All The Pretty Girls Read Sapphic Stories: More Readalikes for Reneé Rapp’s Snow Angel

the album cover of Snow Angel

If you have Reneé Rapp’s album Snow Angel playing on repeat, these are the sapphic books you need to read! Pick up the one that matches your favorite song, or get the whole stack if it’s too hard to pick. You can get a copy of any of these titles from your local bookstore or library, or you can get a copy through Bookshop. Click here for Part One! 

“Pretty Girls”

the cover of Girls Like Girls

In the p.m., all the pretty girls/They have a couple drinks, all the pretty girls/So now, they wanna kiss all the pretty girls/They got to have a taste of a pretty girl

Pretty Girls is a song for people who keep falling for “straight” girls, and a celebration of those exploring their sexuality, even if it feels frustratingly drawn out to the other person. In the same vein, Girls Like Girls by Hayley Kiyoko, inspired by the sapphic anthem of the early aughts, follows the story of Coley and Sonya, two teenage girls in rural Oregon who each find themselves falling for the other girl. This lyrical debut novel fills out the gaps in the plot to Kiyoko’s music video, but balances the overall sweetness of the summertime romance with an exploration of grief and what it means to be out in today’s society. I think Pretty Girls would fit in beautifully during the summer romance montages that Girls Like Girls lays out.

“Tummy Hurts”

the cover of she is a haunting

Now my tummy hurts, he’s in love with her/But for what it’s worth, they’d make beautiful babies/And raise ’em up to be a couple of/Fucking monsters, like their mother and their father

In Tummy Hurts, Rapp explores a past relationship through an analysis of heartbreak, grief, and bittersweet predictions of the continuing cycle of unhealthy relationships. This song contradicts and supports the exploration through using a childlike imagery of an upset stomach and the consequences of an unhealthy romance. If you are looking for a book that explores being haunted by a past relationship or dysfunctional relationships, I would recommend reading She is a Haunting by Trang Thanh Tran. In this horror young adult novel, Jade is visiting her estranged father and her only goal is to end the five-week visit with the college money he has promised her—but only if she can seem straight, Vietnamese, and American enough. However, Jade can’t ignore the effects of colonization on the house or a ghost bride’s warnings to not eat anything. She is a Haunting explores the concept of places being haunted by dysfunctional family dynamics, just as “Tummy Hurts” explores the haunting of a romantic relationship.

“I Wish”

Honey Girl by Morgan Rogers cover

I wish I could still see the world through those eyes/Could still see the colors, but they’re not as clear or as bright/Oh, the older we get, the colors they change/Yeah, hair turns to gray, but the blue’s here to stay/So I wish, I wish

“I Wish” is the Pisces moon of Snow Angel, with Rapp singing about how she wished she didn’t know about death as a concept. This sweet ballad mourns the loss of an important figure and the resultant loss of innocence in the world around her. Similarly, Honey Girl by Morgan Rogers explores themes of existential dread, fear of not living up to people’s expectations, and a loss of innocence once you grow up. Twenty-eight-year-old Grace Porter goes to Vegas to celebrate getting her PhD in astronomy, but accidentally ends up getting drunkenly married to a strange woman from New York. This triggers a rush of questions about herself, including why she doesn’t feel more fulfilled in her life, and Grace flees home to move in with her unfamiliar wife. Honey Girl is a story about self-growth, finding queer community, and taking a journey towards better mental health, and it honestly made me cry as much as I Wish did the first time I listened to it.

“Willow”

the cover of Even Though I Knew the End

Don’t cry, don’t cry, Willow/I’ll cry, Willow/Willow/I’ll cry for you

Willow is another sad ballad, in which Renee talks to her younger self (metaphorically) under a willow tree, and tries to reassure them that everything will be alright. This concept of wanting to take away someone’s pain, regardless of your own, made me think of one of my favorite novellas, Even Though I Knew the End by C. L. Polk. Elena Brandt is the hardboiled detective of mystery noire past, with her private eye set up in a magical 1930’s Chicago, and a lady love waiting in the wings for her. However, Elena’s days are numbered and she decides to spend the last of them with said lady love, Edith. Just as she is about to leave the city, a potential client offers her $1,000 to find the White City Vampire, Chicago’s most notorious serial killer. To sweeten the pot, the client offers something more precious—the chance to grow old with Edith. As Elena dives into the affairs of Chicago’s divine monsters to secure a future with the love of her life, she learns that nothing is as she thought it was. If you want a read that will capture your mind and heart for an afternoon, then grab a copy of C. L. Polk’s Even Though I Knew the End. 

“23”

Let's Talk About Love by Claire Kann cover

But tomorrow I turn twenty-three/And it feels like everyone hates me/So, how old do you have to be/To live so young and careless?/My wish is that I cared less/At twenty-three

Finally, 23 explores the emotional turmoil and questioning that can come with turning twenty-three years old. Rapp’s lingering lyrics ask why she doesn’t feel like she has been succeeding in life, especially when compared to society’s expectations and assumptions about her career. By the end of the song, Rapp expresses the hope that she can grow into herself as a person and learn to love herself more by her next birthday. In the same vein, Let’s Talk About Love by Claire Kahn is about a nineteen Black year old college student named Alice, whose summer was going to be perfect until her girlfriend broke up with her for being asexual. Alice had planned on remaining single as to never experience being rejected for her sexuality again, but then she meets Takumi, and Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood. A huge theme in Alice’s story is that of figuring out what you want to do and/or be as opposed to what your family and friends (or society) expects from you, whether it is about your sexuality or career choices. I think Alice would be wistfully listening to 23 right before the climatic third act, as she contemplates what to do.

Chloe (they/he) is a public librarian in Baltimore, who identifies as Indigenous, autistic, and panromantic demisexual. They enjoy reading queer literature for any age group, as well as fantasy, contemporary, and romance. In their spare time, they act in local community theaters, play D&D, and are halfway through their MLiS program. You can find them on Goodreads, Twitter, or Instagram.

Healing in Queer Community: Old Enough by Haley Jakobson 

a photo of Old Enough on a shelf

Thank you to PENGUIN GROUP Dutton and Netgalley for this E-ARC in exchange for an honest review. (Published June 20, 2023)

I’ve followed Haley Jakobson’s social media for a while, so I was thrilled to hear news of her debut novel. And let me say, it did not disappoint! 

Old Enough follows our main character Savannah (Sav, for short) in two timelines: The present timeline focuses on Savannah in college during her semester in a Women and Gender Studies course. In another, we flashback to high school Savannah’s point of view. Throughout the novel, we learn the circumstances surrounding a traumatic event she experienced during high school and her subsequent social and emotional fallout. Chapter by chapter, readers witness Savannah’s healing journey as she confronts the past, cultivates new friendships, and exercises her autonomy. 

There are several key takeaways from this novel: 

Jakobson impressively deconstructs cultural norms surrounding “forever friendships” and the sunk-cost mindset of holding on for history’s sake. Additionally, we are introduced to a distinct cast of characters that become Sav’s safe place to land amidst the tumult of growing pains. There are knockout conversations on justice versus healing, plus beautiful depictions of a joyful queer community as Sav explores her bisexuality. 

This is a mature, new-adult coming of age story that covers a lot of ground, and it does so with vulnerability and precision. Old Enough is Savannah’s story, but it’s a story that will resonate with so many. (I highly recommend listening to Haley Jakobson’s episode on the “Sad Girls Who Read” podcast after finishing the book!)

FINAL NOTE: I would encourage readers to check content warnings, because there were several heavy topics addressed throughout the novel including (but not limited to): sexual assault, transphobia, and alcohol use.

Sapphic Satanic Panic: Rainbow Black by Maggie Thrash

the cover of Rainbow Black

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In her debut adult novel, Rainbow Black (March 19, 2024), Maggie Thrash (she/her), author of the critically acclaimed young adult graphic memoir Honor Girl, delivers a compelling, witty, and often moving account of Lacey Bond, whose life is forever changed when her parents are arrested and prosecuted for allegedly committing acts of ritualistic child sexual abuse at their rural, in-home daycare during the “Satanic Panic” of the ‘80s and ‘90s.

The story begins in New Hampshire and spans 27 years (from 1983 to 2010). It is told in flashbacks from Lacey’s point of view.  In the first few pages of the book, readers find out that adult Lacey and her girlfriend, Gwen, have been implicated in a murder from fourteen years earlier. The story then flashes back to the ‘80s and unfolds over the course of Lacey’s adolescence and early adult life.

Lacey’s parents are arrested when she is 13 and they remain incarcerated pending trial. As a result, Lacey and her 20-year-old sister, Éclair, who is as brash as she is beautiful, are left to navigate their legal defense, as well as the media circus that ensues. As Lacey struggles to come to terms with the reality of what is happening to her family, she is also coming to terms with her sexuality.  While she and her family have seemingly always known that she is a lesbian, her exploration of this aspect of her identity is undoubtedly impacted by the crisis in which they find themselves. Although adult Lacey is somewhat insufferable, Thrash endeared me to young Lacey, who is paradoxically both precocious and naïve, and above all else, a survivor.

As a lady loving lawyer, I was drawn to this book because of its queer and legal themes. For the most part, I loved Thrash’s writing style.  It is smart, incisive, and wry, and she is a great storyteller.  I also particularly appreciated her shoutout to the Pizza Hut BOOK IT! program, which was a highlight of my bookish childhood.  I would definitely be interested in reading more of her work. That being said, I could have done without the constant foreshadowing. While I understand that the book was marketed as “part murder mystery, part gay international fugitive love story”, the repeated hinting at what was to come felt like overkill in a novel which was naturally unfolding for me. There was also an instance of authorial intrusion (a literary device in which the author breaks the fourth wall and directly addresses the reader, interrupting the narrative flow of the text) that was somewhat jarring and felt unnecessary as it did not advance the plot or add to the story in any meaningful way. I also thought the 395-page book was a bit long-winded and could have still been just as powerful, if not more so, had it been shortened.

Overall, I really liked Rainbow Black and would recommend it if you’re looking for an interesting story that weaves together queer identity, intrigue, and the law. Special thanks to HarperCollins Publishers and Edelweiss for the advanced copy.  Rainbow Black is currently scheduled to be released on March 19, 2024.

Trigger warnings for child sexual abuse, sexual assault, statutory rape, drug abuse, murder, homophobia, transphobia, and racial slurs.  

Raquel R. Rivera (she/her/ella) is a Latina lawyer and lady lover from New Jersey.  She is in a lifelong love affair with books and earned countless free personal pan pizzas from the Pizza Hut BOOK IT! program as a kid to prove it.

Queer F/F Rom-Com for National Hispanic Heritage Month: The Lesbiana’s Guide to Catholic School

the cover of The Lesbiana's Guide to Catholic School

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The Lesbiana’s Guide to Catholic School had been on my reading list for way too long and I am so glad I finally opened it up to celebrate National Hispanic Heritage Month (September 15-October 15)! The sweet characters, nuanced coming-of-age and coming out story, and will-they-or-won’t-they first F/F romance had me hooked from the first page. 

Ever since Yamilet (Yami) was outed by her ex-best friend last year, she has been committed to acting as straight as possible: don’t hug your girlfriends too long, talk about crushes on boys—you know the drill. Her hope is that just maybe that acting will help her be straight, since she’s confident her religious mom would kick her out if she’s gay. It is both heartbreaking and endearing following Yami’s very gay thoughts as she tries oh so hard to be straight. She watches her every move, hoping they’re not too gay, and she is definitely not spending a lot of her time thinking about Bo, the only out girl (and one of the few other people of color as an adopted Chinese American) in her Catholic School.

I’m going to take a gander and guess that you don’t choose YA coming out stories for the high stakes plot. If you’re anything like me, you open up this kind of book for another sweet example of someone living into their truth and being better for it. Even if the end result of a rom-com is expected, it’s the journey to that queer happily ever after that is so fulfilling. I never get sick of honest yet positive coming out stories and this one from a queer Mexican American girl navigating Catholic school and a religious family is especially important to be told and read. 

The awkward growing up moments made me laugh out loud. The found family relationships made my heart swell. The biological family love and growth made me tear up. The very real homophobic reactions and religious trauma made me cringe. The understanding and patient romance made me swoon. And the journey of self-love and self-confidence was contagious, reminding me all over again of the freedom of getting brave enough to be you out loud. This was a beautiful read through and through—I highly recommend it!

Content warnings: racism, homophobia, immigration, suicidal ideation and hospitalization of a character

Natalie (she/her) is honestly shocked to find herself as a voracious reader these days—that certainly wasn’t the case until she discovered the amazing world of queer books! Now she’s always devouring at least one book, as long as it’s gay. She will be forever grateful for how queer characters kept her company through her own #gaypanic and now on the other side of that, she loves soaking up queer pasts, presents and futures across all genres. Find more reviews on her Bookstagram!

#SapphicSoccerStoryGoals: You Don’t Have a Shot by Racquel Marie

the cover of You Don't Have a Shot

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You Don’t Have A Shot is sapphic soccer-rivals-to-lovers perfection set in present-day Southern California. If you’re still mourning the fact that the Women’s World Cup is over or you agree that “fútbol is life” a la Danny Rojas from Ted Lasso (but with a queer Latina twist), this book is for you!

In this heartwarming YA novel, Racquel Marie (she/her) introduces readers to Valentina “Vale” Castillo-Green, who is half Colombian, half Irish, and all about soccer. At the outset of the novel, we learn that Vale’s dream of playing college soccer has just imploded after her high school team, the Ravens, suffer a devastating loss at the hands of Hillcrest/her archrival, Leticia Ortiz. Although Vale is the captain of her team, it is apparent that she has lost her way as its leader. Vale intends to spend the summer before her senior year sulking at a low-stakes, sleepaway soccer camp she hasn’t been to in several years with her best friends and teammates, Dina and Ovie. Unbeknownst to Vale, soccer camp has gotten way more competitive in the last few years and she isn’t the only SoCal Latina planning to spend the summer there. Leticia will be attending as well, and sparks are sure to fly!

Vale is a character with depth and substance. Her inner monologue is sharp and hilarious. She is flawed, relatable, and always growing. Early on, we learn that her mother died of cancer a few years ago when she was thirteen and she is continuing to work through that grief. Unfortunately, that process is exacerbated by her complicated relationship with her father, who really wants Vale to excel in soccer, but has a penchant for negative, and often cruel, reinforcement that borders on emotional abuse. In his eyes, nothing Vale does on the pitch is ever good enough, and she has internalized his criticisms, as evidinced by her anxiety and intrusive thoughts. Notwithstanding her fraught relationship with her father and the loss of her mother, Vale is incredibly resilient and well-adjusted. She is in for an unforgettable summer where she is going to have to figure out what kind of leader she is and grapple with what soccer truly means to her.

The world that Racquel Marie builds is rich with diversity. Vale is biracial, queer, and asexual. Leticia is Cuban, a lesbian, and has two moms. There are several women of color who play important roles in Vale’s life, as well as significant bisexual, pansexual, gay, and trans characters. Although not a criticism, I really wanted to hear more about Vale’s queer asexuality. I thought it was an important aspect of her identity that I don’t usually see represented in YA literature and that Racquel Marie could have spent a little more time developing it. 

Overall, I loved this book. I coveted sapphic YA when I was in high school, but I couldn’t always find it. When I did, the characters didn’t usually share my cultural background. You Don’t Have a Shot is the kind of feel-good, representative book I wish I had growing up. Read it.

Trigger Warnings: anxiety, death of a loved one, and emotionally abusive language.

Raquel R. Rivera (she/her/ella) is a Latina lawyer and lady lover from New Jersey. She is in a lifelong love affair with books and earned countless free personal pan pizzas from the Pizza Hut BOOK IT! program as a kid to prove it.

Queer Adventure, Romance and Revenge in the Wild West: Lucky Red by Claudia Cravens

the cover of Lucky Red

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This queer Western did not disappoint. I tore through this tale that is equal parts cowgirl adventure, gritty coming of age, steamy F/F romance, and revenge heist. This was a ride that only ramped up as I kept reading. If you’re looking for a getaway in these last weeks of summer, this book will transport you to the wild, wild west. 

Lucky Red follows a scrappy orphan, Bridget, as she matures into what every little girl truly wants to be when she grows up: a revenge-seeking gunslinger. Even at her young age of sixteen she is simmering with rage, a key ingredient for this career path. She’s resentful of her alcoholic father who never seems to be able to step up, leaving her to practically raise herself amid the chaos his choices cause. And when he’s killed by a snakebite as they try to cross the Kansas prairie, she is left truly on her own. Starving and exhausted, she is relieved to make it to Dodge City, where she is soon recruited to work at the Buffalo Queen, the only brothel in town run by women. 

She finds that she likes life as a “sporting woman”: she has good food, a nice place to live, consistent pay, and a group of women who in their own quirky ways have become her found family. Things are feeling stable until Spartan Lee, the legendary ex-bandit female gunfighter in the region, rides into town. Bridget is smitten at first sight (and I was, too—need I say more than queer ex-bandit?). Spartan Lee takes an interest in Bridget and it’s head over heels fast, stereotypically uhauling their way into Bridget’s brothel room. Things get steamy but just when you think the book has turned into a romance, it takes a hard left at revenge. Faced with double-crosses, vengeance, and blinding love, Bridget has to decide what kind of hero she is going to be in her own story.

I’ll also add that for a book that takes place in the 1800’s, it is refreshingly free of queer shame. The queer characters are not tortured but are delightfully “just queer.” Their gayness is not their plotline but just another characteristic of who they are. And while they aren’t openly out and do face some quiet judgment from some of their peers, they’re not persecuted.

This book felt like the best parts of an adventure film montage but make it gay: horse chases, forbidden kisses in the alley, shootouts, sipping whiskey in a saloon. I finished this in just two sittings and was so immersed that when I closed the book I stood up pointing finger guns and wishing I, too, was a cowgirl bandit. If you’re like me though, and as a rule-following nerd you couldn’t be further from a shady gunslinger, then I highly recommend this escape into an alternate world. Stay wild, y’all. 

Content warnings: sexual assault, gun violence, murder, death of a parent, alcoholism, adult/minor relationship, period-typical homophobia

Natalie (she/her) is honestly shocked to find herself as a voracious reader these days – that certainly wasn’t the case until she discovered the amazing world of queer books! Now she’s always devouring at least one book, as long as it’s gay. She will be forever grateful for how queer characters kept her company through her own #gaypanic and now on the other side of that, she loves soaking up queer pasts, presents and futures across all genres. Find more reviews on her Bookstagram!

The Perfect Sapphic September Read: The Adult by Bronwyn Fischer 

the cover of The Adult

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The moody, fraught, and atmospheric energy of Bronwyn Fischer’s novel The Adult (Random House, 2023) is the perfect September read that reflects the joy and the chaos of a new academic year! 

The Adult follows Natalie, an eighteen-year-old student who has just arrived in Toronto to begin her first year of university. Moving from her remote, rural hometown to a bustling city is destabilizing to say the least, and on top of it all everyone around her seems to fit in perfectly, while Natalie always stands apart. From the beginning of the novel, we can tell that Natalie is searching for an identity—for the exact code that will allow her to effortlessly blend into her new life without all the sharp edges she can’t seem to stop running into. She studies her would-be friends, searches online, and spends most of her time contemplating just how apart she feels from everyone else. 

Enter Nora, an older, mysterious woman who suddenly takes an interest in Natalie after a chance meeting. As Natalie is drawn further and further into Nora’s life—and into her intense, all-consuming feelings for the other woman—she wonders if this relationship contains the answers she’s been searching for. However, because Natalie fears how her friends will react to her relationship with an older woman, she quickly begins to lead a kind of double life while attempting to keep her time with Nora separate and sacred. But eventually, Natalie must reckon with the discovery that Nora is not all that she seems, and that the secrets she keeps could have devastating consequences for Natalie’s life. 

The Adult is a fabulously literary lesbian novel all about coming of age and coming out. In many ways, it’s easy to sympathize with Natalie’s insecurity and her desperation to fit into a world that seems to fast-paced and unfamiliar. We spend so much of this novel deep inside Natalie’s head, privy to her cyclical thoughts, her fears and anxieties, and her overwhelming obsession with Nora—an obsession that is made worse by Nora’s unclear feelings. It’s impossible not to find this novel immersive and captivating. 

While the plot of this novel is slow to unfold and the text is driven forward by the characters, I still found myself unable to put it down. Fischer’s writing carefully unveils the intricacies—and inconsistencies—of Nora’s life, which left me desperate to uncover (as Natalie eventually is) what all of the clues meant. It was fascinating the way Fischer played with readers’ expectations and then subverted or denied them at every turn. While the end wasn’t a huge surprise to me, I’m not sure it’s intended to be. Instead, it seems that what Fischer really wants to focus on in Natalie’s response to and growth from her relationship with Nora. I loved the way this novel was woven together. In some ways, it really did keep me guessing until the very end. 

There are certain plot twists I wasn’t overly captivated or convinced by, and I wasn’t sure how to handle them as a reader—especially when Natalie’s character struggles to cope effectively with anything. The twist I’m thinking of definitely added some intensity and urgency to the novel, but that could have been accomplished more effectively in other ways, I think. 

Overall, I very much enjoyed The Adult and I think it’s an excellent novel to read for fall! 

Please put The Adult  on your TBR on Goodreads.  

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history. 

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars

Mermaid Obsession Story Treads Water: Chlorine by Jade Song

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In their debut novel Chlorine, Jade Song (she/they) draws upon her twelve years of lived experience as a competitive swimmer to craft the dark and complex inner world of Ren Yu, a Chinese American teenager coming of age in Pennsylvania and stepping—or rather, swimming—into her true destiny: becoming a mermaid.  While Song is clearly a compelling writer, Ren’s voice felt inconsistent and I often struggled to discern whether or not Song was invoking aspects of magical realism.

When Ren is four years old, her mother gifts her a book of mermaid folklore from around the world. Thus begins Ren’s thirteen-year journey from girl to mermaid. Although Ren is largely disconnected from her human existence, her love and tenderness towards her mother is palpable. Despite the cost, time, and energy, Ren’s mother is incredibly supportive of her swimming. Early in the book, Ren’s father abandons Ren and her mother to return to China. As a single parent, Ren’s mother struggles to make ends meet, but consistently shows up for Ren in meaningful ways and even when she does not understand Ren’s motivations.

Ren narrates the novel, which is interspersed with letters from her teammate and closest friend, Cathy. Ren’s obsession with becoming a mermaid and her detachment from both her humanity and the traumatic events in her life make her seem like an unreliable narrator. In contrast, Cathy’s letters ground the book and provide much-needed clarity as to the events that are transpiring, but it is apparent that her judgment is somewhat skewed by her feelings for Ren. Ren never labels her sexuality, but she does explore queer and sapphic feelings and connections throughout the book.

As much as I wanted to love Chlorine, it fell flat for me. Ren’s dissociation from reality made it hard for me to connect with her as a character. I also felt like I was at an impasse throughout my reading experience because I could not figure out if Song was incorporating elements of magical realism or if I was simply witnessing the steady decline of Ren’s mental health. That being said, I really enjoyed Song’s writing style. There is a rawness and honesty to their writing. She also has incredible attention to detail.  There were times she wrote so poignantly, I could feel Ren’s anxiety, desperation, longing, or hopefulness in my own body. I craved more of those scenes.

Even though Chlorine was not my favorite, I would definitely read another book by Song.

Trigger Warnings: Chlorine is rife with casual misogyny, most often espoused by Ren’s swim coach, Jim, who essentially grooms Ren from the time that she is seven years old. There are also discussions and instances of racism, self-harm, eating disorders, homophobia, depression, and sexual violence.

Raquel R. Rivera (she/her/ella) is a Latina lawyer and lady lover from New Jersey. She is in a lifelong love affair with books and earned countless free personal pan pizzas from the Pizza Hut BOOK IT! program as a kid to prove it.

Nat reviews How To Excavate a Heart by Jake Maia Arlow

the cover of How to Excavate a Heart

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Sweet yet angsty. Coming of age and coming out stories. A meet cute that’s…not so cute. Jewish holiday rom com. All the big, tender feels of young love. Non-stop cackling, except when you take a break to have a good cry. A prominently featured corgi. These are a few of my favorite things about Jake Arlow’s How to Excavate a Heart.

College student Shani Levine is determined to spend the holidays alone doing a winter internship at the Smithsonian—that means she’ll be away from her family, her mom specifically, which she feels guilty about while also desperately feeling the need to get away. There are a lot of complicated feelings around this stage of life, and Arlow’s character portrayals feel very authentic—the main characters are both first year college students figuring out what it means to be independent, to manage this in-between phase of life, caught between home and their new freedoms. This is also where Arlow nails the post-teenage angst humor. 

We meet May in a rather abrupt manner—and this is not really a spoiler as it’s in the book’s synopsis and in the first chapter—with the front of Shani’s mom’s Subaru. May is also spending the holidays in DC with her dad, but not because she wants to be there. She’s having her own family issues, and being rudely greeted by the bumper of a car doesn’t exactly put her in the holiday spirit. May initially comes off a bit frosty, but of course we’ll eventually see those walls melted away. 

The book is told in first person from Shani’s perspective, so you really get into her mindset. As she works out her feelings and makes self discoveries, you’re along for the ride. While this book is a holiday romcom, it’s also just as much a coming of age story, and we see a lot of Shani trying to figure out how and when to talk about her “new” life with her mom, when she doesn’t quite know how to come to terms with it herself. This includes keeping her first real relationship a secret, along with her sexuality. 

(Spoilers and Trigger Warnings:) We kind of see this coming, like the Titanic about to hit the iceberg, as we see more snapshots of Shani’s first relationship. Each memory reveals more specific—or perhaps more accurate—details, as her relationship with May progresses. Our narrator is holding back so much in part because she’s just not had certain realizations herself about the abusive nature of her first relationship. Acknowledging these truths is a big turning point in the book, and it’s clear Shani can’t move forward with May until she’s come to terms with her own past. (End of Spoiler)

The supporting character cast gets major points, especially Beatrice (Aunt Bea) who is her own one woman comedy show, and Shani’s mentor at work who’s a few years older—the wise lesbian we all wish had been in our lives to dispense advice. And yes, the corgi (dogs absolutely count as characters). Overall, Arlow’s given us a sapphic holiday romcom that will excavate your own frozen little heart.

Trigger warnings: abuse, sexual assault

Til reviews Séance Tea Party by Reimena Yee

the cover of Séance Tea Party by Reimena Yee

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Séance Tea Party begins with Lora, a lost young person somewhere between girlhood and womanhood. Growing up looms large throughout the graphic novel… as much as anything looms in this gentle, joyful, sometimes heartbreaking story. Lora feels alone with her friends moving on to things like slick magazines and text chains, while she continues to prefer imaginative play. When ghost girl Alexa joins Lora at the titular séance tea party, the two form a friendship—and maybe something more—that will ultimately bring healing to both girls and those important to them.

It’s a quick read and a sweet one. Lora is relatable as someone who doesn’t want to stop having fun but feels like her fun is no longer accepted. I saw a lot of myself in her and remembered going through the same feeling that “growing up” means growing miserable. Lora and Alexa’s friendship is adorably played. This literal ghost of the past gives Lora the confidence to do new things and reach out to others, while holding on to the things she values about her younger self.

This is a story about what we let go of and what we hold onto. The narrative never feels critical of Lora’s desire to keep her childhood joys. It’s not a cruel story. If anything, it’s about an intentional and healthful fusion of the two.

Take my commentary with a grain of salt: my visual literacy is far from the sharpest, and I likely missed a fair helping of nuance. The core story, though, is a delight.