Danika reviews The Girls Are Never Gone by Sarah Glenn Marsh

The Girls Are Never Gone cover

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I’m very picky when it comes to horror books, mostly because I’m a wimp and get freaked out very easily. When the weather starts to get a little chillier, though, I start to crave creepy, witchy, autumn-y books, and that’s when I start eyeing the horror section. The Girls Are Never Gone was a great choice because a) it’s sapphic b) it’s more atmospheric and creepy than all-out terrifying and c) there’s a water element to the haunting. I love haunted house books, especially The Haunting of Hill House (here’s my review of how it’s absolutely sapphic), and I’ve also been intrigued by underwater horror ever since I took an creepy deep sea museum exhibit ride as a kid. I mean, it was an elevator, but it was unsettling.

But you probably came here to read about the book. The Girls Are Never Gone is an old-fashioned haunted house story, but one with a queer disabled main character.

Dare was cohost of a popular YouTube ghost-hunting show with her boyfriend -but then he broke up with her, and now she has to start over. Her new project is a solo podcast where she investigates one story in longform. She’ll be investigating Arrington Estate, where years ago, a girl drowned in the lake on the property, and it’s been rumoured to be haunted ever since. Dare got an internship to help restore the house into a museum, and she intends to use this access to dig up the history of this place.

Dare is an interesting take on a ghost-hunter, because she’s both skeptical and hopeful about the existence of ghosts. She had to face her own mortality very young, when she realized she was dependent on medical intervention for her Type 1 diabetes (the author also has type 1 diabetes). Now, in addition to the medical equipment she keeps on hand, she also has Waffles: a not quite as useful service dog whose alerts are unreliable. She has had an interest in the afterlife for many years, and she would love to see a real ghost–but despite all of the investigations she’s done for the channel, she’s never found one. Dare looks for scientific explanations first. Still, she brings a whole collection of ghost-hunting equipment with her to the house, and she’s serious about the investigation.

There, she meets a fellow volunteer, Quinn, who also happens to the commenter who alerted her to the possible haunting–oh, and she’s a cute girl. Then there’s the third member of the volunteer team, Holly. All three of them develop an instant, easy rapport that serves as a nice contrast to the creepiness of the house.

Arrington Estate is a decrepit, falling apart house that always seems to be leaking water from the ceilings, regardless of weather. It’s beside a lake that seem more like an ocean: it has mysterious currents that make it unsafe to swim in, and it seems to be getting ominously closer to the house.

It’s a slow build, both in terms of the haunting and the slowburn romance. We first really get to know the characters, with a few weird things happening in the background with the house, like a glowing light in the middle of the lake or a glimpse of something in the mirror. It’s atmospheric, and even before anything particularly scary happens, there’s a real sense of Arrington Estate as a character with its own personality and motives.

I really enjoyed the podcast element — it reminded me of Indestructible Object by Mary McCoy (review), which is another queer YA with a bisexual main character who had a project with her ex-boyfriend and had to start over when they broke up! In both of these books, they nail the podcast excerpts: they really “sound” like podcasts–and ones I would listen to! The creepy atmosphere, on the other hand, reminded me of The Dead and the Dark by Courtney Gould (review), which I also really enjoyed.

I am very happy that sapphic YA horror is beginning to have enough titles to choose from! This is a perfect read for a breezy fall afternoon.

Certain things that will always mark a house’s age, things human hands can’t change or erase: echoes of laughter, late-night secrets shared, wishes made, arguments had, all absorbed into the walls. A house remembers everything it witnessed, down to its very foundation. And Arrington seems to have a particularly long memory— of what, I’m not sure yet.

Rachel reviews The Animals at Lockwood Manor by Jane Healey

The Animals at Lockwood Manor cover

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If you like dark, historical novels with a brooding mystery at the center, you’ll love Jane Healey’s The Animals at Lockwood Manor. A queer novel set at a remote country estate in England at the beginning of World War II, the twists and turns of this novel—like the hallways at Lockwood Manor—will surprise you.

In 1939, war has just broken out across the world. In London, Hetty Cartwright is helping to evacuate and safeguard the natural history museum’s vast collection of specimens. Her job is to transport and maintain the large collection of mammals to Lockwood Manor, the vast and daunting estate well beyond the blast zone of the blitz. However, once she arrives at Lockwood, Hetty encounters its cavernous hallways and dark corners alongside its unwelcoming and controlling Lord and his intriguing but allegedly frail daughter, Lucy.

Soon, Hetty realizes that keeping the animals at Lockwood safe entails far more than protecting them from bombs—despite the meddling of Lord Lockwood and the servants, strange things begin to happen at Lockwood; animals go missing, museum property is destroyed, and much worse. Something seems to be stalking Lockwood and the animals within it—and maybe even Hetty herself. Hetty’s only consolation is the darkly beautiful Lucy, who is haunted by her own nightmares and demons. Soon, it falls to Hetty to protect Lucy and unravel the mystery of Lockwood Manor—are the grounds cursed and haunted by spirits, or could it possibly be something worse?

I very much enjoyed this book. Historical fiction set during any time period is a favourite genre of mine, but I especially like novels of WWII. Healey did an excellent job of bringing to life one little-known aspect of the war, and her narrow focus on these fictional events underscored the widespread effect of war on these characters. The setting was intriguing and haunting—a rambling, castle-like house on a remote estate filled with the hulking taxidermy forms of animals is the perfect setting for a creepy mystery like Healey’s. I felt fully immersed in the world throughout the novel.

Hetty’s character was an excellent perspective throughout the novel. While there are short, dream-like interjections from Lucy’s perspective, these only add to the mystery. Hetty’s voice is the primary vehicle through which we encounter the strange happenings at Lockwood and her headstrong, industrious personality was refreshing. She was someone who was easy to relate to, despite the historical setting, and it was exciting to unravel the mystery of this novel and its characters alongside her.

Lucy’s character was similarly intriguing. One thing I felt unsatisfied with in this novel, however, was the romance. While Lucy and Hetty’s partnership was enjoyable and relatively convincing, the discovery of their feelings for one another felt a bit stilted and indelicate. The novel seemed to lurch into a lesbian relationship rather than flow into one. While it is difficult to frame lesbian desire in a historical setting, I felt that, in this case, Hetty and Lucy declaring their love for one another was a bit too disjointed at times.

Nevertheless, the end of this novel was a lovely and haunting conclusion. Hetty and Lucy’s partnership was far more grounded at the end of this novel, and overall I felt that the book was an exciting historical mystery with haunting elements that kept me guessing.

Please visit Jane Healey on Twitter and put The Animals at Lockwood Manor on your TBR on Goodreads.

Content Warnings: Trauma, verbal abuse, physical abuse, sexual abuse. 

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.