When Duty and Love Conflict and Coincide: 3 Sapphic Bodyguard Romances

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There are few dynamics more swoon-worthy to me than a bodyguard romance: all of the pining of star-crossed lovers constantly at each other’s side, intense trust and protection, and often some sort of courtly intrigue. To make this sort of relationship work, the characters must be achingly careful and ultimately go through a drastic status quo change, which makes these stories compelling to me. Their genre can vary, so today, I’m doing a lightning round of reviews of three bodyguard romances: one sci-fi, one historical fantasy, and one contemporary.

Glorious Day by Skye Kilaen

Glorious Day cover

My most recent read was Skye Kilaen’s Glorious Day, a low heat sci-fi romance novella. Elsenna Hazen used to be the princess’s bodyguard, until two years ago, when they shared a kiss in the gardens. Since then, she has failed to forget her hopeless love, but she has focused on feeding information to a revolutionary group trying to topple the tyrannical king. Meanwhile, the princess’s life is being controlled by ableist caretakers. She must keep up the facade that she is helpless in order to survive her political situation, but Elsenna knows her better than that. When the princess reassigns her as her bodyguard, their romance rekindles while the revolution comes to a head.

This story is ultimately about being willing to fight—for one’s beliefs, one’s love, and one’s self. Due to her own role in a corrupt system, as well as the danger she has put herself in by betraying it, Elsenna considers her life and conscience forfeit. In order to not see her love as hopeless, she has to be able to imagine a future for herself. I enjoyed the arc for the princess (who is referred to with various titles and names over time, which had a significance I liked) and the role she ends up playing, as well as how this is gradually revealed through Elsenna’s perspective.

Considering this book was under 100 pages, I didn’t expect in-depth worldbuilding, and I liked the balance of plot and relationship development. That being said, though the writing was clear and polished, I would have appreciated more description. I often knew little about the character’s surroundings, which feels like a missed opportunity, given that this is set in a sci-fi monarchy featuring both high-tech equipment and extravagant ballrooms.

I recommend this book to those looking for a fast-paced read with a good balance of star-crossed romance and political maneuvering. 

You can find in-depth content warnings on the author’s website.

Daughter of Mystery by Heather Rose Jones

Daughter of Mystery cover

Earlier this year, I read Daughter of Mystery by Heather Rose Jones. This book takes place in an alternate regency setting with a magic system based in divine rituals. When Margarit Sovitre gains an unexpected inheritance, it includes a fortune but not a title, making her a target for the new baron. To remain safe, she has to rely on Barbara, a bodyguard included in the terms of the inheritance. They develop a slow burn romance while trying to navigate their new lives, which may be wrapped up in more layers of conspiracy than they realize.

Given that Barbara has been included in Margarit’s inheritance as if she were an object, there is obviously quite a large power differential that must be addressed, so the slow burn is appropriate as the characters have a lot to navigate. I appreciated the respect and care they showed for each other, and the way they were able to bond over their interests and abilities, as they both study the divine rituals despite others’ opposition. Both characters appealed to me for their wits, drive, and heart—and it’s hard to resist a lady with a sword.

I had been highly anticipating trying the Alpennia series, as I am a fan of unusual genre combinations, and the mix of historical fantasy, romance, and mystery that this promised seemed right up my alley. Unfortunately, I found myself wanting more of all of these elements. While I enjoyed the beginning and ending, the middle dragged a little for me because some of the plot elements promised in the official synopsis (re: royal conspiracies and the divine rituals) aren’t developed until late in the story. Instead, there is a lot of focus on the restrictions women faced in this time period, especially within the social politics of high society. This obviously isn’t a criticism, but rather a matter of personal expectations. If this sort of story appeals to you, and you want to read one with a sapphic romance and a touch of fantasy, I recommend this book. Personally, I was invested in enough characters, including the two who star in the second book, that I am interested in continuing in the series.

One of my main content warnings unfortunately comes with an additional caveat. There is an instance in this book of attempted sexual assault and incest that, while taken seriously in the moment, is brushed aside later to a degree that I found uncomfortable. I would have preferred this element to be followed up differently.

In addition to the already mentioned elements, this book contains brief instances of homophobia and violence.

How to Find a Princess by Alyssa Cole

the cover of How to Find a Princess

Though I read it in a past year, I can’t write about this trope without including one of my favorite contemporary romances, How to Find a Princess by Alyssa Cole. Though it is the second book in the Runaway Royals series, I understood and enjoyed it as a standalone. This is an Anastasia retelling about Makeda Hicks, whose life has been run by her mother’s obsession with the idea that Makeda is secretly the princess of a fictitious country. Makeda thus tries to avoid the whole business, even—especially—when Beznaria Chetchevaliere, an investigator from the World Federation of Monarchies, shows up to convince her to make the trek to Ibarania to prove she is the true heir. 

This book is, in a word, entertaining. I was drawn instantly to Bez, who subverts the concept of the stoic bodyguard by being eccentric, dramatic, and chaotic. Makeda is such a people pleaser that it ruined her latest relationship, but she finds herself bucking against Bez’s attempts to tell her how to live her life, managing to be just as stubborn as this whirlwind of a woman as she learns how to prioritize her own wants. Their push and pull as they grow to understand each other and become partners was the highlight of the book for me. I liked the emphasis on the idea that you can’t fix someone else; you can only try to be your best selves together, one step at a time. 

If you’re someone whose tastes lead more toward the fantastical but who is interested in trying more contemporary romance, I recommend this book, as its at times outright whacky circumstances, along with the bodyguard element, give it that edge of surreality. I also appreciated the inclusion of Bez’s neurodivergence and of sapphic Black love. 

I’ll continue to keep my eyes peeled for other bodyguard romances, and I hope that at least one of these three options suits everyone else who loves this trope.

A Swoony Historical Sapphic Romance: An Island Princess Starts a Scandal by Adriana Herrera

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An Island Princess Starts a Scandal audiobook cover

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Manuela del Carmen Caceres Galvan wants to experience a final lesbian hurrah in Paris before she has to marry a rich man for her family’s security. Cora Kempf Bristol, Duchess of Sundridge, wants to secure her place in the business world by negotiating a land purchase so key to a development project that no man can question her prowess again. Both women are adept at playing a game of societal chess and will find each other to be an irresistible challenge.

As the story unfolds, the characters’ development makes you invested in more than just their potential romance. Manuela plays the role of fixer in her family, as she always takes on the responsibility of using her status to keep them financially secure. They use and gaslight her into paying for their mistakes. Now, she has to marry a rich man to fix their current debts, but her grandmother left her a parcel of land that she’s using as her bargaining chip to gain a modicum of independence. It’s this land that Cora seeks to buy for her business in building the first Pan-American railroad.

Meanwhile, Cora wrestles with her past mistakes, desperate to regain power and provide the status needed for her stepson to take his place in the House of Lords. Manuela’s proposal unlocks desires she long thought dead and forces her to open up in ways she believed she never could again. While Manuela is trapped by societal expectations to marry well for her parents, Cora is trapped in her desire to demand a place at the patriarchal table. Through their growing bond, they each come to find that they can choose their own happiness, everyone else be damned. But it’s a long road to get there.

Herrera develops Manuela’s and Cora’s characters adeptly by showing their relationships with friends and family outside of their romance. Manuela’s bond with her closest friends, whom she calls her pride, her Leonas, reveals that not even they know the full extent of her parents’ cruelty. Cora’s relationship with her aunt, stepson, and friends reveals the past that haunts her and why she believes she cannot trust in love again. It’s truly beautiful to see how each of them learns to open up and have faith in themselves and each other.

The historical setting makes for a delicious backdrop to this blooming romance and sensuous passion, especially when listening to it on audio. Rich, lush language always makes everything sound so appealing, from the feel of fabrics to the taste of food. As usually happens in historical romances, the euphemisms used for sex and sexual acts always delight.

Overall, An Island Princess Starts a Scandal is a swoony, historical sapphic romance that is perfect for fans of the genre.

A Campy Queer Bigfoot Horror Comedy: Patricia Wants to Cuddle by Samantha Allen

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the cover of Patricia Wants to Cuddle

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I finally got around to reading a book that’s been on my TBR for years: Patricia Wants to Cuddle. This is a campy horror comedy about a season of what’s essentially The Bachelor that takes place on a remote Pacific Northwest island, where they begin to see a shadowy humanoid figure in the woods.

It took me a while to get into this book, but I stuck with it because of the fun premise. We get a lot of point of view characters, including the final four contestants of The Catch and their wrangler, plus letters from a lesbian couple years ago who are trying to escape their homophobic small town together. Aside from those letters, all of the women hate each other and are acting catty. One is the wrangler who loves this stupid show but judges all the contestants, one is a born again Christian trying to use her platform to spread the good word, one is genuinely trying to get the guy—while also being the villain of the season, one is an influencer trying to increase her follower count, and one—Renee—is trying to be first Black woman in the finale.

All of the point of view characters judge the others. One is constantly picking fights, especially with the goodie two shoes religious contestant. They all think their reason for being here is legitimate and the rest are shallow. This makes sense for the premise, but I found it tiring to read about a bunch of women all hating each other. Luckily, that’s only the first part of the story.

If there’s one main character, it’s Renee. Renee is queer and has no interest in the guy they’re supposed to be competing for. She was nominated by coworkers and is just going along with it, the same way she feels like she’s sleepwalking through the rest of her life. The longer she stays on the show, the more unbearable it becomes, but she’s sticking it our for the free trip she gets when they get to the final two—a trip she knows she’ll go on, because the producers have already let slip that they want her in the finale because they want the “first” of having a Black women in the final two, even though they know the Catch will not choose her in the end.

As strange things begin happening on the island—and a contestant disappears—Renee begins to imagine a new life for herself, one where she feels truly alive.

I’m glad I pushed through the beginning of this book, because the ending is campy queer horror with a fun twist: a lesbian bigfoot cult! That I was not expecting. If you like satirical horror, I definitely recommend this one: it’s weird and has lots of lesbians. What more could you want?

Content warnings for gore, religious homophobia, and racism.

Queer Cozy Fantasy with Magical Animal Shenanigans: The Phoenix Keeper by S.A. MacLean

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The Phoenix Keeper cover

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I’m animal lover who’s always looking for more cozy queer fantasy, so this book seemed tailor made for me. It follows Aila, a phoenix keeper at a magical zoo who is trying to restart their phoenix breeding program to help bring the phoenixes back from the brink of extinction. In classic cozy fantasy fashion, that’s pretty much the whole plot, though there is a romance subplot or two.

In some ways, this was exactly what I wanted. There are magical animal shenanigans. There are fairly low stakes—though the threat of poachers was enough stress for me. There’s an adorable supportive friendship between Aila and fellow zookeeper Tanya, a Black trans woman with a golden retriever (…not literally) boyfriend who works at an animal rescue. There’s a queernorm world. Even though this is close to 500 pages and doesn’t have a lot of plot, I didn’t mind: I loved being immersed in the world of these magical creatures. I may feel conflicted about zoos in real life, but it was easy to fall in love with this version. I also liked the romance between Aila and Luciana: they were rivals in university and have continued that animosity years later, but after working together on the phoenix program, they begin to realize they may have misunderstood each other. I would have liked to see more of this romance—maybe even a steamy scene—but I enjoyed what we have. The rivalry turned affectionate teasing is cute.

Other elements didn’t work as well for me. The writing could be overly descriptive, especially in describing every biome in this fantasy world. I also saw the ending/reveal coming about 400 pages away, which is particularly distracting when there isn’t much plot to begin with and I usually am terrible at spotting clues, so it felt way too heavily hinted at. Also, call me overly leftist, but I don’t want guns and police in my cozy fantasy novel, especially the police as saviors.

I ended up being most distracted by Aila herself. I liked her character, but she seemed heavily coded as autistic to me, and there’s no mention of that on the page—though she is diagnosed with anxiety, and the marketing emphasizes the anxiety representation. Aila has an intense special interest: she spends almost every waking moment thinking about phoenixes. She not only has trouble with social situations but is confused by social norms. She bounces when she’s excited or emotional. Looking through reviews, many people felt the same way, including autistic readers. To me, it seems strange to have her character discuss and be diagnosed with anxiety without mentioning autism.

That’s just a slightly confusing choice by the author, though, and not necessarily a negative. I enjoyed Aila’s character growth over the course of the book. She is so focused on the phoenixes that she can get tunnel vision, forgetting that there are other things going on—like Tanya’s volunteer project proposal, which she is working on while helping Aila with her project. She also is judgmental about Luciana’s griffin show, which she finds gaudy, not recognizing that donations and zoo membership are crucial to keeping programs like hers going. Slowly, she begins to realize these things and make up for them. She also takes a few tentative steps towards embracing the public-facing role of a zookeeper, while never being magically cured of her social anxiety.

As part of this character growth, Aila—who would always rather hide in a corner with her animals than do something social—begins to accept that she is part of a social network. She strives to better take care of her friendships and to recognize the value of professional relationships, even if she feels awkward about it. At the same time, she gains self-confidence, no longer taking as personally the judgments of her as shy, childish, “too much”, or awkward—especially after a short-lived romance with the dragon keeper had her doubting herself.

This isn’t a perfect book, but I still really enjoyed reading it, and I recommend it for fans of cozy fantasy. I look forward to seeing what S.A. Maclean writes next.

A Devastating Story of Grief: We Are Okay by Nina LaCour

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We Are Okay by Nina LaCour cover

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When I first picked up Nina LaCour’s We Are Okay and read the blurbs on the cover, I knew that it was going to be a sad one. After all, the noun “grief” appears multiple times alongside adjectives such as “devastating”, “raw”, and “lonely”. Still, I thought to myself, “I’ve read poignantly sad books before. How bad could it be?” Y’all, let me tell you that I was not prepared for how hard this book hit me. It is no exaggeration for me to say that I cried throughout large sections of it. The blurbs were true: We Are Okay is a beautiful and heartbreaking look at grief, its effects on people, and ultimately how the truth can help see us through.

Following a tragic event that shook Marin to her core, she leaves her California hometown for college in New York with only her phone, her wallet, and a picture of her mom. With the end of her first semester upon her, she still hasn’t spoken to anyone from home, not even her best friend Mabel. Instead of returning home, she plans to spend the entire Christmas break alone in an empty dorm. However, Mabel is coming to stay for three days of the break, forcing Marin to confront what happened and figure out if there is a way forward for her.

There is so much that Nina LaCour does in We are Okay that makes it so emotionally devastating. For starters, the language and writing style she employs really set the tone and sell the rawness of Marin’s emotions. Sentences tend to be shorter and more punchy and Nina avoids hiding things behind flowery metaphor. At the same time, she does an excellent job of showing Marin’s emotions rather than simply telling us what they are. These things combine in a way that either puts you directly into her shoes or makes you deeply empathize with her.  

Another thing that really sells the emotions of this book is the use of flashbacks and the slow reveal of the traumatic event. For most of the book, you flip back and forth between Marin now and Marin before the event. You get to see a younger, happier, more hopeful version of Marin directly contrasted to the Marin who has had that hope and happiness ripped away. By doing this and not revealing what happened until the third act of the novel, the mystery is properly built up and makes for an intensely heart-wrenching moment in the story when the curtain is pulled back.   

I also think Nina’s choice of setting the story around the first semester of college added to its overall impact. Living in a college town and working directly with college students, I see first-hand how hopeful and exciting that first semester of college can be for many of them. That first semester is a chance to reinvent oneself or engage in self-discovery. This new self then goes home and has the potential to crash against how people there once saw you. Marin’s experience is similar in a lot of ways to this, but in a much sadder fashion. She changes because change is foisted upon her by tragedy. Instead of going home, home comes to her and forces her to reckon with those changes.

Lastly, as sad as this story is at times, I did enjoy that it ended with at least some sense of hope. If this was a story that ended on a more downbeat tone or even mixed tone, I know I wouldn’t have enjoyed it at all.
We Are Okay is a book that emotionally destroyed me and left me bawling in my reading chair. That being said, it’s an experience that I am so happy that I got to have and will recommend to anyone else who asks about it. It’s a moving story of grief, what it does to us, and how we can slowly but surely come to live with it by, in part, opening ourselves up to others.

Love, Friendship, and Hair Care: Wash Day Diaries by Jamila Rowser and Robyn Smith

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Wash Day Diaries cover

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In Wash Day Diaries, readers follow a group of four young Black women from the Bronx, getting a glimpse of their daily lives through their hair care routine and wash day experiences. Presented as five interconnected short story comics, we get to meet Kim, who can’t get her possessive ex-boyfriend to stop texting her and just wants him to leave her alone; Nisha, who finds her way into a sexy love triangle and doesn’t know who to pick or how to choose between the two men; Davene, who struggles with her mental health and doesn’t know how to reach out to her friends for help and support; and Cookie, who hasn’t seen her grandmother in a while due to their strained relationship, but agrees to help her take care of her hair regardless.

This is not a high stakes story, but Rowser and Smith are so incredibly talented, it nonetheless feels like a deeply significant reading experience. Their true talent lies in their ability to take this otherwise short, slice-of-life plot, and present so much backstory and character development in a way that is completely smooth and natural. By the end of it, even though you’ll have breezed through the whole graphic novel in one sitting, you’ll feel as though you have known these characters their whole lives.

The beauty of this story is in how healing it is: from the panels detailing each step of a character’s hair care routine, to the passages showcasing the ways in which said routine can provide a safe space for open communication and love, the entire novel feels like a warm hug. I’m not usually a fan of slice-of-life stories, especially when it only spans over a few days, because I often get the sense that I did not have the opportunity to truly connect with the characters. However, this is absolutely not the case here. Rowser and Smith laid out so many different types of love within these pages and managed to address incredibly complex and nuanced topics within such a limited space, it is a true testament to the quality of their craft.

I love each of these characters, but Davene and Cookie are tied for my favourites. Davene’s struggles with her mental health will feel deeply relatable to a lot of people, specifically when it comes to her executive dysfunction and her difficulty reaching out to those around her. Rowser and Smith also don’t try to resolve her issues in a perfect, little package by the end of the story: they take the time to recognize that as healing as it might be to spend time with a friend, your depression and anxiety will not magically resolve themselves. People will misunderstand what you’re going through, they won’t know how to discuss it with you without accidentally being invalidating, they might not even be aware that you’re struggling at all. The book recognizes and expresses these realities that are difficult to admit, but important to discuss—and shows us that although community and support won’t solve everything, they are nonetheless genuinely helpful.

Cookie is another favourite of mine, not only for her loving and electric personality, but also because her queerness and her strained relationship with her grandmother are so personal to me. Coming out to your family and having that conversation completely change your relationship with them, oftentimes for the worse, is sadly an all-too common experience for queer people. Being able to read Cookie’s story, and seeing that despite their fraught relationship, her and her grandmother managed to find the space and opportunity to talk, connect, and understand one another, once again, was very healing for me. Rowser and Smith, as always, presented the situation in a way that was very realistic and grounded, not trying to sell their audience some pipe dream or featuring a three step guaranteed process to getting your family to accept every facet of your queerness. The entire chapter details the complex and nuanced rollercoaster of emotions that Cookie experiences behind her otherwise outgoing and bubbly personality, making her an incredibly fleshed out and relatable character. I truly loved reading every single panel she was in.

As a whole, the novel does an impressive job of pretending to be a soft, easy, slice-of-slice story, while taking you through an emotional journey of love, connection, community, identity, happiness, friendship, and support. It’s a quick read, but I strongly recommend taking your time to appreciate every aspect of the book, including each character’s little quirks and habits, as well as the beautiful art style. Smith does a stunning job of making these characters pop on the page—the colours are eye-catching, each character’s design is so well executed, and the ways that the panels flow together brings the whole thing to life. It truly is a dynamic reading experience, and I guarantee that you will fall in love with at least one, if not all of these women.

Representation: Black main characters, sapphic Dominican main character, main character dealing with depression/mental health issues

Content warnings: homophobia, depression, mental illness, dementia, toxic relationship, stalking, sexual harassment

A Sweet & Sizzling Summer Romance: A Bánh Mì for Two by Trinity Nguyen

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A Banh Mi for Two cover

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If you are looking for a sweet and sizzling summer romance to end your summer on a high note, A Bánh Mì for Two by Trinity Nguyen is a sweet romance between a Vietnamese American college student and a food blogger in Sài Gòn who is looking for her inspiration again after the death of her father. I would like to thank MacMillan for providing the Lesbrary with an ARC—A Bánh Mì for Two comes out on August 20th. I greatly enjoyed this novel; the romance is sweet, and both characters have interesting arcs as they struggle to deal with what becoming an adult means in terms of dealing with family and making big choices for themselves. Plus, I learned about street food in Sài Gòn and got very hungry in the process!

The romance takes place between Lan, a girl who currently helps run with family bánh mì stand with her mother and cousin, and Vivi, an American college student in Sài Gòn for a semester abroad. Vivi has told her parents she’s studying in Singapore, but in reality has come to see if she can track down the family history her mother refuses to speak about. As a bonus, she hopes to visit the places that her absolute favorite food blog has written about before they went on a long hiatus. Lan is helping her mother with their stand after the death of her father—she had had aspirations of going to college and being a writer, having enjoyed the popularity of the food blog she had started with the help of her father, but has felt both adrift and drowning under the weight of family expectations. A chance encounter in a park connects the two girls. Vivi, upon realizing that Lan is her favorite food writer, is excited, a little starstruck, and determined to help her find her writing inspiration again; Lan realizes that her deep roots in Sài Gòn could be what Vivi needs to discover her family’s past. As they spend more time together, they grow closer, they begin to realize that this may be more than a summer friendship.

I thought the romance between Lan and Vivi was very cute. Both girls, after a rocky start, are smitten with each other. Through Vivi’s eyes, Lan once again falls in love with her home city and her passions, and through Lan, Vivi is inspired to be bold and reach for what she wants. Both girls inspire and help each other and their feelings grow from that. If you are looking for some sweet first love, this is the place—even their first fight is barely worth the name, and they’re soon back to being joined at the hip.

Besides being a cute romance, this book also has a lot to say about growing up and figuring out how to deal with your family as a newly-fledged adult. Although they come from very different backgrounds and life experiences, Lan and Vivi are both at the same stage of life, where they are technically grown but still trying to figure out how to make their life their own. For Vivi, this study abroad experience is her chance specifically to make decisions that her parents wouldn’t approve of. Lan, on the other hand, is having trouble not taking all her family’s problems on herself, even when they urge her to live her own life. Throw in Vivi’s hidden family history, and there’s a lot for the girls to deal with on top of their burgeoning romance, but it is, in my opinion, the meat of the story. 

All in all, A Bánh Mì for Two is a cute romance that successful drew me into a wonderful mood and distracted me from the simmering summer heat. I would again like to thank the publisher for the ARC.  A Bánh Mì for Two comes out tomorrow, and I absolutely recommend it if you are looking for a cute summer romance to round out your summer.

Sophomore Sapphic Novel Doesn’t Disappoint: Interesting Facts About Space by Emily Austin

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Interesting Facts About Space cover

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Interesting Facts About Space by Emily Austin (she/her) is one of my new favorite books. Within the first few pages, Austin personified a tampon box, lamented the indignity of celebrating baby genitals (read: gender reveals), and made the astute, albeit morbid, observation that one of the perks of being a lesbian is that it’s less critical to vet whether your date will kill you. I was so intrigued and entertained, I couldn’t wait to keep reading.

If Austin’s name sounds familiar to you, you may have heard of her debut novel, Everyone in This Room Will Someday Be Dead, which followed a twentysomething atheist lesbian who could not stop ruminating about death. The book was long listed for The Stephen Leacock Memorial Medal for Humour, shortlisted for the Amazon First Novel Award, and a finalist for the Ottawa Book Awards. 

Austin’s sophomore novel follows another endearing and unique protagonist: space-obsessed and true-crime-loving Enid, a twenty-six-year-old neurodivergent lesbian who is deaf in one ear. When she is not working at the Space Agency or listening to a seemingly endless loop of true crime podcasts, Enid is going out with a steady rotation of women/non-binary people from dating apps. She has it down to a science. She has never dated anyone exclusively and is quick to cut people off before things get too serious.

Enid’s most important relationship is the one she has with her mother.  When she was young, her father cheated on her mother and started a new family. At the start of the novel, he has recently passed away and Enid is trying to cultivate a relationship with her two half-sisters while maintaining loyalty to her mother, who she lovingly peppers with interesting facts about space to show she cares.

Early on, it is clear that Enid has some unresolved trauma. She is inexplicably terrified of bald men. She has trouble accessing and trusting her memories. She is convinced that she is being followed. She believes she may have a parasite, that she is a shell for something bad. In the midst of all this, Enid meets Polly, who bypasses Enid’s carefully constructed emotional safeguards and makes her start wondering if she wants more.

Austin does a masterful job of working through Enid’s issues with humor and empathy. While Interesting Facts About Space has several engaging sub-plots, the most engrossing aspect of the novel is Enid’s journey of self-discovery. Part of what endeared me to Enid was that I felt like I bore witness to her reckoning. I watched her grapple with questions like “Am I a good person?” and “Do I deserve love?” – questions I have asked myself. The ability to explore such emotional depth in a book without sounding contrived is a skill. Austin made me feel so connected to Enid that I wished I could continue following her journey.

If you read and love this book like me, check out Austin’s backlist, which includes Oh Honey (a novella) and Everyone in This Room Will Someday Be Dead (her debut novel). Austin’s third novel, We Could Be Rats, is expected in January 2025.

Trigger warnings for discussions of mental health issues, including hypervigilance, PTSD, dissociation, hyperarousal, depression, anxiety, and self-harm; and graphic descriptions of true crime scenarios.

Raquel R. Rivera (she/her/ella) is a Latina lawyer and lady lover from New Jersey.  She is in a lifelong love affair with books and earned countless free personal pan pizzas from the Pizza Hut BOOK IT! program as a kid to prove it.

The Lesbrary Is Looking for More Reviewers!

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Graphic reading "The Lesbrary is looking for more reviewers!"

Do you love reading sapphic books? Feel like talking about them at least once a month? Want to be buried in an insurmountable pile of free sapphic ebooks? Join the Lesbrary!

I am looking for more reviewers at the Lesbrary! You just have to commit to one review, list, or essay a month about sapphic books and in return you get forwarded all of the sapphic ebooks sent to us for possible review. You also get access to the Lesbrary Edelweiss and Netgalley accounts, where you can request not-yet-released queer titles.

I’m looking particularly for more reviewers of color, disabled reviewers, and trans reviewers, but anyone who regularly reads sapphic books is welcome!

If you’re interested in joining the Lesbrary, send me an email at danikaellis at gmail with an example of a book review you’ve written. (It doesn’t have to have been published/posted anywhere before.) We’d love to have you on board!

A Wing-Woman Rom-Com: Sorry, Bro by Taleen Voskuni

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the cover of Sorry, Bro

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After ending her long-term relationship with her non-Armenian boyfriend, Nar decides to agree to let her mother help her find a new boyfriend among the eligible Armenian bachelors of San Francisco.  She plans to spend the next month at local Explore Armenia events, meeting the men her very determined mother has picked out for her. At her very first event, however, she meets Erebuni, a smart and charming woman with whom she feels more of a connection than she does any of the mom-approved men she is supposed to be looking for.

Despite the premise, Taleen Voskuni’s beautifully titled Sorry, Bro does not spend nearly as much time as I feared it might on the search for a man.  While Nar is theoretically at these events to meet certain men, her actual searching for the most part extends only so far as a brief conversation before determining she has no interest in him and then spending the rest of the event hanging out with Erebuni.  In fact, Nar recognizes right from the beginning that she has a crush on Erebuni, and the only thing stopping her from dropping her search entirely is the fact that she is not ready to be out to her family yet.

As a big friends-to-lovers fan, I really vibed with this book. I find I tend to get frustrated when a romance spends too long trying to convince me these characters don’t like each other or, in this case, pursuing other people, so I appreciated the way this one got to the point. Nar and Erebuni liked each other from the beginning, and it was merely a matter of figuring out where to go from there.

I will say, I personally prefer dual-POV romance over singular-POV—for various reasons, but the one that is most relevant being that singular POV can make me feel locked out of one person’s head, and I did get a bit of that feeling with this one. This was particularly true when it came to the third-act conflict. Because of the way things played out, I really would have liked to actually see Erebuni’s perspective on all of that, and the fact that we didn’t, coupled with how long that section of the book went on, made it feel more like Nar’s story than Nar-and-Erebuni’s story.

Still, I really loved this book. Nar’s voice was funny and engaging. For all her faults, I completely understood where she was coming from, and I understood why Erebuni would love her. And Erebuni—I know a lot of people complain about instalove (I am not one of those people, and I wouldn’t call this book instalove either, to be clear), but I was as charmed by her from the beginning as Nar was. Their romance was likewise charming, and an excellent example of why I prefer friends-to-lovers over most other romantic dynamics. Their connection was clear from the beginning, their friendship as believable as the romance that grew out of it.

As a romance and a love letter to Armenian culture, to family and friendship, I wholeheartedly recommend this book. Sorry, Bro has earned Taleen Voskuni a place on my authors-to-watch list, and I hope yours as well.