Mo Springer reviews Cinderella is Dead by Kaylynn Bayron

Cinderella is Dead by Kalynn Bayron

200 years ago, Cinderella died. Now, all the girls of the kingdom are forced to reenact her fairytale, forced into marrying men who mistreat them and discard of them as they please. But is there any truth in the story the system of cruelty is based on?

Sophia is in love with Erin, who wants to follow the rules to ensure good fortune for her parents and her own future. Sophia is horrified by what she sees at the ball and runs–right into Constance, whose history changes everything Sophia thought she knew. Together the two of them must find a way to end these years of suffering–but will they be able to endure it for their happiness, with each other?

This was a really good book. I love fantasy and this was an interesting world to explore, the author clearly put a lot of thought into the building of it and it shows in the narrative. I liked how this wasn’t too complicated of a system to try and understand; there’s a lot of the world that is similar to our own, which lends itself well to being a story you can relate to you.

The characters felt like they fit this world and were created by its structures and cruelty. Sophia was a great protagonist, leaping off the page from the beginning. As a reader, I was able to engage with her very well, and I was invested in her story. Her romance with Constance was also fun, there was some really good tension there, as well as with Erin. The side characters felt real and helped build the story, especially the villain and their motivations.

The plot was fast paced, and there was never a part I felt bored. I liked how character-driven the story was and the satisfying arcs that followed. The stakes felt real, as the villain was well built and established.

There were some parts that felt a bit too quick, and I would have liked some more build up and complexity to those moments in the story. Sometimes it felt like the author had a lot of scenes in mind and then patched them together after writing them up. That’s not to say those scenes were badly written or took away from the story, but overall, it felt like connection between them could have been stronger.

Having said, this was still a fully enjoyable novel and I recommend it to anyone interested in fairy tales and fantasy.

SPONSORED REVIEW: Comet’s First Christmas: The North Pole Chronicles by Delilah Night

Comet's First Christmas by Delilah Night

As we enter into the end of 2020, if you’re someone who celebrates Christmas, you’re probably having some strong emotions about it right now. Maybe you want to forget the whole holiday, because we probably can’t celebrate it the way we usually do. Or maybe you, like me, are filling your Netflix queue with holiday romances and stocking up on eggnog, because we deserve a tiny sliver of hope and happiness this year! If you are looking to dive headfirst into Christmas, Comet’s First Christmas is a great way to kick it off.

This is about Claudia, a reindeer who has just been brought in to act as Comet this Christmas season. Yes, this is about reindeer shifters. And yes, all nine of Santa’s reindeer are lesbians. As you might expect, this is a book overflowing with Christmas cheer. Everything is themed: Claudia drinks candy cane coffee, her assistant is an elf, and her phone comes equipped with a Naughty-Or-Nice app.

This overwhelming festivity reminded me more of a classic kids’ holiday movie, initially: it is an unapologetic celebration of Christmas that can verge on the tooth-achingly sweet, but is perfect for if you want to be completely immersed in the holiday. I’d love to see this series get cartoon covers in the style of Shira Glassman’s Mangoverse series, Clare Lydon’s holiday books, or even Talia Hibbert’s Brown Sisters series, because I think that would better match the mood of the this story.

The conflict is that someone is going around convincing people to not believe anymore. Claudia has to try to stop this nefarious villain before they lose any more Christmas magic! Although it sounds like a kids’ movie, this is a romance novel, which means we see 25-year-old Claudia earnestly asking other adults why they’ve stopped believing in Santa. It was a little jarring, but in this world, adults who believe do get gifts from Santa every year, so it makes sense in this context.

Did I mention that this is a romance? Of course, you’re coming to the Lesbrary not just for generic holiday cheer, so you’ll be happy to know that this includes a very sweet romance. It definitely falls into the instalove category, but it works for this very cute book. Claudia crushes on Jillian hard when they meet. Jillian is technically her assistant, but because the role of Comet changes and Jillian’s job stays the same, it didn’t feel like a power difference to me: they both seemed like equals. They made for an adorable romance, starting with clueless lesbian flirting (she’s obviously hitting on you, Claudia!) and including lots of healthy communication.

Although this is a sweet book with a pretty straightforward plot, there are a lot of details to enjoy as well. I loved seeing Once & Future by Amy Rose Capetta and Cori McCarthy get a shout-out (I’ve got the sequel on my bedside table right now!), and there’s a Star Trek-loving reindeer who swears in Klingon. Claudia is visiting New York for the first time, and she revels in getting the classic Christmas in New York experience, including going to Macy’s, Times Square, seeing The Nutcracker, and more. Claudia also has anxiety, which is own voices representation. She manages it with breathing exercises and other techniques, which it was nice to see included.

This is the first book in the series, so it’s not surprising that everything isn’t tied up completely, but it did feel a bit anticlimactic in terms of the overarching plot, though Claudia’s story concludes nicely. I feel like I guessed the mystery really early in the book, but I’m not sure yet if I’m right. I look forward to the next book in the series, which seems to be about Prancer–will every reindeer get their own story?

In the afterword, Delilah Night says she wrote this because “after how bruising 2020 has been, can anyone blame us for wanting something a little sweet?” This definitely fits the criteria for sweet, but be prepared: only pick this up if you’re ready for a heavy dose of Christmas cheer!

Kayla Bell reviews The Labyrinth’s Archivist by Day Al-Mohamed

The Labyrinth’s Archivist by Day Al-Mohamed (Amazon Affiliate Link)The Labyrinth’s Archivist by Day Al-Mohamed (Amazon Affiliate Link)

Are you looking for a book with a diverse cast, compelling story, great worldbuilding, and disability representation? Lucky you, because you have The Labyrinth’s Archivist.

This fantastical novella stars Azulea, the newest in a long line of Archivists, the people who interview travelers and make maps of the worlds that extend out from the Archivists’ Residence. Azulea desperately wants to join her family’s vocation, but she is blind and therefore assumed to be incapable. When someone (or something) starts killing Archivists one by one, Azulea puts her mind to solving the mystery.

There were so many things I loved about this book. For starters, there was the amazing disability representation. The author, Day Al-Mohamed, is blind herself, so the representation was very authentic. I love how Azulea’s blindness was incorporated into the story, but didn’t make it seem like inspiration porn. It was also very refreshing to see disability representation in the fantasy genre, where we certainly don’t get enough of it. More than just painting Azulea as an inspirational story, the novella really dives into the challenges of being blind in a fantasy world. Physically and psychologically, Azulea must adapt to her surroundings. The Labyrinth’s Archivist is worth reading for this aspect alone.

Another part of the novella I loved was worldbuilding. The world of the Labyrinth was so detailed and intricate. Every setting was so beautifully described. I could picture every scene like a movie, which is something I love to see in a book. The world is heavily influenced by Middle Eastern culture, which also gave it a sense of depth and richness. The opulence of the Residence itself shines throughout the novella, and serves as a wonderful backdrop to the central mystery. The story itself reads very quickly, too. It’s like a fantasy version of an Agatha Christie novel. I flew through it. If anything, I thought it was too short.

Even given everything else, for me, the best part of this novel was the characters. Azulea is a really wonderful protagonist. She is spirited, resilient, and determined. I was happy to spend the entire novella following her. Her relationships with other characters also stood out. I loved reading the interactions between Azulea and her mother. They had a difficult, but ultimately very authentic relationship. Same with the relationship between Azulea and her grandmother. Finally, the romance was also very sweet. I wish we had gotten more of that as a plotline, because it does come up quickly towards the end of the story. Still, the engaging and complex characters made this book a real page-turner for me.

The Labyrinth’s Archivist is a short, refreshing, fun novella that blends fantasy and Middle Eastern culture in a beautiful way. Its characters are very interesting and drive the story forward. It involves disability representation and worldbuilding that are truly unique. Although it is short, this book is definitely worth your time.

Carolina reviews The Invisible Life of Addie LaRue by V.E. Schwab

The Invisible Life of Addie LaRue by V.E. Schwab (Amazon Affiliate Link)

“Your characters begin to live the way you do, unrepentant. Never reduced to their queerness, only expanded by it. It infuses them in many ways, sometimes subtle, others loud.”

What does it mean to be invisible? As queer people, most of us are familiar with invisibility in many forms. For some of us, it’s being in the closet, having to deliberately conceal parts of ourselves; for others it’s a lack of representation, a blank outline where we should be in the media. The Invisible Life of Addie LaRue by V.E. Schwab is the fantastical and introspective journey of Addie LaRue, a bisexual immortal cursed by the devil himself to be forgotten by all who meet her, until she meets someone who finally accepts her and loves her for who she is.

I’ve always loved Schwab’s writing, from her X-men inspired Villains series, to the whimsical and enchanting A Darker Shade of Magic series. One thing that I always appreciated in her writing is the casual inclusion of queer representation; Prince Rhy Maresh makes Alucard his prince-consort in the magical Red London, and the anti-hero Victor Vale’s asexuality is a valid part of his identity.

Following the immediate publication of long-awaited The Invisible Life of Addie LaRue, author V.E. Schwab came out as gay in a moving interview for Oprah Magazine. Schwab’s coming out was touching and it was refreshing to discover one of my favorite authors was queer as well. In the article, she cites the queerness of her characters as a tool to becoming comfortable in her own sexuality and skim, a theme that is echoed throughout Addie LaRue’s life, as love allows her to discover her true self and worth.

The Invisible Life of Addie LaRue is more of a character study than a romance; although Addie does not shy away from describing her female partners in the same way as her male partners, the true core of the book is Addie’s character development. Addie begins the story in 17th century rural France, a desperate teenage girl willing to sell her soul for the chance to to escape an arranged marriage, and live openly on her own terms. Lucifer, ever cunning, gives her the freedom and immortality she longs for, but curses her to be forgotten by all who meet her, dooming her to a life of isolation and sorrow. Throughout her eternal life, she is haunted by the charismatic, seductive devil himself, and nearly loses herself to his deceit. As she grows older and wiser, she learns that although she is forgotten, she will still be remembered through the marks she leaves behind on people’s lives, history and art. When she meets Henry Strauss in 2014, they slowly fall for each other after learning they were both marked by Lucifer. With Henry’s support and encouragement, she begins to find the strength to tell her story and defeat the devil on her own terms.

The novel embodies Schwab’s familiar, haunting prose, and introduces us to a cast of unique and lovable characters, the majority of which are LGBT. Henry’s friend group feels like a love letter to gay friendship as a whole, illustrating the inside jokes and affection only a group of queer people can have for each other. I also loved following Addie through history, seeing the world change and advance around her. The use of multimedia and art as a motif was particularly moving; the art we make acts as a stark indicator of both who we were, are and will be, and the world we live in.

The Invisible Life of Addie LaRue is a microcosm of a life’s journeys and discoveries. Addie’s imperceptibility can be seen as a metaphor for being closeted; Addie sells her soul for the opportunity for freedom, and the ability to choose who to love outside of the pre-conceived notions of narrow-minded people in her small French village. Thus, Addie is erased from the forefront, a vital part of her identity disregarded and ignored, her contributions lost to the sands of time, like many queer individuals through the annals of history. Addie is isolated and cut off from anyone like her, similar to being in the closet. It isn’t until Addie meets Henry, someone else who is cursed for wanting love and acceptance on his own terms, that she is able to see herself in him and come into her own.

The Invisible Life of Addie LaRue is a moving reflection on isolation and what it truly means to be human, summing up the collective need for companionship and acceptance in a tale worthy of the Brothers Grimm for the modern age.

Thank you to the publisher and Edelweiss for the advance review copy.

Trigger Warnings: Abusive relationship, suicidal ideation, depression, addiction

Thais reviews Deathless Divide by Justina Ireland

Deathless Divide by Justina Ireland (Amazon Affiliate Link)

I have had Dread Nation in my TBR list for a while. After Deathless Divide was released, I was even more pressed to check out this duology, even though YA stories about zombies are not exactly something I would normally read. The premise was just too good—after the dead rise during the American Civil War, Native and Black American kids are taken from their families and forced into an education that basically trains them to protect white people from zombies.

The first book, Dread Nation, set up the world and had protagonists Jane and Katherine finding out that the biggest danger did not come from the undead. Deathless Divide starts just as the first book ended, with Jane and now friend Katherine fleeing the town they had been sold to and trying to find their luck in a nearby frontier town founded by people of color. But the people who were all too gleeful to see our protagonist basically enslaved into a death sentence flee to the same destination, and so Jane’s problems continue to follow her.

I had conflicting feelings about Deathless Divide. On one hand, the duology as a whole is the best YA series I’ve ever read. On the other, the books seem to show that I’m not really the audience for YA dystopian fantasy, even the most creative, amazingly developed ones. I have always struggled to get on board with how overly plotted and overly designed some YA fantasy books feel. It was an issue I had even with books I read and loved as a teenager.

Dread Nation had a chaotic energy that I loved. It had some tropes, but it mostly felt wholly original. Deathless Divide, on the other hand, seemed to try very hard to hit all outlined plot points, sometimes to the detriment of the characters, and it drove me mad, because the characters are the soul of the books.

It also had very specific quests the protagonists had to complete, unlike the ‘just survive’ approach of the first book, and after the first half, the sequel feels like it’s spinning on wheels trying to convince us the characters really would make all these decisions that would lead to resolution being delayed and delayed until the very last pages. For example, it’s impossible not to see where Justina Ireland (as amazingly talented as she is) tried to turn Jane bitter and where she left crumbs for Jane’s salvation.

I have loved Jane since the first book and I was even more excited to spend time with her in Deathless Divide, because while it is revealed in book one that Jane is bisexual, this installment was supposed to bring us a sapphic romance for Jane.

When Jane told people again and again that she had to get revenge, no matter what, I sided with her. I felt her pain. I was annoyed at Jane’s constant attempts to try to save people who were monsters, but I also believed in my core that she was a good person who felt she had to try. I was annoyed that Jane believed she could reason with people who saw her as less than human and convince them she was right, but I rooted for her nevertheless. I believed in her flaws. I trusted her as a character.

But all my love for Jane could not prevent me from seeing that halfway through this book she changed specifically so she could be redeemed. She became a different person than she was for one-and-a-half books entirely to drive the plot into meandering tangents that delayed her completing her quest. She made stupid decisions to delay the climax of the book and create tension.

That soured the book for me a bit. The fact that other characters also have their ultimate growth attached to Jane’s arc didn’t help.

Ireland created a cast of characters that was instantly likable, despite their many stubborn moments and their many errors in judgment.

I loved Sue more than I loved Jane. I loved Katherine more than I loved Jane. I wanted their journeys to stay their own. And I wanted to love Callie, and hated that she was not given as much complexity as Jane’s male crushes.

I won’t lie, the promise of a little sapphic action was what drew me to this series. I stayed because of the writing (despite my whining), but I still wanted to see Jane in the context of this relationship, given that her feelings for the two male romantic interests in past books were extremely relevant to the story and her growth as a character.

But Callie is never developed very deeply. We never see them falling in or out of love. We never know if there was anything in Callie that Jane liked beside Callie’s willingness to take care of her and stay by her side. It was so disappointing.

Jane and Callie are not the only LGBTQIA+ representation, however, and if I still loved this book, it is in great part because of Katherine. Katherine and Jane have an enemies-to-best-friends journey that is the emotional core of the books. I was heavily invested in their friendship, but I was especially engaged with Katherine’s arc.

Katherine is complicated and delightful. She is consistently loyal and curious about the world. Her ace identity did not feel forced, and it did not feel like a gimmick or a throwaway storyline. She is always whole and complex and driven, even when her story becomes all about her friend. She wasn’t my favorite character in Dread Nation, but in Deathless Divide, she rightfully steals the spotlight and stays the most cohesive character, even while growing and changing.

I wish Katherine had enjoyed more of an arc of her own. I wish the side characters had also gotten more time on the page. I rarely say this, but this duology could have easily been a trilogy, because there were enough character-driven plots that could have been pursued.

There were so many elements that worked in the book—the experiments and the anger they caused on Jane; the complicated journey to find a safe haven from the zombies, only to find out that there were few refuges to be had if you were Black; and the way each loss resonated and was felt deeply.

But I would also have loved for the one queer relationship to have gotten its due on the page, even if it didn’t have a happy ending. I would have loved for more of the characters to have time to feel whole.

I still think Justina Ireland did something unique and special. This was such an original idea, and while some of its elements left me frustrated, I think it says something about the book that I just wish there was a lot more of it. I cared about this world so much, to the end. I would gladly revisit it and spend time with any of the peripheral characters.

If you haven’t read it yet, you should. Whatever problems the book has, it also has beautiful people you will be glad you spent some time with.

Kayla Bell reviews Unspeakable: A Queer Gothic Anthology edited by Celine Frohn

Unspeakable: A Queer Gothic Anthology edited by Celine Frohn

Gothic fiction is my jam. I love the slowly building sense of dread that is the cornerstone of the genre. If I could have the job of any fictional character, it would be the creepy groundskeeper of the haunted manors in gothic ghost stories. I also (as you can imagine from me writing for this website) love queer stories. Looking back, my favorite horror and gothic books have consistently been those with queer elements. So as soon as I saw Unspeakable on the list of books up for review, I knew I had to read it. I’m happy to say that this short story collection lived up to my high expectations.

While all of the stories include gothic elements, they are all very different. The stories run the gamut from classic, historical gothic horror to modern-day shapeshifter romance. This collection is stronger for the diversity in storytelling that it holds. I loved the ones that had explicit sapphic relationships, but the ones without them were just as good, too.

One feature that really stood out to me in this collection was the setting. As I said, I love classic gothic stories. So every story that took place in an old, desolate home overlooking a grey sea made me very happy. The stories that I thought used setting to their advantage the most were “Hearteater” by Eliza Temple and “Quicksilver Prometheus” by Katie Young. Both of these stories used the grey, dark classic gothic setting to show the inner minds of their main characters. “Quicksilver Prometheus” also stood out to me because of its brilliant use of historical elements. That was definitely one of the best stories in the collection for me. Other stories that had amazing settings were “Moonlight” by Ally Kolzow and “The Moon in Glass” by Jude Reid.

Three of the other stories also stood out to me as being exceptionally good. The first was “Laguna and the Engkanto” by Katalina Watt. This sea creature horror story incorporated the culture of the Philippines to create a truly unique and horrifying tale. Watt’s writing was also featured in another one of my favorite recent anthologies, Haunted Voices. I will definitely be seeking out more of her work.

“Homesick” by Sam Hirst almost made me cry. I wasn’t expecting such a profound and beautiful love story between two ghosts. In my opinion, it also had the best opening line in the book (and maybe of any short story I’ve ever read). This one was simple, but incredibly beautiful. It will certainly stick with me.

Finally, “The White Door” by Lindsay King-Miller turned a classic story on its head and proved that gothic stories can absolutely work in a fantasy setting. I was impressed by how well this one drew on standards set by classic works in order to create something completely unique. It also had an amazing and very chilling ending.

Overall, I really loved this anthology. I can see myself rereading it at night in October, waiting for something spooky (and potentially even sapphic) to happen.

Kayla Bell is the pen name of an author, reviewer, and lover of science fiction, fantasy, and horror. You can catch up with her on Instagram @Kreadseverything for more book reviews and updates about her writing.

Sash S reviews Spellbound by Jean Copeland and Jackie D.

“Hazel Abbot spent her whole life unaware she was a witch. When a spell thrusts her great-aunt Sarah Hutchinson forward from the Salem witch trials of 1692 and lands her in Hazel’s bookstore, everything Hazel thought she knew about herself changes…”

If you want a read that’s fast-paced, fun, and filled with well-rounded and likeable characters, look no further than Spellbound, a perfect blend of paranormal action and lesbian romance.

We start directly in the middle of the action, with protagonist Raven Dare—sexy, solemn and mysterious in equal measure—doing what she does best: hunting demons. Armed with gold knives and a wit that’s just as sharp, Raven kicks butt whilst quipping about American Idol, and it’s all in a day’s work for this demon hunter with a tortured past.

In a story about time-travel, supernatural monsters and women-fearing cults, it is the characters in Spellbound that are the true heart of the novel. There are a great many interesting dynamics at play between the central cast, and as a reader, you’re immediately drawn to them. The four main women are strong in their own ways, and their interactions are alternately warm, fierce and sizzling with tension. It’s great to see them clashing with the main villains of the novel, but just as fun to see them in their downtime, and there’s plenty of both due to the novel’s excellent pacing.

Sarah is great fun; immediately likeable and not one to take her strange circumstances sitting down, she takes agency and adapts to the world she’s living in, though finding it bizarre at times. Hazel, too, takes up her new mission with an admirable courage, spurred by the attraction she feels towards Raven. Morgan is aloof, sarcastic, but caring underneath. There are two main love stories in Spellbound, and though different in tone, both are equally compelling.

My favourite thing about this book is how down to earth it is, whilst dealing with the supernatural. Vivid descriptions of car rides, plane journeys and cities build up the real world, juxtaposed with fights against demons and monsters; the authors do a great job of nailing magical realism.

To that end, too, the villains of the story are rooted in very real prejudice despite their paranormal nature: whilst the protagonists clash with banshees and hellhounds, the writers don’t shy away from the fact that the real evils of this tale are prejudice, a fear of women and their strength, and a need to subjugate others for one’s own gain. The supernatural elements of Spellbound are a great vehicle for a story that’s ultimately about overcoming these things, celebrating the strength of women and doing what’s right.

This is such a fun read, with excellent pacing, engaging romance and a realistic, compelling cast of characters.

Rating: *****

Maggie reviews Cinderella is Dead by Kalynn Bayron

Cinderella is Dead by Kalynn Bayron

I was very excited to get ahold of this ebook, because I’ve been listening to a lot of YA audiobooks lately while doing other things, and so I’ve gotten on a fantasy YA kick. It’s great to read some exciting new releases and promote new books during a time when we all desperately need good distractions. Cinderella is Dead is not a re-telling of Cinderella, which is a trope that I do love but that I’m getting a tad bit weary of. Rather, it’s something I found even more exciting: imagining the consequences of a fairy tale after the tale, not just for the characters themselves, but generations down the line. Cinderella is Dead is perfect for those who want something more from the original Cinderella story.

The legend of Cinderella isn’t just a tale to the citizens of Lille. Rather, Cinderella was a real woman, and her legacy has grown and has been codified into the very law of the land. Every girl in the city must not only know the story by heart, but they are all commanded to dress up and attend a ball at the palace, just like Cinderella did. But rather than a romantic tradition, the events have been corrupted and used to control the citizenry by the corrupt monarchy. People pray to the spirit of Cinderella, not to wish for happiness, but to hope their daughters won’t be disappeared by the palace guard. Girls hope to find a suitor at the ball–but only because if they don’t they risk disappearing or being forced into menial labor. And they don’t get a choice about what man chooses them, or how he treats them after they get married. It’s truly a grim but intriguing imagining of how a beloved fairy tale could play out and be corrupted. CONTENT WARNINGS: this story deals with domestic violence, abuse, homophobia, human trafficking, and mentions of rape. The culture of Lille is dark, and its citizens who are not straight men go through a lot, which may seem like a lot in a book aimed at young adults, but what I find important is that our protagonists stand up to it, and meet and encourage other people to not accept these things as normal.

Enter Sophia, who harbors a forbidden love for her friend Erin, and a deep terror at being forced into a marriage where she will have no rights or say in her own life. Sophia refuses to accept the reality of Lille and wants to try to run away with Erin before the night of their own Ball when they’ll be trapped, but Erin can’t imagine taking such a risk and wants to do what is necessary to remain safe. The night of the Ball, Sophia is forced to flee by herself, and then she meets Constance, the last descendant of Cinderella’s Stepsisters. Confronted with new information about the true story of the Cinderella legend, and growing new feelings for a girl who is willing to fight by her side, Sophia has to decide how far she’s willing to go to create a better life for everyone in Lille.

It was really interesting to see not just the long-term effects of a fairy tale, but characters interacting with true events vs fictionalized versions. Over and over Sophia has to confront how the history she took as true but corrupted was actually propaganda from the start. And this book really took all the instantly recognizable elements of Cinderella–a blonde and beautiful Cinderella, glass slippers, the fairy godmother–and flipped them around while remaining firmly rooted in the original fairy tale.  The cover proclaims that Cinderella is Dead while Sophia stares out at us, Black, curly-haired, wearing the iconic blue Cinderella gown, but unabashedly, from page one, not interested in marrying a prince, and the story promptly drags us away from magicked pumpkins and mice and into witches, necromancy, and anti-royalist rebellion. In Lille, Cinderella was real, and her history was complicated, but her legacy is now Black, queer, and invested in taking down a tainted, misogynist monarchy.

I really enjoyed this book. It was a fun read, and the world-building and action picked up quickly. I really liked the slow peel-back of the Cinderella story, combined with how straightforward and brave Sophia and Constance were. [spoiler, highlight to read] I also really loved that Sophia had a first love, but then slowly realized she was more compatible with Constance. [end spoilers] The twists and turns managed to surprise me and keep me involved. It’s just a really good read, and we need more like it on the shelves, especially for young readers today.

Emily reviews The Priory of the Orange Tree by Samantha Shannon

The Priory of the Orange Tree by Samantha Shannon

The Priory of the Orange Tree is an epic fantasy standalone that features characters across the world struggling with the re-emergence of a thousand-year-old threat. At the beginning of the story, Ead is a lady in waiting in the court of Sabran the Ninth, hiding forbidden magic and a secret mission to keep the Queen safe. Loth, the Queen’s best friend, has been sent on a deadly mission by the Queen’s spymaster. On the other side of the world, Tané is in training to become a dragon rider, but her life is altered by a chance encounter with a foreigner on a beach. Niclays is living his life in exile, but Tané’s decision will pull him out of obscurity. From there, Shannon weaves a truly fantastic plot, taking the reader on a wonderful journey before bringing the threads from all over her world together for the conclusion.

There is a lot to love in this book. Any book with pirates, magic and dragons is something I will love, but this one included so much more. Shannon roots her world in real world history, as well as a number of myths and legends, which gives the book a really solid grounding and makes the whole thing seem real. Having characters from different parts of the world really adds to this realism, because we get to see different cultures in detail, as well as how they overlap. The characters all have different viewpoints on the world, but they are all engaging and interesting to read about. I particularly loved Ead and Tané’s journeys. I will say that I found different viewpoints less interesting than others at certain points in the story, but that’s a problem I have with most books that balance so many perspectives.

Ead’s plotline involves a slow burning sapphic romance and it was absolutely delightful! It developed slowly, but in a way that left it feeling inevitable, and I rooted for the characters to be together so much. I also really appreciated that the barriers to lgbtq+ characters being together in this book were rooted in class, duty and circumstance, rather than in homophobia.

The pacing was a little off in places: the first half of this book was quite slow, with Shannon taking her time to build up the intrigue in Sabran’s court and to introduce you to the world. I had no problem with the pace picking up as the book went on, but it sped up so much that it felt like there wasn’t quite enough time to do justice to the big finale at the end. It perhaps suffered slightly from trying to balance so many characters and such an epic plot in a single book. That said, the conclusion was still very satisfying, and the work felt complete as a standalone.

This wasn’t a particularly new or inventive fantasy–if you’ve read much of the genre, you’ll probably find this book feels familiar to you. However, I don’t think that’s a bad thing! I’ve never seen this kind of story with a sapphic relationship taking centre stage before, and I absolutely loved it. It was so nice to see myself represented in the kind of fantasy story I loved growing up. Overall, this was a really enjoyable and accessible fantasy, and I’d really recommend it!

Rachel reviews Queen of Coin and Whispers by Helen Corcoran

Queen of Coin and Whispers by Helen Corcoran

A lesbian fantasy with intrigue, murder, spymasters, and royal obligations? I’m in from the word go.

Helen Corcoran’s Irish fantasy novel, Queen of Coin and Whispers was published in June of 2020 by The Obrien Press after a short delay related to the COVID-19 crisis. But it was sincerely worth the wait. I think fantasy as a genre lends itself well to queerness in all its forms. Worlds that don’t necessarily answer to our own societal prejudices or pressures can be extremely freeing if done correctly. I’m thinking particularly here of something like The Priory of the Orange Tree (2019) by Samantha Shannon, which Corcoran’s novel follows nicely in the same vein.

Queen of Coin and Whispers follows Lia and Xania in a dual POV narrative. Lia is a princess who rather abruptly inherits the throne from her uncle, a ruler who remained distant from his duty and his people, content to let others make decisions for him as long as his goblet remained full. With his death, the kingdom teeters on upheaval, and Lia is determined to wrest power back from the conniving forces than commanded it under the nose of her uncle and to make real change as a ruler. Xania, the eldest daughter of a lower caste family whose mother has married up in order to secure financial safety for Xania and her sister, lives each day dreaming of finding the suspected murderer of her father and exacting vengeance. When she stumbles—literally—upon the queen and her council, a series of events ensue that lead Lia to hire Xania as her Master of Whispers. Now the queen’s eyes and ears everywhere, Xania attempts to protect her majesty while also searching for her father’s killer. However, an already complicated network of power is further entangled when issues of power, duty, and love intersect for both young women in this excellent fantasy.

This book was so, so fun. I found myself deeply intrigued by both the characters and the world around them from the opening of the novel. I found this fantasy to be very character-driven, differing from the usual world-driven novels I often encounter in this genre. Lia and Xania’s personalities and the choices they make are what drive this novel forward, and their distinct character traits really shine through. Lia’s introspective and powerful voice despite her young age are indicative of a queen’s commanding presence, something that Corcoran subtly includes. By contrast, Xania’s fierce and unparalleled passion for her family, her job, and Lia is thrilling to read.

While this novel may focus on character, in my opinion, the plot is not lacking. The intrigue and drama of a royal court provides an excellent backdrop for the violence, espionage, and trickery that constitutes some of the most exciting twists and turns in this novel. Corcoran pulls no punches and hedges no bets—anyone and everyone could be holding a knife to your favourite character’s back at any moment.

There are a number of social, political, and moral quandaries in this court that contribute to Corcoran’s world building. What is not an issue on its face, however, is queerness—it’s lovely to read a fantasy novel where not only are queer people accepted for who they are, but they’re also everywhere in this text, containing the various and rich elements of character that we might expect from any other fantasy novel.

Overall, I loved this book. My only issue would be that the pacing—especially toward the end of the novel—felt a bit off, and that the text could have slowed down just a but in order to convey the urgency of the last few pages at the same time that the world beyond the court could have been explored a bit more. Nevertheless, this was phenomenal, and if you’re looking for a fun and delightfully well-written lesbian fantasy novel, Queen of Coin and Whispers is entirely the perfect choice.

Please visit Helen Corcoran on Twitter or on her Website, and put Queen of Coin and Whispers on your TBR on Goodreads.

Content Warnings: Physical and psychological torture.

Rachel Friars is a creative writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every queer novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @MsBookishBeauty or on Goodreads @Rachel Friars.