You Need to Read Last Night at the Telegraph Club by Malinda Lo

the cover of Last Night at the Telegraph Club

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I’m embarrassed to admit I only just read this for the first time. I’ve read every other Malinda Lo book. I’ve had a copy since it first came out—in fact, I’ve owned two copies, because I also spent $100 on a signed hardcover (it was for charity, in my defense). In 2018, I read All Out, which contained a short story by Malinda Lo that would later be adapted into this book, and I said, “I’m eager to get my hands on the novel version“! I have no good reason for waiting three years to finally pick this up, but I’m happy to say that I loved it just as much as I knew I would.

If you somehow missed this bestselling, award-winning YA novel, it’s the story of a Chinese American lesbian teenager growing up in 1950s San Francisco. When she discovers the existence of a male impersonator performing at the Telegraph Club, she can’t resist the temptation, especially when a classmate says she has been there before and offers to accompany her. What follows is a bittersweet first love and coming out story that weaves in the political and social realities of the time period.

This is such an atmospheric, absorbing story. Lo does a great job of situating us in 1950s San Francisco Chinatown, and the inclusion of timeline pages show how Lily’s story plays out against bigger political events as well as her family’s history. Lily and her classmates do duck-and-cover drills in preparation of a nuclear attack. Her father is questioned for treating a supposedly communist patient. Her aunt works on technology that brings the U.S. one step closer to landing on the moon.

I couldn’t help feeling for Lily. She’s a very sympathetic main character, initially being pushed towards a prescribed path by her family and best friend. When she discovers the Telegraph Club—as well as a lesbian pulp fiction book, which she reads furtively in a corner of the drug store, she eventually is forced to choose between the future laid out for her and risking it all for a life of her own design.

Lily is some ways is naive: she starts the novel not knowing about the existence of queer people, and she questions throughout how you know that you’re in love. On the other hand, she also faces constant prejudice. As she discovers her own sexuality, she knows her family and community would judge her harshly for it. At the Telegraph Club, she’s the only Asian person—and often the only person of colour—there, and she’s tokenized by the other white queer patrons.

At one point, Lily mentions feeling split in two, like only the “good Chinese girl” is allowed through the door at her family’s house, while the queer half of her has to stay outside. This was such a powerful way to express being multiply marginalized, so rarely finding a space or community where you can be your entire authentic self. It’s heartbreaking, since Lily can’t walk away from either side of her identity.

The relationship between Kath and Lily felt realistic to first love: they’re both hesitant at first, even after it’s pretty obvious they’re both queer. They don’t know how to find the words to ask if the other person feels the same way about them. When they can’t contain their feelings anymore, it’s the kind of intense, overwhelming connection (both romantically and sexually) that you’d expect of a teen first love, but complicated by being mixed up with coming out.

Their relationship, while central to the narrative, isn’t the dynamic that stood out to me the most, though. There’s more complication and layers to Lily’s relationship with Shirley, her childhood best friend that she’s beginning to grow apart from. The two of them struggling to understand who they are to each other now, and whether they can still be friends at this point.

I appreciated the inclusion of several chapters from other points of view in previous years, including from her mother, father, and aunt. We get to see a broader look at the events that led up to Lily’s current life, including how her parents got together, how their plans to return to China were derailed, and Lily’s childhood growing up with her best friend. These chapters make the story feel bigger, almost like a family saga, even though the vast majority of the chapters are focused on Lily. They also make these side characters feel more well-rounded, which is crucial to how we interpret the ending.

(Spoilers in this paragraph) I’ve read a few different queer YA stories where teens are sent off to other family members to separate them from their partner/crush, and it’s always a traumatic experience for them. (For example, The Stars and the Darkness Between Them.) It makes sense that this is what Lily’s family would do to her, especially given the time period, but I appreciated Lo’s choice to skip over this part of her life. It allows us to end on a hopeful note, with Kath and Lily reuniting and Lily having more independence. (End of spoilers)

Maybe I put this aside for long because the hype was intense. Last Night at the Telegraph club has won some of the biggest awards YA books are eligible for, and it’s by far Lo’s most popular book—both in terms of readership and ratings. Any fears that this would fail to live up to this reception were misplaced, though: I honestly can’t think of any real flaws in this story. It is such a rich narrative that kept me immersed from beginning to end. This is a five star read and a new favourite. Whether or not you usually pick up historical fiction or YA, I can’t recommend this highly enough.

Content warnings: homophobia, racism, miscarriage, underage drinking

A Dazzling Debut: How Far the Light Reaches by Sabrina Imbler

the cover of How Far the Light Reaches

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I first learned about Sabrina Imbler (they/them) last year when my girlfriend and I traveled to Seattle to watch the UConn Women’s Basketball team compete in the Sweet 16. Whenever I travel, I like to visit a local bookstore, which is how we ended up in the gorgeous Elliott Bay Book Company, a woman and queer owned business located in the heart of Seattle’s Capitol Hill neighborhood. When I asked one of the booksellers what LGBT books she recommended, she enthusiastically suggested Imbler’s gay volcano chapbook Dyke (geology) and a signed copy (Imbler’s name flanked by two cute goldfish) of How Far the Light Reaches: A Life in Ten Sea Creatures. Two gorgeous books by a queer person of color? I was elated.

Imbler is a writer and science journalist with a gift for storytelling. How Far the Light Reaches is organized into ten essays wherein Imbler masterfully weaves facts about sea creatures and phenomena with meditations on survival, identity, body image, family, relationships, and community. While the essays stand alone and can theoretically be read out of order, they have a clear throughline. As a reader who began How Far the Light Reaches with limited knowledge of marine biology, I was shocked by how many facts I retained from each essay. Imbler’s essays are crafted with care and intentionality. They don’t just state facts about each sea creature, they reflect on their essence, treating each with reverence.

In “My Mother and the Starving Octopus,” Imbler introduced readers to Graneledone boreopacifica and highlighted one of the most renowned of these purple octopuses: a mother who starved herself for 53 months (four and a half years) while she focused on the task of brooding her eggs. Imbler interspersed reflections on their mother’s sacrifices and on how Imbler learned to find their own body desirable through reveling in queer bodies.

In “Pure Life,” Imbler marveled at deep sea dwellers—vent bacteria, tube worms, and yeti crabs—which survive by using chemosynthesis for energy in the absence of sunlight.  Imbler likened hydrothermal vents in the ocean to queer spaces and communities—both representing oases providing rest, nourishment, and safety: “Life always finds a place to begin anew, and communities in need will always find one another and invent new ways to glitter, together, in the dark.”

In “Hybrids,” Imbler juxtaposed their biracial identity (half Chinese, half White) with a hybrid butterflyfish, the offspring of two different species. Imbler examined how The Question: “What are you?” is itself an act of taxonomy. They also reflected on the irony of their frustration with The Question, but also their endless curiosity about other mixed people.

In a word, How Far the Light Reaches is spectacular. The more I reflect upon it, the more I love it. I read it over the course of a few days, but Imbler’s writing is so thought-provoking, you may want to savor the book over time. I really hope Imbler will write another book, but in the meantime, you can check them out at Defector, an employee-owned sports and culture website, where they cover creatures.

Trigger warnings for sexual assault, lack of consent, rape, body mutilation, racism, body image, disordered eating, and animal death/harm.

Raquel R. Rivera (she/her/ella) is a Latina lawyer and lady lover from New Jersey.  She is in a lifelong love affair with books and earned countless free personal pan pizzas from the Pizza Hut BOOK IT! program as a kid to prove it.

A Chaos Theory Psychological Thriller: Strange Attractors by Ana K. Wrenn

the cover of Strange Attractors

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Strange Attractors by Ana K. Wrenn was released in August 2022 and it follows the complex character of Sonja J. Storey. The book has been described as a psychological thriller, and it takes a deep dive into the darker side of academia. It is not a light and fluffy romance, but if you allow the main character to have her flaws, and go on her journey, it is a novel that will stay with you for a long time after you’re done reading. I am usually a pure romance kind of gal, so this was certainly a different novel for me, but I am glad I took the plunge.

Dr. Storey is a professor of chaos theory, and this novel takes you on a well-written roller coaster of what happens when life seemingly begins to imitate the very theory one teaches. Dr. Storey teaches at a small college in North Carolina and has plans to put the tiny school on the map. Not only does she believe she can do it, but she also has the drive to do so. It takes one post-it note to set Sonja’s arc in motion. 

Interpersonally, Sonja is closed off and doesn’t make friends easily (or at all).  It’s fair to say she intentionally pushes people away with her ultra icy exterior. The closest relationship she has is with that of her telescope, which seems fitting as it allows her to escape in the stars, a place seemingly uninhabited by people. Her telescope can’t let her down, can’t judge her, and can be directed only where she points.

Those around her wouldn’t hesitate to call Sonja all sorts of names, but as a reader, we are let into parts of her story that the people around her are not privy to. As you read this novel, and Dr. Storey’s past is revealed little by little, it is of little wonder that she interacts with the world around her the way she does. 

Wrenn presents us with two characters in this book: Dr. Sonja J. Storey and junior professor Dr. Crystal Byrd. Where Sonja is closed off and receives every outside interaction with skepticism and a desire to exit the interaction immediately, Dr. Byrd is in many ways the opposite. Both have experienced trauma in their lives, but the path each has taken to both deal with that trauma and how they see the world around them couldn’t be more different. Where Sonja is closed off and icy, Crystal is open, warm, and friendly.  

When the two women meet, it goes as you would expect, but there is something about Crystal Byrd that Sonja, despite her unwillingness to allow anyone in, can’t seem to stay away from. Crystal is persistent, but it’s also undeniable that Sonja finds her intriguing. Despite her misgivings, Sonja allows herself to become close to the other woman. In Crystal, Sonja finds someone who does not hesitate to push back and call her out for her behavior when the situation warrants. Crystal makes it clear she is there for her and there to support her, but Sonja has to put in the work. Crystal won’t be her savior.

Wrenn weaves a tale that will have you wondering and guessing about connections, past and present, and questioning if things are really as they appear.  

Sonja J. Storey is a complex character with a lot of reasons to present herself to the world in the standoffish way she does. She is, at times, a cautionary tale of how our past influences the way we interpret and view the events of our life. Ultimately, I would consider Sonja’s story to be one of courage and of a character making the hard decision to move forward without constantly looking back. It lays bare the dark side of being a woman in academia and of a woman trying to escape a past that isn’t keen on letting her go. 

Wrenn’s debut novel is smart, twisty, dark, and a read that will stay with you long after you’re done. There are scenes that serve as absolute gut punches—but this is not meant to be a Hallmark romance. Wrenn is brilliant in being able to set a scene so emotionally charged that I found myself holding my breath and heart. And it wasn’t just once.

I highly recommend Strange Attractors if you’re in the mood for something a little darker, and if you’re a fan of Ice Queens protected by an iceberg that makes the one that took down the Titanic look like an ice cube from your freezer. I maintain the freeze is understandable, but whether you agree will be up to you. I took this journey knowing that not everyone loved Sonja J. Storey, but love her or not, I encourage you to read with an eye to at least understanding her and the layers she possesses. When everyone around you, including those meant to protect you, have failed you over and over, self preservation tactics seem bound to kick in. I felt for her, and I was rooting for her. I think the sign of a good novel is one that, even when you’re done, you can’t stop thinking about it. Strange Attractors is that novel. 

Content warnings: discussion of past abuse, descriptions of past sexual assaults.

Nat reviews How To Excavate a Heart by Jake Maia Arlow

the cover of How to Excavate a Heart

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Sweet yet angsty. Coming of age and coming out stories. A meet cute that’s…not so cute. Jewish holiday rom com. All the big, tender feels of young love. Non-stop cackling, except when you take a break to have a good cry. A prominently featured corgi. These are a few of my favorite things about Jake Arlow’s How to Excavate a Heart.

College student Shani Levine is determined to spend the holidays alone doing a winter internship at the Smithsonian—that means she’ll be away from her family, her mom specifically, which she feels guilty about while also desperately feeling the need to get away. There are a lot of complicated feelings around this stage of life, and Arlow’s character portrayals feel very authentic—the main characters are both first year college students figuring out what it means to be independent, to manage this in-between phase of life, caught between home and their new freedoms. This is also where Arlow nails the post-teenage angst humor. 

We meet May in a rather abrupt manner—and this is not really a spoiler as it’s in the book’s synopsis and in the first chapter—with the front of Shani’s mom’s Subaru. May is also spending the holidays in DC with her dad, but not because she wants to be there. She’s having her own family issues, and being rudely greeted by the bumper of a car doesn’t exactly put her in the holiday spirit. May initially comes off a bit frosty, but of course we’ll eventually see those walls melted away. 

The book is told in first person from Shani’s perspective, so you really get into her mindset. As she works out her feelings and makes self discoveries, you’re along for the ride. While this book is a holiday romcom, it’s also just as much a coming of age story, and we see a lot of Shani trying to figure out how and when to talk about her “new” life with her mom, when she doesn’t quite know how to come to terms with it herself. This includes keeping her first real relationship a secret, along with her sexuality. 

(Spoilers and Trigger Warnings:) We kind of see this coming, like the Titanic about to hit the iceberg, as we see more snapshots of Shani’s first relationship. Each memory reveals more specific—or perhaps more accurate—details, as her relationship with May progresses. Our narrator is holding back so much in part because she’s just not had certain realizations herself about the abusive nature of her first relationship. Acknowledging these truths is a big turning point in the book, and it’s clear Shani can’t move forward with May until she’s come to terms with her own past. (End of Spoiler)

The supporting character cast gets major points, especially Beatrice (Aunt Bea) who is her own one woman comedy show, and Shani’s mentor at work who’s a few years older—the wise lesbian we all wish had been in our lives to dispense advice. And yes, the corgi (dogs absolutely count as characters). Overall, Arlow’s given us a sapphic holiday romcom that will excavate your own frozen little heart.

Trigger warnings: abuse, sexual assault

Maggie reviews A Scatter of Light by Malinda Lo

the cover of A Scatter of Light by Malinda Lo

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I was ecstatic when I heard that Malinda Lo was writing a loosely connected follow up to Last Night at the Telegraph Cub because Last Night at the Telegraph Club is a hugely important lesbian coming of age novel set in 1950s San Francisco Chinatown that A) I wish I had had access to as a teenager and B) I’m so happy the youths have access to today. In A Scatter of Light, Lo attempts to recreate that same sense of teenage discovery and feelings in a more recent decade and succeeds wildly. I listened to the audiobook and had a fantastic experience. I cannot recommend this book highly enough. Lo is unparalleled at invoking the teenage experience, where your feelings are huge and undefined and you don’t yet have the life experience to have perspective.

In A Scatter of Light, when recently graduated Aria West arrives at her eccentric artist grandmother Joan’s house in California for the summer, she’s upset that she’s not spending the summer on Martha’s Vineyard with her friends as planned and doesn’t expect the summer to come to much. But Joan, rather than judging her for the high school scandal that landed Aria in California, encourages her to pursue her interests, interrogate her own perspectives, and look at things in new ways, leading Aria to both connect with her past and push her boundaries with art while she’s there. Aria’s summer is further derailed by Joan’s gardener Steph, an aspiring musician, who invites Aria into a community of working class lesbians and queer events that Aria had previously never thought about. What started out as just killing time until she could leave for college turns into a life-changing summer as Aria learns several new things about herself. Dyke marches, art history, music festivals – Lo balances the nostalgia-drenched coming of age experience with real emotion for a surprisingly solid teenage narrative.

What I loved best about this book is that Aria’s beautiful emotional queer journey happens with all the grace of getting tackled by a football player and all the emotional subtlety of a fireworks show. It’s perfect and wonderful and great fun to read because Aria feels and loves with all the explosive power of a teenager who doesn’t have the experience to put her emotions into context. And many times her narration had me screaming with glee and with the experience of an adult perspective. It was an absolute blast to watch Aria have her hot lesbian summer, I had the most fun time listening to the audiobook.

Alas for Aria, not everything is as simple as getting flirted with by several lesbians and slowly realizing her feelings are not just friendship. For one thing her grandmother Joan, her ostensible reason for being in California to begin with, encourages her to explore art, something that Aria had never considered but starts mixing with her passion for astronomy and her history with her deceased grandfather. Her mother delivers some family news that sends Aria into a minor tailspin. (spoilers) And Steph, the object of Aria’s newly awakened queer desire, comes with an established relationship, albeit one that is making both halves of it miserable. It all comes to a head when Joan’s physical condition abruptly worsens, bringing Aria’s summer of awakening to an emotional close. (end spoilers)

A Scatter of Light is a dramatic, and fun ode to early 2000’s queer culture, coming of age, and teenage feelings, and I am so, so glad that youths today can just pick it off of any shelf. The characters feel deeply, the decisions are messy, and the open mic nights are queer. And journeying along with Aria while she had a wild summer awakening was the highlight of my fall. I appreciated the masterful way Lo handled themes of growing up and reaching new emotional maturity and dealing with life’s complicated circumstances. I especially appreciated that the summer remained what it says in the title – a scatter of light, a transient experience, a bubble of time that changed everyone involved but was not a lifetime commitment at 18. This book was amazing to read as an adult, would have absolutely given me new thoughts and perspective if I had had it available as a teen, and would be a great addition to your to-read list.

Danika reviews How Far the Light Reaches: A Life in Ten Sea Creatures by Sabrina Imbler

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This may be my favourite book I’ve read this year, and there’s been some stiff competition.

How Far the Light Reaches is exactly what the subtitle promises: a life in ten sea creatures. It weaves together facts about aquatic animals with related stories from the author’s own life. For example, the beginning essay is about feral goldfish: how these goldfish released into the wild—which we think of as short-lived, delicate animals—are actually extremely hardy, taking over ecosystems and growing to huge sizes. In the same essay, Imbler describes queer communities: “Imagine having the power to become resilient to all that is hostile to us.”

This is an immersive, gorgeous book that reminded me of Why Fish Don’t Exist by Lulu Miller, which I also loved. Clearly, I need to pick up more memoirs infused with writing about nature and animals. I would be interested in either of these versions of How Far the Light Reaches, if the two had been separated: the memoir or the science. Imbler’s writing on marine biology is accessible and fascinating, so while it’s not my usual genre, I was completely pulled in. By braiding these two threads together, though, it’s more than the sum of its parts.

Essays structured like this could be gimmicky, but this book doesn’t use easy metaphors or simplify the biology side to lend itself better to the accompanying social commentary. Imbler, a science writer/reporter, shows their deep appreciation for these animals in their own right, and the two approaches complement each other without being reductive.

Their writing is in turns beautiful, funny, and striking, with so much packed into spare sentences. Like this passage: “Before the class, M knew how to draw whales and I did not. After the class, I was in love with M and they were not in love with me.” Even without any other context, it’s still so affective. And I had to laugh at their description of returning home to visit and checking dating apps: “I told myself I was there to see my old classmates, to see who was newly hot, newly gay, or both.”

While the queer content in Why Fish Don’t Exist was a bonus I wasn’t expecting later in the book, in How Far the Light Reaches, it’s at the heart of the book. It’s a gloriously queer narrative, exploring Imbler’s relationships, gender, and queer community more generally. They also discuss their mixed race identity, both personally and in relation to their mixed race partner. In one essay, they write about how to give a necropsy report of dead whales, and then they reiterate different versions of the necropsy report of a previous relationship (M, mentioned above), giving a different proposed cause of death each time.

I savored reading this book, looking forward to ending each day with an essay. It’s philosophical, curious, thought-provoking, and kind. It explores queer people as shapeshifters, as swarms, as immortal. I never wanted it to end. Even if you aren’t usually a reader of science writing—I usually am not—I highly recommend picking this one up, and I can’t wait to see what Imbler writes next.

Content warnings: discussion of weight and weight loss, fatphobia, war

Danika reviews Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life by Lulu Miller

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I couldn’t tell you why I started listening to Why Fish Don’t Exist. I must have heard it recommended somewhere, because it was on my audiobook app favorites list, so I gave it a try as something that looked entertaining, but didn’t seem like it would requite my full attention. Like a podcast! I certainly didn’t realize it was queer, or that it was about mental health and the meaning of life.

I highly recommend listening to the audiobook version of this one if you can, because the author is the cohost of Radiolab and cofounder of NPR’s Invisibilia, so this was a step above most audiobooks I listen to–it feels like it was made for that format. (Plus, there is an adorable audio bonus at the very end.)

This is ostensibly–at first–a biography of David Starr Jordan, a taxonomist who discovered a huge chunk of the world’s known fish species. It begins with a story about Jordan, about how his life work was catalogued in glass containers containing specimens shelved in the hundreds in his office–and the earthquake that sent them tumbling down. Surrounded by hundreds of preserved fish, broken glass, and specimen labels scattered across the floor, Jordan searched the debris, found a fish and a label he recognized, and stitched it directly to the fish itself.

How does someone continue to find meaning even when chaos seems to claim everything, Miller asks. When she was a child, her scientific father told her there is no meaning in life: there’s no creator, no plan, and we are mere specks in an endless universe. As she grew up, she struggled with suicidal thoughts, and went looking for meaning that doesn’t require a belief in God. Perhaps, she reasons, Jordan has that answer. So she sets out to do a deep dive into his life, hoping that it will lead to greater understanding.

This is an impossible book to summarize, and I don’t want to spoil it for you–which isn’t something I thought I would say about a nonfiction book about fish taxonomy. It takes some twists and turns, and it is simultaneously: a biography of Jordan, a memoir of Miller’s search for meaning, a collection of trivia, and an exploration of chaos and order. Miller realizes that perhaps the urge to have neat categories for all things (and people) is something that should be pushed back on.

Miller’s queer identity isn’t the focus of most of this book, but it is an important undercurrent. This is a book about imagining the world–and your place in it–complexly, and realizing that it’s a much more weird, unpredictable, and beautiful place than you could have predicted. This is definitely one of my favourite audiobooks I’ve ever listened to.

Content warning: David Starr Jordan was a white supremacist. This is discussed later in the book.

Susan reviews The Lady’s Guide to Celestial Mechanics by Olivia Waite

The Lady's Guide to Celestial Mechanics by Olivia Waite

Olivia Waite’s The Lady’s Guide to Celestial Mechanics is a historical romance that revolves around two queer women creating a space for themselves in art and science. Lucy Muchelney’s lover has just married someone else, and her brother is trying to get her to give up on astronomy; her only recourse is to fling herself on the mercies of Lady Catherine St Day, who’s seeking a translator for a french astronomy text so that she can wash her hands of her late husband’s legacy once and for all. Lucy, with her excellent French and understanding of mathematics and astronomy is the perfect person for the job! … If she can convince the scientific establishment to accept that.

I adored The Lady’s Guide to Celestial Mechanics, but it was so stressful as a reading experience! I was absolutely certain the whole way that there couldn’t be any true catharsis in it, because every sympathetic character is up against structural oppression and the sheer societal weight of white men and their gatekeeping. Over and over people who aren’t white men get dismissed and undermined, both professionally and personally, and it’s as infuriating in fiction as it is in real life! Especially because Olivia Waite does such a good job of showing the way that this form of bigotry wields politeness and reputation as weapons against marginalised people having the audacity to, say, want credit for their work! Or to be accepted as experts in their fields! But there is some catharsis – not just individual victories, characters explicitly doing the work to make science and art more welcoming, and I’ll accept that as a start.

It helps that the characters have believe in each other throughout the book. Lucy believes that Catherine’s embroidery is as much art as anything her brother has done with paint and canvas, and Catherine knows that Lucy – and many other marginalised people she knows, including herself! – are knowledgable scientists or talented artists, and while she might not always know what the best way to encourage those skills, she tries. The supportive relationships are such a good counterpoint to the Polite Science Society.

(And the descriptions are so lush! They give the book so much texture, and the characters so much depth just from what details they notice. Honestly it’s worth reading just for the gifts Catherine makes for Lucy.)

But it’s also a romance, so let’s talk about that! Lucy and Catherine are both freshly out of terrible relationships; Lucy’s ex-girlfriend is petty and manipulative even after they’ve broken up, while Catherine’s late husband was explicitly abusive. There’s no abuse explicitly on page, but Catherine’s reactions to relationships are heavily influenced by the abuse, and are completely believable to me! But if you’re in the market for a romance that’s supportive and kind, where the power difference between characters is actually acknowledged, and the characters find beautiful ways to demonstrate their commitment to each other, this is the book for you! I adored both of the characters and the ways that they tried to make their worlds and interests more accessible for each other! The ways that they work together warmed me right through. Honestly, my biggest frustration with the romance is that there’s a conflict between them near the end that could be solved by actually talking to each other that they just don’t deal with, which felt a little artificial considering that up until that point they’d tried to communicate! But on the whole, the romance was wonderful!

At its heart, The Lady’s Guide to Celestial Mechanics is about recognition and community. At every turn, the characters are asked to choose whose recognition they value – whose recognition is valuable – and what they want their community to be. Watching them answer those questions and discover a community that they didn’t even know was available is beautiful, and I can’t recommend it strongly enough.

[Caution warnings: racism, misogyny, past abuse, structural oppression, manipulative exes, dubious consent in backstory]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found as a contributing editor for Hugo-winning media blog Lady Business, or a reviewing for SFF Reviews and Smart Bitches Trashy Books. She brings the tweets and shouting on twitter.

Allysse reviewed “Song of Bullfrogs, Cry of Geese” by Nicola Griffith

Song of Bullfrogs, Cry of Geese” is a science-fiction short story set in a world in which a disease – or symptoms as it is named – is weakening the human race, slowly making it die. The story particularly focus on one immunologist, Molly. She lives on her own, recluse, near Atlanta. She is given food and supplies regularly by the city in hope that she would change her mind and come live with them and not outside. They want her because they believe she can find a cure, or at least try to. But she doesn’t want to.

The reason for it is simple: Helen died in the place Molly lives in and it is the last link to her she has. The story might be set in a science-fiction setting but it is very much a story about loss and grief. Molly is staying because of all the memories of Helen, because of all that the place reminds her of.

In spite of being alone, the place Molly lives in is full of life and buzzing with animal activity. It feels a little like she is not that alone until she realizes that the animals don’t care about her. SPOILERS She is just another animal for them and she doesn’t belong in this place in which she can’t survive on her own, in which Helen is no more. It is not until she comes to realize that she has been living a lie, staying here because of her grief that she is able to heal and understand that no matter what her love one will not come back and that she can do better with her life than wait and watch. END OF SPOILERS

Like I mentioned earlier this short story is very much about grief and loss and the slow process of healing from it. It might be science-fiction but the genre is barely visible, simply being in the background. The story is well written and it all flows easily under the reader’s eyes. I won’t remember it as exceptional and will probably never reread it, but I enjoyed it while reading and loved the images Nicola Griffith used in it, it made me curious about her other works.

If you want to read the story, you can find it here at nicolagriffith.com.