Danika reviews Rosaline Palmer Takes the Cake by Alexis Hall

Amazon Affiliate Link | Bookshop.org Affiliate Link

This is a romcom starring a bisexual woman in a love triangle between two guy love interests, so if you’re not looking for an M/F romance, I recommend checking out another Lesbrary romance review!

This is a queer romcom that is essentially set at The Great British Bake Off, so I was immediately sold. Rosaline is a bisexual single mom whose life plan went off the rails when she dropped out of university when she unexpectedly got pregnant at 19. Now, she works at a stationary store–which is far from the doctor’s career she and her parents had expected. She adores her precocious 8-year-old (who’s obsessed with weird underwater animals), but she hates being reliant on her judgmental parents as well as constant favors from her best friend/ex-girlfriend. That’s how she ends up applying for a baking showing with a cash prize.

While this is an M/F romance with two male love interests, Rosaline’s queer identity is central to the story. The first chapter has her confronting Amelie’s teacher about biphobia, and she’s very close with her ex-girlfriend (who is now married to anther woman). Lauren stole the show a little bit for me, with sarcasm, inappropriate language, and unwavering loyalty. How can I resist a woman described like this?: “Lauren reserved the bulk of her enthusiasm and insight for her twin loves of satire and sapphism.”

Rosaline is a charming character for the most part, but she has one major flaw: she’s classist. She was raised in a wealthy family that cares deeply about status, and she’s internalized that–while resenting her parents’ judgements of her life choices. It was a little painful to read, but I knew that was her arc. At the competition, along with a cast of other characters, she meets the two competitors who form the other points of the love triangle: Alain, the suave, parent-approved guy who forages his own mint, and Harry, an electrician whose first interaction with her is being called out for calling her “love.”

Here’s the thing, and I don’t think you can call it a spoiler: we know she’s not going to end up with Alain. Any love interest whose selling point is “parent-approved” is not going to get the girl. But she is with him for the majority of the book. I understand that’s part of her emotional process–she learns about herself over the course of the novel and what she really values–but it did begin to drag a bit. I loved the (faux) Bake Off with its on-camera charm and off-camera stress, I thought the characters were engaging, and I even enjoyed most of the beats of the plot–it just lost me a bit in the middle.

I want to include a content warning for attempted sexual assault, but I think it’s worth a little more context, so spoilers in this paragraph: Alain tries to set up Rosaline and his ex-girlfriend/friend in a threesome. The ex is drunk and tries to force herself on Rosaline, who then locks herself in the bathroom until she can get a ride. I don’t think this was necessarily “problematic,” but I think I would have rather it wasn’t included. For context, within the first conversation Alain and Rosaline had, I thought, “I hope I am not supposed to like this guy.” I flipped to the back and saw he was the “parent-approved” choice and was reassured that I wasn’t. He is a judgmental dick the entire time, and I personally didn’t like that they broke up because of this extreme situation. I don’t like love triangles where one love interest ends up just being Bad–then there’s no real choice or tension. Harry was already the better choice; I don’t think Alain needed to be involved in an attempted sexual assault for Rosaline to chose Harry over him. (End of spoilers.)

As a small aside, I appreciated the healthy communication modelled during sex. Now that I think about it, Rosaline and Harry demonstrate good communication anyway, but the sex scene stood out to me. I’m not used to reading sex scenes where characters actually tell each other what feels good (and what doesn’t), or navigating the awkwardness of the first time sleeping with someone. I thought it was really well done!

If you like shows like The Great British Bake Off and the content warning isn’t a dealbreaker, I think you’ll enjoy this one. Despite having some issues with it, I definitely am looking forward to picking up the next books in this queer romcom baking competition series!

Jen Wilde’s Books are the Feel-Good Sapphic YA You’ve Been Searching For

Did you know I (Danika) have a booktube channel? Along with the Lesbrary, the Bi & Lesbian Literature tumblr, and Book Riot, I talk about books there, too! Apparently I can’t say enough about them. Most of my content is about queer women books, and I even have a playlist of just my sapphic book videos. Consider this video my review of Going Off Script by Jen Wilde (suffice to say, I loved it).

For exclusive videos and to be entered in monthly queer book giveaways, support the Lesbrary and this channel on Patreon! 

Books mentioned:

More links worth knowing:

Mary Springer reviews And Playing the Role of Herself by K.E. Lane

And Playing the Role of Herself by K. E. Lane cover

Caid has landed a lead role on the hit TV show, 9th Precinct, which is a spinoff of another show that stars Robyn Ward. Caid sometimes costars with Robyn and shares her trailer, but is often tongue-tied around the gorgeous woman. However, when changes to the script mean they have to spend more time together, sparks fly and Caid realizes Robyn isn’t as uninterested in her as she seems. But, past demons linger around every corner.

I have had a hard time coming to an opinion about this book. My biggest problem is that I could not understand why Caid wanted to be in a relationship with Robyn. As I was reading, I was often reminded of how incredibly attractive Robyn is. Wanting to be in a relationship with someone who is so sexy and beautiful is completely understandable, but only if it’s understood as a superficial infatuation. I’m not sure what more there was to Robyn’s character that attracted Caid besides that she was dedicated to her career, enjoyed running, and liked to cook for her.

What might be really holding me back from a positive takeaway is Robyn’s emotional immaturity. Again and again, Robyn reacts to situations by running away, projecting onto Caid, and then lashing out Caid. This cycle grew tiresome and I failed to understand why Caid was so forgiving. I think this could have been solved if we could have seen some chapters from Robyn’s point of view. We are only really told about her problems from dialogue and it would have helped to understand her and given her the benefit of the doubt if we could see some of her thoughts or internal experiences.

Another problem I had was that the problems Caid and Robyn had in their relationship were often solved by random plot events. Caid and Robyn would have a problem, they refuse to solve it, so something bad is randomly thrown in with no foreshadowing or build up. This forces Caid and Robyn to get together, Robyn apologizes, and Caid forgives her again.

This is why I have a hard time believing Caid wanted to be in a relationship with Robyn. The woman would not have made the choice to be a mature adult and communicate if random plot events had been thrown at them. Communication is big issue the two have and only kind of gets resolved at the very end. Caid admits they aren’t good at communicating, but neither of them makes a move to try and work through it. Caid is literally afraid to talk to Robyn about important relationship issues because she is so afraid that Robyn will react as she has done in the past. When Robyn finally hears this she is shocked, when she really should not be. At all.

At the end I just felt confused and doubtful about their relationship. It seemed like it would only take a couple months before Robyn decided something scared her and she ran away again. Maybe Caid would give her a bouquet of flowers and Robyn would say, “I’m not used to someone treating me this way! You’re pressuring me into something aren’t you? I’m leaving!”

My point is that Robyn never really seems to grow up, which she desperately needs to do. That’s not say Caid is a perfect angel. She admits to being possessive and jealous of Robyn and her relationship with her best friend Josh.

The story kept me engaged and invested throughout, and the writing itself was excellent. Lane does a great job of sucking the reader into the story.

The most important part of a romance novel is the romance, and at first I loved it. However, by the end I was just reading to see what happened out of a sense of obligation to these characters. Also, the sex scenes. Those were great.

Kristi reviews On A Silver Platter by Linda Morganstein

I have never written a review about a DNF “Did Not Finish,” but after two months of trying to get through this particular title, I thought I would reflect on why I couldn’t make it.

Alexis “Call me Alex” Pope is acting as a stunt woman on the set of On A Silver Platter, the “tale of alien invasion based roughly on the beheading of St. John the Baptist” (12). On a sound set plagued by an overreaching script, a pompous director and no-nonsense producer, plus a stalker, the only thing that could make things more complicated would be a murder. Add to this a flirtation with a committed woman and a blind date with another, plus sudden stardom as Wonder Woman in a kinky lingerie fashion show, and Alex has more than enough on her platter.

All of this action occurs within the first hundred pages. Unfortunately, I could not get any farther than that. This book seems to go off on so many different tangents, I was not sure if I was reading a murder mystery, a lesbian romance, or some sort of fanfic for Lynda Carter (not that I don’t love the woman myself). The scenes are descriptive and decently written, but the story is so overwrought with multiple characters who have little relation to the main plot, assuming that would be the murder of one of the movie’s stars. I lost interest in what Alex might do, either in her short stunt career or as the ameteur sleuth, extremely quickly.

The set up of the book’s style is similar to Ellen Hart’s Jane Lawless books: a list of the “cast of characters” in the beginning of the book, a woman pulled into a mystery by a secondary involvement, who was introspective in terms of her self and surroundings. So, I was hoping for a similar nuanced style from Morganstein, but I feel like I know little about Alex or the reasons behind her actions. Nor could I really manage enough feelings for the book, beyond confusion, to really care. On A Silver Platter is the third book of this series, so maybe I will hop back to Ordinary Furies and see where Alex started.