Ren reviews Great by Sara Benincasa

Great by Sara Benincasa cover

TW: Suicide

Every summer, Naomi Rye leaves her home in Chicago to spend her holidays with her mother in East Hampton; a condition of her parents’ messy divorce. Her ambitious mother Anne built a multi-million-dollar cupcake empire from nothing, and now Anne climbs the ranks of the social elite with the same drive. Anne also believes that the easiest way to secure a powerful place in the inner circle of the Senator’s wife, is through their children. From a young age, Naomi is forced into playdates, dinners, charity events and everything in between, with the senator’s daughter Delilah. The summer Naomi turns seventeen, Jacinta – the mysterious summer tenant next door – throws a lavish party. She invites Naomi in the hopes that their new friendship will bring Delilah into her life in turn. Sound familiar?

This modern twist on The Great Gatsby was a delight, through and through. I may have a bit of a bias; I read Gatsby for the first time at the age of thirteen, and it has held a very special place in my heart ever since. It was the first book I read in which I hated every character, and still came through moved by the power of the prose. Gatsby taught me that a writer could fill pages with selfish, ugly people, and still create something beautiful.

Once Great came to my attention, I couldn’t not read it. However, there was some initial concern that without the prose, I would just be left with a bunch of rich people whining and making bad decisions. I mean, honestly, guys, I didn’t even make it past the first season of Gossip Girl. But man oh man, did Sara Benincasa pull it off. Her attention to detail is marvelous, and she keeps the tale from becoming stagnant with a small – but key – number of original side characters. Naomi’s parents and her hometown best friend Skags are not given large roles, but they keep things fresh and interesting.

 In that it’s a book fashioned after one known for its vapid, superficial characters, there are a few icky things to note; number one being the ‘positive’ speech about pursuing thinness and envy of people surpassing “even LA thin.” Anyone with body image-related issues or disorders may want to proceed with caution. There is also a heavy dose of homophobia from the rich folk, and Naomi herself plays the Poor Straight White Girl card on occasion – though her butch best friend is quick to call her out on the behaviour.

All in all, Great is a wonderful, true to form take on The Great Gatsby. It’s short and dark and perfectly suited for an afternoon of wallowing on the couch. Just keep in mind that it isn’t the sort of book one goes for when looking for a fluffy pick-me-up.

Link Round Up: August 30 – September 16

a collage of 16 covers of the books mentioned in the links below, with the text “Lesbrary Links: Bi and Lesbian Books, August 30 - September 16

This is the Lesbrary bi-weekly feature where we take a look at all the lesbian and bi women book news and reviews happening on the rest of the internet!

Batwoman Elegy   As I Descended by Robin Talley cover   Working It Out: A Lesbian Relationship Primer by Frances S. Fuchs   Girls Made of Snow and Glass by Melissa Bashardoust cover   The Salt Roads by Nalo Hopkinson

Autostraddle posted The Ultimate Batwoman Comic Book Reading List and 8 Self-Help Books about Lesbian Relationships.

Book Riot posted 14 LGBT Retellings of Classics.

Lambda Literary posted New in September: Sarah Schulman, Gengoroh Tagame, Olivia Laing, and Eileen Myles.

LGBTQ Reads posted Queer SFF Novels for Under $5!

Ylva Publishing posted Is Lesbian Fiction Ageist? Where Are the Older Women in Lesbian Fiction?

Princess Princess Ever After cover   All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages by Saundra Mitchell cover   As the Crow Flies by Melanie Gilman cover   Against Memoir by Michelle Tea cover   Eleanor and Hick by Susan Quinn cover

Kate Christie posted Queer Mama Book Recs.

Michelle Tea on Archiving Queer History that Is Often Erased.

“10 Great Reads From the Feminist Lesbian Sci-Fi Boom of the 1970s” was posted at LitHub.

“The Journey and History of Yuri, Part 1” was posted at Rai’s Anime Blog.

“don’t blame readers [for not buying f/f romance]” was posted at the feminist librarian.

“A Reading List of Queer Romances in Historical Fiction” was posted at Electric Lit.

   Falling in Love With Hominids by Nalo Hopkinson cover   Wild Mares: My Lesbian Back-to-the-Land Life by Dianna Hunter cover   Pretend We Live Here by Genevieve Hudson cover   Tailor-Made by Yolanda Wallace

Two Serious Ladies by Jane Bowles was reviewed at The Rumpus.

Falling in Love with Hominids by Nalo Hopkinson was reviewed at Black Lesbian Literary Collective.

Wild Mares by Dianna Hunter was reviewed at Autostraddle.

Pretend We Live Here by Genevieve Hudson was reviewed at Lambda Literary.

A Proper Cuppa Tea by K.G. MacGregor was reviewed at Lambda Literary.

Tailor Made by Yolanda Wallace was reviewed at Lesbian Reading Room.

This post, and all posts at the Lesbrary, have the covers linked to their Amazon pages. If you click through and buy something, I might get a small referral fee. For even  more links, check out the Lesbrary’s twitter! We’re also on FacebookGoodreadsYoutube and Tumblr.

Thank you to the Lesbrary’s Patreon supporters! Special thanks to Jacqui Plummer, Ivy Quinn, Muirgen258, FromTheDustyBookshelf, Kayla Fuentes, Mark, Sarah Neilson, Martha Hansen, Daniela Gonzalez De Anda, Lindsy Lowrance, Amy Hanson, Julia Day, Bee Oder, Ellen Zemlin, and Casey Stepaniuk.

Support the Lesbrary on Patreon at $2 or more a month and be entered to win a queer women book every month!


Keep up with all the Lesbrary posts and extra content by signing up for the Lesbrary newsletter!

Marthese reviews Wish Our Hearts Away by E.J. Phillips

Wish Our Hearts Away by E.J. Phillips cover

”If nothing is right, then you have the freedom to change anything”

This week is pride week in Malta, and I’m going to share a very queer read that I enjoyed a lot. The book has a diversity of queer characters. It’s not just sapphic but has two boys (well, youth) that are fond of each other. Sometimes it’s good to get in touch with the diverse identities in our communities. It’s YA, and there is sapphic and ace (asexual) representation!

Wish our Hearts Away by E.J. Phillips is about a group of 4 teenagers–Lily, Girija, Michael and Sam–living in rural Australia. The story is told from Lily’s and Sam’s point of view, but Michael and Girija are protagonists as well. All four of them are confused and insecure, which does not help when they find a place–which they name the Grove–that grants wishes. Strange things start to happen after Lily and Michael’s Uncle Ben is discovered dead.

Lily and Michael are siblings; Sam is Michael’s best friend, but is also very close to Lily; and Girija is Lily’s best friend/crush. Lily feels lonely even surrounded by people. She finds another family in her late uncle’s old theater group, but having two families is difficult and leads to more confusion. Girija is scared of disappointing her family. Sam does not speak about being in an abusive household. Michael does not speak about what he feels and what he knows. These characters were complex and realistic and have conflicting wished which are keeping them back. It was interesting to see the dynamic of the four in the group. There are two couples, but also a childhood trio of friends. Michael and Girija are the ones people take notice of (even though they may not want it), but the story is told from Sam’s and Lily’s perspective. They all have their story and their secrets.

As supporting characters there were many family members–from unknowingly supporting and loving to neglectful and toxic to abusive and hindering to scared. There was also found family–between the four and within the theater group. The parents themselves have character development in the story. At times, I was angry with them because they were so realistically parents. It was also great to see the parents referred to by name, rather that X’s parents. Parents have identities too.

All the story elements are connected (in the words of Dirk Gently: everything is connected). The plot development was gradual and with interesting plot twists, most things I didn’t guess from before. One thing which stuck out a bit was that Girija didn’t feel so involved in the mystery. Her wishes were not being granted, or granted problematically like the others, but things were not happening to her like they were the other three. In a way she did move later, so I could justify it.

This book is indeed very queer with sapphic and ace (gay) representation! It was an emotional roller, coaster but in a way, the Grove is representative of growth and the difficulty of growing up, especially while different. This was not a coming out story, it was more of a sorting out with fantastic fantasy elements.

I wanted to see more about these characters. I love them. Michael and Sam had a connection and defended it even though they hadn’t necessarily spoken about it and the connection was different from what people usually expect. Lily and Girija needed to find themselves and be confident in who they are. The story was more about the individuals than the couples but the group was there was each other. The protagonists were wishing their hearts away, but this book had mine.

Mallory Lass reviews Sugar Town by Hazel Newlevant

Sugar Town by Hazel Newlevant cover

A semi-autobiographical comic about what a successful queer poly love story can look like and an offering on how one might go about navigating the complicated feelings that can accompany this journey.

Hazel is our main protagonist, a cute and shy nerd who wears her heart on her sleeve. She lives in New York City and works as a comic book artist. She is home in Portland visiting her family over the holidays.

Gregor is a fellow New York City comic artist that Hazel is dating. He is also dating a girl from out of town named Rebecca, and they are set to meet in NYC while Hazel is home in Portland.

Argent is a longtime resident of Portland, experienced in the poly community and also a dominatrix that goes by the name “Hazel Hawthorne”. Argent and Hazel meet at a dance party when she first arrives home and Hazel cannot believe her good fortune.

Over four beautifully illustrated issues, we get to be voyeurs in Hazel’s life as she works through her feelings toward Gregor: jealousy, love, and confusion. Argent becomes Hazel’s guide into polyamory, consensual committed non-monogamy. Over their first date Argent asks Hazel about her boyfriend, Gregor, and also shares about her own long distance relationship of 9 years with fellow comic booker and tattoo artist, Chloe.

Hazel is also on the receiving end of a few pointed but gentle lessons from Argent, like when it’s appropriate to speak about/our someone as a sex worker in public (spoiler alert, never). Hazel figures a lot out about herself, who she wants to be, and how to navigate her romantic relationships moving forward.

This comic is a visual feast. The colors are a mix of pastels and warm oranges and it’s beautiful work you can fall into. The characters are diverse and sexy. Argent is curvy and confident and full of unique style. Other minor queer characters Argent and Hazel interact with over the course of the story are masculine of center, people of color and more.

Despite Gregor (more acurately, Hazel’s feelings about him) being a significant part of the story, the romance captured in these collected issues is focused on Hazel and Argent. I couldn’t be happier with how the story ended, and I hope you check it out. A must have for indy queer comics fans.

Check out a preview of the comic here.

A page from Sugar Town, showing Hazel seeing Argent across the room, hearts in her eyes

Susan reviews Devil’s Rock by Gerri Hill

Devil's Rock by Gerri Hill cover

Gerri Hill’s Devil’s Rock is both the beginning of a new series and the resolution of a storyline from her Hunter series (which I reviewed here at the Lesbrary: Hunter’s Way, In The Name of the Father, and Partners). Unfortunately, I don’t think I can do this review without spoiling some of the events of Partners, so please bear that in mind!

Andrea Sullivan is a small-town police officer, confident that nothing as terrible as what happened to her in LA can happen in Sedona… And then the murders begin, because a serial killer who escaped the police in Dallas is using Sedona as his dumping ground. FBI Agent Cameron Ross shows up with her own set of issues, a kitten, and a motorhome full of FBI supercomputers to help figure out where he’s going to strike next.

The story itself was interesting, and it was nice to get some closure on the case from Partners, but some of the developments specifically about the murderer I just found myself just going “No. She can be serious. WHAT.” at, because they read as soap-opera style out-of-blue tricks of convenience, rather than actually feeling organic to the plot of either book. There are parts that are tense and dramatic, but an equal number that appear to have been set up for things in the sequel (such as mentioning that the motorhome is an electrified mobile fortress, which you’d expect to be tested at some point! But alas, no.) Although, I admit, I did periodically have to check when this book was published, because the idea of having to drive a computer around – not a crime lab, or anything else that would require you to be on the scene, an actual computer – seemed like something out of the eighties.

The thing that probably bothers me MOST about this is the way that Cameron Ross treats Andrea Sullivan. It’s not just aggressive flirting or posturing, although it contains that; at one point, Sullivan says that she doesn’t want to talk about her past with Ross, so Ross not only orders an FBI background check, but taunts Sullivan with it and blames her for it in a shocking display of “well if you’d just done what I wanted, I wouldn’t have invaded your privacy.” She’s like that about their relationship too; Sullivan says she’s not interested in kissing her, but Ross refuses to accept that because obviously she knows better. And worst of all, even though Sullivan repeatedly calls her out as a bully, it’s all for naught, because the narrative consistently rewards Ross with whatever she was bullying Sullivan for! Yeah, sure, Ross apologises, but ugggh. It doesn’t help that after Ross gets the files on Sullivan, Sullivan obviously stumbles across them and reads them (because of course) and the conversation ends with her apologising for invading Ross’s privacy. I get that it could be the narrative trying to model behaviour for Ross, but it was aggravating, and made it hard to accept the romance as a happy thing.

Devil’s Rock is a fine set-up for a new series, but I didn’t enjoy most of the romance tropes it used. That outweighed the mystery aspects, so I don’t recommend it.

[Caution warning: murder, kidnapping, abuse, bullying, mentions of infidelity, mentions of sexual assault, ableist language]

Julie Thompson reviews Across a Crowded Room by Jane Alden

Across a Crowded Room by Jane Alden cover

Across a Crowded Room, reminiscent of “The Price of Salt” by Patricia Highsmith, opens just before Christmas 1950 in New Canaan, Connecticut. Towards year’s end, Bennie Grant leaves an unhappy marriage for an unknown future. All she knows is that she can no longer be the society housewife her husband Will and his domineering mother, Olivia, want her to be. When the couple met during the heady rush of World War II, becoming engaged and married within a whirlwind span of a few months, Bennie hadn’t fully grasped her personal identity and needs.

The trajectory of Bennie’s journey symbolically marches through a harsh New England winter towards the liberating warmth and new growth of summer. Fall-out from her confession of a short-lived affair with her best friend Alice, which occurs before the novel begins, sets events in motion. Bennie soon takes on a short-term position at her alma mater as the drama teacher, while she works out divorce details and custody of their daughter, Livie. It seems like the perfect place to hole up, until she meets the school’s new board member, Laura Clayborn. They develop an easy rapport that plays out in carefully planned situations. Misunderstandings arise, however, and thrust Bennie still further out into unknown territory. As Bennie struggles to find her footing, she discovers queer community and possibilities in unlooked for places. Alden’s exploration of the duality of queer life at this time introduces both challenges and hopeful prospects.

Alden also ably depicts constrained freedoms and continued societal and legal restrictions facing women in this era. Bennie is an especially bold character, given the high stakes involving her daughter. One of the driving questions for Bennie is the impact of her decisions on her young daughter’s development and worldview. She agonizes over a conundrum familiar to women throughout time: can I be a good mom, and still pursue a career and personal fulfillment? Will and Olivia use the child as a pawn in various situations throughout, culminating in difficult choices for Bennie.

I’ll probably re-read this immersive novel in December, when I can curl up against the cold with my cats and space heater, imagining the holiday decor of my dad’s 1950’s childhood that graced the walls and trees of my own youth. Alden’s weaves in period details, simple as a cup of coffee or turn of phrase, that conjure images of bustling cityscapes, insulated small suburban life, and interconnected theatrical community. Readers keen on historical fiction set in this era will appreciate the author’s authentic voice and tone.

Alexa reviews Soft on Soft by Em Ali

Last month, I reviewed a fluffy, romantic, low-conflict sapphic story with at least one protagonist who was fat, non-white, pan and/or ace-spec (Learning Curves by Ceillie Simkiss). This month, I’m reviewing a fluffy, romantic, low-conflict sapphic story with at least one protagonist who is fat, non-white, pan and/or ace-spec (Soft on Soft, a.k.a #FatGirlsInLove by Em Ali). Honestly, I love this trend, and I hope we’ll all have the chance to read many more diverse and positive sapphic stories like these.

Despite my comparison at the beginning, Soft on Soft by Em Ali (which I received as an ARC with a different title, #FatGirlsInLove, that appears to be a working title) is an entirely unique story. It’s a romance between two fat sapphic women: Selena, a Black demisexual model, and June, the Arab-Persian, anxious make-up artist. Thanks to the profession of the two protagonists, Soft on Soft is full of diverse bodies being celebrated, colourful descriptions, flowers, and altogether vivid mental images.

The book’s plot can mostly be summarised as Selena and June flirting, hanging out with friends, going on dates, making geeky references or working together. It is a character driven novel that is perfect for people who just want to read a cute romance and don’t mind the minimal plot – and really, the characters are worth staying for. The supporting cast has multiple nonbinary characters (with different pronouns), one of whom has depression and some really relatable remarks about mental health and therapy. Also, one parent of the main couple is bisexual, which is awesome – I very rarely see older queer characters, especially parents with adult children.

One strange thing was that the characters in this book talked in real life the way I’m used to people talking on Tumblr, and it was just a strange dissonance to see that kind of language being used in offline conversation. For this reason, some sentences seemed like they weren’t really lifelike, but I’m sure people actually talk like this and I’m just not used to it. (Also, “I’m green with enby” is a great pun I must use.)

In short, this was an adorable novel with diverse characters and colourful settings (and also, cats!). I admit I generally prefer books with a more exciting plot, but people who just want a cozy sapphic romance with fat characters will love Soft on Soft.

tw: panic attack described by POV character (chapter 8)

Alexa is a bi ace reviewer who loves books with queer protagonists, especially young adult and fantasy books. E also has a fascination with solarpunk, found families and hopeful futures, and plans to incorporate these in eir own writing. You can find more of eir reviews and bookish talk on WordPress and Twitter @greywardenblue.

Danika reviews The Swan Riders by Erin Bow

The Swan Riders by Erin Bow coverAfter hearing only good things about the Scorpion Rules duology, I was eager to pick it up. Unfortunately, I read the first book during a readathon, and reading a crushing dystopian story about war and brutality was not the best choice to read all in one sitting. It was darker than I was expecting, so I wasn’t emotionally prepared for it. I was, though, interested in the ideas introduced in the book. So I took a few months break before I picked up the second book in the series, The Swan Riders, in the hopes that I would be more prepared this time.

I spend most of my time reading this book thinking This is the reading rule you seem to re-learn over and over: just because people say a book is great, doesn’t mean you, personally, will love it. I have long since realized that it doesn’t matter how high calibre the quality of a book is if it doesn’t immediately appeal to me. Still, I continued with the sequel, because I had heard it was an improvement from the last book. Perhaps I was less connected to the characters because of the break that I took between books, but I was having trouble pushing through.

I have, historically, been a fan of dystopian novels, but this one I found hard to deal with. It’s just so straightforward about the suffering experienced. The pain. The first book includes a detailed scene of torture that nauseated me. The second book describes the slow deaths of several characters, all involving increasingly close together seizures. While the first book has some semblance of an us vs. them clarity, Greta spends most of her time in The Swan Riders alongside the villain of the previous book.

By the end of the narrative, I had come around. The strength of this story is in its ideas, especially (for me) its exploration of personal identity and humanity. [spoilers for first book:] Greta is an AI now, and she begins to drift away from her humanity and empathy, assisted by Talis’s intervention. [end spoilers] It takes this idea, of an AI enforcing global peace, and shows how tangled it is. How can global peace be achieved? Can it? And what amount of sacrifice is worth it? Clearly, Talis’s strategy is not defended by Greta or the narrative, but there’s also not a tidy alternative.

As for the queer content, there is definitely no central romantic story here. In fact, Greta does not interact with Xie for the whole novel. But her presence is there, nonetheless. She is Greta’s tie to humanity, to retaining her true self. She is a memory that Greta clings to. She is, in some ways, the home that Greta spends each step of her journey longing to return to. So although she isn’t a central character, she is a very important one.

For all my ups and downs with this duology, I would still recommend it, but with some caveats: this is not a queer Canadian princess fantasy-esque story that the blurb had me prepared for. This is a dystopia that is focused on war and its casualties. It is thought-provoking, but brutal.

Mars Reviews “My Mother Says Drums Are For Boys: True Stories for Gender Rebels” by Rae Theodore

In this short autobiographical essay and poetry collection, Rae Theodore offers a frank and panoramic perspective on growing up butch. The titular term “gender rebel” is entirely accurate here as Theodore recalls a childhood and young adulthood where classic femininity chafed. All the outer accoutrements of fashion and stature were as complicated to her as the mental tightrope that so many butches walk, between a female-bodied experience and an intimate mental relationship with the masculine self. In the author’s case, performativity, or ‘walking the walk’ of socially-acceptable womanhood, was never enough, and was made extra complicated by the realization of her own homosexuality after having already married and built a life with a man.

Reading through this piece was a real pleasure. I haven’t read much LGBTQ+ work that centers the butch experience, and I can’t quite express how powerful and charming it felt to read simple anecdotes packing a reflective punch on the heavy burden that gender can be. I don’t know that I expected to identify so much with it either, but I suppose that’s the power of sharing diverse stories. The weaponization of clothing, jealously observing the freedom of boys, childish yearning for a father’s approval of a son, the immediate and intangible connection that a queer gender rebel feels when encountering one’s elders: Theodore recounts this and more in an honest and straightforward manner that keeps readers glued to the page.

I would highly recommend this book to anyone who has ever been made to feel ashamed for their tomboyishness, or gender expression in general; to anyone who has ever needed to contain multitudes of softness and hardness towards the world and towards themselves; or to anyone who in any number of ways has ever felt like a late bloomer.

Disclaimer that there are mentions of violence in certain stories, and a lot of working through deep shame and internalized homophobia, especially earlier on. I will also add that while this is a serious (and sometimes very fun) recounting, the book summits with comforting self-actualization, and this butch seems to have attained a really lovely life. In a book like this, the nice thing about a happy ending is that it makes you believe you can have one too.

Danika reviews The Brightsiders by Jen Wilde

The Brightsiders by Jen Wilde cover

I almost wrote this book off after the first chapter. I’m nearly 30 and not a drinker, so reading about a teenage rock star getting incredibly drunk and then getting into a car accident (her girlfriend–who had also been drinking–was driving), paparazzi then swarming the scene, is not what I would usually gravitate toward. Luckily, I pushed through and found out that this is the moment that catalyzes change in Emmy. The entire book is basically the fallout from this moment.

Emmy is the drummer in the immensely popular teen band The Brightsiders. This means that you do get to be a voyeur to a teen rock star life, but it’s not all parties and accolades. Emmy loves her fans, and she thrives off the energy of playing in front of a crowd, but she doesn’t fare well with the endless rumors and hate spread through twitter, tumblr, and gossip magazines. It doesn’t help that 2/3rds of the bands members are queer: Emmy is bisexual and semi-closeted, and Alfie is out as nonbinary. Despite that hate that might circulate in certain corners of the internet, Alfie is a heartthrob that attracts attention from all genders… including, suddenly, Emmy.

Not only is the love interest in The Brightsiders nonbinary–there is a huge queer cast. Emmy’s best friend is black, femme, and nonbinary and uses they/them pronouns. The f/f couple from Queens of Geek also makes a few cameos, which was really fun. There is a focus on found family, especially because Emmy’s parents are abusive. Emmy moved out of their house and into a hotel as soon as she was financially able, but until she is 18, she still feels like they have control over her life. Her entire life they have never stopped drinking and partying, ignoring her, insulting her, and gaslighting her in turns. In her childhood, Alfie’s house was her only escape. Now, with her partying having landed her in the hospital, she worries that she is heading down the same path.

Emmy’s parents unpleasantly pop up several times through the novel, and we get to see how this upbringing would have helped to shape some of the personality traits she struggles with, like people-pleasing. Jessie, the girlfriend who drove drunk, is another unhealthy influence in her life. Her friends and loved ones can clearly see the damage that their relationship takes on Emmy, but she is quick to laugh it off or go along with Jessie’s gaslighting.

Although there is definitely an element of the rock star lifestyle here, there’s a lot of emotional work happening beneath the surface. Emmy is learning to accept and love who she is, and protect herself from the toxic people in her life. There is also such warmth from the queer community that she surrounds herself with: both her friends and her fans show what support, love, and family really is. Like Queens of Geek, I raced through this, and I look forward to her next book!