Landice reviews Written in the Stars by Alexandria Bellefleur

Posted on November 15, 2020 by danikaellis — Leave a reply

Written in the Stars is probably hands down the most adorable contemporary romance I’ve ever read. To be fair, I don’t read a ton of books in this genre, but I’ve at least read enough to know that this one is something special!

I just spent twenty minutes trying to write an analogy comparing Written in the Stars to peppermint hot chocolate that wasn’t super cheesy, to no avail, so I’ve decided to channel my inner Elle and just.. go with it: Reading Written in the Stars was like sitting down with my first peppermint hot chocolate of the season. The story was warm, inviting, and familiar enough to be comforting, but it also felt new and unique enough that nothing about it felt stale or contrite.

One thing I really appreciated about this book was that it didn’t get mired down in extended mutual pining the way romance novels often do. Not that there’s anything wrong with slow burn romances, but sometimes I want to be able to relish in the actual togetherness of the characters instead of spending the majority of the novel wanting to push the two leads’ faces together like Barbie dolls, screaming “just kiss already!” The author did an excellent job of finding the sweet spot between insta-love and slow burn, and the result is a compulsively readable novel with an adorable opposites attract romance that felt totally realistic and incredibly satisfying. It’s also worth noting that while there was enough tension to sustain the plot, the angst never felt superfluous or like it was thrown in just for the hell of it.

My only complaint about Written in the Stars was that I wasn’t ready for it to end when it did! I really loved Elle and Darcy together, and while I understand that it’s not always realistic to include an epilogue when you’re planning a sequel that will likely pick up around the time the first book lets off, it doesn’t mean I have to be happy about it (I kid… mostly).

One more thing I want to state for the record, in case I’m not alone in this concern: I went into this read worried that my lack of astrological knowledge might be an issue, but my concern was completely unfounded! In fact, I think Elle’s narrative explanation of Darcy’s sun, moon, and rising signs helped me understand what the “big three” placements really mean better than any of the articles I’d read online.

In closing, Written in the Stars is a cute, quirky sapphic romance that is (for me at least) the book equivalent of a cup of hot chocolate and a warm hug. If this sounds like something there’s even a slim chance you might enjoy, then please give it a go. It was honestly wonderful, and now I’m definitely rambling, but I cannot recommend it enough!

ARC Note: Thank you to Avon and Netgalley for a digital ARC in exchange for an honest review. All opinions and terrible, cheesy analogies are my own.

Landice is an autistic lesbian graphic design student who lives on a tiny farm outside of a tiny town in rural Texas. Her favorite genres are sci-fi, fantasy & speculative fiction, and her favorite tropes are enemies-to-lovers, thawing the ice queen, & age gap romances. Landice drinks way too much caffeine, buys more books than she’ll ever be able to read, and dreams of starting her own queer book cover design studio one day.

You can find her as manicfemme on Bookstagram &Goodreads, and as manic_femme on Twitter. Her personal book blog is Manic Femme Reviews.

Sinclair reviews The Book of the Unnamed Midwife by Meg Elison

Posted on November 13, 2020 by danikaellis — 1 Comment ↓

A friend recommended I read The Book of the Unnamed Midwife by Meg Elison, saying it was one of her favorite novels, and I trust her taste, so I picked it up. I was hooked immediately.

I didn’t know a ton about it going into it, so I don’t want to say too much about the plot so as to give you that same satisfaction of watching the events unfold.

I will say that it’s a speculative fiction novel, with a woman main character who is bi, and a lot of feminist commentary about surviving in a post-virus US. There’s a fair amount of survival skills and navigation happening throughout, too. I read it early on during sheltering in place, and while it was eerie to think we might be heading there, I still just could not put it down.

If you love speculative fiction that is queer, feminist, very thoughtful, and badass, this is the one for you. Just a warning, though — it was very violent in parts, and sometimes disturbingly so.

The book is the first of in a trilogy, and it only gets more queer, and the violence continues, as it goes along. I loved the last book, called The Book of Flora, and it goes even deeper into what it means to be a woman, to have a place in culture, if it’s possible to be redeemed or forgiven, how choices bring similar people to vastly different conclusions, and more big human themes.

What was so great about it? The entire world that Elison built is fantastic, and I love how much it reads like a historical document because of how she’s set up the unfolding of the timeline. (You’ll see what I mean when I read it.) It’s incredibly well written; I adore these characters and I feel the way I felt after finishing the TV show Six Feet Under: that I miss these characters and want to hang out with them. Perhaps I feel they have something to teach, or I have something to learn from them?

Speculative fiction (particularly books geared more toward YA, but adult too) is one of my favorite genres, and I’ve read it more than ever this year, despite our world feeling like we are in a novel like that sometimes. I go to it for escape and entertainment, but also because it grapples with big questions, particularly around trauma, survival, and psychology, and I love sitting with them and pondering. Now more than ever, we have to figure out how to take care of ourselves, our loved ones, our communities, and take care of the planet. The cutting edge writers of speculative fiction have been pointing us toward motivation, inspiration, and action for a long time, and it’s time to listen.

In short, there’s some horror in this book. Nasty behavior of a sick, sexist, transphobic, homophobic, racist, and colonialist society. But there’s hope, too, and beauty, and love, and illumination of so many things worth fighting for, and worth living for.

Carolina reviews The Invisible Life of Addie LaRue by V.E. Schwab

Posted on October 29, 2020 by danikaellis — Leave a reply

“Your characters begin to live the way you do, unrepentant. Never reduced to their queerness, only expanded by it. It infuses them in many ways, sometimes subtle, others loud.”

What does it mean to be invisible? As queer people, most of us are familiar with invisibility in many forms. For some of us, it’s being in the closet, having to deliberately conceal parts of ourselves; for others it’s a lack of representation, a blank outline where we should be in the media. The Invisible Life of Addie LaRue by V.E. Schwab is the fantastical and introspective journey of Addie LaRue, a bisexual immortal cursed by the devil himself to be forgotten by all who meet her, until she meets someone who finally accepts her and loves her for who she is.

I’ve always loved Schwab’s writing, from her X-men inspired Villains series, to the whimsical and enchanting A Darker Shade of Magic series. One thing that I always appreciated in her writing is the casual inclusion of queer representation; Prince Rhy Maresh makes Alucard his prince-consort in the magical Red London, and the anti-hero Victor Vale’s asexuality is a valid part of his identity.

Following the immediate publication of long-awaited The Invisible Life of Addie LaRue, author V.E. Schwab came out as gay in a moving interview for Oprah Magazine. Schwab’s coming out was touching and it was refreshing to discover one of my favorite authors was queer as well. In the article, she cites the queerness of her characters as a tool to becoming comfortable in her own sexuality and skim, a theme that is echoed throughout Addie LaRue’s life, as love allows her to discover her true self and worth.

The Invisible Life of Addie LaRue is more of a character study than a romance; although Addie does not shy away from describing her female partners in the same way as her male partners, the true core of the book is Addie’s character development. Addie begins the story in 17th century rural France, a desperate teenage girl willing to sell her soul for the chance to to escape an arranged marriage, and live openly on her own terms. Lucifer, ever cunning, gives her the freedom and immortality she longs for, but curses her to be forgotten by all who meet her, dooming her to a life of isolation and sorrow. Throughout her eternal life, she is haunted by the charismatic, seductive devil himself, and nearly loses herself to his deceit. As she grows older and wiser, she learns that although she is forgotten, she will still be remembered through the marks she leaves behind on people’s lives, history and art. When she meets Henry Strauss in 2014, they slowly fall for each other after learning they were both marked by Lucifer. With Henry’s support and encouragement, she begins to find the strength to tell her story and defeat the devil on her own terms.

The novel embodies Schwab’s familiar, haunting prose, and introduces us to a cast of unique and lovable characters, the majority of which are LGBT. Henry’s friend group feels like a love letter to gay friendship as a whole, illustrating the inside jokes and affection only a group of queer people can have for each other. I also loved following Addie through history, seeing the world change and advance around her. The use of multimedia and art as a motif was particularly moving; the art we make acts as a stark indicator of both who we were, are and will be, and the world we live in.

The Invisible Life of Addie LaRue is a microcosm of a life’s journeys and discoveries. Addie’s imperceptibility can be seen as a metaphor for being closeted; Addie sells her soul for the opportunity for freedom, and the ability to choose who to love outside of the pre-conceived notions of narrow-minded people in her small French village. Thus, Addie is erased from the forefront, a vital part of her identity disregarded and ignored, her contributions lost to the sands of time, like many queer individuals through the annals of history. Addie is isolated and cut off from anyone like her, similar to being in the closet. It isn’t until Addie meets Henry, someone else who is cursed for wanting love and acceptance on his own terms, that she is able to see herself in him and come into her own.

The Invisible Life of Addie LaRue is a moving reflection on isolation and what it truly means to be human, summing up the collective need for companionship and acceptance in a tale worthy of the Brothers Grimm for the modern age.

Thank you to the publisher and Edelweiss for the advance review copy.

Trigger Warnings: Abusive relationship, suicidal ideation, depression, addiction

Emily reviews Written in the Stars by Alexandria Bellefleur

Posted on October 14, 2020 by danikaellis — Leave a reply

This book is sold as Bridget Jones meets Pride and Prejudice, and it does have nods to both of those, but it’s a delightful story all of its own. The story begins with Darcy and Elle having a disastrous first date. However, Elle is working with Darcy’s brother, so they can’t just pretend it never happened. After Darcy pretends to her brother that it went well in order to stop him setting her up again, she has to persuade Elle to fake-date. If you’ve read much romance you can probably predict most of the plot from there–shenanigans as they play up the romance in public and the inevitable development of real feelings.

As ever with this trope the “reasons” they fake date are a little dubious, but in this case it made sense within the story. It helped that both Darcy and Elle were very well realised characters. At the start of the book, Darcy appears to be anti-social, particular about her life and married to her work. Elle seems like a fun-loving free spirit. However, throughout the book we learnt more and more about them and they both became increasingly complex. We got to dive quite deep into their characters and the way their personalities interacted. They were very different–the book had both of their points of view, which I loved–and the way their contrasting personalities gradually came to complement each other was really well done. You got to see opposite points of view on several topics, which was fun. Both of them were also really sweet and likeable. I found it impossible not to root for them. Their romance was also well developed. It was really shown how much the characters came to like each other as friends as well as just being attracted to each other. This is something I find is often underdone in romance books, so I was pleasantly surprised by how well it was done here.

I also loved that both of the characters had other problems that they were working through, and that they both developed throughout the story. There’s a storyline about Elle’s relationship with her family, her business and one about Darcy’s past relationships. I will say some of this I found to be less interesting than other bits–for example, there’s quite a lot of astrology in this book, which personally I’m not super interested in. On the other hand, neither was Darcy, so the book did acknowledge the sceptic point of view.

The story is obviously quite focused on Elle and Darcy, but the side characters that were introduced were also given a lot of personality and I enjoyed reading about all of them. Elle’s best friend Margot and Darcy’s brother Brendan get quite a bit of page time, and it was really enjoyable to see the different ways they acted and were perceived in each of the points of view. Bellefleur did a great job of avoiding some obvious cliches for these characters too. All of their actions felt extremely realistic and character driven, rather than just to drive forward the romance plot (which can be another common pitfall of romance books).

There is some miscommunication in this book, so be aware if that’s something you dislike in romances. However, it’s very minimal, and I think it was justified well by the character’s backstories.

Overall this was a lighthearted read that I got through very quickly, and the most enjoyable romance I’ve read in a while. If you’re looking for a sweet sapphic romance you should definitely pick this up when it comes out!

Thais reviews Deathless Divide by Justina Ireland

Posted on October 12, 2020 by danikaellis — 1 Comment ↓

I have had Dread Nation in my TBR list for a while. After Deathless Divide was released, I was even more pressed to check out this duology, even though YA stories about zombies are not exactly something I would normally read. The premise was just too good—after the dead rise during the American Civil War, Native and Black American kids are taken from their families and forced into an education that basically trains them to protect white people from zombies.

The first book, Dread Nation, set up the world and had protagonists Jane and Katherine finding out that the biggest danger did not come from the undead. Deathless Divide starts just as the first book ended, with Jane and now friend Katherine fleeing the town they had been sold to and trying to find their luck in a nearby frontier town founded by people of color. But the people who were all too gleeful to see our protagonist basically enslaved into a death sentence flee to the same destination, and so Jane’s problems continue to follow her.

I had conflicting feelings about Deathless Divide. On one hand, the duology as a whole is the best YA series I’ve ever read. On the other, the books seem to show that I’m not really the audience for YA dystopian fantasy, even the most creative, amazingly developed ones. I have always struggled to get on board with how overly plotted and overly designed some YA fantasy books feel. It was an issue I had even with books I read and loved as a teenager.

Dread Nation had a chaotic energy that I loved. It had some tropes, but it mostly felt wholly original. Deathless Divide, on the other hand, seemed to try very hard to hit all outlined plot points, sometimes to the detriment of the characters, and it drove me mad, because the characters are the soul of the books.

It also had very specific quests the protagonists had to complete, unlike the ‘just survive’ approach of the first book, and after the first half, the sequel feels like it’s spinning on wheels trying to convince us the characters really would make all these decisions that would lead to resolution being delayed and delayed until the very last pages. For example, it’s impossible not to see where Justina Ireland (as amazingly talented as she is) tried to turn Jane bitter and where she left crumbs for Jane’s salvation.

I have loved Jane since the first book and I was even more excited to spend time with her in Deathless Divide, because while it is revealed in book one that Jane is bisexual, this installment was supposed to bring us a sapphic romance for Jane.

When Jane told people again and again that she had to get revenge, no matter what, I sided with her. I felt her pain. I was annoyed at Jane’s constant attempts to try to save people who were monsters, but I also believed in my core that she was a good person who felt she had to try. I was annoyed that Jane believed she could reason with people who saw her as less than human and convince them she was right, but I rooted for her nevertheless. I believed in her flaws. I trusted her as a character.

But all my love for Jane could not prevent me from seeing that halfway through this book she changed specifically so she could be redeemed. She became a different person than she was for one-and-a-half books entirely to drive the plot into meandering tangents that delayed her completing her quest. She made stupid decisions to delay the climax of the book and create tension.

That soured the book for me a bit. The fact that other characters also have their ultimate growth attached to Jane’s arc didn’t help.

Ireland created a cast of characters that was instantly likable, despite their many stubborn moments and their many errors in judgment.

I loved Sue more than I loved Jane. I loved Katherine more than I loved Jane. I wanted their journeys to stay their own. And I wanted to love Callie, and hated that she was not given as much complexity as Jane’s male crushes.

I won’t lie, the promise of a little sapphic action was what drew me to this series. I stayed because of the writing (despite my whining), but I still wanted to see Jane in the context of this relationship, given that her feelings for the two male romantic interests in past books were extremely relevant to the story and her growth as a character.

But Callie is never developed very deeply. We never see them falling in or out of love. We never know if there was anything in Callie that Jane liked beside Callie’s willingness to take care of her and stay by her side. It was so disappointing.

Jane and Callie are not the only LGBTQIA+ representation, however, and if I still loved this book, it is in great part because of Katherine. Katherine and Jane have an enemies-to-best-friends journey that is the emotional core of the books. I was heavily invested in their friendship, but I was especially engaged with Katherine’s arc.

Katherine is complicated and delightful. She is consistently loyal and curious about the world. Her ace identity did not feel forced, and it did not feel like a gimmick or a throwaway storyline. She is always whole and complex and driven, even when her story becomes all about her friend. She wasn’t my favorite character in Dread Nation, but in Deathless Divide, she rightfully steals the spotlight and stays the most cohesive character, even while growing and changing.

I wish Katherine had enjoyed more of an arc of her own. I wish the side characters had also gotten more time on the page. I rarely say this, but this duology could have easily been a trilogy, because there were enough character-driven plots that could have been pursued.

There were so many elements that worked in the book—the experiments and the anger they caused on Jane; the complicated journey to find a safe haven from the zombies, only to find out that there were few refuges to be had if you were Black; and the way each loss resonated and was felt deeply.

But I would also have loved for the one queer relationship to have gotten its due on the page, even if it didn’t have a happy ending. I would have loved for more of the characters to have time to feel whole.

I still think Justina Ireland did something unique and special. This was such an original idea, and while some of its elements left me frustrated, I think it says something about the book that I just wish there was a lot more of it. I cared about this world so much, to the end. I would gladly revisit it and spend time with any of the peripheral characters.

If you haven’t read it yet, you should. Whatever problems the book has, it also has beautiful people you will be glad you spent some time with.

Landice reviews Architects of Memory by Karen Osborne

Posted on September 27, 2020 by danikaellis

I’m not quite sure how to describe my experience of reading Architects of Memory. I started to say it was “a delight” to read, but that’s not even close to accurate, because this is an incredibly heavy book. And when I say heavy, I’m talking “what if corporations really were able to colonize space and then make everyone do incredibly dangerous labor to earn their place off-world, complete with sometimes mandatory medical procedures that incur massive debt against your citizenship account” heavy. That being said, it was well written and engaging, so much so that I marathoned most of it in one day, which I generally avoid doing with books that are heavy or likely to leave me emotionally exhausted.

Architects of Memory’s pacing is relentless from the very start, and if you’re anything like me, you will likely not want to put it down for anything. I was initially disappointed in how abrupt the ending felt, but then I realized this is the first in a series, so knowing there will be additional novels negated those issues.

I won’t go into much detail about the plot so as to avoid spoilers, but I did want to note that both of our POV characters are sapphic women! Ash is canonically bisexual with relationships with both men and women referenced in the story, and our second POV character, Kate, is also into women (though her actual sexuality is never confirmed). The two of them are–surprise–in love with each other, but feel as though they cannot or should not act on their impulses for the time being. This conflict added an extra layer of tension onto an already stressful plot, but in the best way! I’m not usually a fan of extended mutual pining, which is something Architects of Memory has in spades, but I think because the romance and pining took a back seat to the story, rather than driving it, I didn’t mind (further proof that I prefer genre fiction with f/f romantic subplots to romance novels, no matter how hard I try, which… Okay, fair. I can’t deny it anymore).

TL;DR: Y’all know I love a good sapphic sci-fi novel (and if you didn’t, now you do), and Architects of Memory really knocks it out of the park! I can’t wait to read Engines of Oblivion (Book 2), and if the Goodreads release date of Feb 2021 is accurate, we thankfully won’t have to wait too long to find out what’s next for Kate, Ash, and the rest of the galaxy. (Also, if you’re itching for a more analytical review that focuses more on the plot than the f/f relationship, my wonderful friend Dom has an excellent one that you can check out on Goodreads).

Architects of Memory Description:

Millions died after the first contact. An alien weapon holds the key to redemption—or annihilation. Experience Karen Osborne’s unforgettable science fiction debut, Architects of Memory.

Terminally ill salvage pilot Ash Jackson lost everything in the war with the alien Vai, but she’ll be damned if she loses her future. Her plan: to buy, beg, or lie her way out of corporate indenture and find a cure.

When her crew salvages a genocidal weapon from a ravaged starship above a dead colony, Ash uncovers a conspiracy of corporate intrigue and betrayal that threatens to turn her into a living weapon.

Content Warnings: Graphic violence, death of a loved one, nonconsensual medical procedures, gore/body horror type stuff. I’m probably forgetting a lot of things, to be perfectly honest. Read with care!

ARC Note: Thank you to Tor Books for granting me an advance ebook copy to review via Netgalley. This in no way impacted my thoughts (especially since I plan to buy a finished copy for my shelf). All opinions are my own.

You can find her as manicfemme on Bookstagram & Goodreads, and as manic_femme on Twitter. Her personal book blog is Manic Femme Reviews.

Shannon reviews I’ll Be the One by Lyla Lee

Posted on September 12, 2020 by danikaellis

If you’re looking for something to make you smile just as much as it makes you think, Lyla Lee’s debut I’ll Be the One is the perfect book for you. It’s categorized as young adult romance, but don’t let that put you off. I’m in my forties and I loved every second I spent with these characters.

Skye Shin has grown up knowing she wants to be a K-Pop star. She’s devoted every spare moment to practicing both her singing and dancing, and even though those around her haven’t always been as supportive of her dreams as she might like, she’s determined not to let this get her down. Sure, she’s a self-professed fat girl whose mother is constantly telling her to lose weight before taking the world by storm, painful to be sure, but if her deep love for K-Pop has taught her anything over the years, it’s that she has to believe in herself one-hundred percent, even if she’s the only one who does.

When You’re My Shining Star, a talent competition focused on K-Pop, holds auditions in her area, Skye knows she has to try out. So, she skips school and shows up for what she hopes will be her chance to totally wow the judges. Unfortunately, while her performance is one of the best she’s ever given, some of the judges aren’t eager to take a chance on Skye. Suddenly, in front of tons of other would-be contestants as well as a camera crew, Skye is forced to defend not only her lifelong dream, but the right for anyone who isn’t extremely thin to create art.

What follows is not only a behind-the-scenes look into the making of a reality TV show, but a deep and often heart-wrenching look into one young woman’s journey toward self-acceptance. Skye is a remarkable heroine, more self-assured than I could have even dreamed of being at her age, smart, resourceful, and unwilling to back down. She knows what she wants, and even when things get rough, she plows ahead, sometimes making mistakes, but always seeking the best, most fulfilling way to be who she’s meant to be, and lest she seem too good to be true, let me assure you that she’s not always sure of her identity. She considers herself bisexual, but because of her contentious relationship with her mother, she’s afraid to come out to anyone but her closest friends, and yet, her unwillingness to come out makes her feel hypocritical at times.

As the competition heats up, Skye throws herself wholeheartedly into a grueling schedule of rehearsals and performances. Plus, she’s still in school and letting her grades fall is not an option. Needless to say, she’s busier than she’s ever been, but things aren’t all work and no play for her and her fellow contestants. Fast friendships are formed, and Skye even gets a shot at first love, even if that love comes from a direction she never anticipated.

If you’re sensitive to fat-phobic commentary, I’ll Be the One might prove difficult for you to read. Skye is bombarded with anti-fat rhetoric from her mother, from the judges, and from several of the other contestants, so proceed with caution if you decide to pick this book up.

Nothing I can say can adequately convey my love for I’ll Be the One. It’s the kind of book I would have loved to read as a teenager struggling to fit into a world that didn’t always feel welcoming. Lee has created the perfect combination of lighthearted fun and introspective wisdom, making this a great book for readers both young and old.

Trigger Warning: Fat-phobia

Danika reviews Take a Hint, Dani Brown by Talia Hibbert

Posted on September 11, 2020 by danikaellis

This is an F/M romance with a bisexual main character.

Unsurprisingly, I don’t read a lot of M/F romance. Truthfully, I don’t even read a lot of F/F romance–which is often surprising to people who think queer books are all romance novels. I am, however, much more likely to read an M/F romance with a bi woman main character, and when I saw that this audiobook was available through my library, I though I’d give it a shot. And I’m very glad I did, because this ended up being one of my favourite romance novels of all time. (With a male love interest! I know! It’s shocking! That’s just how good it is.)

Part of what I loved about this book was the main character. Dani Brown knows what she’s about: she is devoted to her job (teaching and researching lit), to the point that she may forget to do things like sleep or eat. She has no time for romance, and doesn’t think she’s the kind of person who does well in relationships. She doesn’t remember anniversaries. She is embarrassed by romantic gestures. What she does enjoy is sex, and she’s determined to find a fun, casual, purely sexual relationship.

Zafir is the (grouchy) security guard in the building she works at, and they chat every day. When Dani injures herself in a safety drill, Zafir sweeps her up and carries her outside. The moment goes viral, and Zafir asks Dani if they can fake date to promote his rugby charity for children. (Where he teaches about toxic masculinity and expressing your emotions and dealing with mental health issues!) Dani agrees, hoping that this can turn into a no-strings-attached arrangement–but it turns out that Zafir is a romantic, which makes things more complicated.

Here’s the thing about Dani: her full name is Danika. Which is my name. Have you ever listened to a romance audiobook with a main character who shares your name? I’m not ashamed to say I was blushing, but it is a bit of ego soothing to hear a narrator extol the brilliance and beauty of Danika. Dani is a fascinating main character, though. She and her sisters are witches, which isn’t something I’ve seen a lot in books. She’s also a compelling mix of self-confident and insecure. She thinks highly of herself, but she doesn’t believe that others would approve of her, especially in a romantic relationship. I also loved that she’s unapologetically sexual, especially as a fat woman. I was surprised how affecting it was to hear a round stomach described positively.

I didn’t plan to review this on the Lesbrary when I first started listening, but I ended up loving it so much that I had to share. I even liked Zafir! I appreciated that he’s a grouch, but also sensitive, romantic, and committed. They’re both complicated, with their own backstories–Zafir had a family tragedy and mental health crisis in his past, and has had to rebuild since. Dani has her own reasons for being insecure in relationships. They both feel like real, complex people, which makes their relationship all the more interesting.

[Spoiler, highlight to read:] I also loved that Danika doesn’t have to change to be in a relationship. She just needs someone who loves her for who she is. [end spoiler]

As for queer content, Dani states her bisexuality several times, and we do see her female ex, but it’s not a huge part of the plot. If you’re willing to take a risk on an M/F romance, though, make it this one.

Thais reviews The Care and Feeding of Waspish Widows by Olivia Waite

Posted on September 5, 2020 by danikaellis

I hadn’t been super into romance before I had Olivia Waite’s Lady’s Guide to Celestial Mechanics. I sought sapphic representation when I chose books, but I was mostly a reader of literary fiction, so understandably a lot of what I was read didn’t have a happy ending. I didn’t even realize that was something I craved, and I was so giddy when I cracked open this historical romance and found myself enthralled.

I was very eager to read the sequel, The Care and Feeding of Waspish Widows, another regency sapphic tale. I was intrigued by Agatha in Lady’s Guide and definitely detected queer vibes coming from her, so it was no surprise when she turned out to be one of the protagonists of this book. A no-nonsense small business owner who always seemed to entangled with artists, scientists, and subversives of all kinds, Agatha was intriguing when she was introduced as a side character, but she is delightful here—grumpy and direct, but also caring and cautious when it comes to her own romantic feelings.

I also loved Penelope from her very first moments on the page, which is something I appreciate about Waite’s books. I always struggle to stick with a lesfic romance when I dislike one of the main characters. Waite always write heroines who are quirky and not necessarily traditionally likable, but they hook me completely exactly because they jump off the page as whole human beings, with flaws and unique perspectives. I loved Lucy and Catherine when I read Lady’s Guide, but I think now I love Agatha and Penelope more.

A beekeeper, Penelope comes to Agatha’s aid when the printer finds a beehive nesting inside her warehouse. After Penelope manages to carefully remove the bees and suggests placing their new home just outside Agatha’s business building, the two start corresponding.

As Agatha and Penelope started exchanging letters, I found myself nearly racing to finish the book, because I just wanted these two to be happy already. I had to read it again to appreciate some of the story beats and I’m sure I will read it one more time to swoon over the beautiful prose Waite writes, but the first time had me breathless with anticipation, and even the promise of a happy ending that comes with a romance couldn’t make me relax and slow down.

I don’t usually enjoy characters who pine for each for very long. One of the reasons I loved Lady’s Guide was that there was little wait before the main characters got together and the focus was on their burgeoning relationship and past wounds. I wasn’t sure if I would be the audience for a book that withholds the payoff for so long, since I tend to resent when there are too many misunderstandings and obstacles and people just won’t talk to each other. This book is unabashed about the pining and the silly misunderstandings. But it’s so well-done, with Penelope’s hesitation to come out and Agatha’s resentment of Penelope’s marriage and assumptions about what that means, that I was captivated.

I did miss the diversity from the first book, however. Lady’s Guide has more than one character of color and really came alive for me for painting a portrait of what Regency Britain might really have been like. Waspish Widows has several queer characters instead, which is nice, especially as Agatha and Penelope spend a lot of time supporting and conspiring with the other queers, but I still craved more diversity from the book, probably because I know Waite can deliver it and do it well. I assume Mr. Biswas is Indian, but can’t remember him being that big of a presence in the book, and that’s a pity.

I also really appreciated the side story with Queen Caroline and the real danger it brought to the characters that we cared about. I just wish the plot had been wrapped up a bit better. I felt like we heard way too much about this historical context in the beginning and then interest seemed to wane and narrow on the fictional plots that sprouted from it, but that too is sort of set aside at the end, and we only get an assurance that it was resolved by a certain character moving away. I was a bit disappointed.

The middle of the book has amazing tension due to Waite weaving so many threads exceptionally well and creating explosive confrontations. The writing is well-paced, so it propels you forward, making you want to know how it will all come to a head. So I felt a bit cheated that main antagonist in the story disappears off-page and the political tensions are resolved by people just losing interest.

Nevertheless, none of that ruined my enjoyment of the book. It’s a testament to Waite’s brilliant storytelling that even when my brain is picking on tiny things and I’m frustrated with bits and pieces, the whole narrative is still impactful and satisfying. Her character work in particular shines. All these people she creates stay in your imagination. Those characters live outside the page, leave a mark on the reader. When Catherine appeared briefly for a cameo in this book, I nearly shouted in excitement. When Mr. Frampton was mentioned, I felt nostalgic and sad that we hadn’t seen him in this book yet. And I would pay any amount of money for a book focusing on Joana Molesey and Aunt Kelmarsh, because there are so few sapphic romances between older women, and after reading Waspish Widows, I would love more.

I certainly can’t wait to go back to this mini world and see them once again, and while I know that Waite has only planned one more book for this series, I can’t help but hope she will pen many more historical sapphic books. I would certainly read them.

Thais is a Brazilian WOC queer. Her degree in Media Studies has slowly grown useless, even though she literary Majored in how to be good at social media (but can’t understand it better than twelve-year-olds) and she currently lives with her parents. She is an Editor and has too many opinions on books she should be reading for fun.

You can find her on Goodreads or Twitter (@ThaisAfonso).

JB reviews Something To Talk About by Meryl Wilsner

Posted on August 28, 2020 by danikaellis

Hello everybody! My name is JB and I’m so excited to be here.

Who doesn’t love a good slow burn romance? The slow burn romance trope is literally my favorite trope in existence. All my favorite ships go through some sort of slow burn/mutual pining stage. Something to Talk About has a slow burn romance AND a fake dating. It feels like it was made for me, and I can tell Meryl Wilsner knows what the lesbians want. And yet this novel did not fully satisfy my itch for slow burn romance.

Something to Talk About features Jo, a mega-successful showrunner, and her assistant, Emma, and their journey from coworkers to friends to lovers. Jo is photographed making Emma laugh on a red carpet and rumors start a-going. Though the gossip threatens to interfere with both their personal and professional lives, Jo decides to not comment; she’s never before, so why start now? The novel is told from both of their perspectives, which I enjoyed because we got to see that sweet, sweet mutual pining. I enjoyed seeing both of them get flustered about each other or giving meaning to small interactions. I love how much unspoken care was already in their relationship, even before they realized they could be more than coworkers and friends. Emma and Jo know each other’s favorite foods, how they way sleep on the plane during business trips, and more.

While I enjoyed reading from their perspectives, there was not a lot of difference in their voices. I had to turn back to the beginning of a chapter more than once to remember who I was supposed to be. A major conflict happens in the middle of the novel that didn’t really make a lot of sense to me, and I almost put the book down because of it. I also thought that there were one too many real world issues trying to be addressed between the romance. Racism and sexism against Jo, sexual harassment in Hollywood, and nepotism (somehow) were either mentioned or part of the plot. It’s completely possible to experience all of these at once, but, to me, it felt out of place in a novel that markets itself as a fluffy romance.

Overall, I really did enjoy this book. I realized I enjoyed and related to these characters more than those in YA WLW romances. I recommend it to anyone who’s looking for a WLW romance featuring adult women, mutual pining, and yeah, of course, slow burn romance.

Trigger warnings: racism, sexual harassment

JB (she/her) teaches junior high history by day and reads lesbian fiction by night. Her favorite genres are fantasy, speculative fiction, historical non-fiction, and memoirs. She loves all things history, RPG podcasts, and watching longform video essays with her gf. You can find her on Instagram at @readingrhythms.

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