Elinor Zimmerman reviews A Little Bit of Spice by Georgia Beers

Kendall works at a microbrewery her brothers started and still lives on the property where she grew up in upstate New York. Part of her job marketing the family beer involves building relationships with clients and the line between her personal and professional lives is more than a little porous. She’s good at her job and she’s gearing up to get Old Red Barn Brewcrafters represented on the shelves of a regional supermarket chain, Hagan’s.

Andrea grew up in the same town and has worked hard since she was a teenager toward a single goal: managing her own Hagan’s store, ideally far away from New York winters. She’s posed to achieve her dream, but first she has to manage the beer division. The only problem is that she loathes beer and knows nothing about it.

Andrea and Kendall have run into each other socially and clashed on the volleyball court before she spots Kendall among the microbrewers vying for her attention. Even though the women have a history of nothing but mutual irritation, she gets Kendall to teach her about beer. When they start spending time together though, they find that underneath that annoyance is attraction. Yet each is a professional and neither wants to mess up her career with the conflict of interest a romance would entail. As they try to resist one another, their feelings only grow. Not long after Hagan’s has made its decision about beer and Andrea and Kendall are free to act on those feelings, Andrea’s offered her choice of stores to run–all of them out of state.

This was a pleasant romance and I really appreciated how, for the most part, Andrea and Kendall both acted like adults. They mostly made reasonable decisions and were responsible people. I loved that they both cared about their careers and work was an integral part of the story and significant for their characters. I liked both the main characters and their priorities made sense to me. Also, I learned some things about beer! I don’t like beer and see no future in which that changes, but if you like it or are interested in microbrewing that might be a highlight for you.

The biggest strength in this novel was the creation of meaningful, realistic obstacles to the character’s relationship. Andrea and Kendall respect each other’s values and ambitions, which pull them in different directions. Kendall’s work and all her meaningful relationships root her in place, while Andrea longs to move and her career benefits most if she does. This is a fantastic problem for a romance because it’s nuanced and doesn’t have an easy answer. Unfortunately, Beers didn’t explore this near the end as well as she set it up.

VAGUE SPOILERS! Despite the truly excellent groundwork for the final conflict in the story, it falls a bit flat near the end when one half of this couple isn’t honest about her feelings and self-sacrifices to do what she thinks is best for the other woman. Instead of a complex examination of how two people might balance their conflicting visions for their lives, we get a break up based on the all-too-common romance trope of lying in a misguided attempt to be noble. Then, of course, they are miserable apart and get back together and the real difficulties they face are resolved quite easily and without much emotional impact. I wish that both characters had said how they felt and the story had dived deeper into the clash between Andrea’s career and Kendall’s, between Andrea’s desire to move and Kendall’s deep ties to the area, and the difficulty of making big decisions about conflicts like this early in a relationship. END SPOILERS

Though the ending could have been richer, on the whole it was a solid romance and a fun read. If you like romance, this a good one for your reading list.

Elinor Zimmerman is the author of Certain Requirements, which will be released by Bold Strokes Books in Spring 2018. Her website is ElinorZimmerman.com

Rebecca reviews of Love on the Road 2013 edited by Sam Tranum and Lois Kapila

Love on The Road 2013 edited by Sam Tranum and Lois Kapila is an anthology of twelve stories depicting love and travel in diverse locations like India, Alaska, and New York. I really wanted to enjoy this collection because it seemed like a promising and fun concept. However, I just couldn’t get into several of the stories at all. I loved Doreen E. Massey’s “The Upside Down Trees” and Kimberly Cawthon’s “Cindy in Manhattan” which are really well-written with fascinating and layered characters. However, a few of the other pieces suffer from dull or stereotypical characters and pointlessly meandering plots. There are a few LGBTQ characters featured in the stories but they are side characters. However, there are two stories where women’s romantic relationships with women are featured.

Mohita Nagpal’s “The Girl with the Egg-Shaped Face” is well-written and interesting. The author labels her piece as “seventy percent non-fiction.” The female protagonist is instantly attracted to the titular girl with the egg-shaped face, Shilpi, when they meet on a bus while travelling to the Jaipur Literature Festival. The main character is well-crafted and her pining for the object of her affection is relatable. The brief interactions between Shilpi and the narrator are poignant and painfully realistic. However, the narrator’s crush soon takes an invasive turn. She goes from entertaining harmless fantasies in her head to Facebook stalking and she even obtains personal information about Shilpi and follows her to another city. Her intrusive actions are disturbing but you cannot help but feel empathy for the narrator who has been unlucky in love and is entranced by her fantasies. Although the melancholy ending may disappoint some readers, I believe that it is a satisfying and organic conclusion.

Naima Lynch’s fictional work “All That You Forgot to See” takes readers from New York City to Egypt with Althea, a lonely middle-aged woman who is sleepwalking her way through life. Although she displays racist and xenophobic behaviour, the story’s gently optimistic ending indicates that there may be some hope for Althea. However, her repression and her inability to connect with people as well as her sad and stagnant life are achingly realistic. Lynch makes a seemingly unrelatable character all too human. Althea’s best friend, Lorraine, is the heart of this story and the nuances of their relationship are poignant and well-developed. Lynch does not assign labels to the women and, without giving too much away, the characters and the nature of their relationship are surprising but still seem true to life.

If you’re looking for a lot of LGBTQ characters and stories, this isn’t the book for you. However, if you like travel anthologies, it is a decent one time read with several well-crafted gems sprinkled throughout. I would definitely reread Mohita Nagpal’s “The Girl with the Egg-Shaped Face” and Naima Lynch’s “All That You Forgot to See.”

Rebecca Cave is a Creative Writing student and freelance proofreader. She is an avid but sadly not very prolific reader and writer.   

Tierney reviews Bearly a Lady by Cassandra Khaw

Werebear Zelda is lusting after hunky werewolf Jake–while simultaneously nursing a longstanding crush on her gorgeous coworker Janine. (Yes, werebear–as in, Zelda turns into a bear once a month.) And on top of everything, she’s been tasked by her boss with guarding Benedict, an insufferable member of the Fae. All of which combined leads to quite the whirlwind few days for Zelda.

Bearly a Lady is a cute, breezy novella, with chatty first-person narration and a refreshing way of portraying the supernatural–the author describes it as a “paranormal rom-com,” which certainly rings true. Zelda is an enjoyable character–her running commentary is endearing. And the supernatural chick lit angle is a lot of fun: the novella isn’t overly dramatic or self-important about the Fae in a way that feels welcome, and lets the cheerful romance go hand in hand with this casual conception of the paranormal. Plus I just love the idea of there being all kinds of were-animals running around.

As a novella, it’s quick read – I definitely felt like I would enjoy reading more of this story, and in fact there were moments where things felt a little convoluted and lacking in detail or connections, likely because of the novella format. I would have loved to see things a little more fleshed out – more details about the Fae and descriptions of the characters (especially Benedict, who is a bit of a flat antagonist), some more of Zelda’s backstory with both Jake and Janine than the little that is alluded to…

Bearly a Lady is a fun, lively supernatural romance–the little snags in the story are outweighed by the enjoyable world that Khaw has built, and the feel-good romantic ending (spoiler alert: she gets the girl!). Give it a try–supernatural chick lit is the genre you didn’t even know you needed.

Tierney reviews How to Make a Wish by Ashley Herring Blake

Grace dreams of moving to New York for college and studying music–but she’s worried that her mom, Maggie, needs her​ stability too much for her to leave their life in small-town Maine: for as long as she can remember, since the death of her father when she was little, her mom has made impulsive decisions, and it’s been up to Grace to clean up the mess. This summer is no different–until Grace meets Eva, and begins to realize as they fall for each other that it’s OK for her to be happy.

How to Make a Wish is an absolutely gorgeous (and heart-wrenching, in all the best ways) depiction of young, queer love, teenage friendship, and the trials and tribulations of coming of age, experiencing loss, and making difficult decisions. The novel doesn’t hit a single wrong note: every step of the way it is beautifully-written and deeply touching.

Grace’s relationship with her mother should seem familiar to anyone who has been on the receiving end of parentification: your heart aches every time Grace is forced to act like the adult in her relationship with Maggie, every time she lets Maggie’s offenses slide, and you cheer when she finds her voice and is able to stand up for herself, even as you see how painful it is for her. It’s a tragically authentic depiction of the dynamics of a screwed-up parent-child relationship, and Grace’s journey feels moving and truthful.

Authentic relationships are one of the novel’s strengths–both the difficult relationships (like the one Grace has with Maggie) and the deep, genuine ones. Grace’s relationship with her best friend Luca is one of the latter. He is a steady, comforting presence in a life full of so much unknown and unexpected. Their relationship has its ups and downs -but in both its low moments and its high moments, it feels so right and so true. Luca’s family is the solid familial presence that her own mother cannot be for her – Luca’s mother, Emmy, especially, is such an excellent example of the kind of loving, encouraging adult teenagers need in their lives.

And finally, the love story: How to Make a Wish showcases so much more than just a love story – but it’s the love story that leaves you with bated breath as it unfolds, in anticipation of every stunningly poignant moment.  Grace and Eva’s burgeoning relationship helps anchor Grace’s life, and the novel. As with so much in the story, their relationship just rings so true–whether they are eating peanut butter together on the beach, pushing each other away as they clumsily try to deal with their pasts and hang-ups, or kissing in a tree after being chased by a dog.

Grace’s bisexuality is an important part of her story, and her identity is a grounding element of the novel. She refers to past boyfriends–and also to her first crush, a pool lifeguard named Natalie: she is unapologetically herself, and Luca’s unquestioning support for her is heartening. The solid foundation of her identity makes the development of her relationship with Eva all the sweeter, her own self-knowledge a lovely constant in all the upheaval of her family life, and all the unknowns of her future.

How to Make a Wish is a breathtakingly, heart-achingly beautiful YA novel–Grace’s story resonates on so many levels, and Herring Blake deftly covers so much emotional ground. This is a novel that both leaves you breathless as you whip from one emotion to the next and soothes your soul–don’t miss out.

Rebecca reviews Driving Lessons by Annameekee Hesik

Annameekee Hesik’s 2014 Driving Lessons is a cute and quick but also meaningful read. The novel follows teenager Abbey Brooks as she attempts to navigate her sophomore year at Gila High. Abbey’s journey is relatable, funny, and touching as she tries to get her driver’s license, survive high school, navigate the basketball court, come out to her mom, juggle friendship drama and relationship troubles as she tries to find a girlfriend. This book is a sequel and continues with characters who have already been introduced in a previous novel. I had no idea that this book was a sequel until I was already well into reading it. However, Hesik does a good job of ensuring that new readers can easily understand the characters’ history and this book can be read as a standalone.

Abbey is an extremely relatable character. But her actions can sometimes be frustrating. She is unfailing loyal to her unreliable and self-centred straight best friend, Kate, and she also has a penchant for keeping too many secrets. However, her reactions seem true to her character. The first-person narration is definitely faithful to that of a teenage girl. Abbey’s journey to fulfil her to-do list is a bumpy one filled with twists, turns, and several love interests. Things go disastrously wrong before they work out in time for a cute and happy ending which feels natural.

Although this book is definitely a Young Adult novel, its themes are applicable to readers of all ages and sexualities. Hesik examines the typical aspects associated with teenage life like sex, secret relationships, friendship troubles, and bullying. However, Hesik touches on other issues like dealing with the previous death of a parent (Abbey’s father died in a car accident and this ties in nicely with her reluctance to drive) as well as neglectful and homophobic parents. There are homophobic slurs as Abbey is bullied by classmate Nicky. However, their interactions take a surprising but organic turn (not quite what you may be thinking) as the book progresses. It is also refreshing that the characters are almost exclusively female and there is an abundance of lesbian characters with a few bisexual characters sprinkled in. However, the treatment of bisexual characters could have been handled better.

Abbey’s friends are a major part of the novel. They include ‘veteran’ you-know-who girls (cutesy code for lesbians which is somewhat endearing only because it is used so sparingly) like Tai, Mia, and Garrett (who is actually bisexual). These girls are well-written and seem very real as they support Abbey but they can also be secretive and self-serving. Abbey’s friendship with Kate is particularly relatable and the slow deterioration of their friendship is well-done. One of Abbey’s love interests, Devin, is deaf and her presence adds a nice touch of diversity to the novel. However, I would have liked to see some more characters of colour.

One of my favourite parts of this book is Abbey’s sweet and genuine relationship with her mom. Abbey’s mom is supportive while still being a very realistic parent. While Abbey’s eventual coming out is somewhat disastrous, her mom’s reaction is wonderful and it is great to read a novel where the protagonist’s mother is so openly understanding of not only her daughter’s identity but is also accommodating to her friends.

However, while many of the characters are well-crafted and memorable, there are too many of them. Therefore, there are too many side-plots that sometimes end abruptly or lack resolution. Kate’s drama with her partying and boyfriends overstays its welcome and Abbey’s mother’s return to dating are just two instances of too many plotlines in an already full book.

Annameekee Hesik’s Driving Lessons is a great and quick read. There is a lot going on in terms of plot and characters but, for the most part, Hesik handles the action well. I enjoyed this book and I look forward to more of Abbey’s adventures. If you’re looking for an easy but still meaningful read which features an almost exclusively female and lesbian cast of characters and a sweet and happy ending, you should definitely check out Driving Lessons.

Rebecca Cave is a Creative Writing student and freelance proofreader. She is an avid but sadly not very prolific reader and writer.

Tierney reviews Tapas and Tangelos by C. K. Martin

Sparks fly when Hayley and Kate first meet at a hostel in Spain–though the two have only just met, they end up falling into bed together that same night. They are drawn to one another despite their differences–Hayley is a Brit in her mid-thirties who runs a bar on a small Spanish island, and Kate is an Aussie in her mid-twenties, just passing through while backpacking. Hayley makes allusions to her unhappy past, and tries to distance herself from Kate, but to no avail: the two are drawn to one another, and begin to fall for each other. But just as they take their relationship to the next step, Hayley’s past unexpectedly catches up to her, leaving Kate feeling betrayed and their relationship hanging in the balance.

Let’s cover the good stuff first: this is a satisfying romance, with smooth writing that keeps the story flowing from one chapter to the next as the novel shifts between the character’s perspectives. It’s well-written–the steamy scenes between Hayley and Kate are sweet, with none of the cringe-inducing turns of phrase that sometimes seem to plague the more passionate moments of romance novels. Tapas and Tangelos is definitely an enjoyable read.

On the other end of the spectrum, some of the plot points and pacing leave a little to be desired. The specifics of Hayley’s tragic past really threw me for a loop when they were revealed: the revelation was completely unexpected, had very little build-up, and didn’t seem to fit with the previous mood of the novel. *spoilers* It is revealed that Hayley’s father was a serial killer who was caught when she was fifteen, and she was suspected of being an accomplice, despite her young age and the fact that she had no idea–so she moved to Spain and began living under an alias. It’s a very dramatic revelation that just doesn’t match the lighter mood of the rest of the novel: it feels heavy-handed in its treatment. *end spoilers*

There’s another odd (and tired) plot point that wasn’t my favorite: Hayley sees Kate talking and laughing with a guy from the hostel, and realizes she has fallen for Kate because of how jealous she feels, and proceeds to bemoan her broken heart because clearly Kate is in love with this man with whom she is having a single positive interaction. There are also some minor pacing issues: the novel’s denouement happens very quickly, and though there is an epilogue tying things together, the final moments feel a little rushed.

All in all, I would recommend Tapas and Tangelos: the solid writing certainly makes up for most of the novel’s oddities. Hayley and Kate are well-rounded characters whose budding romance is sweetly engaging. Give this book a read if you’re a fan of enjoyable and (mostly) realistic queer lady romance.

Tierney reviews Turning for Home by Caren J. Werlinger

It’s hard to summarize the plot of Turning for Home, chiefly because it’s kind of a hodgepodge of happenings without much tying them together beyond the fact that they are centered around a single main character – but I will try. *spoilers ahead, throughout this whole review*

Jules returns to the small Ohio town in which she grew up with her grandparents for her grandfather’s funeral. While there, a local lesbian teen writes her a note asking for her help as she comes to terms with her sexuality in this unsympathetic environment. After the funeral, Jules comes home to her partner Kelli, who feels like Jules is pulling away from her, as she did in her past relationships. Meanwhile, Jules engages in an odd flirtation with a fellow educator, while also counseling Ronnie, the teen from her hometown–and simultaneously hiding all of this from Kelli. Also, Kelli’s mother is diagnosed with pancreatic cancer, as if all the rest weren’t enough drama. Throughout it all there are flashbacks to Jules’ childhood–her experiences with her strict grandmother and loving grandfather, who raised her after her mother left her with them, and her friendship with a neighbor boy that ended his tragic death, for which she blames herself, and whose ensuing emotions she has totally repressed well into adulthood. Needless to say, there is a lot going on. All of which is resolved by the end of the novel, in ways that don’t necessarily satisfy–or even make sense (for example, Ronnie is kicked out by her family because of her sexuality and ends up moving in with the mother of Jules’s dead childhood friend… which just seems weird to me).

Unfortunately, I was just not a fan of Turning for Home: the plot was way too busy, and, conversely, most of the characters didn’t really have well-developed personalities, beyond the fact that all manner of things kept happening to them, making it difficult to connect and sympathize with them. There are so many miscellaneous plot points thrown at the reader: drama with Jules’s past and with her present, drama with Kelli’s family, drama with Ronnie, drama with their friend Donna (who is also Jules’s ex) and her relationship–but ultimately I couldn’t bring myself to care about very much of it. The characters felt flat: Kelli doesn’t have much of a personality beyond loving Jules (even though Jules doesn’t seem to do much to deserve it), and Jules doesn’t have much of a personality beyond having a tragic past and being a jerk to Kelli because she is incapable of working through her own emotional issues (despite the fact that she is a school psychologist!). Right up until the end of the book, Jules is making decisions that just plain don’t make sense, and Kelly is hand-holding her through the process of being a mature adult who owns up to their emotions and decisions. It’s convoluted and not particularly engaging for the reader.

Turning for Home just wasn’t for me–but if the plotlines I’ve described sound appealing to you, go ahead and give it a try. I’m going to stick with other works by Caren J. Werlinger, like Cast Me Gently, which I very much enjoyed–it read like Annie on My Mind for grown-ups, thanks to its 1980s aesthetic and gently lovable characters.

Jess reviews Different for Girls by Jacquie Lawrence

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Different for Girls by Jacquie Lawrence, is a fast-paced and vibrant read that will keep you turning the pages and gasping for more.

Featuring a smorgasbord of central characters, its hard to not feel completely engulfed by Lawrence’s world including bar owner Cam and drug user Fran, stay-at-home-mother Brooke and wandering-eyed Nicole, their GBFs and baby daddies Ivan and Claude, closeted Gemma, her gay beard Kirby and her suspicious girlfriend Jude. My own confinement of these characters to stereotypes is an unjust judgement of predominantly complex and relatable individuals realised in totality throughout the book. In fact, the connectivity of the character lineup adds to the realism, with the plot casually shifting in and out of situations chapter to chapter. The broad themes in Different for Girls include motherhood, friendship, adultery, coming out and more broadly, self understanding vs public persona. The sex scenes (yes there are some!) aren’t over the top or seeking attention in any way–they fit well within the created world and represent their characters respectively.

The lesbian characters (more then 6!) are multifaceted and beautifully different (instead of tired, repeated cookie-cutter replicates). These are the exact sort of characters I crave for across the broader lesbian literature; oft littered with predictably questioning married women wanting to be freed from their straight bedroom boredom. My own imagination ran rampant with suggested plot twists, and I was repeatedly surprised by the written outcome.

I found myself constantly and vividly envisioning Different for Girls as a full-length feature film and I was delighted to find that a web-series is underway for release soon.

I’d recommend Different for Girls as one of the best modern lesbian fiction reads, if only in that Lawrence treats each character with respect and honesty. As always, it is so satisfying to have a nourishing meal after many mediocre snacks.

Stephanie reviews Don't Explain by Jewelle Gomez

 

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Don’t Explain is a collection of short stories by Black lesbian author, activist, and philanthropist Jewelle Gomez. Most widely known for her Black lesbian vampire novel The Gilda Stories, Gomez’s Don’t Explain is a collection of nine stories that employ rich, sensual, language to introduce readers to several carefully constructed characters whose stories set our minds and bodies afire. Although the collection was written in 1998, the stories are as poignant and relatable as they were when the book was published nearly twenty years ago.

For example, my favorite story in the collection, “Water With the Wine” is a new take on an old trope, the May-December romance. Gomez carefully deconstructs the most commonly held notions about romance between older and younger lesbians, and posits another reality for the women in her story. Alberta and Emma meet and become involved at an academic conference; however, differences in age, class and race threaten to destroy their budding relationship. Gomez deals sensitively and honestly with these issues and deepens our understanding of what it means to fall in love after the blossom of youth.

“White Flower” is a chronicle of desire, not quite erotica, but pretty close. Luisa and Naomi “can’t have a relationship, it’s too consuming too everything,” so their meetings are infrequent but filled with all of the lust and passion that two women can share. This story will leave you panting, it will also leave you wondering at what point the unbridled desire turns to obsession and manipulation.

In “Lynx and Strand,” the longest story in the collection, Gomez forays into the genre where I believe she does her best writing, speculative fiction. To put it simply, speculative fiction is not quite science fiction, not quite fantasy, but an imaginative blend of the two genres, and in this story, explores what it means to live in a future where same-sex relationships are still policed by the state. Here, Gomez tackles issues of futuristic state governments, homophobia, body art, and what it means to truly become one with your partner.  The story is timely, some might say prophetic, because even though it was written nearly two decades ago, LGBTQ persons’ right to bodily autonomy is still being challenged, even threatened, in 2016.

For those familiar with Gomez’s The Gilda Stories, “Houston” offers a new chapter into the life of her Black lesbian vampire and offers a provocative look at what it means to be humane when you actually aren’t human at all.

All of the stories in this collection are sensitive, sensual, and offer a pleasant alternative to “mainstream” lesbian fiction.  The collection also focuses on Black women’s experiences, and this is what truly sets it apart from most of the lesbian fiction on the market today. The collection is short, only 168 pages long, but each of the stories offers entrée into the life of Black women, mostly lesbian, that illuminates the complexity of our lives and the power of our loving. If you have not had an opportunity to read any of Jewelle Gomez’s work, start with this collection and I am certain that you will want to read more!

Rachel reviews Tipping the Velvet by Sarah Waters

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British novelist Sarah Waters is known for her historical novels, some of which take place in Victorian England and/or have lesbian protagonists. Her debut novel, Tipping the Velvet, first published in 1998, is viewed as a lesbian classic by many readers.

The story opens in Whitstable England, 1888, with eighteen-year-old Nancy Astley, who helps her family run their oyster business. Restless and wanting new experiences, she attends a theater one evening and gets her first glimpse of Kitty Butler, a performer who dresses as a man for her act. After becoming friends, Nancy grows strong romantic feelings and eventually joins Kitty’s act, taking the stage name “Nan King” and earning countless admirers. She is thrilled when she and Kitty admit their love for each other and begin a relationship, although Kitty insists on keeping it a secret. After an unexpected betrayal, Nancy leaves Kitty and takes to the streets, resorting to prostitution and masquerading as a boy to make ends meet. She is determined to forget her past, becoming reclusive because of it. Over the years she comes across countless people who shape her decisions. While a lot of the changes she experiences are difficult, others offer Nancy hope of turning her life around and falling in love again.

Sarah Waters’ writing is extremely rich in substance as she describes Nancy’s world, the people she meets, and the hidden lives of homosexuals. Scenery and surroundings are so well-detailed there was never any doubt where Nancy was or what was around her. The writing style seemed authentic for the time period, making Tipping the Velvet appear to have been published in the 1880s instead of a century later.

The novel’s characters each had their own differing views and personalities; it’s obvious that Waters put a great amount of effort into creating them all. Nancy herself was a bright young woman who did make some poor decisions, but also had a strong will to keep going. Her impulsive, vocal character both clashed and complimented with Kitty, who was a quiet thinker.

Two other people in the novel stand out for me the most, and they’re both polar opposites. Diana Lethaby was wealthy and well-connected, taking Nancy in at one point in exchange for a sexual relationship. But though she provided Nancy with nice clothes and an elegant home, Diana was really possessive and treated her lover like property. I despised her character and shared Nancy’s shock at her actions.

The other character is Florence Banner, a charity worker Nancy later befriends. She was easily one of the most complex characters in the book. Her personality shifted between cheery and grim, and sometimes she worked so hard helping others she didn’t think much about her own feelings. I was intrigued by her and wondered about her family and what kinds of experiences she had. As the story progressed and I learned more about her, it was much easier to sympathize with Florence and see the true, gentle-hearted person she really was.

Tipping the Velvet was an interesting take on sexuality in Victorian London. All through the book, Nancy meets a whole underground of gays and lesbians, which adds to her story because, although homosexuality was seen as a crime and perversion, there were still countless men and women who were trying to live their lives yet also acknowledge their feelings. Very little is really known about this world as it was almost never spoken of. But Waters makes strong parallels between then and now. Like today, there were bars and social circles where gays and lesbians found their refuge, and literature they read in secret, like Sappho’s poems.

Tipping the Velvet is a wonderful story for lesbian literature, although some readers may be uncomfortable with the erotica tone. I found it to be a masterpiece and look forward to reading Sarah Waters’ other books.