Religious Trauma and Queer Awakening: Gay the Pray Away by Natalie Naudus

Gay the Pray Away cover

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Content warnings: homophobia, child abuse, religious abuse, physical abuse

Gay the Pray Away by Natalie Naudus follows Valerie Danners as she begins to understand and live her own truth. Unfortunately for Valerie, the truth of her sexuality is beyond unacceptable to her conservative Christian community, and she may not be able to have herself and her family.

I looked forward to reading this book. It combines two of my interests, sapphic characters and high-control religious groups, and one on count it thrives. The relationship between Riley and Valerie progresses naturally and is beyond adorable. I loved their sweet moments sharing each other’s passions and getting to be carefree teenagers together. Their stolen and cobbled-together dates shine throughout the book, even with a tremor of fear always running through them. I knew from the summary on the back cover that discovery was inevitable.

Which leads into the book’s weaknesses.

First, the blurb tells a majority of the story. In a way, that’s hard to avoid; this is a character-driven book, not plot-heavy. Maybe most readers found the book predictable. Maybe that doesn’t matter. With the character’s arc at the heart of this story and the warmly colored, borderline-idyllic art on the cover, even mildly savvy readers likely guessed the sort of ending this one had in store. I don’t mean that as a criticism. Plenty of queer readers want happy endings and with good reason.

However, the character’s initial perspective deserves analysis. This is supposed to be a book about Valerie deconstructing her faith. I assert that due to several scenes in which she confronts new information and experiences in the light of conservative Christian teachings. That is the book I wanted and the book I came for.

Unfortunately, it is not this book. From her introduction, Valerie does not hold those teachings. She tells us at the start how boring she finds Bible study, how she constantly daydreams during morning prayers. After sneaking a queer book from the library, she holes up in her closet to read it; this closet is set up as her little hideaway. Valerie complains about the rules under which she lives pretty much from the start. This is something that frustrates me because it feels like this fear of making mistakes. It feels like a concern on the part of maybe a writer or editor that Valerie won’t be likable enough if she holds unpopular beliefs. But a lot of people growing up in high-control religious groups genuinely hold beliefs they are raised with, beliefs many of us would deem problematic—they hold, in essence, the beliefs from which Valerie claims to be deconstructing. She is not deconstructing. You cannot deconstruct what was never built.

That is my biggest criticism of this book. Its lack of plot I can excuse. Its predictable ending seems reasonable. But the summary selling this as a deconstruction story, the passages in which Valerie claims to hold beliefs that conflict with what we’re shown prior just long enough for her to change her views? That frustrated me. The intended core of the book serves a context wholly different from the one provided here.

Gay the Pray Away is not a bad book. If you want a sweet romance in dangerous times, this is an excellent choice. My frustration is aimed at the marketing. This isn’t about a girl picking apart the toxic messaging she’s internalized; those scenes could have been removed without altering the story at all. My recommendation would be to go into it aware and keep your expectations reasonable.

When Duty and Love Conflict and Coincide: 3 Sapphic Bodyguard Romances

There are few dynamics more swoon-worthy to me than a bodyguard romance: all of the pining of star-crossed lovers constantly at each other’s side, intense trust and protection, and often some sort of courtly intrigue. To make this sort of relationship work, the characters must be achingly careful and ultimately go through a drastic status quo change, which makes these stories compelling to me. Their genre can vary, so today, I’m doing a lightning round of reviews of three bodyguard romances: one sci-fi, one historical fantasy, and one contemporary.

Glorious Day by Skye Kilaen

Glorious Day cover

My most recent read was Skye Kilaen’s Glorious Day, a low heat sci-fi romance novella. Elsenna Hazen used to be the princess’s bodyguard, until two years ago, when they shared a kiss in the gardens. Since then, she has failed to forget her hopeless love, but she has focused on feeding information to a revolutionary group trying to topple the tyrannical king. Meanwhile, the princess’s life is being controlled by ableist caretakers. She must keep up the facade that she is helpless in order to survive her political situation, but Elsenna knows her better than that. When the princess reassigns her as her bodyguard, their romance rekindles while the revolution comes to a head.

This story is ultimately about being willing to fight—for one’s beliefs, one’s love, and one’s self. Due to her own role in a corrupt system, as well as the danger she has put herself in by betraying it, Elsenna considers her life and conscience forfeit. In order to not see her love as hopeless, she has to be able to imagine a future for herself. I enjoyed the arc for the princess (who is referred to with various titles and names over time, which had a significance I liked) and the role she ends up playing, as well as how this is gradually revealed through Elsenna’s perspective.

Considering this book was under 100 pages, I didn’t expect in-depth worldbuilding, and I liked the balance of plot and relationship development. That being said, though the writing was clear and polished, I would have appreciated more description. I often knew little about the character’s surroundings, which feels like a missed opportunity, given that this is set in a sci-fi monarchy featuring both high-tech equipment and extravagant ballrooms.

I recommend this book to those looking for a fast-paced read with a good balance of star-crossed romance and political maneuvering. 

You can find in-depth content warnings on the author’s website.

Daughter of Mystery by Heather Rose Jones

Daughter of Mystery cover

Earlier this year, I read Daughter of Mystery by Heather Rose Jones. This book takes place in an alternate regency setting with a magic system based in divine rituals. When Margarit Sovitre gains an unexpected inheritance, it includes a fortune but not a title, making her a target for the new baron. To remain safe, she has to rely on Barbara, a bodyguard included in the terms of the inheritance. They develop a slow burn romance while trying to navigate their new lives, which may be wrapped up in more layers of conspiracy than they realize.

Given that Barbara has been included in Margarit’s inheritance as if she were an object, there is obviously quite a large power differential that must be addressed, so the slow burn is appropriate as the characters have a lot to navigate. I appreciated the respect and care they showed for each other, and the way they were able to bond over their interests and abilities, as they both study the divine rituals despite others’ opposition. Both characters appealed to me for their wits, drive, and heart—and it’s hard to resist a lady with a sword.

I had been highly anticipating trying the Alpennia series, as I am a fan of unusual genre combinations, and the mix of historical fantasy, romance, and mystery that this promised seemed right up my alley. Unfortunately, I found myself wanting more of all of these elements. While I enjoyed the beginning and ending, the middle dragged a little for me because some of the plot elements promised in the official synopsis (re: royal conspiracies and the divine rituals) aren’t developed until late in the story. Instead, there is a lot of focus on the restrictions women faced in this time period, especially within the social politics of high society. This obviously isn’t a criticism, but rather a matter of personal expectations. If this sort of story appeals to you, and you want to read one with a sapphic romance and a touch of fantasy, I recommend this book. Personally, I was invested in enough characters, including the two who star in the second book, that I am interested in continuing in the series.

One of my main content warnings unfortunately comes with an additional caveat. There is an instance in this book of attempted sexual assault and incest that, while taken seriously in the moment, is brushed aside later to a degree that I found uncomfortable. I would have preferred this element to be followed up differently.

In addition to the already mentioned elements, this book contains brief instances of homophobia and violence.

How to Find a Princess by Alyssa Cole

the cover of How to Find a Princess

Though I read it in a past year, I can’t write about this trope without including one of my favorite contemporary romances, How to Find a Princess by Alyssa Cole. Though it is the second book in the Runaway Royals series, I understood and enjoyed it as a standalone. This is an Anastasia retelling about Makeda Hicks, whose life has been run by her mother’s obsession with the idea that Makeda is secretly the princess of a fictitious country. Makeda thus tries to avoid the whole business, even—especially—when Beznaria Chetchevaliere, an investigator from the World Federation of Monarchies, shows up to convince her to make the trek to Ibarania to prove she is the true heir. 

This book is, in a word, entertaining. I was drawn instantly to Bez, who subverts the concept of the stoic bodyguard by being eccentric, dramatic, and chaotic. Makeda is such a people pleaser that it ruined her latest relationship, but she finds herself bucking against Bez’s attempts to tell her how to live her life, managing to be just as stubborn as this whirlwind of a woman as she learns how to prioritize her own wants. Their push and pull as they grow to understand each other and become partners was the highlight of the book for me. I liked the emphasis on the idea that you can’t fix someone else; you can only try to be your best selves together, one step at a time. 

If you’re someone whose tastes lead more toward the fantastical but who is interested in trying more contemporary romance, I recommend this book, as its at times outright whacky circumstances, along with the bodyguard element, give it that edge of surreality. I also appreciated the inclusion of Bez’s neurodivergence and of sapphic Black love. 

I’ll continue to keep my eyes peeled for other bodyguard romances, and I hope that at least one of these three options suits everyone else who loves this trope.

Love, Friendship, and Hair Care: Wash Day Diaries by Jamila Rowser and Robyn Smith

Wash Day Diaries cover

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In Wash Day Diaries, readers follow a group of four young Black women from the Bronx, getting a glimpse of their daily lives through their hair care routine and wash day experiences. Presented as five interconnected short story comics, we get to meet Kim, who can’t get her possessive ex-boyfriend to stop texting her and just wants him to leave her alone; Nisha, who finds her way into a sexy love triangle and doesn’t know who to pick or how to choose between the two men; Davene, who struggles with her mental health and doesn’t know how to reach out to her friends for help and support; and Cookie, who hasn’t seen her grandmother in a while due to their strained relationship, but agrees to help her take care of her hair regardless.

This is not a high stakes story, but Rowser and Smith are so incredibly talented, it nonetheless feels like a deeply significant reading experience. Their true talent lies in their ability to take this otherwise short, slice-of-life plot, and present so much backstory and character development in a way that is completely smooth and natural. By the end of it, even though you’ll have breezed through the whole graphic novel in one sitting, you’ll feel as though you have known these characters their whole lives.

The beauty of this story is in how healing it is: from the panels detailing each step of a character’s hair care routine, to the passages showcasing the ways in which said routine can provide a safe space for open communication and love, the entire novel feels like a warm hug. I’m not usually a fan of slice-of-life stories, especially when it only spans over a few days, because I often get the sense that I did not have the opportunity to truly connect with the characters. However, this is absolutely not the case here. Rowser and Smith laid out so many different types of love within these pages and managed to address incredibly complex and nuanced topics within such a limited space, it is a true testament to the quality of their craft.

I love each of these characters, but Davene and Cookie are tied for my favourites. Davene’s struggles with her mental health will feel deeply relatable to a lot of people, specifically when it comes to her executive dysfunction and her difficulty reaching out to those around her. Rowser and Smith also don’t try to resolve her issues in a perfect, little package by the end of the story: they take the time to recognize that as healing as it might be to spend time with a friend, your depression and anxiety will not magically resolve themselves. People will misunderstand what you’re going through, they won’t know how to discuss it with you without accidentally being invalidating, they might not even be aware that you’re struggling at all. The book recognizes and expresses these realities that are difficult to admit, but important to discuss—and shows us that although community and support won’t solve everything, they are nonetheless genuinely helpful.

Cookie is another favourite of mine, not only for her loving and electric personality, but also because her queerness and her strained relationship with her grandmother are so personal to me. Coming out to your family and having that conversation completely change your relationship with them, oftentimes for the worse, is sadly an all-too common experience for queer people. Being able to read Cookie’s story, and seeing that despite their fraught relationship, her and her grandmother managed to find the space and opportunity to talk, connect, and understand one another, once again, was very healing for me. Rowser and Smith, as always, presented the situation in a way that was very realistic and grounded, not trying to sell their audience some pipe dream or featuring a three step guaranteed process to getting your family to accept every facet of your queerness. The entire chapter details the complex and nuanced rollercoaster of emotions that Cookie experiences behind her otherwise outgoing and bubbly personality, making her an incredibly fleshed out and relatable character. I truly loved reading every single panel she was in.

As a whole, the novel does an impressive job of pretending to be a soft, easy, slice-of-slice story, while taking you through an emotional journey of love, connection, community, identity, happiness, friendship, and support. It’s a quick read, but I strongly recommend taking your time to appreciate every aspect of the book, including each character’s little quirks and habits, as well as the beautiful art style. Smith does a stunning job of making these characters pop on the page—the colours are eye-catching, each character’s design is so well executed, and the ways that the panels flow together brings the whole thing to life. It truly is a dynamic reading experience, and I guarantee that you will fall in love with at least one, if not all of these women.

Representation: Black main characters, sapphic Dominican main character, main character dealing with depression/mental health issues

Content warnings: homophobia, depression, mental illness, dementia, toxic relationship, stalking, sexual harassment

Sapphic Sleepaway Camp: Wish You Weren’t Here by Erin Baldwin

Wish You Weren't Here cover

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Priya Freaking Pendley seems to have everything a girl could ask for: social media stardom, the handsome track captain boyfriend, and millions of adoring fans. Juliette might have to live with that during the school year, but at Fogridge Sleepaway Camp, Juliette reigns. It’s the one place where she can be herself instead of too “intense.” Their last summer before college, Juliette is ready to make the most of her summer, until she finds Priya as her lone bunkmate. Can she tolerate her childhood rival while making the most of her summer, or will Priya ruin it all?

The premise of two high school seniors dealing with their animosity while they’re forced to bunk together at sleepaway summer camp? Sign me up! This was a soft, heart-warming, great first step for a debut author. I’m curious to see what Baldwin will write next. I adored Baldwin’s ability to capture the magic and nostalgia of sleepaway summer camps. You’ll fall into the atmosphere as you read this one, with crickets chirping, twigs cracking, and the scent of burning firewood in the air. The queerness is authentic and natural; not overly discussed, but instead one beautiful aspect among many for several characters. Juliette’s story is one of self-realization and acceptance; perfect for a young adult about to make their way into the world.

From the story’s premise, I expected so much more tension from the start; animosity with reason. Instead, these two girls just…dislike each other. That’s it. It’s blown out of proportion, overdramatic in the prettiest sense. Juliette has no other reason for disliking Priya beyond the fact that everyone else adores her. Yes, that can get annoying, and I understand that high school girls develop “frenemies” (I honestly don’t think that’s the right term for what’s going on here, but “enemies” and “rivals” are too strong) growing up, but you don’t feel anything that Juliette feels toward Priya in this story. Once Priya arrives at camp, you start to see who she is beyond the glossy veneer, which I love, but Juliette’s slow abandonment of her hostility toward Priya doesn’t seem earned because it doesn’t start with any real strength. It just seems like… she’s so used to disliking Priya, that she can’t recall why she really does. The first chapter, at the party, really should have enforced their disdain for each other. Instead it’s just… there. There aren’t any real sparks of chemistry, either; just an entirely too slow burn that eventually leads toward an anti-climatic queer awakening. There was so much room for forgiveness and character development and instead every moment just felt flat and underproduced.

The Vibes 

  • Debut Book
  • Contemporary YA
  • Rivals to Lovers
  • Summer Vibes
  • Sapphic Romance
  • Found Family
  • Love to Hate/Hate to Love
  • Opposites Attract
  • Slow Burn

How Much Would You Sacrifice for Fame?: Every Time You Hear That Song by Jenna Voris

Every Time You Hear That Song by Jenna Voris cover

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I won’t be able to get through this review without mentioning The Seven Husbands of Evelyn Hugo, so let me get the comparison out of the way now. Like Evelyn Hugo, this cover likely doesn’t scream “queer story,” but it is—twice over, actually. Like Evelyn Hugo, we’re alternating between two stories, one of which is an ambitious queer woman trying to make it in an industry and time period that required being closeted. I’m definitely tempted to recommend this one to fans of Evelyn Hugo, but it has some big differences, not least of which is that this is a young adult novel.

Our main character is Darren, a seventeen-year-old aspiring journalist who can’t wait to get out of her hometown of Mayberry, Arkansas. The only thing Mayberry ever produced to put it on the map is country music legend Decklee Castle—and Decklee left as soon as she could. Darren and her mother are big fans; her music helped the two of them get through her mother’s cancer treatment. When they watch Decklee’s televised funeral, they learn that she put together a treasure hunt to begin after her death. The prize at the end is three million dollars and a new album of Decklee’s music—enough money to pay off Darren’s mother’s medical debt and get her into a good university. So she convinces her coworker with a car, Kendall, to come with her to decipher the clues hidden in Decklee’s lyrics. Meanwhile, we flash back to Decklee’s life, beginning with her running away from her childhood home in Mayberry in the middle of the night.

Last time, I promise: like Evelyn Hugo, Decklee Castle is a fascinating character. She’s ruthlessly ambitious and loves nothing more than to be on stage. She’s willing to sacrifice a lot—almost everything—for fame. When she and songwriter Mickenlee Hooper fall for each other, she goes to great lengths to conceal their relationship from the press. Decklee isn’t a likable character. She’s believable, but she’s not exactly sympathetic. To be honest, I find that refreshing in a queer character. Decklee is talented and hardworking, but she is also callous and selfish. Darren considers her a role model because she got out of Mayberry and also because Dareen suspects Decklee was queer and Darren is trying to come to grips with her own bisexuality. The more she learns about her, though, the more she begins to realize that her image of Decklee isn’t true to life.

While we alternate between Decklee and Darren’s perspectives, this is Darren’s story. As Kendall and Darren spend more time together, Darren begins to see him in a different light—and she’s surprised that he sees the good in Mayberry. In fact, he’s offended that she seems to hate it so much. He points out that she’s buying into racist and classist narratives about the South and argues that she loves Mayberry, that you can see her passion for their hometown in her writing about it. As they fall for each other, this tension between his commitment to stay and her determination to leave simmers underneath the surface.

I could easily pitch this as a road trip story, a scavenger hunt, a tell-all about a fictional celebrity, but that doesn’t really match the vibes. Above all, this is about relationships, ambition, and what you’re willing to sacrifice to get what you want. While both Decklee and Dareen have love stories, this isn’t a romance. It’s bittersweet, and Decklee’s story is a warning for Darren.

I think the way these stories play out together is really well done, and I liked Dareen’s subplot of coming out as bisexual. Both couples in the alternating timelines have interesting dynamics, and Decklee’s friend Marquel1 was a breakout character, especially as he shows an alternate approach to being queer in an industry that does not accept that. I listened the audiobook, and I think it works well that way: there are two different narrators, so it’s easy to keep the stories separate. I highly recommend this one.

  1. I listened to the audiobook, so I’m not sure if that’s how you spell it. ↩︎

Cell Block Tango, the Thriller Novel: Speak of the Devil by Rose Wilding

Speak of the Devil by Rose Wilding cover

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Rose Wilding’s Speak of the Devil is a thriller with a simple premise: seven women (three of them queer) had very good reasons to murder Jamie Spellman, but only one of them left his decapitated head in an abandoned hotel room. Which was it?

Before we start: heed the content warnings listed at the end of this post! There is a lot going on in this book, and despite all my jokes about “Cell Block Tango” being its anthem, it is all presented seriously. Handle with care if you need to.

As for me: my feelings are so, so mixed on this book. On the one hand, I ripped through Speak of the Devil in an evening because I couldn’t put it down. It’s written in a very literary fiction style; the emphasis is on the almost modern gothic tone and rhythm of the prose, sometimes at the expense of individual character voices. (Josie’s voice stood out to me as the most realistic, in that she’s a very good depiction of the mortifying ordeal of being a teenager with emotions, and I adored her.) Speak of the Devil is compelling! The various ways these women are connected to Jamie and to each other all build on each other until it all clicks into place.

On the other hand, there was a run of about thirty consecutive chapters of trauma. This is absolutely a me problem; I keep forgetting that thrillers aren’t structured like mysteries. The trauma all needs to be explained up front so that I understand where the characters are coming from, rather than being revealed in the end game to recontextualise the story up to that point. But it means that most of the book is exploring the reasons each woman might have murdered Jamie, so a huge chunk of it is about their trauma and their complexity. It’s fascinating, because several characters have committed their own wrongs, sometimes even against other members of the group, but that’s not how they’re defined. Ana, for example, has heavily impacted Kaysha’s life, but is an incredible friend and support for Sadia. Maureen was monstrous as a maternal figure, but adores her husband. All of this build-up does work, because the narrative manages to show why each character is the way that they are without excusing them (even Jamie!), it’s just A Lot when it’s back-to-back.

Did I enjoy it though? I honestly don’t think so. Some of the plot beats Speak of the Devil feels very contrived, especially the ending. Rationally, I understand that the emotions and the atmosphere are the point, rather than the plot, but it doesn’t land for me emotionally. Someone who enjoys literary fiction and/or thrillers more than I do would probably have a great time with it! It is very much not a bad book! It’s just a bad match-up with me.

The author’s note, though, is a beautiful thesis statement:

“I wrote this novel because I am always, under the skin, under the polite smile, absolutely furious.”

Content warnings: rape and rape apologia, abuse (physical, emotional, neglect), manipulation and gaslighting, transphobia and queerphobia, suicide, murder, substance abuse, grooming, infertility, teen pregnancy, mental health crises, self-harm, police misconduct, adultery, off-screen animal death

Susan is a queer crafter moonlighting as a library assistant. She can usually be found as a contributing editor for Hugo-winning media blog Lady Business, reviewing for Smart Bitches Trashy Books, or just bringing the tweets and shouting on twitter.

Forever is Now by Mariama J Lockington

Forever is Now by Mariama J Lockington cover

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Content warnings: biphobia, racism, police violence

Forever is Now by Mariama J. Lockington tells the story of Sadie, a Black teenage girl with anxiety that develops into agoraphobia after a truly terrible day. Her girlfriend breaks up with her and they witness an incidence of racist police violence. The idea of leaving home fills her with overwhelming dread. Anything could happen. Anyone can be lost. But the world doesn’t stop and Sadie feels compelled to help, somehow, find justice for the young woman she saw assaulted.

I am not in the majority with regard to this book. It has a very high rating on Goodreads, and I can see why. It feels authentic. The angst and teenage experiences are relatable. The representation is strong. Pop culture references are very current and the fictional social media network is both understandable and realistic. From a teenage perspective, it’s a strong read.

The cover is also fantastic. The book ultimately focuses on Black joy and the cover reflects that. Rather than showing Sadie at her worst, her most anxious, her least put-together, it shows her pretty and happy and smiling. It shows her thriving. For a book about a mental health crisis to focus on the main character at her best and a book about Black joy to present a Black girl looking happy, those are great choices.

Unfortunately, from a literary perspective, it needs work. I don’t mean to be overly harsh; the book certainly has strengths. They’re just not fully integrated or realized. Sometimes it’s minor things, but for an example, Sadie’s little brother desperately wants her to come to his end-of-camp cooking event, and that is mentioned several times. The approaching deadline is clear to readers. However, Sadie doesn’t seem to care. That missing element in a character-centric narrative really weakens engagement. Throughout the narrative, Sadie feels extremely well-developed, but others around her don’t, and the way the narrative bends around her becomes frustrating as the story develops.

The book also just needed an editor. This is indicative of a larger trend in publishing. There were typos in the manuscript; a line editor should have caught those. There was also some confusion since dialogue, thought, and things Sadie wishes she said were all indicated with italicized font. These are things that should have been fixed in the pre-production process.

I think this book has a lot to say and a lot of potential. It needed a better team working to develop it—a couple more drafts and it would have been incredible. Overall, I would deem it very okay.

More Than a Statistic: Every Variable of Us by Charles A. Bush

the cover of Every Variable of Us

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Alexis Duncan is a Black teenage girl from Philadelphia whose incredible basketball skills are her one ticket to receiving a scholarship and getting out of her poverty-stricken neighbourhood. However, after getting injured during a shooting at a high school party and being told she will never play again, her dreams vanish. Aamani Chakrabarti, the new student in school, believes that Alexis has the potential to thrive even outside of an exclusively athletic environment, and pushes her to join her on the high school’s STEM team. Alexis agrees (reluctantly) and eventually starts to learn that she has a passion outside of basketball—astronomy. But with the chaos in her personal life constantly making her second-guess if she can actually strive for a better future for herself, and her feelings for Aamani becoming ever more confusing, Alexis must fight to not let her doubts get in her own way.

I read this book back in December of 2021 and still, two and a half years later, I remember so many details of the emotional trainwreck it put me through. I made the unwise decision of reading it on a plane, and not only did I finish it within one sitting, but I also had to find a way to sob silently next to sleeping strangers for the entire second half of the story. There is something about the way that Bush wrote these characters that made me so deeply attached to them right from the beginning. I was incredibly invested in the storyline, the characters’ relationship, and especially Alexis’s character development. I really appreciate Bush writing a main character that you can root for, while still making her realistic and flawed. Alexis is a product of her environment and has opinions about other people and the world that can be ignorant, bigoted, and uninformed—opinions that happen to also impact her own identity and self-worth. Those opinions are challenged by the text, specifically through Aamani’s character, in a way that is both subtle and poignant. I think authors sometimes struggle to write effective redemption arcs for their characters, which made it that much more satisfying to watch Alexis’ redemption unfold in a carefully crafted way.

The other great thing about this book is that it absolutely is made for its target audience. Bush wrote it for a young adult reader, and you can tell that he made sure that the characters, their struggles, their anxieties, their fears, and their friendships would feel relatable to that audience, without underestimating what they could handle in a story or what they would want to read about. I think it shows just how much respect Bush has for his young readers to know that they would be able to not just handle heavy themes such as internalized misogyny and homophobia, racism, poverty, violence, and drug abuse, but concretely understand, relate to, and analyse these themes. I love when authors give their young audience the benefit of the doubt and don’t try to over simplify or sugarcoat serious storylines. It allows teenage readers to access literature that is more than just informative, but also liberating and self-reflecting.

I’ve recommended this book a lot over the years, in many different circumstances. To readers looking for: underrated novels; heart-breaking storylines; books that accurately center characters of colour; sapphic books that aren’t romance novels but are nonetheless romantic; books that heal the part of you that struggled to accept your queerness when you were younger; stories that discuss the intersection of race and queerness; novels that make you cry sad tears; novels that make you cry happy tears; books that will put you in a reading slump; books that will get you out of a reading slump. There are dozens of reasons to pick up this book and exactly zero reasons not to. It remains, to this day, one of my most memorable reading experiences and one of my favourite go-to recommendations.

Representation: Black bisexual disabled main character, Indian-American lesbian love interest

Content warnings: gun violence, gore, drug abuse, homophobia, islamophobia, biphobia, death, abuse, racism, transphobia

A Belated Bi Awakening: Imogen, Obviously by Becky Albertalli

the cover of Imogen, Obviously

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Imogen Scott has endless experience as a straight queer ally. Her friends are pan and bi, her sister is out, and she never misses a Pride Alliance meeting. While visiting her best friend Lili at college, who has her own little queer community, Imogen takes “supportive” a step further. She pretends to be Lili’s ex-girlfriend and bi. The longer she wears the label, the more she wonders if it fits… especially when she’s in the company of Lili’s new friend, Tessa. Can Imogen keep her story straight, or is she finally starting to see who’s staring at her in the mirror?

This recent streak of bi/sapphic YA books (One Last Stop, Perfect on Paper, and now this) has left me slain. It’s all too much. I am FEELING too much. Be still, thy bi heart.

In all seriousness, this is the exact story little baby bi me needed back in high school, and I’m so glad it’s on shelves for adolescent readers now. There’s SO MUCH to discuss: the themes of self-identity, friendship, and coming-of-age so perfectly layered to make Imogen so obviously (I had to) exactly who she is. Imogen’s “bunny” brain is a realistic mental chaos of self-doubt and queer questioning. Everyone assumes straight is the default, when really, it should be bi until proven otherwise. Most people aren’t given the chance to question their sexuality, to explore who they are, instead establishing themselves in a pre-determined box. I’ve been there, and Imogen’s constant questioning and confusion make her emotions all the more real. She questions if queerness looks a certain way, or if we’re supposed to have our queer awakenings by a certain time, or if we’re supposed to be certain, but how could we with the constant DISCOURSE over everything? Imogen’s voice leaps off the page, making her easy to like; a character you want to follow to the end. Lili is everything as a best friend (and queer mentor), while Gretchen so perfectly straddles the line between well-meaning and toxic. We’ve all had that friend we realized (almost too little, too late) wasn’t looking out for our best interests, the one in the back of your head spinning every worst fear until it became a play-it-on repeat thought. Though she could have felt too extreme, we see why Imogen hears Gretchen out, why Imogen gives her a second chance, allowing her to become the cranked-up monster of self-doubt in Imogen’s head. Also, The Owl House, One Last Stop, and Sailor Moon mentions were everything.

This had an awkward start for me, namely because of all the names and identities we’re given in the first few chapters. It felt like Imogen’s younger, queer sister was less of a character and more of a plot piece (both to prove that Imogen was surrounded by self-aware queers and to show what queerness looked like in Imogen’s eyes). She doesn’t have some cute scenes with Imogen until the end, and by that point, I wanted more.

Recommended for fans of Perfect on Paper and One Last Stop.

The Vibes

❤️ Young Adult
❤️ Queer Cast
❤️ Bisexual FMC
❤️ College/Coming-of-Age
❤️ Identity
❤️ Romance & Friendship

💬 Quotes

❝ The only way to let someone into your reality is to retell it. ❞

❝ One girl can’t topple your entire sexuality, right? ❞

❝ All these moments, scattered and separate. All these disconnected dots. ❞

❝ Then she buries her face in the crook of my neck, and every breath she breathes feels like a love letter. ❞

❝ How I felt. Dizzy, off- balance, unsteady. Like my bones were too big for my body. Like I couldn’t zip myself closed. Like I’d colored outside my own outline, stepped out of frame, made myself three- dimensional. ❞

A Small Middle Grade with a Big Punch: The Mighty Heart of Sunny St. James by Ashley Herring Blake

the cover of The Mighty Heart of Sunny St. James

Buy this from Bookshop.org to support local bookstores and the Lesbrary!

Sunny St. James has a new lease on life. In her case, this is literal after she receives a heart transplant and finally, finally has a chance to have something close to a normal summer. Swimming in the ocean, staying up late to watch movies, and devouring junk food are now actual possibilities rather than daydreams.

This also means that she can finally begin implementing her new life plan:

Step One: Do awesome amazing things I could never do before.
Step Two: Find a new best friend.
Step Three: Find a boy and kiss him.

At first, her plan is off to an incomprehensible level of success when Sunny meets Quinn Ríos Rivera and finds that making a new best friend isn’t that hard. However, it doesn’t take long for her to realize that the rest of her plan is going to be a bit more difficult. Between struggling with the fallout of her relationship with her Former Best Friend (FBF), to the unexpected arrival of her estranged mother, to the realization that maybe she doesn’t even want to kiss boys in the first place, Sunny is struggling to figure out how all of the different parts of herself fit together.

This was such a fun book, pure and simple. I’ve read Ashley Herring Blake’s middle grade work before in Ivy Aberdeen’s Letter to the World, but she continues to blow me away with how well she portrays the experience of being an awkward twelve-year-old with a first crush. Sunny is the perfect balance of exasperated and exasperating in the way that kids can be and I love how Blake doesn’t shy away from her characters making mistakes.

I’m also always amazed at how much Blake can pack into her books. It’s about being a twelve-year-old. It’s also about coming to terms with queer identity in a world that can be hostile to that, and unusual family structures, growing out of friendships, and how to wrestle with a constant stream of anxious thoughts. I especially love how the book handles the complexity of Sunny’s relationship with her mom, a woman who hasn’t been in her life in almost a decade due to her struggles with alcoholism. The book doesn’t shy away from the tougher conversations, but they are approached with such thought and care.

If you’re a fan of Blake’s adult romances like Delilah Green Doesn’t Care or Iris Kelly Doesn’t Date, I suggest giving these a try—you’ll find a lot of the same things that make her other books so much fun. For me, they are such a wonderful escape into a cozy world where things turn out alright in the end as long as you’re true to yourself.

Content warnings: surgery, illness, homophobia, references to addiction