Megan G reviews One Exquisite Night by Annie Anthony

Allie Jordan is a 38-year-old single mother who just recently came out of the closet. Terra Rossi is a 40-year-old who just ended a decade-long relationship with her married best friend. They are brought together by an unusual dating service called 1Night Stand. Neither expects more than a single night of passion and fantasy, but that is, of course, until they meet each other.

I had mixed feelings while reading this story. On one hand, it was so refreshing to read a story about older women becoming infatuated with one another (I really don’t want to use the words “falling in love”, since the story takes place over the course of 24 hours, but it really does feel like the author was going for “falling in love”). It was especially refreshing considering this is an erotica, and women over the age of thirty are often portrayed by the media as less sexually appealing (which just isn’t true). Allie and Terra were turned on by each other, and their sexual encounter did not feel any less sexy because of their age. If anything, their interesting combination of experience and lack thereof made for a more unique, satisfying read.

On the other hand, I felt as though the emotional side of the story was pushed a little too hard. It’s clear from the first moment they meet that Terra and Allie have a connection that will transcend the single night they paid for, but by the end of their time together they are talking about plans at least a year in the future. Having a connection is one thing; talking about still being a couple a year in the future after spending a day together seems a little intense. There is also a rather extended section of the story in which Terra and Allie give detailed speeches about their past partners, which felt a little strange considering the length of the novella, as well as how little time the women have known each other. I would have much rather more time be spent on the sexual connection between the women than have an overload of emotional connection after only a day. It’s clear these women will be seeing each other again after their one night is over. There’s no need to beat your reader over the head with it.

As this is an erotica, I think I would be remiss not to mention how scorching hot the sex scenes are. These women are incredibly attracted to one another, and it shows. My only complaint is that a few of the scenes felt cut unnecessarily short. As already mentioned, I would have rather read longer, more drawn out sexual scenes between the women, than get bogged down with a continuous repetition of “these women are soulmates”.

My only other complaint is that there was a moment in which the author could have included mention of trans lesbians, but instead chose to keep things rather cis-gender specific.

I know it sounds like I’m being a little harsh, but the truth is that I did enjoy this story. It was hot, it was original, and it left me wishing it had been a full-length novel, which is always a good sign of a novella. I would recommend it for anybody looking for something quick and sexy to read

Alice reviews Unicorn Hunting by Roya Hellbender

Emerging from the woods was a form so white it hurt Cal to look at it… The unicorn could never have been mistaken for a normal horse… Hardly noticing the tears that spilled down her cheeks a the purity of the creature, Cal  was shocked when the unicorn slowed to a walk and approached her.

This book is a 3* Fantasy Romantic Adventure.

Anyone who knows me will tell you I love unicorns. It was an affair that started when I was about four, and has manifested itself in me being an adult who will grab any book with ‘unicorn’ in the title or on the front cover. Needless to say when I saw a book called unicorn hunting, I heard that little voice in my head purr, and read it.

I’m so glad I did. The story is about a young woman, Cal, who lives in a world where unmarried women have two choices, become a Unicorn hunter, or join the nunnery. But Cal wants to know why, and in world of secrets that’s not an answer she finds easily. Living in a world where killing these beautiful creatures is the only way for a girl to make money, Cal and her friends have to figure out where they draw the line, and who’s side are they really on?

I enjoyed this story, it was a simple fantasy adventure with a couple of interesting ideas, a likeable cast, and a reasonable pace. The only gripe I had was the author seemed a little afraid of tension, giving the payoff as soon as she’d set an idea up, which whilst it does move the story along, can make things feel a little anti climatic. The story has one example of a hate crime against immigrants,  and yet the book showed no real cultural or racial diversity, with everyone fitting into a similar mold, despite the country being split into four distinct zones with four distinct languages.

I loved the main character though, I suspect she thinks a lot like me, and there was more to her than who she was in love with, which is a nice thing to happen in a ‘romance’ book. The unicorns, by the way, were great, and the author had some brilliant little ideas for them, and a flair for rich description. I enjoyed the love story, and the secrecy of the world Cal moved through.

Overall it’s an enjoyable book, that supplies what you’d expect from a Lesbian Unicorn story, however it is let down in places by underdeveloped characters with two dimensional motives, or a brilliant idea that is rushed into and away from far too quickly. It’s quick to read, and well worth the time, and certainly left me with a smile on my face.

Danika reviews Mara by Brian Wood, Ming Doyle, Jordie Bellaire, and Clayton Cowles

Mara is a comic trade about Mara, a 17 year old who’s been trained as a professional athlete since she was 4 years old. This is her whole life, and in this future world, athletes are the peak of celebrity, and Mara is at the top of it all. When a broadcast of her game reveals her manifesting super powers, though, the life that’s been set for her starts to crumble.

I have to admit, I felt conflicted about MaraWhen I was midway through, I though the ending would help me resolve my feelings, but that didn’t help. It wasn’t until I was flipping through it again and notices the very first page, which has just the text “A COMING-OF-RAGE STORY” that I began to understand what this story is doing.

Mara has had her whole life decided for her. When she was 4, she was sent to a training camp, and since then, all of her time has been dedicated to training and securing sponsorships. She has a relationship with a teammate, Ingrid, but that isn’t explored much in the narrative, other than the press speculating about it. The super powers she acquires are wide-ranging, incredibly powerful, and entirely unexplained. It is quickly obvious that she is now on a completely different plane from other humans, and she tires of the military (and society in general) trying to control her.

She’s a teenager, and she’s justifiably furious at a world that has stripped her of choice and of the people she loves. It’s interesting to see a character with super powers who becomes apathetic to the world. She’s not a villain or a hero: she’s completely disinterested in human beings. She’s not prey to their judgments anymore, and she never will be again.

This is a very quick read, and Mara’s journey has a lot of similarities to Doctor Manhattan. Also, to admit my own bias, and I’m sure the bias of most Lesbrary readers, I wanted more from the Ingrid/Mara relationship than a few pecks and everyday conversations. I didn’t get a sense of emotional closeness from them, and if they weren’t close, what was the point of the relationship at all?

It made for an interesting afternoon’s read, but I wanted more from it. It felt more like a thought experiment that anything. If this was a continuing series, I’d be interested as to how it would play out, but as a stand-alone volume, it felt weak.

Megan G reviews Forget Yourself by Redfern Jon Barrett

Blondee’s world is comprised of fifty huts divided between four groups of people: least, minor, moderate, and severe. Each person is grouped based on what crime they committed in their previous life, though nobody can really know for sure what their exact crime was, as everybody comes into this world with no memories of who they previously were. The few memories people have are recorded in a book and used as rules to govern this world. The memories Blondee begins to have, however, will change the course of her world.

This is a tough book to review. It’s speculative science-fiction unlike any I’ve read before. Blondee’s world is new, both to the reader and to the characters, creating a deep sense of uncertainty throughout the novel that never fully dissipates. Every character is an amnesiac, making the world outside their prison compound a complete mystery and creating a strong sense of claustrophobia. We don’t know where we are, and we don’t know where we came from. I will admit, the eventual reveal left me scratching my head, but it also left me thinking in a way that very few dystopian novels ever have.

The issue of sexuality is just as complex as the rest of the narrative. Although Blondee’s world seems far more open-minded than our own, monogamy is still the law of the land, and when Blondee begins to shift into the world of polyamory she is quickly shunned by the rest of the compound. This is a world where everybody must act in the same way and follow the same rules, and having two lovers simply doesn’t fit with those rules. Despite the reaction of the rest of the compound, Blondee continues to date Burberry and Fredrick simultaneously, and, for a short time, this works for all three. Then, Blondee begins having memories.

The way that memory is dealt with in this book was something I found particularly intriguing. Everybody arrives into the world fully formed, but with no idea of who they are. When they do have memories, they’re vague. “If one person cheats, the other breaks up with them.” Nothing is personal or specific, and so it is believed that all memories are simply reminders of how the world works. When you’re with someone, they live with you. When you break up, you have sex once, and then one of you moves out. Things that in our world are decided based on personal preference are rules in Blondee’s world. This eventually leads to terrible consequences when Blondee remembers marriage, finds a bridal magazine, and re-introduces heteronormativy and traditional gender roles into a world that operated rather smoothly without them. This shift is one of the many social commentaries embedded within the narrative, and it may potentially be the only one that I fully grasped.

There are a few warnings you should be aware of before picking this book up. There is a decent amount of fatphobia within this book, all dealt with in a very casual way. Suicide is also a theme, and while it is not omni-present, it is rather explicit when it comes up. [major spoilers]This book also includes the death of a queer woman and of several queer men [end spoilers]. There is also explicit sexual content throughout the book, if that is something you prefer to avoid.

Overall, Forget Yourself is a tightly woven, complex story that deeply examines our society, sexuality, and the personal in contrast to the general. While I did greatly enjoy this story, I must admit that a lot of what happened in the final section went over my head, leaving me confused and a little unsatisfied. A second read might be in order, now that I (sort of) know where everything ends up.

One final note about Forget Yourself: don’t be fooled by the quick pace. This book initially seems like a light, easy, mindless read. It isn’t. It really, really isn’t.

Danika reviews Girl Friends: The Complete Collection 1 by Milk Morinaga

Everything I’ve read talking about yuri seems to mention Girl Friends, so I thought it was time for me to read this quintessential yuri series. And I can see how it’s the example of yuri! It’s school girls, and a lot of blushing, and the typical “girls don’t do this” heteronormativity. I read this in the omnibus, and talk about a slow burn! This is almost 500 pages, and mostly just about Mariko making a new friend, falling in love with her, and then (much later) realizing that she’s fallen in love with her.

Girl Friends is super cute: exactly what you’d expect from the title and cover, though there is the melodrama of agonizing over a crush on a girl, but that should go without saying. It is also set in high school, so it does have some nudity, talk about sex, and underage drinking. (The cotton candy cuteness made me a little shocked by the nudity, for some reason.)

Interestingly, about three quarters of the way through, we get a perspective shift. After spending so long reading about Mariko’s doomed crush on Akko, we get to see Akko’s (mostly oblivious) reaction, and perhaps see the same thing happen to her? Maybe that’s what’s going to take up the next 500 page omnibus?

This is a fun, quick, addictive reading. I was craving it between readings. I’ll definitely be continuing on with the series!

Megan Casey reviews Black By Gaslight by Nene Adams

There’s a lot to say about this novel—both good and bad. It starts out like a house on fire but finishes in smoldering ruins. Here are some of the good things. First, there is the setting: 1888 London, smoggy, dark, and smelly. Lady Evangeline (Lina, or “the dark-haired lady”) St. Claire is an independently wealthy private investigator. She is tall and strong and versed in the martial arts, like Xena, who, along with Sherlock Holmes, is her inspiration. The Gaby/Watson character is called Rhiannon Moore, who Lina rescues from a life on the streets after falling in love with her at first sight.

In an odd twist, there is another Sherlock Holmes character that plays a big role in the novel. He is called Sherrinford Pike, who lives with his lover, Dr. Ormond Sacker. Lina’s love/hate relationship with Pike is charming and often hilarious. When she accuses him of shooting at her through a dressmaker’s window, he denies it, “even if I did once introduce a cobra into your sitting room. . . . Besides, I thought that you’d sworn not to mention that unfortunate incident with the air rifle again, St. Claire. . . . [and] the arsenic-filled bonbons were an honest mistake committed only once.”

And if that sounds a bit over the top, well, so is everything else in Black by Gaslight. Lina’s language is the language of Jane Austen squared—or maybe the language of the penny dreadfuls that Rhiannon delights in reading. “Rage beat at her and filled her veins with liquid fire. A red mist enshrouded her vision.” And to be truthful, the language is often so well—or oddly—crafted that it escapes being simply romance-novel drivel and often rises to the level of actual creativity. So does the relationship between Lina and Rhiannon. Both are smitten with the other at once, but neither thinks it appropriate to mention it to the other. And when their passion gets the best of them—as it does in strange situations, such as in a carriage when they are chasing a murderer—they will then play it down, or try to pretend it didn’t happen.

But it is almost as if the author gets tired of the novel halfway through. Repetition creeps in, as do inanities. The language becomes tedious, the amount of attention to describing Victorian-era women’s attire takes up too much space, the love story becomes sappy, important incidents are forced—rather than intelligently woven—into the plot, gore is splattered more-than-generously on virtually everything. And then there is the ending, where at least one of the women takes a series of actions so stupid that it defies even my imagination—which is one that has seen more than its share of ridiculous endings. It becomes just another Sherlock Holmes versus Jack the ripper novels, with Jack as someone that constantly hears the voices of prostitutes talking to him. Motivation? Backstory?

The main thing wrong with this novel is the same thing that is wrong with most independently published books in general and lesbian mysteries in particular: the lack of an even halfway-decent editor. Yes, this is an Uber novel and one that was almost certainly first posted to a fan site. And yes, fan sites are notorious for their unabashed enthusiasm for everything Xena (or everything Hermione or everything Kate Janeway) and lack of critical sensibility.

But lack of critical thinking bespeaks a lack of education, and a lack of education is the downfall of civilizations. If you don’t believe me, look around you. What’s worse, competent editors are very few and far between—it takes a great deal of study and reading to even attempt it, while university courses in the fine arts are becoming more and more unfunded. And let’s go even further; good editors command a respectable fee—as indeed they should—and few budding authors or even independent presses can afford one.

So too bad, what started out as a potential Top 20 List novel turned into something that I finished with a sense of relief. What could—with a very competent editor—have been rated near a 5 ends up at somewhere near a 3.

For 250 other Lesbian Mystery reviews by Megan Casey, see her website at http://sites.google.com/site/theartofthelesbianmysterynovel/  or join her Goodreads Lesbian Mystery group at http://www.goodreads.com/group/show/116660-lesbian-mysteries

 

Aoife reviews two Puppy Love romances by Georgia Beers

rescued heart georgia beers cover   Georgia Beers Run To You

Georgia Beers’ new Puppy Love series centres around Junebug Farm, a no-kill animal shelter in upstate New York, and the people that work there. While the series features a recurring cast of characters, each book focuses on a single couple – though Beers chose to diversify the POVs in the second book, which was I choice I found I didn’t mind, as it adds to the rather cinematic feel. It’s something I’d watch on TV or on Netflix if I wanted something fluffy and romantic. Rescued Heart, book one, follows the relationship of Lisa, the shelter intake and adoptions officer, and Ashley, a baker who volunteers at the farm; Run to You, book two, looks at Catherine, the shelter accountant, and Emily, a donor and volunteer. It’s also a little Christmassy.

Overall, I liked both, and I’d be happy to read another, but I wouldn’t be devastated if I didn’t. The setting was a big draw for me – puppies and romances? Yes. And Beers doesn’t disappoint on that front – there are lots of adorable dogs and cats, and I liked that there was a little dig into how a shelter like that might manage to run. It’s pretty obviously written by an animal lover, and I’m into that. Personally, out of all the animals, I fell in love the most with a dog that didn’t get much page time (Dave) because I’m a sucker for pit bulls. While they’re part of the same series, they’re written differently, each with its merits. I’d say best overall was probably Run to You, but I can see how others might choose otherwise.

Rescued Heart starts slow, with a professional relationship that turns sweet, each person bringing out new sides in the other. A big theme in these books is trust, and Lisa doesn’t have a lot of it. She’s holding tightly to some family issues, which have made her closed off and a bit controlling in both her professional and personal lives. Ashley, on the other hand, is bubbly, but passive, stuck in a semi-relationship with a sweet girl because she can’t bring herself to do anything about it. Lisa unknowingly brings her out of her shell a bit, and the interplay between Lisa’s need for control and Ashley’s increasing dominance is interesting. Beers doesn’t act like Lisa and Ashley are the only people in each’s respective life, which I liked. Friends and family pop in and out, and the tone of their interactions is deliciously gossipy.

Probably the most important thing about Rescued Heart is that it doesn’t follow the typical romance structure of building up to a crisis point so there can be satisfying resolution – and if it does, it does so half-heartedly. This could be because I was a little bored by the book, but I actually kind of liked it – I’m an anxious person, and high stakes make me tense. I do wonder if I might have liked it better had I known that going in. That’s not to say that there’s no drama, it just doesn’t build up to something huge.

It’s not super tightly written, Lisa and Ashley felt a little flat to me, and some people might not be into its structure, but it’s a nice book. As I mentioned, though, I did get a little bored with it, and I’m pretty sure that’s mostly down to the sex. It was fine and everything, it just wasn’t great. I didn’t tap into their chemistry the whole time, and like – you’re both in your thirties. Is this really oh my god the best sex you’ve ever had, you’ve never felt anything like this before, no one’s touch has done this to you, etc.? Really? It’s fine, it was just a little too clichéd for me. This is something I felt with both books, although probably a little more with the first. Again, this is probably mostly a personal preference thing, and I’m sure most people would have no objections.

Run to You is more tightly written, and much more of a slow burn. Emily is the representative of a family company that donates the bulk of the shelter income, and Catherine is the accountant. It’s inappropriate, definitely not professional, and very obviously something that they’re going to enter into – bonus point for a classic ‘we shouldn’t’ while kissing. This book was less on the normal-life friendship, but more on the workplace friendship (I’m saying now that I think the third book will focus of Jessica, the head of Junebug) (there are an improbable amount of wlw working at this shelter, but I like it). As I mentioned earlier, there’s more diversity in perspective here; RH had only two POVs, but RtY has maybe five? I’ll say five. This one is probably better paced, with a more dramatic arc (hello, crisis point), with well-strung tension. While Ashley is probably the most endearing character of the four – she smells like cupcakes – Emily’s my second favourite. Both Lisa and Catherine are more emotionally closed off, and while that makes for interesting romantic dynamics, it’s just not a hugely appealing quality. Also Emily is the one with the pit bull and leather jacket, so she’s ticking a lot of my boxes. One issue I did have is that RtY is not super well edited – ‘ascent’ used instead of ‘assent’, etc. Nothing major, but it did pull me out of the story at moments.

As I said, I enjoyed both, and while they’re maybe not the most gripping of reads, they’re light and fun and sweet, with a decent dose of adorable animals, and a guaranteed happy ending. If you like your fluffy reads, you’ll probably enjoy the series. It’s a little white, and there’s not much in the way of representation for anyone other than the L in LGBTQIA, but if that’s not going to bother you, I’d go ahead! They’re better than the covers make them look, I promise.

There aren’t any huge trigger warnings for these two, though there’s a bit of sexual harassment which had the potential to turn into assault in Rescued Heart. I wouldn’t read the series if you’re trying not to drink? There’s a lot of wine.

This and other reviews by Aoife can also be found at https://concessioncard.wordpress.com/.

Aoife reviews Of White Snakes and Misshapen Owls by Debra Hyde

of white snakes and misshaped owls

Miss Charlotte Olmes is the classic turn of the century ‘woman detective’ – clever, enlightened, and progressive, with a penchant for cross-dressing. She lives with her companion and partner Joanna Wilson, who appears slightly more respectable – but I mean, they’re a live-in lesbian couple in 1880s New York, so respectability is somewhat relative here.

After a morning spent instructing a society lady and her maids in parasol self defence, Charlotte and Joanna’s services are engaged by the lovely Miss Tam, whose employer has gone missing. Their investigation takes the reader on a rather enjoyable tour of period New York, complete with violent street gangs and Chinese/Irish racial politics. It’s evident that Hyde did some research on her setting; I particularly liked the ladies’ trip to the morgue and police station.

White Snakes is the first novella in the Charlotte Olmes series. At 73 pages, it’s short and sweet; a quick, light read. Hyde’s writing is fun and fairly well crafted, and her language did an excellent job of conveying place – although, while I appreciated the inclusion of appropriate slang, it did lessen my engagement because I had absolutely no idea what it meant.

I didn’t enjoy it so much as a mystery; while the majority of the ‘clues’ were laid out for the reader, the necessary context was not quite so clear, which left me kind of detached from the mystery storyline – in my mind, the best kind of mystery is where the reader can guess the killer or the criminal or whatever, but only if they read carefully/cleverly. While I can kind of see the enjoyment of only being ‘along for the ride’ – as if you were Hastings in an Agatha Christie, perhaps – it just doesn’t do it for me. It was written with split perspectives between the killer and Joanna, which was fine; I personally would have preferred it to be all Charlotte and Joanna all the time, partially because it’s so short, but it did work, and I did enjoy a couple of the not-ladies scenes.

I loved the dynamic of Charlotte and Joanna’s relationship – it rather reminded me of the Amelia Peabody series, just with wlw and BDSM. They were sweet together, with a good working relationship, and great chemistry. I really liked that Joanna was the narrator; Hyde did a really excellent job of establishing them as equals. It would have been very easy to write them as one fully dominant and one fully submissive, but despite the shortness of the book, Hyde neatly sidesteps that cliché and, in doing so, created much more three-dimensional characters. I wasn’t super into the whole language of exoticism and orientalism that accompanied the Chinese characters, an unfortunate and fairly common convention in period mysteries; it wasn’t the worst, but it did detract from my overall enjoyment. Ditto with the pity-attitude towards sex workers – obviously historically women haven’t always had a lot of choice with regards to this, but that doesn’t need to translate to a disrespect of sex work.

I’d love to see it fleshed out into a full book. I wanted to spend more time with Charlotte and Joanna – particularly in the space where they’re just Charlotte-and-Joanna, not Lady-Detective-Charlotte-and-Companion-Joanna or Charlotte-and-Joanna-having-hot-sex. Those sides of their relationship are both well done, but I’d liked to have seen equal time between the three to fully explore all the versions of themselves that they are with each other.

Overall; fun and too short. I’ll probably read the other books in the series if I can get my hands on them, and I’d like to check out some of Hyde’s longer works. According to the bio in my edition, ‘all of her work is available in ebook, and her short story backlist is about to be republished in a mini-anthology format with Sizzler Editions’. So if you read and enjoy this, you might want to check that out!

Trigger warnings for descriptions of violence and a (not very graphic) murder.

This and other reviews by Aoife can also be found at https://concessioncard.wordpress.com/.

W. Davidson-Rhodes reviews Poppy Jenkins by Clare Ashton

poppy jenkins

[Possible Spoilers Ahead]

I wouldn’t call this a retelling, but Poppy Jenkins is very reminiscent of Jane Austen’s Pride and Prejudice.  The setting is similar, a small community of good albeit sheltered people.  Far from the hustle and bustle of the big city life.  I could imagine the quaintness of it all.  The way author Clare Ashton describes it, I see the shire in my minds.  Old, rustic, charming.

The titular character, Poppy, is Ashton’s Elizabeth Bennett, and her love interest, Roselyn Thorn (I love name puns, by the way) is, in this case, Ms. Darcy.  A key difference is that Poppy and Roselyn were childhood friends who had a falling out as teens and reconnect fifteen years later.  I love the second chance at love romance trope, which made me excited to read this novel.

The more I read on, the more frustrated I got with the story and Poppy in particular.

Like Fitzwilliam Darcy, Roselyn isn’t thought well of by the small town she lived in.  The citizens of Wells found Roselyn (and her parents) to be snobbish interlopers who don’t fit into the the culture of the town.  Rosalyn was blamed for a lot juvenile trouble in the town, and was thought of badly by most townspeople–members of Poppy’s family included.  I didn’t understand why Poppy was so obtuse as to why Roselyn had such a negative feelings towards Wells.  It’s not necessarily a character flaw to call out bullcrap when you see it and to not take actions and people at face value.  I understood why Roselyn was reluctant to come out at such a young age and was miffed that Poppy didn’t get it.

Poppy’s entire life, or at least from what we’ve seen on page, has been relatively easy.  Everybody loved her, there wasn’t a mean thing to say amongst the townsfolk.  For the most part, Poppy being accepted as a lesbian was simple with very minimal negative reactions.  She’s never really had to fight for anything and that was made clear in both instances when she just let Roselyn go without much flare.  Poppy immediately thought the worst seeing Roselyn with her ex-girlfriend going off into the night.  Didn’t go investigate, didn’t go lay claim to the woman she loved.  Poppy just went home and had a pity party and at that point I was well and truly done with her.

I don’t want to say I didn’t like Poppy.  Her Disney princess schtick was cute at first, but her gullible optimism started to grate.  I know what’s it’s like to have pride in my hometown, where no one is allowed to talk bad about it (except me, and others from there).  But you can have pride in your town and call out the issues you see in it, not just be willfully ignorant because you don’t like what an ‘outsider’ is saying.

This story dragged on a bit too long.  Once the town’s crook got caught and Roselyn made her grand gesture, I just needed that happy ending.  I needed Poppy to get off it and see and accept all the good Roselyn did and KISS ALREADY.  And by the time I finally got to the end, I just wasn’t as satisfied.

Roselyn lowkey saved the town Poppy loved so much, saved the best friend’s wedding, uprooted her life, altered her career, provided Poppy a stage to expand her cafe business, provided a solid business plan to put roots down and settle, remodeled a house that the two could share together, and Poppy still was mistrustful.  But an apology (that personally I don’t think was needed) about a misunderstanding that happened fifteen years ago was what made Poppy take her head out of her behind?

By the end I was left wondering if Poppy Jenkins truly deserved a woman like Roselyn Thorn.

 

Poppy Jenkins was provided by the author via The Lesbrary for an honest review

Danika reviews Snapshots of a Girl by Beldan Sezen

snapshotsofagirl

Snapshots of a Girl is a graphic memoir that follows Sezen in her coming out process–to the world at large, to her Turkish family, but mostly to herself. As the title suggests, we get glimpses into different stages in her life, titled things like “The Denial Years” (including “Boy #1” – “Boy #3”) and “Coming Out To My Mother” parts 1-3.

I enjoyed the different illustration styles throughout this memoir. They range from metaphorical and vague images to detailed portraits of various people in her life. Although at some points the short sections and varied styles could feel disjointed, I could see how these were the pivotal moments in this story that really didn’t need the in-between to support them.

My favourite section is near the beginning and really sets the tone for the story. Sezen is 18 and has fallen in love with an older female coworker. She doesn’t dwell on this and instead tells her coworker, unexpectedly finding that this leads to  them in bed together. As she is sleeping with a woman for the first time, she gets completely overwhelmed and abruptly gets up, gets dressed, and leaves without really saying anything to the other woman, and then she just doesn’t really consider her sexuality again for years. (Thus, “The Denial Years.”) It makes for such a comic scene, for her to suddenly backpedal on this whole process, but it’s also refreshing for breaking up the usual linear coming out storyline. Sometimes you come out of the closet and then go back in, and sometimes you embrace and identity temporarily and spend years trying to regain it. Coming out–and also growing up–doesn’t happen the same way and in the same order for everyone.

This was a quick and interesting read. It reminded me of a zine in style (though it is almost 150 pages long), so if you’re a fan of that medium, I think you’ll really enjoy this one. Definitely worth picking up for graphic novel/memoir fans!