Meagan Kimberly reviews Perfect on Paper by Sophie Gonzales

the cover of Perfect on Paper

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Darcy Phillips secretly runs the relationship advice service that comes from the mysterious locker 89 at her school. When Alexander Brougham discovers her secret, he enlists her help in getting his girlfriend Winona back. Everything becomes complicated when her secret gets out, including how she used the locker for selfish reasons. While Darcy prides herself on her 95% success rate, she still has a lot to learn about people, relationships, and herself.

There’s so much teen drama that could easily delve into cringe territory. But Gonzales uses great finesse to illustrate how complicated and messy emotions can get. The characters all make frustrating mistakes, but her deft writing leaves room for compassion. At every turn, she gives her characters the chance to learn and grow.

The back and forth enemies to lovers between Darcy and Brougham is absolutely delicious. Perhaps calling it enemies to lovers is a bit strong. It’s more like moderately annoyed with each other to smitten. Still, seeing each character unravel to one another with every moment they spend together does a great job portraying how hard it is for some people to let others in. These are both characters that don’t let many people see their true selves often, so to do that for each other creates a beautiful romance you can’t help but get wrapped up in.

A cast of queer side characters makes it all feel like a family within this school community. There’s Ainsley, Darcy’s sister who’s transgender; Ray, the other out bisexual in their school; Finn, Brougham’s gay best friend; and a bunch of other students and their teacher Mr. Elliott part of the Queer and Questioning (Q and Q) Club.

While Darcy spends the majority of the book doling out relationship advice, both romantic and platonic, she has a hard time seeing herself and her relationships. She puts her best friend Brooke on a pedestal and calls it love. She fails to see her own shortcomings. She jumps to conclusions about Brougham and sees what she wants to see. But throughout the whole story, you keep wanting her to get better. And she does.

Gonzales creates moments that touch on tough subjects like divorce and fighting parents, and how those relationships at home affect the people these characters become. She also weaves in confronting biphobia, both from fellow queer characters and internalized by Darcy. She begins to question her bisexuality and if she belongs to the queer community if she has feelings for a cishet boy.

There’s a lot of angst and anxiety, but always a glimpse of hope for these characters.

Trigger warning: Biphobia

Meagan Kimberly reviews If You Could Be Mine by Sara Farizan

If You Could Be Mine by Sara Farizan

Childhood friends Sahar and Nasreen are desperately in love, but living in Tehran, their love is forbidden. Nasreen wants to lead the life her parents want for her, to marry a good man with a good job who can take care of her, even if it means she has to give up her childhood sweetheart. Sahar can’t lose Nasreen, so she considers transitioning into a man, as that is acceptable in their culture. It’s a novel filled with teen angst, questions of gender and sexuality, coming of age and deciding how to stay true to yourself while holding on to the people you love.

When it comes to the discussions of trans people and transitioning, it’s hard for me to speak clearly to it because that’s not my own experience. But throughout the novel, the discussions explicitly state “transsexual,” which I’m not sure if it’s an outdated term or if it’s specific to Iranian culture on the subject. Because in this culture, trans people are acceptable as it is seen as “fixing” the problem of homosexuality. There’s a lot to unload in that frame of mind altogether because lumping gender and sexual orientation into one doesn’t allow for nuance.

There’s also an interesting division within the LGBTQ+ community. Sahar’s gay cousin, Ali, introduces her to Tehran’s queer community to show her she’s not the only one and there’s nothing wrong with her. But Sahar is resistant to the idea that she is a lesbian. Moreover, there’s another trans character she meets who shows repulsion toward gay people, calling it unnatural.

Farizan creates dynamic, imperfect characters in Sahar and Nasreen. It would be easy to categorize them as overdramatic teen girls and to get easily annoyed with their personalities. At times, Sahar becomes frustrating, even as she acknowledges her flaws and irrationality. But through all that emotion, it’s a delight to see her go through the growing pains and become firm in her identity.

I admit I found Nasreen harder to sympathize with. She’s not a bad person, but she is more selfish and self-centered in comparison to Sahar. However, she’s never condemned for her desire to live comfortably. She’s not the kind of person to fight her role as a woman in her society, and it doesn’t make her weaker or inferior. She simply chooses to survive the best way she knows how.

That doesn’t mean I think she deserves Sahar. Nasreen’s treatment of her best friend is never justified by her desire to survive and live a comfortable life. It’s this complex and messy narrative that makes the novel a compelling read. Nothing’s black and white. Characters aren’t necessarily good or evil. There are no right answers.

SPOILERS AHEAD:

Sahar and Nasreen don’t end up together. It’s a heartbreaking moment for Sahar, but it feels like the right choice for the story. However, there’s a spark of hope at the end as the novel wraps up with Sahar meeting a new girl at college.

Danika reviews Red Rover by Liz Bugg and Land of Entrapment by Andi Marquette

I decided to review these in the same post because I have similar things to say about both of them.

My favourite thing about Red Rover is the queer elements. Not only is the main character a lesbian whose relationship is a side story in the novel, she also has ties to the queer community. Her best friend is a drag queen, and she looks for evidence in the queer community, including the queer clubs. She also asks for help from her ex-girlfriend. It’s nice to have a book that features queerness, not just in the individual, but in the community. In fact, I liked the descriptions of her neighborhood overall, which is unusual. I usually dislike a lot of descriptions of scenery and setting.

Although I liked most of the neighborhood description, I found some of the other descriptions a little long-winded. A pet peeve of mine in writing it when the author takes you by the hand to show you things, and this shows up sometimes in Red Rover, like explaining the emotions the protagonist is feeling when the dialogue pretty much speaks for itself.

I don’t read a lot of mystery because I tend to completely miss the hints and get lost halfway through. The plot of Red Rover kept me interested, so I never got to the point, but I predicted the “bad guy” very early on, which was a little disappointing.  I did like the plot overall, though the ending seemed fast-paced compared to the rest. I also liked the back story of Calli and her father and how it related to the plot.

Overall, I liked Red Rover, but I felt like it could have been better with some minor changes.

I liked the characters in Land of Entrapment. They were interesting and seemed really organic. The romance and friendships in the novel were complex and just seemed… natural. I really liked that.

I did have the same pet peeve crop up in this novel as in Red Rover, however: over-explaining. At some point, I remember every street and exit being named as the main character drove. This may be a flaw completely particular to me, however.

The subject matter is definitely interesting: neo Nazis. Drama! Suspense! But the plotting is a little uneven. It takes a little while to really get started. Once it does, however, Marquette seems to really know her subject matter, and the plot is engaging.

Again, this is a novel I liked overall, but there were some minor points that detracted from it.