Tag Archives: music

Anna N. reviews Heavy Vinyl by Carly Usdin and Nina Vakueva

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The cover of Heavy Vinyl volume one

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Considering how important Asbury Park and its history was to me in my formative years, it comes as no surprise that this is the comic I recommend to literally every sapphic I have met since it was published. Seriously, it’s got a diverse cast, excellent characters, genuine heart and all the campy hijinks of golden age action comics and 90s teen girl movies combined. It. Is. AWESOME.

We first meet Chris, an almost-seventeen tomboy with an adorkable crush on her already-seventeen co-worker Maggie. They are part-timers at a record store somewhere in suburban New Jersey, along with bitter goth Dolores and “music encyclopedia” Kennedy. In between juggling normal teen angst and crushes, they are also trying to find a place where they belong, where they can make a difference.

Seems like a solid set up, right? One rife with potential for girl-meets-cute-girl moments in diners and backroom recording studios, sprinkled with loving references to punk rock and riot grrrl?

It gets better.

There is a fight club in the basement. And a conspiracy involving a bunch of missing bands that should sound very familiar to anyone who was even remotely adjacent to the alt-music scene at any point in their lives. And an anarchist with anime hair (This is a compliment).

Did I mention this comic is a love letter to 90s alt-culture? It’s a really sweet story that hopefully gives younger readers a glimpse into history and older readers a fun, funny read. To say more about the plot would venture into spoiler territory, as it is admittedly pretty straightforward. There is a mystery, but this is not a mysterious comic.

But we deserve self-indulgent, cheesy nostalgia content as much as anybody else and the two volumes are exactly that. They are delightfully warm, bright, and smile-inducing. There are healthy relationships that are still chock full of teenage weirdness and awkward moments. The characters share a genuine camaraderie, and even when they aren’t at their best, they are human. They care about each other and they are ready to throw down when necessary. They are going to save the world.

I know I would have love, love, loved a story like this when I was a teen, and I hope this book delights other young women in the years to come.

It is common for comics to be listed under the name of the writer. But they are unquestionably group efforts, pieced together from the inspired minds of many. So, credit goes to penciler Nina Vakueva, inker Irene Flores, and colorists Natalia Nesterenko and Rebecca Nalty. The pages would not exude as much energy or vitality without their efforts.

Nat reviews My Home is on the Mountain by Caro Clarke

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the cover of My Home Is On the Mountain

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If I were going to throw a book down into the middle of a fray between Romance readers and Lit Fic lovers, it would be My Home Is on the Mountain by Caro Clarke. This novel is absolute proof that you can have it all. You do NOT have to choose. You do NOT have to suffer (okay, maybe a little suffering, there’s angst aplenty, but you don’t have to endure the pain for an eternity). You, my friend, can read exceptional prose and get the HEA of your dreams. (Cue Oprah doling out Happy Endings to the readers.) 

As though it was plucked straight out of the depths of classic Southern literature, Clarke’s novel is set in Eastern Tennessee in the early 1930’s. As someone who grew up in the south and read my fair share of Southern authors, heaps of Faulkener with a side of Zora Neale Hurston, this book was right up my alley from the start. The novel focuses on the relationship between Cecilia Howison, a privileged young woman from a wealthy, influential Southern family, and Airey Fitch, a local fiddler and hard working young woman living up in the Smoky Mountains. Her family is rich in land, but otherwise destitute. Major themes in this novel include economic inequality, exploitation of the lower classes, religion (specifically Christianity), and societal expectations around gender and sexuality. 

One of the highlights of the book for me is that it plays with language and dialect in ways that any self-respecting word nerd should eat up with a spoon. Reference to regional mountain dialect and the perception of words spoken is something the author plays with throughout the book, as well as how language relates to class and education. There is so much to unpack and explore in the novel that I’ve barely mentioned the romantic entanglements of our two MCs, Cecilia and Airey. Their budding friendship is based on Cecilia’s desire to show the world that Airey Fitch is an undiscovered violin prodigy, though she maaay have some ulterior motives as she’s a bit sweet on Airey from the very start. 

As the two women explore their relationship further, we start to wade into the waters of religion (with various interpretations) and the societal pressures of the time. We see their individual world views and how they’re shaped by their beliefs in ways you may not expect. But as you might have guessed, the relationship is fraught with fear of societal repercussions and looks doomed from the start. But I’ll remind you, this is a romance. Fear not. 

One last thing to say about Clarke’s writing: this was a well researched, and I mean, really thoroughly researched novel. After reading it I went to the author’s website for her book, which details her notes chapter by chapter, with pictures and information on everything from clothing to cars. It is fascinating and I highly recommend you at least scan it a bit during reading, as it includes music as well. Airey can play just about anything on her violin, from old time standards popular in that time to Dvořák and Bach. Descriptions of Airey’s music are well executed, and if you want to listen along, some of it can be found on the website. (Be advised though, the site contains spoilers, so don’t skip ahead.) 

10/10 – Now if only someone would come along and make this into a movie! 

Maggie reviews Things Hoped For by Chencia C. Higgins

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Things Hoped For by Chencia C. Higgins

I picked up Things Hoped For at the beginning of the year, out of a list of f/f romance coming out this year, I believe. Or maybe Black romance authors? Perhaps Black LGBT authors. There were a lot of lists floating around Twitter in March/April, and I bought a lot of books, both to support authors and because I suddenly had a lot more reading time on my hands. I was excited to see a butch woman on the cover, and as a novella, so the trope of the day is instant connection, which means instant gratification on cuteness, which was exactly what I want a lot of right now. I haven’t read the rest of the series, since they are M/F and I wanted to skip right to the F/F, but it was easy to get into, and Xeno and Trisha, the main characters, are adorable together. If you’re looking for a romance novella, I highly recommend picking it up.

First of all, this is a relocation romance. Trisha wants to move away from her rural hometown in order to be around a bigger circle of queer community than her area offers. As a massage therapist, her skills are easy to transfer to Houston, and she knows people in the area, presumably the people from the afore-mentioned M/F books. She’s excited to be in a bigger city and be able to meet new people and find a wider LGBT community. I really love the possibilities here, and the journey for more community is a familiar for a lot of us. When her friends in town invite her to see a concert by queer, butch rapper Xeno, she leaps at the chance to go. Xeno is a rapper who has firmly established herself on the Houston circuit and is ready to expand her audience. A savvy businesswoman with a firm grasp on all aspects of her music career, Xeno is nonetheless somewhat shy around people she doesn’t know. A chance encounter with Trisha backstage is instantly enchanting for both women.

This is also a romance about someone dealing with rising fame. A major rapper samples Xeno’s work in an interview and suddenly her popularity skyrockets outside of her Houston circuit, and she’s booking gigs out of state. She finds the increasing fervor of her fans outside of concerts disconcerting, even as she revels in the energy onstage. But Trisha is outside of that, and their growing relationship is lowkey, hot, and super cute. They go on super adorable dates and are very soft with each other. And Trisha’s career means she can schedule patients and be able to travel to Xeno’s concerts. They’re very cute and when they get together the sex is very hot. There’s not a whole lot of conflict here, but that’s pretty standard in romance novellas, when entertainment is the name of the game.

In conclusion if you’re looking for a quick, hot f/f read, you could do worse than to pick up Things Hoped For. It’s steamy, it’s familiar and comforting to everyone that’s had to relocate to find queer community, and it’s entertaining. I had a thoroughly good time reading it, and I recommend that you do too.

Carolina reviews The Unraveling of Cassidy Holmes by Elissa R. Sloan

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The Unraveling of Cassidy Holmes by Elissa R. Sloan

I’m ashamed to admit I have always preferred boy bands to girl groups. I was a massive One Direction fan back in the day, and still have so much love for each of the boys (especially Harry <3). However, despite my unfamiliarity with the girl group/pop genre as a whole, when I saw The Unraveling of Cassidy Holmes as an option for my August Book of the Month, I knew I had to give it a try. The Unraveling of Cassidy Holmes is an exploration of the destruction of the most famous 2000’s girl group, Gloss, as they come to terms with the death of one of their bandmates, Cassidy Holmes. We flashback between Cassidy’s perspective during the top of the group’s career in 2001, to the future as each member of Gloss–Merry, Yumi and Rose–comes to terms with their relationship to Cassidy, and to fame as a whole. Darker than the initial saccharine bubblegum evoked by the era, The Unraveling of Cassidy Holmes sinks its teeth into the black heart of the music industry by exposing the unhealthy image consciousness, rampant closeting and bearding, and abuse of power by men in the media that still persists today.

I may be too young to fully appreciate the novel’s noughties nostalgia, as I recently turned 20, but I did find remnants of my childhood in Cassidy’s treasured flip phone and the celebrity gossip buzz surrounding the fictional red carpets, reminiscent of the infamous Taylor/Kanye feud and other iconic awards show moments. Albeit, I have more nostalgia for the “Britney/Brittany” episode of Glee rather than Britney Spears’s actual career, but I definitely suggest this book if you have a strong attachment to the era, as each of the fictional celebrities leap off the page and seem as they could be really stars on MTV and tabloid columns. I also recommend listening to the author’s curated 1990’s/2000’s pop playlist in the back of the book as you read for deep immersion into the years of sequined Juicy tracksuits and frosted tips.

The comfort of the time period led to an easy read (I read this 400+ page book in a day), but I had some issues with pacing and timing. The author would foreshadow something, and then immediately reveal it in the next chapter, instantly killing any sense of anticipation that could have been built up.

I loved hearing each of the girl’s perspective on fame and how the industry changed their lives, for better or for worse. Yumiko’s storyline was the most fleshed out and poignant; Yumi discusses the challenges of being a Japanese woman in the media, and her experience with racism, fetishization and cultural appropriation. Merry’s story regarding her abusive past also rang true, evoking echoes of the #MeToo movement, as the group’s abusers received their comeuppance in the modern day. However, I wish there was more of a discussion of Cassidy’s mental health from her perspective rather than those around her. I can understand that this book does focus the feelings of questioning and misunderstanding of those attempting to come to terms with a close one’s suicide, but I would’ve liked to see more of Cassidy’s mental health struggles in her own words, rather than from her friend’s speculation.

My least favorite member of Gloss was Rose, Cassidy’s love interest. I enjoyed having a morally grey sapphic female protagonist, but I felt that she was very manipulative and dismissive of each of the girl’s needs. If the author wanted me to root for Rose and Cassidy’s burgeoning romance, then it needed to be fleshed out more with more attention to Rose’s tender side, which we only receive brief glimpses of. I would have preferred the love story if Cassidy fell for Emily, her sweet and steadfast dog sitter.

I also found the discussion of Rose’s coming out as a publicity stunt and the implication that she would be celebrated and gain popularity for her coming out as problematic. So many individuals have lost their careers, their audiences, or even their lives for being brave enough to come out. I felt that it was frankly dismissive of out and proud musicians and the struggles they’ve faced; Harry Styles has taken considerable flack for his androgynous clothing choices and rejection of sexuality labels, and Laura Jane Grace of Against Me! lost members of her punk community audience after coming out as a transgender lesbian. Equating the real life struggles of LGBT individuals to a simple plug for diversity and public clout is fraught and simply not true.

The Unraveling of Cassidy Holmes is a reflection on what it means to be a woman in the music industry. We are right by Cassidy’s side as she faces homophobia from the media, gaslighting by the men in charge of her music and image, and an ever creeping sense of dread as her mental health struggles loom larger and larger. The Unraveling of Cassidy Holmes exposes the ugly sides of our current celebrity culture and illustrates the true tradeoff between happiness and fame.

Trigger warnings: racism, stalking, suicide, self harm, discussion of mental health, disordered eating, paranoia, bulimia, sexual assault, physical and emotional abuse, gaslighting, substance abuse, sexual assault, rape

Shannon reviews I’ll Be the One by Lyla Lee

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I'll Be the One by Lyla Lee

If you’re looking for something to make you smile just as much as it makes you think, Lyla Lee’s debut I’ll Be the One is the perfect book for you. It’s categorized as young adult romance, but don’t let that put you off. I’m in my forties and I loved every second I spent with these characters.

Skye Shin has grown up knowing she wants to be a K-Pop star. She’s devoted every spare moment to practicing both her singing and dancing, and even though those around her haven’t always been as supportive of her dreams as she might like, she’s determined not to let this get her down. Sure, she’s a self-professed fat girl whose mother is constantly telling her to lose weight before taking the world by storm, painful to be sure, but if her deep love for K-Pop has taught her anything over the years, it’s that she has to believe in herself one-hundred percent, even if she’s the only one who does.

When You’re My Shining Star, a talent competition focused on K-Pop, holds auditions in her area, Skye knows she has to try out. So, she skips school and shows up for what she hopes will be her chance to totally wow the judges. Unfortunately, while her performance is one of the best she’s ever given, some of the judges aren’t eager to take a chance on Skye. Suddenly, in front of tons of other would-be contestants as well as a camera crew, Skye is forced to defend not only her lifelong dream, but the right for anyone who isn’t extremely thin to create art.

What follows is not only a behind-the-scenes look into the making of a reality TV show, but a deep and often heart-wrenching look into one young woman’s journey toward self-acceptance. Skye is a remarkable heroine, more self-assured than I could have even dreamed of being at her age, smart, resourceful, and unwilling to back down. She knows what she wants, and even when things get rough, she plows ahead, sometimes making mistakes, but always seeking the best, most fulfilling way to be who she’s meant to be, and lest she seem too good to be true, let me assure you that she’s not always sure of her identity. She considers herself bisexual, but because of her contentious relationship with her mother, she’s afraid to come out to anyone but her closest friends, and yet, her unwillingness to come out makes her feel hypocritical at times.

As the competition heats up, Skye throws herself wholeheartedly into a grueling schedule of rehearsals and performances. Plus, she’s still in school and letting her grades fall is not an option. Needless to say, she’s busier than she’s ever been, but things aren’t all work and no play for her and her fellow contestants. Fast friendships are formed, and Skye even gets a shot at first love, even if that love comes from a direction she never anticipated.

If you’re sensitive to fat-phobic commentary, I’ll Be the One might prove difficult for you to read. Skye is bombarded with anti-fat rhetoric from her mother, from the judges, and from several of the other contestants, so proceed with caution if you decide to pick this book up.

Nothing I can say can adequately convey my love for I’ll Be the One. It’s the kind of book I would have loved to read as a teenager struggling to fit into a world that didn’t always feel welcoming. Lee has created the perfect combination of lighthearted fun and introspective wisdom, making this a great book for readers both young and old.

Trigger Warning: Fat-phobia

Danika reviews Fat Angie: Rebel Girl Revolution by e.E. Charlton-Trujillo

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Fat Angie: Rebel Girl Revolution by e.E. Charlton-Trujllo

When I finished Fat Angie, I felt a bit conflicted about it. I liked the character and thought the language use was interesting, but it was so dark that I felt like I couldn’t find even a glimmer of hope. Despite the many strong elements of the novel–who can resist queer girls kissing to the theme song of Buffy the Vampire Slayer?–I finished it feeling exhausted by the emotional weight of Angie’s life. It felt like there was no area of her life the was spared from cruelty.

So when I picked up the sequel, I was wary. I wanted more from Angie’s story, but I couldn’t handle another storyline that felt so unrelentingly hopeless. I didn’t need her to have a fairy tale ending, but I wanted there to be some element of hope in her story. Luckily, Rebel Girl Revolution delivered that. Angie begins the book much the same as she started the last one. Her next year in high school is not looking much better than her last. Her main tormentor has started dating her best friend, and Angie is not buying her sudden change of character. She is seeing a better therapist, thankfully, and her relationship with her brother is slightly improved, but her mother is still The Worst, and Angie is still lonely and deeply grieving. When she defends herself from a football player attacking her, things go from bad to worse. We do see some of the progress that Angie has made, though, because instead of channeling that into self-loathing, she spontaneously reaches out to an estranged childhood friend, Jamboree, and they go on the road trip that Angie’s sister wanted to take her on.

This was just wanted I wanted from Angie’s story. It’s still difficult, and she is still in a lot of pain. She’s also angry, and she’s questioning a lot about her life, including the relationships she has. Everything is tangled, complicated, and so raw–but it feels worth it. Angie hasn’t given up. She’s gone on trip this with Jamboree, Zeke, and (oops) Darius, and all of them have multilayered relationships with each other. They fight, they mess up, they threaten to abandon each other on the side of the highway, and they have dance parties together.

Some of my favourite things to read about are complex relationships, whether romantic, familial, or friendships. I love stories that can communicate the depth of conflicting emotions you have about a person: the kind of people in your life who you can be the most angry at, but who are your most treasured connections. How toxic relationships can feel, at times, as if they’re the best things in your life, and how that can be the most dangerous part. Or the relationships that can be so much work, but that are nourishing, sustaining. Rebel Girl Revolution wrestles with the complicated connections that every character has with each other, in a way that feels very real.

Not only does Angie develop more connections, she also pushes herself to grow in the ways that matter to her. This trip is partly following her sister’s lead, but it’s also a chance for her to take control of who she wants to be. She throws herself, sometimes with intense fear, into new situations. Sometimes she gets spat back out. But sometimes, she shines. It suggests that there is a future for her, and that there are more options available to her than she imagined.

This isn’t a Disney movie ending. It’s not Angie all better, popular, or becoming prom queen. But it’s her making progress. It’s Angie feeling as if, sometimes, she’s doing okay. If you’re looking for YA that doesn’t shrink away from despair, pick up Fat Angie, for sure. But even if that seems too much for you, I definitely think this is worth the read (and I feel like it could work as a standalone?) I hope to see more from Angie in the future.

Trigger warnings: cutting, suicide ideation, parental abuse, violence, bullying/harassment, grief, PTSD, war flashbacks

Danika reviews This is What it Feels Like by Rebecca Barrow

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This Is What It Feels Like by Rebecca Barrow

I’m grateful that we are finally starting to get YA (New Adult?) books like this. Queer YA in the last few years has really grown, including having more queer people of colour represented (although there is still much more needed). This Is What It Feels Like is so different from the kind of queer YA that was coming out just 5 or so years ago. It follows three teenage girls who have just graduated from high school. A few years ago, they were inseparable, and they played in a band together. Then, Hanna’s alcoholism landed her in the hospital with alcohol poisoning. Meanwhile, Dia’s boyfriend, who she was just starting to get close with, was killed in a car accident. Weeks after the funeral, Dia finds out she’s pregnant and decides to keep the baby. Hanna and Dia walk away from each other, and Jules sides with Dia. Now, their city is holding a music competition that includes a $15,000 prize, and they just might have a chance to win it–but it means getting the band back together.

Who doesn’t love a “getting the band back together” book, especially when it’s literal? Dia, Jules, and Hanna are all complex people, and the conflicts they have with each other are nuanced and understandable. Dia told Hanna that she couldn’t be around her baby because she couldn’t be trusted–but the real reason they drifted apart was because Dia was terrified to lose anyone else after Elliot died, and it’s the same reason she isn’t dating the boy she’s in love with. Hanna has been sober for over 400 days after going through rehab, but she’s lonely and feels like she can never be good enough for her parents. And Jules is caught in the middle, while she’s also trying to figure out a new relationship while carrying around the damage from her last one.

The three of them have a lot to work through, but I was relieved to see that they do talk about their problems. They air their grievances in a reasonable time frame–this isn’t one of those “Why don’t they just talk??” books where the only conflict is miscommunication. The problem is that they have a lot to work through, and it takes time, and more than just one conversation. They have to keep bumping up against these ghosts from the past and processing it again. I loved the realism of their relationships with each other, which are flawed and difficult, but also are the grounding forces in their lives.

This also has a great f/f romance (and a good m/f romance with Dia, to be fair). Jules meets her new coworker, Autumn and immediately has an all-consuming crush on her. If you’re allergic to instalove, you might not like that, but I think you’ll come around if you stick with it. Autumn has never been attracted to a girl before, so she’s working through that a little bit, but mostly they have an adorable beginning to their relationship. Unfortunately, Jules is working through her own issues: her last relationship was not great, and she’s a little too fixated on trying to have the perfect relationship with grand, romantic gestures instead of concentrating on what’s in front of her. Although they fall for each other quickly, they have to work at their relationship. (I have to share this cute line: “All she could see and feel and think was this girl and maybe she wasn’t really in love yet, but oh, maybe she was.”)

I am gratified to find a YA book with a teen mom where it isn’t the main focus of the book. My sister and my mother both had their first kids young, at 19 and 20 (which isn’t as young as Dia was). They also both went to an excellent school for pregnant teens, so that’s been something I’ve been acutely aware of since I was young. It is a very difficult and challenging thing to do, but it’s nice to see a depiction of a teen mom who is balancing raising her kid with school and being herself. Like Dia, my sister lived at home when my niece was young, and we all helped out. I liked seeing Dia able to be a young mom who still was pursuing her dreams and planning for her future.

I highly recommend this to anyone. I appreciated how layered and complex the relationships all are here, and I felt like I really got to know Hanna, Jules, and Dia. There’s also, of course, the thread of music running through, which is what they are all passionate about, so there’s another entry point into this story. Also, there’s an adorable toddler who is a fan of a dog named Waffles, so what more could you want? Of course, this whole review is for naught, because you should all be picking it up based on that gorgeous cover alone.

Marthese reviews Leah on the Offbeat by Becky Albertalli

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Leah On the Offbeat by Becky Albertalli

“Something tugs in my chest. I feel strangely offbeat”

Leah on the Offbeat is the second book in the Creekwood series by Becky Albertalli and it follows Simon vs the Homo Sapiens Agenda (on which the movie ‘Love, Simon’ was based). While it may be worthwhile to read that book first it is not necessary to understand this book but it gives you more familiarity with the characters in this book. Disclaimer – the first book is not Sapphic but follows a gay teenage boy in his search for  the boy he was sending emails to, and it’s cute as cotton candy.

Leah is the protagonist on this book. She’s a badass drummer – expect some music references – who loves her body even though people expect her not to, because she’s fat. Leah is also insecure and has a tendency to pull away when things get too much. She also stands up for social justice and knows not to take shit, although she may also be too stubborn – good thing her mother is also stubborn. She is so realistic, you’ll find yourself asking ‘is this me?’

Leah is bi and she has known this for a long time. Her mother knows and is the most supportive mother ever – even is Leah may be embarrassed or find her overbearing. Her friends however, don’t know even though they for sure would be supportive seeing as there is a gay couple in their friends’ group. Once time passes, it may be hard to say something, like you missed the chance for it and this is absolutely believable. Even though you know it will be okay, coming out is scary.

Leah’s heart beats faster when Abby is around. Abby who she had been really good friends with and then avoided one on one interactions with her. However, Abby and Leah cannot afford to go to universities/colleges far away so they are both going to Georgia, which bring them closer back together. There is just one problem: Abby is her best friend’s girlfriend/ex-girlfriend!

Abby is super-sweet and talented and seems to be flirting with Leah, which confuses her.

This was a five star read. It’s similar to other books in plot but it was also very fresh. Yes there is an element of confusion – it’s YA! But the characters, especially Leah, know themselves. A lot of bi struggles were mentioned in the book which again was refreshing. The book itself will make your heart beat in a pattern of gushing, angst and comfort – a really nice composition and you just want to keep on reading. It’s easily a one sitting book.

Leah’s descriptions and her actions are also very entertaining. Like she would be me if I went to a formal event because she does something that is very laughable but realistic! As a high school story, the book ends with prom. For me, Leah was basically Belle and Abby was basically Cinderella.

This is a book I’d recommend for anyone. The only thing that I didn’t like about this book was that the term ‘hot mess’ was repeated a lot! Apart from that Albertalli really has teenage-speak down and it’s a lovely story with realistic characters and actions and while it’s a simple story, it will take you for a ride. I really wish they make a movie about it too though they have changed some things in the ‘Love, Simon’ movie already.

Megan G reviews Leah on the Offbeat by Becky Albertalli

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Leah On the Offbeat by Becky Albertalli

Leah feels like she’s always on the off-beat. She loves to draw but is so self-conscious she barely shows anyone her drawings, let alone allows herself to think about selling them for money. Her mother is much younger than the parents of her friends, and currently dating a man Leah thinks she is way too good for. She’s bisexual, but is uncertain about coming out to her friends, even openly-gay Simon. And, to top it all off, she’s starting to get feelings for someone she really shouldn’t – someone that could cause tensions in her friend group she really doesn’t want to cause. Sometimes it feels like the only part of her life that is on beat is her drumming.

Leah on the Offbeat is what I like to call a Sequel-But-Not-Really. It takes place in the same universe as Becky Albertalli’s debut novel Simon vs. the Homo Sapien Agenda and includes the same characters. Instead of being told from Simon Spier’s perspective, however, it is told from Leah Burke’s. This is what adds the “But-Not-Really” to the Sequel, because by placing ourselves in Leah’s shoes instead of Simon’s, it feels like we’re entering an entirely different world.

One of the things I loved the most about Simon vs. the Homo Sapien Agenda was how honest and realistic Simon’s voice came through in the writing. This easily became the thing I loved the most about Leah on the Offbeat as well. I don’t know how Albertalli managed to get into such different character’s heads so perfectly, but she did it. Leah is nothing like Simon, and yet she is just as real. It never felt like I was reading a piece of fiction. Instead, it was like someone was narrating their life to me (even more-so considering I listened to this as an audiobook).

In her realism, Leah is just as frustrating as she is encouraging. The biggest thing that holds Leah back throughout the entire novel is herself. Almost every bad decision she makes is born out of a lack of self-confidence and anxiety, and is therefore self-inflicted, which can sometimes make it difficult to feel sorry for her. The good thing about this, though, is that Leah grows. She becomes more confident as the story goes on, more self-aware, and less likely to become a self-fulfilling prophecy. By the time the story ends she still has a long way to go, but she’s moving forward. It’s incredibly satisfying.

The love story is my other favourite thing about this book. I don’t want to say too much, because if you haven’t read this book yet then you deserve to experience every moment of Leah falling in love for yourself, because it’s amazing, and hilarious, and cringeworthy, and messy, and so, so, so worth it. It was more than I could have hoped for, and I hoped for a lot.

Because I read this as an audiobook, I feel the need to include a small bit of praise for Shannon Purser, the reader. I found she did an amazing job at bringing the story, and Leah in particular, to life. She had great inflection and was super clear. I highly recommend giving it a listen!

Overall, Leah on the Offbeat not only holds up to its predecessor, but I would go so far as to say surpasses it. Leah is charming, and frustrating, and kind, and obnoxious, and warm, and real. She’ll worm her way into your heart and force you to cheer for her, even when you don’t want to. She’ll throw you right back into your teenage years, for worse and then for better. She’ll remind you of what it’s like to be a young girl falling in love with a girl for the first time in all the best ways.

I cannot recommend this book enough.

Danika reviews Gossamer Axe by Gael Baudino

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Gossamer Axe by Gael Baudino cover“A new magic has entered the realm of the Sidh–and its name is rock n’ roll!”
– Gossamer Axe front cover blurb

I will admit that I picked this up primarily because of the cover. A woman in high fantasy/ancient Celt robes, hair billowing behind her, playing an electric guitar? Add in the cover blurb (and the promise of queer content), and I was on board. Because I bought it mostly for cover appeal–I collect lesbian pulp, so I clearly have a weakness for ridiculous covers–I didn’t rush to start reading it. Instead, I waited for a time when I felt like reading something fun and a little bit silly. Unbeknownst to me, Gossamer Axe takes its rock n’ roll Celtic fantasy premise very seriously.

Christa is a woman who grew up in ancient Ireland. She was an expert harpist, but when she attempted to learn from the Sidh–a fairy-like magical race–she and her lover got kidnapped into their unchanging realm as punishment for her hubris. Christa escaped, but she wasn’t powerful enough to bring her lover with her. Now, she bides her time in modern (80s) America, trying to improve her musical/magical prowess enough to rescue her. She finds possibility in an unlikely place, trading her harp for an electric guitar, and forming a girl band to collectively stage a final battle.

While  still think the premise sounds kitschy–Ancient Celt harpist rescues her girlfriend from a timeless dimension using the power of rock and roll!–the book is not light or silly. It deals with heavy subject matter. A lot of it. Child rape/incest, someone dying of AIDS, homophobia, racism (including slurs), misogyny, abuse–to name a few.

But it’s also about chosen family, healing, and rebirth. Christa is bi, and where/when she grew up, two women falling in love was a little unusual, but unremarkable. Only the Christians disapprove of their relationship. Although she is living in 80s America now, she carries with her the confidence and power she learned in her youth. While all the women in the novel deal with misogyny, Christa acts as a source of strength for them. A note, though: the girl band mentioned on the back cover of the novel doesn’t get together until more than 100 pages into the book. It is a bit of a slow build. They do form of the heart of the book, though. They are very different people, but they become a kind of family.

I especially appreciated the friendship between Christa and Monica, which does not begin from a very promising place. There’s a sort of unquestioning sisterhood formed here that I love, and that seems rooted in its 80s feminist context. Christa shares her beliefs with her friends, and even if they aren’t converts, they draw strength from it. Christa believes that all women are priestesses, and she uses her rituals to remind them of their own capabilities.

Despite the dark subjects covered, at its core, Gossamer Axe is about persistence and healing. Although the characters go through incredibly difficult things, they are able to survive it, and to re-emerge as new people. This was not the book I was expecting, but I enjoyed it. If you can handle the subject matter (and are okay with this being very 80s), I recommend it. I will be checking out more from this author (silly cover or no).