her own sexuality is to hire an escort.

My Lesbian Experience With Loneless is a a really fascinating look at the creator’s life, especially because the way she talks about her depression is extremely relatable. Some of the mental loops she describes and her resolutions (She talks about how she always treated herself and her accomplishments like crap because she couldn’t love herself, but once she started actually looking after herself the people around her started treating her better! And there is a panel of her yelling “If this is how it is, I’ve got nothing to lose! I’ll claw my way out of bed with my last dying breath!” which is how I feel about my mental health too!) are extremely familiar, but presented in a way that softens the blow. She makes me laugh even as I’m nodding along. She doesn’t shy away from talking about the problems she’s had, or how awkward she is, and it’s impressive.

(I found the sections where she spoke about her mother to be very strange, but in much the same way that I found the way Alison Bechdel spoke about hers in Are You My Mother? to be strange, so I don’t think that part of the book was ever going to work for me. Your mileage may vary!)

The art style is very minimal and sketchy, which works for the narrative of the book. It does so much of the heavy lifting to keep things on this side of funny and bearable, even when she’s talking about serious matters like her eating disorder. I found it especially effective for the scenes at the love hotel, because it’s not presented in a titillating way! I’m a fan of story about sex workers than manages to not centre the male gaze, and the fact that this story focuses on how awkward Nagata Kabi felt herself to be really works. I especially loved the follow-up comic where she talks to another escort from the agency, and the authorial comment that it’s much easier to speak to people who know her from her manga, because “it was like I’d submitted material about my personality in advance.”

Basically, this was an entertaining manga that speaks frankly about Nagata Kabi’s depression and recovery, and the way that hiring a sex worker changed how she thought about herself. It was really cool, and I enjoyed it a lot!

(The follow-up manga, My Solo Exchange Diary, has also been licensed and should be out this month!)

[Caution warning: depression, eating disorders]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found writing for Hugo-winning media blog Lady Business or bringing the tweets and shouting on twitter.

Whitney D.R. reviews Nameless Asterism Vol. 1 by Kina Kobayashi

Where was this manga when I was in middle school?

Nameless Asterism is a yuri manga that focuses on middle schooler, Shiratori (center) and her best friends, Washio (left) and Kotooka (right).  Shiratori is a soccer-loving tomboy who doesn’t have much experience in dating, unlike a lot of her classmates. Kotooka, however, is frilly and flirty and will date anyone who asks her out.  Stoic, reserved Washio just doesn’t want to be bothered with boys or romance.

But Shiratori has a secret….

So does Washio…

And so does Kotooka…

The three girls met on a crowded train when Shiratori’s hair got caught in the button-sleeve of Washio’s blouse and Kotooka repaired the button.  From that point on, Shiratori has had a crush on Washio. Shiratori internalizes her feelings, believing that Washio couldn’t like Shiratori because they’re both girls.

That is, until Shiratori catches Washio almost kiss a sleeping Kotooka.  Knowing that the girl she likes likes someone else, Shiratori decides to be a supportive friend instead of telling Washio how she feels.  The two girls grow closer over unrequited love, which makes Kotooka feel left out and a little jealous despite Kotooka putting her flavor of the month boyfriends over her friendship. When a random boy from another school asks Shiratori out, Kotooka’s overzealousness about pushing Shiratori and the boy together belies ulterior motives.

I found Nameless Asterism to be cute and relatable.  But Shiratori and Kotooka came off a lot younger than 13-14 year olds.  Not to say that 13 and 14 year olds and younger don’t have troubles with coming to terms with who they like and whether or not to risk a friendship over it.

I read this as an adult who came out late in life, but looking back, I realized I was very a hybrid of Shiratori and Washio.  I didn’t have much experience in dating, like Shiratori. Actually I didn’t date at all. But then, I also couldn’t be bothered with such things as romance, like Washio.  Like both girls, I had, what I now realize, were crushed on girl friends at school, but didn’t have the guts to express my feelings.

Read this manga if you’re a fan of other school girl, friends-to-something-more yuri manga like Girl Friends by Milk Morinaga. With the way volume one ended, I predict a lot of heartache for this all-girl love triangle.

4 stars

Danika reviews Girl Friends: The Complete Collection 2 by Milk Morinaga

I’ve been on a bit of a manga binge lately, and one of the ones I’ve enjoyed the most is Girl Friends. The first volume was adorable and such a slow-burn romance, though there was some internalized homophobia. The second volume is more from Akko’s perspective, which made me enjoy it even more. While Mariko was agonizing over her feelings for Akko, Akko was quick to realize that she returned them and delighted to be dating her.

Instead of internalized homophobia, most of this volume dealt more with romance trope-y misunderstandings as conflict. It was nice to see them get together, and there’s really pretty minimal angst after that point. I was worried that they might dismiss their relationship as juvenile as they got closer to graduation, but the text takes them seriously as a couple. They talk about how they’re going to come out to friends and families, and how they see each other in their futures.

This was a sweet, fluffy read that completely sucked me in. I’m a little sad for it to be over! Girl Friends is definitely a series I’d recommend, especially for teenagers wanting to read a cute romance between girls in high school.