Danika reviews I Kissed a Girl by Jennet Alexander

I Kissed a Girl by Jennet Alexander cover

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Lilah is a B-movie “scream queen,” semi-famous for her horror roles. Her latest is Scareodactyl, a cheesy dinosaur horror movie with buckets of fake blood. She’s been trained for stardom her whole life, and she’s found success in these movies–but secretly, she’s never even seen a horror movie, and she’d rather be on a historical fiction film set. Noa, on the other hand, is thrilled to be plastering fake wounds on actors. She dropped out of school to pursue union membership as a makeup artist, determined to live her dream of getting to do larger-than-life special effects horror makeup. The stakes are high, though: if she doesn’t get the hours and the recommendation, she’ll have no shot at the union (and future jobs), and she’ll have thrown away her education for nothing.

When Noa arrives at the set the first day, she’s stunned to see Lilah–the same actress who is on a poster in her bedroom. She’s a big fan, and she tries painfully hard to play it cool. Unfortunately, she manages to put her foot in her mouth the moment she sees Lilah, telling her she looks forward to hurting her. (By which she meant applying fake wounds to her.) One of my favourite touches in this is that Lilah is equally starstruck with Noa, because Noa is openly queer. To closeted bisexual Lilah, Noa is the epitome of cool. But as she also tries to keep that under wraps–especially because she mistakenly thinks Noa’s roommate is her girlfriend, she comes across as aloof (and straight).

While the cover makes this look like a Hollywood romance, I far, far prefer this art (which is part of the preorder campaign):

I Kissed a Girl Presents Scareodactyl art, showing Lilah and Noa kissing with a pterodactyl swopping down towards them

I loved the juxtaposition between the sweet romance and the cheesy, gory horror movie–and I wished that I had been played up a little more in the marketing (especially the cover). Far from a glitzy Hollywood romance, Lilah has to tread water in a tank that smells like sour milk and spends a lot of time rinsing various kinds of goo and fake blood from her hair.

I also appreciated that both of the main characters are Jewish, and they find connection with each other in that. There’s also a trans side character, and one of my favourite moments of the book was when Noa’s parents say Chrissy (the roommate) is welcome at Rosh Hashanah even if Noa doesn’t come, but to tell them how many girlfriends she’s bringing, because last time they had to run across the street to borrow chairs from the Glazers. It’s such a sweet, casual moment of acceptance (Chrissy is also queer and polyamorous).

Another aspect I thought was interesting was Lilah’s perception of herself. She has basically been raised to be an actress, so she’s very used to thinking of her body as an object–and one that she has to market successfully. She’s constantly thinking about angles and how she’s being perceived. She has a camera-ready smile and is careful to be an easy person to work with. She’s also self-conscious about her appearance, and she often shuts down when Noa compliments her looks, because she’s used to being reduced to only that.

Noa, on the other hand, has her own flaws. She’s quick to get frustrated with Lilah’s apparent insincerity, but Noa is judgmental and can be clueless about others (while Lilah is hyper aware of others’ feelings). She scoffs at Lilah reading romance novels, for instance, and understandably puts Lilah off with her judginess.

I did have some issues with the pacing. There’s a stalker subplot that felt very drawn out and awkward, and the romance plot seemed to get paused for a while and then pick up where it left off. It feels like it could have been a more tightly-plotted novella, so that there wasn’t a chunk in the middle where we’re just waiting for Noah and Lilah to get together and the stalker to be revealed.

Despite the pacing issues, I did enjoy this one overall, and I especially recommend it for readers looking for F/F Jewish romance who have exhausted the Shira Glassman back catalogue!

Mo Springer reviews Honey Girl by Morgan Rogers

Honey Girl by Morgan Rogers

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Grace Porter has spent a lifetime striving for perfection only to find all her hard work falling apart, making her turn to a Vegas wedding to escape.

In this debut novel, Rogers explores the realities of post-grad life for a queer black woman in the titular character, Grace Porter. She has achieved the plan by getting her doctorate, but now finds job interviews dissecting her identity, race, sexuality, and questioning her accomplishments as if they weren’t her own. In the face of this, her overbearing and harsh father has no compassion and continues to remind her of the need to be the best. While her friends are supportive, it is not enough, and after a Vegas wedding, she flies off to New York City to be with her new wife and escape the escalating existential crisis – but another city won’t make the problems go away.

This was written in a very beautifully poetic style that added to Grace’s romanticism and gave the reader a sense of how she views the world. However, at times it felt as if the poetic writing seemed to stand on its own and didn’t necessarily always add to the plot or character development. For example, I thought Yuki Yamamoto, Grace’s wife, would be a more grounded and realistic figure based on her first conversation with Grace post-wedding. I thought that would have been a much more interesting juxtaposition to help the character development, Grace’s romanticism against Yuki’s realism. However, Yuki often talked in the same manner as Grace’s narration and internal monologue. I can see this may be a stylistic choice of the writer, and objectively I appreciate that, but subjectively it did limit my enjoyment of the book.

There was a large cast of characters that could easily each have their own books. Rogers clearly put a lot of thought into them and that could be seen by how easily they leaped off the page. They were enjoyable to read about, but it felt distracting to care so much about characters that in the end the book doesn’t dive too deeply into. There is a hint at more stories that could play into the overall theme, but this is felt off the page.

There did seem to be a lot of plot and character development happening off the page and I would have liked to have seen that on the page. Rogers is clearly a fantastic author and for this to be her debut, I can see her writing amazing things in the future. That I wanted to see more of her characters and story is a result of how well she has crafted this book. I look forward to reading more of her in the future.

Danika reviews Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar

Hani and Ishu's Guide to Fake Dating cover

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You might remember Adiba Jaigirdar from her previous book, The Henna Wars! This is another YA romance between two teenage girls of colour, set in Ireland, and I liked it even better than her debut. Humaira (“Hani”) and Ishita (“Ishu”) are the only two brown girls at their all girls Catholic high school. Because they’re both Bengali, they’re often lumped together–but they’re nothing alike. They speak different languages and have different religions, for one, but their personalities are what really separates them. Humaira is a social butterfly who tries to fit in and be well-liked. She’s out as bisexual to her parents, who are both supportive–she feels like she can tell her mom anything. She’s Muslim, but she doesn’t feel like her friends understand or completely accept that about her. Ishita is… prickly. She’s sometimes caustic. She’s an academic overachiever trying to live up to her parents’ impossible standards. She has no interest in cultivating friendships at school and is uninterested in what her classmates think of her. She has big goals she’s laser-focused on.

When Humaira comes out to her friends as bisexual, they’re dismissive. They argue that she can’t know unless she’s dated/kissed a girl. Humaira surprises herself by insisting that she is dating a girl: Ishita. Her friends hate Ishita, and Humaira and Ishita hardly speak, but she’s determined to try to sell this so that they won’t question her identity. When Humaira asks Ishita to go along with it, she agrees, but on one condition: Humaira helps Ishita become popular enough to win the Head Girl election, which will look good on college applications.

This is a classic fake dating romance between two girls who weren’t exactly enemies before, but definitely fit into the “opposites attract” category. I liked how distinct their personalities were and how they end up complementing each other (but not before clashing first). While their romance is the focus of the plot, it’s Jaigirdar’s depiction of being a Bengali teen in a very white high school that caught my attention the most. Both Humaira and Ishita deal with everyday racism and microaggressions, but they deal with them in very different ways. Ishita seems to tune them out, or prefers not to consciously think about them. Humaira reacts with anger and frustration at the system. The school administration demonstrates blatant (racially biased) favoritism that made me angry just to read about, but that’s accepted as a fact of life.

One small note is that I appreciated that this book starts with content warnings, which I hope is becoming a more common practice. Overall, I thought this was even stronger than The Henna Wars. Both main character feel three-dimensional and fully-realized, and it was entertaining to see how they tried to adapt to each other and work together. If you’re a fan of fake dating or F/F YA, definitely give this one a try.

Maggie reviews Honey Girl by Morgan Rogers

Honey Girl by Morgan Rogers

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Honey Girl is Morgan Rogers’s debut romance between Grace Porter, newly minted Doctor of Astrology, and Yuki Yamamoto, late night radio host and part time monster-hunter. The two characters could not seem further apart, both physically, with Grace habituating on the west coast and Yuki being a New Yorker, and emotionally. And yet, when they get drunk and married during a long weekend in Vegas, they’re both determined to hold onto and deepen the bond they created that night. The book also deals with Grace’s struggle to gain her footing post-graduate school and figure out who she is and what she wants out of life now that she has her degree and she’s not following her detailed PhD plan.

What I really liked most about this book was the sensory experience it created while reading it. Grace doesn’t exactly remember her Vegas wedding clearly, but what she remembers are details like how Yuki smelled – like sea salt and sage – and what Yuki remembers most about her is along the same lines – the vivid color of Grace’s hair. The whole book is like that. From the orange grove Grace’s mom runs to the tea shop where she works part time while finishing her doctorate, the book is loaded with details that draw the reader in with all of their senses. Even sound – Yuki has a late night radio show titled “Are you there?” that pulls at the heartstrings of loneliness and is about the late night reach for connection but is also a monster-hunting show. The story is alive with sensory details, and it really brings the characters and their lives to life.

I also enjoyed that it was a book about self-discovery. I think a lot of people will connect with Grace’s post-college troubles in figuring out how to start her career and the rest of her life. And a lot of people would connect with Yuki – trying to keep their passions and hobbies alive while going about the business of day to day living. Both characters end up in Vegas, drunk and getting married to a stranger on a whim, but their wedding isn’t the bulk of the story – Grace and Yuki using their instant fascination and trying to navigate into a real connection while dealing with the outside pressures of jobs and families is. Meanwhile, Grace is really struggling to translate her academic life into a life after college after a disastrous job interview drives home the point that hard work and a great mentor don’t guarantee anything if you’re Black and queer and what that means, both in practical terms of what she wants to do next and in an emotional one of what her priorities towards herself should be. I think this book did a very good job of mixing wish-fulfillment romance ideals with real world work and themes that will resonate with readers.

In conclusion, I found this debut romance to be a delightful yet emotional journey that does an excellent job of evoking both a romantic fantasy and real trouble and difficulties and emotional work. Grace and Yuki have both an instant, ephemeral connection and the knowledge that they must put in work to build a real relationship. The writing is charming, the problems are relatable, the family expectations are stressful, and overall this was a queer romance that I fell headfirst into and would not hesitate to recommend.

Danika reviews Rosaline Palmer Takes the Cake by Alexis Hall

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This is a romcom starring a bisexual woman in a love triangle between two guy love interests, so if you’re not looking for an M/F romance, I recommend checking out another Lesbrary romance review!

This is a queer romcom that is essentially set at The Great British Bake Off, so I was immediately sold. Rosaline is a bisexual single mom whose life plan went off the rails when she dropped out of university when she unexpectedly got pregnant at 19. Now, she works at a stationary store–which is far from the doctor’s career she and her parents had expected. She adores her precocious 8-year-old (who’s obsessed with weird underwater animals), but she hates being reliant on her judgmental parents as well as constant favors from her best friend/ex-girlfriend. That’s how she ends up applying for a baking showing with a cash prize.

While this is an M/F romance with two male love interests, Rosaline’s queer identity is central to the story. The first chapter has her confronting Amelie’s teacher about biphobia, and she’s very close with her ex-girlfriend (who is now married to anther woman). Lauren stole the show a little bit for me, with sarcasm, inappropriate language, and unwavering loyalty. How can I resist a woman described like this?: “Lauren reserved the bulk of her enthusiasm and insight for her twin loves of satire and sapphism.”

Rosaline is a charming character for the most part, but she has one major flaw: she’s classist. She was raised in a wealthy family that cares deeply about status, and she’s internalized that–while resenting her parents’ judgements of her life choices. It was a little painful to read, but I knew that was her arc. At the competition, along with a cast of other characters, she meets the two competitors who form the other points of the love triangle: Alain, the suave, parent-approved guy who forages his own mint, and Harry, an electrician whose first interaction with her is being called out for calling her “love.”

Here’s the thing, and I don’t think you can call it a spoiler: we know she’s not going to end up with Alain. Any love interest whose selling point is “parent-approved” is not going to get the girl. But she is with him for the majority of the book. I understand that’s part of her emotional process–she learns about herself over the course of the novel and what she really values–but it did begin to drag a bit. I loved the (faux) Bake Off with its on-camera charm and off-camera stress, I thought the characters were engaging, and I even enjoyed most of the beats of the plot–it just lost me a bit in the middle.

I want to include a content warning for attempted sexual assault, but I think it’s worth a little more context, so spoilers in this paragraph: Alain tries to set up Rosaline and his ex-girlfriend/friend in a threesome. The ex is drunk and tries to force herself on Rosaline, who then locks herself in the bathroom until she can get a ride. I don’t think this was necessarily “problematic,” but I think I would have rather it wasn’t included. For context, within the first conversation Alain and Rosaline had, I thought, “I hope I am not supposed to like this guy.” I flipped to the back and saw he was the “parent-approved” choice and was reassured that I wasn’t. He is a judgmental dick the entire time, and I personally didn’t like that they broke up because of this extreme situation. I don’t like love triangles where one love interest ends up just being Bad–then there’s no real choice or tension. Harry was already the better choice; I don’t think Alain needed to be involved in an attempted sexual assault for Rosaline to chose Harry over him. (End of spoilers.)

As a small aside, I appreciated the healthy communication modelled during sex. Now that I think about it, Rosaline and Harry demonstrate good communication anyway, but the sex scene stood out to me. I’m not used to reading sex scenes where characters actually tell each other what feels good (and what doesn’t), or navigating the awkwardness of the first time sleeping with someone. I thought it was really well done!

If you like shows like The Great British Bake Off and the content warning isn’t a dealbreaker, I think you’ll enjoy this one. Despite having some issues with it, I definitely am looking forward to picking up the next books in this queer romcom baking competition series!

Danika reviews One Last Stop by Casey McQuiston

One Last Stop by Casey McQuiston

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“August believes in nothing except caution and a pocketknife.”

I first have to establish that I never read Red, White, and Royal Blue. I know that everyone and their sister was raving about that book, but as you probably can guess, I tend to centre women in my reading. Also, at a certain point the hype became overwhelming. So when I picked up One Last Stop, despite the author’s reputation, I was fully ready not to like it in some sort of defiant stubbornness. Instead, I am here to tell you that this author has earned the hype.

Although I read a lot of books, this is the first read in a long time that’s completely immersed me in it. It was the kind of book where you have to shake your head when you surface, because you’ve completely forgotten that the real world exists or that time has been passing.

This is about August, a twenty-something who has recently moved to New York with no plan other than switching into a new school. She has been doing this for years–switching schools, majors, and cities without ever fully unpacking or settling down. Growing up, it was just her and her mother against a hostile world. Her mother’s brother went missing in the 70s, and her mother made it her life’s mission to find out what happened to him. August’s first word was “case.” She was raised on a diet of true crime and survival strategies. She always carries a pocketknife and never goes to a second location.

At the beginning of One Last Stop, August is looking for a cheap apartment in Brooklyn. Obviously, she doesn’t have a lot of options. She decides to move in with three weirdos despite her misgivings–one is a psychic and another is building a sculpture with frog bones. I was hooked from the first page, where their roommate notice is a) taped to a garbage can and b) reads, in part: “Must be queer & trans friendly. Must not be afraid of fire or dogs. No Libras, we already have one.” (Of course, she ends up becoming fast friends with them.) I love the quirkiness of these characters that never becomes over the top or too cutesy. As for representation, August is white and bisexual (yes, this uses the word bisexual!) and there are significant POC, queer, and trans side characters. The love interest is Chinese-American and butch!

Speaking of the love interest, this is a romance, so let’s get to the heart of it. August is on her way to her first day of class when she spills coffee on her shirt on the Q train. The aforementioned cute butch, Jane, smiles at her and gives her a scarf, and August is immediately smitten–who wouldn’t be? One of my favourite parts of the book is August daydreaming about Jane assembling a bed frame. If fantasizing about cute butches putting together furniture isn’t sapphic culture, I don’t know what is.

There’s just one problem. Jane is stuck on the subway. And has been since the 70s. Now, August has to work a new case to try to figure out how to save her crush stuck in time–even if it means she’ll never see her again.

All of the reviews I’ve seen for this book talk about how cute and delightful it is, which is fair, but it’s also got some depth and darkness to it. August feels lost and isolated. It’s the story of her beginning to make connections and put down roots, and maybe lay the knife to the side sometimes. There are family secrets, betrayals, and tragedies. While this is a love letter to New York, it’s also a celebration of queerness, found family, and community. We get to see what Jane’s experience was like, growing up in the 70s as a butch punk Asian lesbian. The Stonewall Riots were not history for her. It explores queer history in New York and uplifts what queerness looks like there now–including some very memorable drag nights.

It’s also sexy and romantic. August and Jane have an almost supernatural connection. Jane has forgotten most of her life, and together they try to regain her memories, usually through recreating elements of her past. August brings her endless coffee order and snacks to try to find one that sparks a memory. They have great banter–in fact, the quippy dialogue is a strength in this novel overall. Even as they get closer, Jane’s situation pulls them apart. Even if they can find a way to reverse this situation, will Jane stay here or go back to her time? Which does she want? They have undeniable chemistry and there are some seriously steamy scenes. (Content warning for semi-public sex.)

I am fully on board the Casey McQuiston train (puns!), and I highly recommend you come along. This was a 5 star read, and one I look forward to rereading. It’s a sexy, romantic celebration of queerness and New York. Believe the hype.

One Last Stop comes out June 1st.

Shira Glassman reviews Worthy of Love by Quinn Ivins

Worthy of Love cover

The plot: Closeted political lawyer newly released from prison on a corruption charge and therefore utterly friendless and disgraced, ends up working random retail where she meets an adorable, hospitable Southern femme.

I’ve been in a huge reading slump since the lockdown started, sticking with familiar stories I already knew–to the point where there’s at least one Agatha Christie book I’ve read multiple times now in the same pandemic. Quinn Ivins’ Worthy of Love is one of the first unfamiliar books I’ve been able to get myself to read, which I attribute to two things: the exciting plot and the snappy prose. To put it baldly, the text of this book simply was not work to read. Even though the tone of the first third–specifically–was a gritty and somber hellscape, as both heroines battle hopelessness and microaggressions, I kept wanting to know how it was going to turn out all right and turned page after page of snappy narration. (And that’s unusual for me. I prefer comfort reads.)

I want to be honest that this book has sharp edges. For one thing, one of the heroines is presented right off the bat as the most hated woman in America, and the other heroine fends off sexual assault in the parking lot of her workplace. But then the more upsetting material gives way to the love story and the “solving”, and everything works out in a very complete, satisfying, and vindicating way. One of the reasons I ultimately decided to write this review was a positive plot bombshell I hesitate to telegraph–but it’s there. Another reason is one of the deftest Checkov’s Guns I’ve ever seen fired in a book. In other words, a wonderful “oh I GET HOW THIS IS GOING TO WORK OUT AS A HAPPY ENDING” that you don’t see coming until the page it happens. I tip my giant pink-grapefruit hat to the cleverness with which Ivins set that up.

One of the heroines has undiagnosed ADHD for which she begins to get treatment within the book. This, I believe, is written from the inside and elegantly rendered. The other heroine is Filipina, at the request of the author’s wife who is Filipina. This heroine does experience more microaggressions in that first third of the book than I’m comfortable with reading from a white writer, so that is also something I wanted to be up front about. However, I am white, and I don’t want to speak for Asian readers. Additionally, though this book takes place in a fictionalized America with different presidential candidates, this book will not allow you to live a “45”-free existence (although he’s got a different name and only gets mentioned a few times.) Just in case that’s something you needed to know before diving in.

I wish this book was a movie also. Now that I know how satisfyingly everything works out, I’d love to see it dramatized–and structurally, it hits dramatic “beats” like a movie. Who knows, maybe some day!

Shira Glassman is the author of Knit One Girl Two and other queer Jewish fiction, both fantasy and contemporary.

Mo Springer reviews Last Night at the Telegraph Club by Malinda Lo

Last Night at the Telegraph Club by Malinda LoAmazon Affiliate Link | Bookshop.org Affiliate Link

Lily Hu has always been at least somewhat aware of her attraction to women. But after seeing a lesbian novel in a store, a poster for a male impersonator, and her classmate Kath in the Telegraph Club, she knows she has to be honest with herself. However, this honesty and living with it even what small amount she thinks she can afford, could put herself and her whole family at risk. But 1954 America is not only discriminating violently against gay people, but also Chinese people, who are at risk for deportation as well. But Lily wants to have a life of her own, to date who she wants, and to be happy with Kath.

Lily is a dynamic character who you sympathize with and understand very well at every point in the story. She’s mature for her age because she has to be, but also is a teenager who is experiencing so many firsts while also under immense pressure that no teen should have to bear. Through her, we get to see a large cast of characters similarly feel real and complex.

In particular, I really loved how much we got to see of Lily’s family and how each member stood out with their own needs, wants, and opinions. The chapters from the point of view of her parents and aunt were great to see the background of Lily’s culture, family, and how all of that has led to the current situation.

Kath and the women Lily meets at the Telegraph Club similarly feel real and complex. Lily has to deal with finding a queer community for the first and also with the reality so many of us face: not everyone in the community will be your best friend, or even your friend at all. There is a unity we see in the people who go to the club, but Lily stands out as the only Asian American there.

Lily and Kath’s relationship is endearing and cute, and I found myself cheering them on, but also biting my nails in anticipation of what happens next. Her relationship with her best friend Shirley was also a roller coaster ride of emotions that created a mirror to her relationship with Kath.

This is one of those great historical novels that don’t make you feel like an outsider looking in, but does a great job of engaging with the reader so that the time period feels natural. I loved learning about the history of this time and place, but also never felt like I was being lectured. This story is incredibly immersive, and you forget you haven’t actually been there.

Overall, I highly recommend this book to anyone interested in sapphic romance sent in 1950s America.

Shira Glassman reviews Wrong Number, Right Woman by Jae

Wrong Number, Right Woman by Jae

I’d read and enjoyed some fanfic pieces that use the trope of “romance that blossoms when a friendship starts after a wrong-number text responds to the sender,” including a cute “no powers” alternate-universe short with Steve and Bucky, so I was excited to hear that beloved lesfic author Jae had written a whole novel on this premise. Hers sounded even cooler than the other ones I’d read, because she also tossed in the trope of one of them being a “I thought I was straight until now!” So I was excited to read Wrong Number, Right Woman, and the book happily obliged my expectations.

Jae took full advantage of what I find most appealing about the wrong-number-text trope, namely, that without any of the weight of the other layers of human interaction–if you already know someone from work or because they’re a friend of a friend–you are starting from a completely blank slate. You’ve both been reduced to nothing beyond the content of your communication, the output of your brain, and that leads to an interesting type of correspondence. In some cases, you may not even know what the other looks like. Eliza, the “I thought I was straight, so what am I doing in this Jae novel?” character, thinks the other heroine Denny is a man at first, and you can tell there’s chemistry right off the bat. In other words, their souls already click through words before anything like “what you look like” or the social weight of newfound queerness shows up 15 minutes late with Starbucks.

This will be a good book, by the way, for those looking for a fluffy comfort read. Both heroines are charming with no sharp edges, Eliza works literally the coziest job I have ever read in one of these books (she works for an indie company that makes homemade BIRD TOYS, y’all), and both of them have close, affectionate relationships with family and friends. This is also a good book for those looking for representation for women who haven’t decided whether bi or lesbian fits them better. She has, in a lot of ways, the ideal coming out experience, with accepting and supportive family–except for one weird page with one sister, but it makes sense in context–and a trans lesbian bestie at her side. If this is something you want to witness, you will find it here. (Also, I relate ever so much to Eliza’s reaction to Denny’s breasts. Thank you for that. We can never get enough of women’s desire for other women presented as wholesome.)

I also liked the detail that, while Denny is not in touch with her parents, it’s because they kicked out her little sister for being pregnant 12 years ago, not because Denny likes girls. (However, that may be triggering for other readers, so I’m mentioning it up front. I also want to reassure other readers, with other triggers, that pregnancy is not a trope in this book. The “baby” is now a tween, having grown up raised by her mother and aunt, and there’s a moment you think the mom is pregnant again, but she’s not.) In any case, it was reassuring to me, because while queer conflict with parents is a very important theme and I am not at all advocating that it disappear from literature, it’s nice to be able to pick up something fluffy, too.

Denny and Eliza’s undeniable chemistry radiates off the page even when they’re just trying to get to know each other as friends without any other expectations on the table. They already feel like they’re dating when they meet up for the first time to go to the fair, which both of them notice, even though at this point both of them still think that Eliza is straight. It is so meant to be. And that, in my opinion, is what makes a romance novel worth reading–does the author make you want the characters to get together? Jae has succeeded. Their connection is magnetic, and very, very cute.

Shira Glassman is the author of fluffy contemporary and fantasy f/f fiction, including the superhero/damsel-in-distress romance Cinnamon Blade: Knife in Shining Armor which, like the book in this review, also features a love interest who isn’t sure whether she’s bi or lesbian.

Sash H reviews Meanwhile, Elsewhere: Science Fiction and Fantasy from Transgender Writers edited by Cat Fitzpatrick and Casey Plett

Meanwhile, Elsewhere cover

Science fiction shows us worlds of great technological advances and sweeping social changes. It shows us worlds similar to ours where a few fundamentals have changed, or lands beyond the stars vastly different to our own. But it does not always show us what it is like to be trans or queer in those worlds.

Meanwhile, Elsewhere compiles 25 stories from trans writers in a contemporary anthology so amazing that I haven’t stopped thinking about it since I put it down.

Each story has a trans protagonist and often queer/lesbian/sapphic relationships are a significant point, though not always. Sometimes those relationships are just in the background, but they’re still as vital to the characters in making them who they are. Sometimes a character is just a lesbian in passing, but the narrator isn’t part of that relationship. This collection affirms so many ways to be queer and interact with other LGBTQIA+ people in our communities and around us. It’s a delight to read.

“What Cheer” is a soft, half-sad but half-hopeful story about being with yourself (who sort of isn’t yourself) for a day. “Delicate Bodies” is a darkly humourous take on coming to terms with one’s body and getting over your exes during a zombie outbreak. “Satan, Are You There? It’s Me, Laura” deals with its surreal events in a matter of fact way that it takes you along for the ride. “Heat Death of Western Human Arrogance” is a love story between an alien and her lover dealing with their very different paths through life.

There really is something for everyone. And it all feels incredibly thoughtful, gripping and honest, with each writer in the anthology contributing a unique voice and prose style. Nothing feels same-y and, with the massive variety of stories, there isn’t a weak link in the bunch.

Of course, queer sci fi isn’t entirely new. The lesbian vampire novel Carmilla was written in the 1800s, and Melissa Scott has been writing LGBTQ sci-fi since the 1980s. As television and movie visibility for queer characters in these genres increases, so does the variety of stories we are able to tell, experience and see ourselves in. Meanwhile, Elsewhere contributes something of excellent quality to this list.

For anyone who is some flavour of queer and is feeling underrepresented in this genre, for anyone who wants to read more work with a non-cis, non-straight, non-male protagonists, for anyone who simply wants more science fiction with a refreshing variety… read this book.

Rating: *****