Danika reviews Florida Woman by Deb Rogers

the cover of Florida Woman

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Jamie has always lived a bit of a bumpy life. Her dad left when she was young, and her mom took off with a new boyfriend not long afterwards. She and her brother weathered the foster care system together until he was arrested for dealing drugs. Since then, she’s been working minimum wages jobs with very few connections, just scraping by.

But one strange night changed her life forever, and not for the better. A combination of bad decisions and unlikely circumstances turned her into Twitter’s main character of the day: A “Florida Woman” headline. All she wants to do is put her head down, serve her time in community service, and wait for it to blow over.

In this worst time in her life, though, she’s stumbled on some luck: a lawyer who’s taking her on pro bono, and a sweet community service opportunity that seems more like voluntourism than something comparable to jail time. Her lawyer has arranged for her to volunteer for a macaque monkey sanctuary. She’ll have her room and board paid for, and she’ll serve out her time in the Florida jungle helping prepare the monkey’s food, clean up after them, and generally be helpful.

Jamie was fully expecting to spend time behind bars, so this is an incredible opportunity, even if she does have to wear an ankle monitor. When she arrives at the sanctuary, Atlas, she finds the three full-time staff members are a very close-knit group of women. They’re definitely hippie types, and they believe the monkeys have spiritual wisdom to share with them. Jamie can’t help but be envious of the way they move through life, and she yearns to belong in this community.

Meanwhile, interspersed with Jamie’s chapters are excerpts from the sanctuary’s website, which include ominous lines like “We are a supportive circle, but remember: circles are closed for safety and wholeness. You are either with us or against us. There is no other way.” Jamie sleeps in her own hut deep in the jungle, away from the other women. She swears she can hear the monkeys screaming at night, but she’s told she’s dreaming it or confusing it with other noises.

This is a story that has a creeping sense of unease, which pairs well with the oppressive, dizzying heat and humidity of Jamie’s surroundings. Atlas feels a little cult-like, but Jamie is completely bought in. She’s vulnerable on multiple levels, and she desperately wants to be part of this community who seem to accept her and value her, even knowing her embarrassing headlines. She devotes herself to them and Atlas, ignoring the red flag that pop up, and as readers, we’re just waiting for this house of cards to come down.

I feel like with slow burn suspense like this in a story, it can turn out a couple of ways. One is that you get exactly what you were anticipating the entire time, and it feels like they were just dragging out the few plot points they had. Or, as is the cast for this book, it can slowly keep gathering steam towards an explosion at the end. While this book start off fairly slow-moving, it is effective in building tension, and that is definitely paid off.

I will also say this has a sapphic main character, but it’s far from a romance.

I wasn’t sure exactly what genre this was going into it: horror? Litfic? Thriller? And to be honest, I’m still not sure by the end. I’d say thriller meets litfic would probably be the closest to accurate.

This was a compelling read, especially with the fascinating setting. And I was invested in Jamie, who is so hungry for connection that she’s willing to overlook a lot to find it. This is a thriller, so I recommend looking up content warnings, because some of them would be spoilers for specific reveals.

Meagan Kimberly reviews The Space Between Worlds by Micaiah Johnson

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Cara is a traverser in a world where travel between universes has been discovered. In most worlds, she’s dead, making her the perfect candidate for the job, as traveling to worlds where your counterpart is still alive results in your death. But the protagonist isn’t all she seems, and neither is the company and people she works for. Once she learns the truth about the business of multiverse travel, she must decide where she really belongs.

There are so many layers complementing each other, showcasing the intricacy of the issues presented. It’s a story about class divide, power, ethics, morality, capitalism, family and relationships. Every element is intertwined with one another, making Cara’s journey complex as she navigates who she really is.

The whole book is incredibly well-paced, with plot twists you never see coming and happening just at the right time. Perhaps this is because Cara is an unreliable narrator and you only ever see the world through her eyes. As she perceives her role in multiverse travel and ignores the bigger picture for much of the story, it’s hard to see what’s coming. This is what makes her such a compelling main character and the story so entrancing.

Johnson creates a dynamic duality of science and religion with the concept of traversing. During the process, traversers experience trauma that leaves them bruised, and if done too frequently with no breaks between jumps, even causes broken bones. Cara describes it as pressure as her body pushes the boundaries between worlds. She and the other traversers refer to this phenomenon as the goddess Niameh giving them a kiss. But the scientists behind traversing simply explain it through logical means, referring to physics and biology. There’s also a layer of Niameh representing beliefs other than white Christianity.

Through Cara’s backstory and memories, there are nuanced discussions of being a victim of abuse. The multiverse shows what can be if people’s circumstances are different. At the same time, it puts on display how complicated emotional ties are between abusers and their victims. It brings to mind questions like, “Can you love someone who is abusive, especially if you know the kindness they’re capable of?” and “Can you resent a kind person you know is capable of violence and abuse they haven’t committed in this world, but have in another?”

Cara’s character arc takes her from hating where she comes from, Ash, to accepting who she is and where she’s from is nothing to be ashamed of. She longed to become part of Wiley City for so long, only to find it wasn’t as bright and shiny as it appeared on the surface. To become Wiley was to accept a definition of success determined by those in authority, rather than success on her own terms.

I listened to the book on audio, narrated by Nicole Lewis, and I highly recommend it if you like listening to fiction on audio. Lewis is a charismatic narrator and brings every character to life.

Content warning: abuse

Meagan Kimberly reviews They Never Learn by Layne Fargo

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Carly Schiller is finally away from her abusive family, but her freshman year at Gorman isn’t going that well either. She befriends and starts to fall for her roommate Allison Hadley and becomes close with Allison’s childhood friend Wes. But when Allison is sexually assaulted at a party and Carly insists on bringing her friend to the hospital and then taking the issue to the school, a rift begins to tear them apart. No one is treating Allison’s situation as she thinks they should, and as tensions rise, it all ends in tragedy.

Scarlett Clark is an English professor at Gorman with an unexpected pastime — murder. Scarlett finds wrongdoers, rapists and all-around creeps to target and bring to justice the way the justice system should have but failed to do. But her most recent kill brings the authorities too close, and she’s found out by her colleague, Dr. Mina Pierce, her victim’s ex-wife. It doesn’t help that there’s a palpable connection between her and Mina.

Almost all the men throughout the book represent the worst of toxic masculinity and the patriarchy, so it’s easy to sympathize with Carly and Scarlett as they begin to lose control. The blatant perpetuation of rape culture from authority figures who should be protecting them is infuriating. Wes turns out to be a Nice Guy™, showcasing one of the more sinister types of male entitlement. He believes because he offers Allison and Carly friendship that they owe him a sexual and/or romantic relationship.

As stated before, almost all the men are the worst. The only men in the entire story who are decent are Scarlett’s gay, married colleagues. This is perhaps the most problematic aspect of the book, as the only good men are gay is a tired and stereotypical trope.

The way I pitch this book is as the meme, “I support women’s rights, but I also support women’s wrongs.” Even though Carly and Scarlett turn to violence to exact justice, it’s a visceral satisfaction that’s easy to fall into. (spoilers, highlight to read) And while you’re waiting for it all to come crashing down, the unexpected happens: a happy ending. (end of spoilers)

Fargo’s writing is fast-paced and propels the story at a compelling pace. It’s hard to put the book down as you flip back and forth between Carly’s and Scarlett’s stories to see how they converge.

Trigger warnings: rape, sexual assault

Danika reviews A Lesson in Vengeance by Victoria Lee

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I feel a little “dead dove, do not eat” about this reading experience. I went into it looking for a creepy, unsettling read and then finished feeling unnerved and unhappy about feeling that way. So while I didn’t enjoy this read as a whole, that’s down to my own choices. I also started listening to this in October, when I love reading horror and thrillers, but it expired when I was halfway through and I finished in about a month later. Likely if I hadn’t have had that gap in between, I would have enjoyed it more.

This is a dark academia YA novel about Felicity, who has come back to her exclusive/pretentious boarding school after taking a leave to take care of her mental health. Last year, her girlfriend died in a tragic accident. At the time, she’d been obsessed with Dalloway House’s history, with its murders and rumors of witchcraft. This time, she’s determined to set aside the attraction to witchcraft and concentrate on her studies.

That’s when Ellis shows up: a famous (teen) author who is writing about the Dalloway murders and pulls Felicity in to her research. Soon, she finds herself immersed in a world of magic and murder again, even as Ellis tries to prove the Dalloway “witches” were just ordinary women and that the murders could happen without magic. Felicity has more and more trouble telling reality from fiction, especially as she stops medicating for her psychotic depression (a diagnosis the author shares).

If you’re looking for sapphic dark academia, this definitely fits the brief. Dalloway House is a creepy boarding school, and the students are just the kind of pretentious academics you’d expect from the setting. They recite poetry in rooms lit by candlelight, they write their essays on typewriters and eschew cell phones, and they dress like they’re in a period piece.

Part of the reason I didn’t personally enjoy it was that I have a terrible memory and have a bit of a phobia of it becoming worse, so reading from the perspective of someone who often lost touch with reality was very unsettling. (Again, that’s not a fault of the book, but with what I brought to it.) Ellis and Felicity also have an unhealthy relationship, with Ellis being manipulative and often leading Felicity into dangerous territory for her well being, which was hard to watch, especially as Felicity seems to miss a lot of the red flags.

I don’t want to criticize the depiction of Felicity’s mental illness, because it is own voices, but I will say I was a bit confused comparing the author’s note (and her Goodreads review) with how Felicity is portrayed.

This seems to be a divisive read, but I will say many of the criticisms I’ve read are just of the premise or it being in this subgenre. This is dark academia: of course it has unlikable, pretentious, morally gray (at best) main characters. And no, you should not go to this book expecting a cute F/F romance. That’s not what it’s trying to do.

Despite the fact that I didn’t love it personally, I’d still recommend it to readers looking for a dark academic book. I also recommend reading the Lesbrary reviews from Carolina and Sinclair Sexsmith, who both really enjoyed this one, for some other perspectives!

Shannon reviews Trouble Girls by Julia Lynn Rubin

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I’m always on the lookout for a good road trip book, especially during those hot summer months, and so, I was beyond delighted to run across Julia Lynn Rubin’s Trouble Girls, part YA thriller and part coming of age story. It features teenaged best friends who head out for a weekend camping trip and end up on the run from the law. A little over the top to be sure, but the synopsis totally hooked me.

Trixie’s life isn’t anything like she always imagined it would be. She’s seventeen, working way too many hours at a local diner, and doing her best to care for her ailing mother. She’s put most of her dreams aside to make sure her mother gets what she needs, and in a lot of ways, she’s simply going through the motions of living.

The one bright spot in her life is her friendship with Lux. Sure, Trixie would love it if she and Lux could be something more than friends, but she’s not sure if Lux would be open to that. For now, they’re best friends, and Trixie is beyond grateful for Lux’s presence in her life.

One Friday evening, Trixie and Lux decide to go camping for the weekend. It’ll give Trixie a chance to decompress, to let her hair down and be a normal teenager for once. Trixie wonders if this might be just the chance she needs to let Lux know she has a huge crush on her, but even if she doesn’t confess her true feelings, she knows they’ll have a good time just like always.

As you might imagine, things don’t go as planned. The girls decide to head into a nearby town before roughing it in the woods. Lux wants them to test out their fake ID’s, and she knows just the place to do it. Trixie isn’t nuts about the idea of spending time in a crowded club environment, but she eventually gives in. Not long after they arrive, a college student sexually assaults Lux, and Trixie stabs him in an attempt to defend her friend.

Now, Lux and Trixie are on the run. They know heading home is likely to mean jail time for Trixie, so they decide to head for California where they can start fresh. Trixie hates the thought of abandoning her mother, but she hates the thought of jail even more. She keeps telling herself she’ll eventually find a way to make sure her mom gets the care she needs, even if it takes awhile for everything to fall into place.

Trixie and Lux are not at all prepared for a life on the run. They’re not very street smart, and their good judgement is sorely lacking at times. Everything they do seems to end in greater disaster, and I found myself feeling overwhelmed on their behalf. And yet, I couldn’t look away from this book. Something about Rubin’s writing compelled me to keep turning the pages.

If you’re sensitive to descriptions of sexual assault, this may not be the book for you. Rubin doesn’t go into graphic detail about Lux’s assault, but it is one of the main forces driving the novel forward, and it’s mentioned relatively often. I thought she did a fantastic job depicting the various emotions survivors deal with on a daily basis without overdramatizing a potentially triggering situation.

My main problem with this book has to do with the ending which feels a little too ambiguous for my taste. I don’t need every single detail tied up in a tidy bow, but it’s nice to finish a book with a feeling of at least a partial resolution for the characters. Here, the author hints at what might happen to the girls, but I didn’t feel any real closure. It was almost as if she decided to leave it up to the imaginations of her readers, and that particular writing style just doesn’t work for me.

In spite of its unsatisfactory ending, there’s a lot to love about Trouble Girls. The action is practically nonstop, and I became quite invested in both Trixie and Lux. It’s a quick, diverting read, perfect for a summer afternoon on the beach or even a cool autumn night by a campfire.

Marieke reviews The Confessions Of Frannie Langton by Sara Collins

The Confessions of Frannie Langton cover

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This is not a happy book. It tells you that in the title already: the ‘confessions’ refer to Frannie’s written musings that she notes down while she is on trial for the murder of her employer and his wife–the latter of whom she happened to be in a romantic relationship with. Make sure to take note of the content warnings, and be ready for some gruesome scenes. All of this grimness does make for an appropriate setting to the troubles that Frannie is dealing with in the present moment of the story, but it can be overwhelming.

As Frannie recounts the events of her life that have led her to her current predicament, it takes a while for her supposed victims to take the stage, to the point I was becoming slightly impatient with the pacing. It opens with her life as a slave at the Langton plantation in Jamaica (which gave her the name she bears), where she was forced to serve her master as he carried out pseudo-scientific experiments with the aim to prove that African people were not human. That in itself is extremely horrific, and almost numbed me to the further events in the story. Of course, this history is important to understand–both in terms of general history and specifically for Frannie as a character. Still, even knowing that we are learning this history through the writings of Frannie herself, I couldn’t help but wish she would hurry up. Her lingering on this earlier part of her life creates a tense atmosphere, preparing the reader for all the awfulness to come, but this is an approach that either doesn’t work for me or I simply wasn’t in the mood for at the time.

Once Frannie arrives in London, her life becomes even more complicated. She is changed from a slave into a maid, as officially slavery was illegal in England at the time (ca. 1820). This is one of the main moments on which the story turns, where her plantation master gifts her to be employed by his friend, a practice that was still legal and is based on historical fact. It is in this position that she joins the Benham household and meets her employer and his wife (Madame Marguerite or Meg), as well as the other staff, who receive her with mixed feelings. It is also in this position that Frannie grows closer to Madame.

While I believe they both love the other at certain points in the narrative, I couldn’t say that they loved each other at the same time or even in the same way. Their relationship is so inherently shaped by inequalities: Frannie is black, of mixed race, a former slave, a maid, and on top of all that she is educated–which occasionally forces her into the position of sideshow. Madame is wealthy (through her husband), pretty, and of high society, though her being French seems to count as much as a mark against her as in her favour depending on the situation. Most complicated of all though, is the fact that the Benham wealth is generated through slavery, and this cannot ever be removed from the relationship between Frannie and Meg.

On top of all that, Meg has an opium habit that worsens over the course of the book, and she involves Frannie in covering it up so her husband won’t grow aware. There are so many secrets in this story, and the opium secret is an early indication of the bleakness that lives in the Benham marriage, creating another layer to the women’s relationship. It presents a theme often explored in historical fiction: while Madame seemingly has everything she could ever want (husband, wealth, beauty, youth), she either holds these things through her husband or her own age–which of course only ever advances in one direction. She is isolated and even needs drugs to numb the loneliness of her life. In one moment, Frannie suggests that white women are also the property of white men. Still, that doesn’t mean Meg and Frannie suffer the same pains, but the story does a good job of suggesting that the rules of society can protect as much as they can hurt and trap someone. Frannie and Meg just happen to be trapped in different ways.

In the end, these entrapments lead to the death of the Benhams and the imprisonment of Frannie, who is trying to figure out what happened that fateful night. The later chapters where she notes down the proceedings of her court case (all her writings are addressed directly to her lawyer, in the hopes that he can either figure out a defense or share her words, depending on the outcome of the case) come closest to feeling like a murder mystery. There are witnesses, evidence, a judge, and lawyers trying to make the best of it all. This is also where Frannie has a chance to figure out what she did (if anything), as her trauma seems to have blocked her memory. As she unravels the various threads being spun by the background characters in the court case, it becomes clearer to the reader how many more secrets lived in the Benham household, and you begin to question ever more what is and isn’t true.

Content warnings: slavery, prison, physical abuse, emotional manipulation, blood, gore, body horror, racism, suicide, murder, violence, miscarriage, rape mentions

Meagan Kimberly reviews The Last Place You Look by Kristen Lepionka

The Last Place You Look by Kristen Lepionka cover

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Detective Roxane Weary is hired to prove a man’s innocence before his death sentence is completed for a crime he’s been claiming he didn’t commit. As she investigates what seems like an open and shut case, she starts to unravel a web of crimes that have gone undetected for decades. When another young girl goes missing, Roxane knows she has very little time to solve them all and save her client’s brother from a fate he doesn’t deserve.

Overall, this is a fast-paced story that keeps you turning the pages, wondering who is the true culprit of the crimes in question. Somewhere halfway, it goes off-road, but eventually, it leads back to the main mystery at hand. However, while it touches the surface of issues of racism and police brutality, it never delves into them. The man in prison for the murder of a white woman is a black man. Roxane briefly acknowledges the implications of how racism could have played a hand in the investigation and sentencing. But it doesn’t go beyond that, as it gets lost in her obsessive need to unravel the mystery of so many women presumed missing.

Roxane Weary is a messy and complicated character. I kept making the connection to Marvel’s Jessica Jones, a private eye with alcohol addiction who is still very good at her job. Roxane isn’t necessarily a great person, but she’s not necessarily a bad person either. In fact, she’s rather endearing in her imperfections, even if her behavior can sometimes frustrate the reader. She’s depicted as having casual relationships with men and women, but it’s never described as the stereotypical, “All bisexuals are cheaters.” She’s just a trainwreck because she hasn’t coped with the trauma of her difficult childhood and the recent loss of her father.

The Last Place You Look has a compelling mystery with an intriguing character. It’s a fair set up for a different player in the mystery-thriller genre.

Carolina reads A Lesson in Vengeance by Victoria Lee

A Lesson in Vengeance by Victoria Lee

“Dark Academia” is a cultural trend sweeping Tumblr and Tiktok, an eclectic sub-community gauzed in stark, academic aesthetic and darkly gothic themes. On any dark academia moodboard, you can find androgynous tweed suits, dark libraries, sepia-tined cigarette smoke. However, the trend has little place for female characters or sapphic relationships, as it primarily focuses on classical homoeroticism. A Lesson in Vengeance eschews the male-gaze and is a wildfire of sweeping speculative historical fiction embedded in a thrilling, sapphic magic mystery, becoming my go-to dark academia recommendation. 

One year ago, Felicity Morrow’s girlfriend, Alex, died under mysterious circumstances at the hallowed Dalloway School, a boarding school for gifted girls built upon the bones of the Dalloway witches, five girls part of an occult 17th century coven whose strange and inexplicable deaths haunt the campus. Now, Felicity is back at Dalloway, torn between putting the past behind, or discovering the truth behind Alex’s death. The choice is made for her by the enigmatic Ellis Haley, the newest pupil at Dalloway, who draws inspiration for her best-selling novels through an extremist take on method-writing. When Ellis decides to write about the Dalloway witches, she and Felicity become intertwined with the past when they decide to replicate each of the witch’s deaths to uncover the truth of what happened all those years ago, and reveal the darkness that lies in their hearts.  

The vintage, macabre aesthetic of the novel is incredible, full of immaculate detail and atmospheric writing. Lee was also sure to include nods and winks to the literary canon of female horror through references to Shirley Jackson, Helen Oyeyemi and others, providing built-in book recs for those interested in female-led horror. The novel also is not limited by the young adult genre, as it is constructed with just the right amount of gore and suspense needed for a perfect horror story. Our main character, Felicity, is as thrilling and twisted as any Amy Dunne or Tom Ripley; a new sapphic star of the thriller world.

A Lesson in Vengeance is a twisted feminist thriller about the lengths one would go through to survive. Lee takes dark academia staples, such as mystic rituals gone awry and an unquenchable thirst for knowledge, and imbues them with their own wit, style and uniquely queer flavor, creating a new home for sapphic women in the genre. Also, do yourself a favor and follow Victoria Lee on Tiktok, they’re a delight. 

Thank you to the publisher and NetGalley for an advanced copy!

Content Warnings: substance abuse, trauma, death, gaslighting, mental illness, violence, gore, neglect, animal abuse

Shana reviews The Wife in the Attic by Rose Lerner

The Wife in the Attic by Rose Lerner Audible original cover

The Wife in the Attic is a gorgeous reimagining of Jane Eyre, available as an Audible audiobook first and as an ebook in Fall 2021. This gothic tale follows a lonely governess employed by a charming aristocrat, but is fascinated by his mysterious wife.  

Miss Oliver is a struggling guitar teacher in 19th-century England, an orphan who’s used to feeling like an outsider, thanks to her mixed Methodist English and working-class Portuguese Jewish background. When she hears of an opening at an isolated manor by the sea, she imagines sumptuous seaside meals, and a chance to bond with a little girl potentially just as lonely and odd as she is. 

Miss Oliver’s new home is a creepy mansion, with sullen servants who won’t let her leave the house. She has a flirtatious master who might be stealing her letters, and an ill mistress who’s never seen outside her room. Her employer, Sir Kit Palethorp, wants an extremely proper Church of England education for his daughter.  Between Miss Oliver’s religious and ethnic background, and her lesbian adventures at boarding school, she knows she’ll need to lie by omission to keep this job. Miss Oliver is never sure how much of the weirdness in the house is typical, but she’s fascinated by the Palethorpes. She spends the book unraveling whether Sir Kit’s foreign wife is the mad, sick woman he describes, and whether the two women–and the unpredictable little girl they’re learning to share–might have more in common than either had imagined.  

The Wife in the Attic is a brilliant historical novel, filled with layers of secrets, and gothic fiction references. It’s unsettling and tense, but not scary.  I loved Miss Oliver and Miss Palethorpe: they’re both outsiders who are skeptical observers of English society, and the book is peppered with their pointed commentary on English blind spots. Both women have trouble trusting others, and find they are not as alone in the world as they’d imagined. Readers who like to explore class and cultural differences in historical relationships would enjoy this book. 

Miss Oliver is initially enthralled with the Palethrope family, even though she doesn’t trust either of the parents, or herself when she’s around them. Miss Oliver is a compelling heroine who knows she’s being manipulated, but can’t decide by whom. As the book continues, we learn more about her, and it was beautiful watching the character heal from generational trauma by connecting with other Portugese Jews.

There are many creative twists on the original Jane Eyre, but I wished the book had spent more time exploring the daughter’s storyline. There’s also a moment of disassociation during sex where consent is muddy. I felt that scene was unnecessary, and may be triggering for some readers. 

It’s very hard to talk about this book without spoiling it, but The Wife in the Attic is smart, romantic, and a queer Jane Eyre that transforms the classic into an addictive story where no one trusts one another. I rarely read audiobooks, but I highly recommend this one. 

CW: gaslighting, antisemitism, ambiguous consent

Shannon reviews She’s Too Pretty To Burn by Wendy Heard

She's Too Pretty to Burn by Wendy Heard

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As the weather begins to warm up here in the midwest, I find myself in serious need of books set during the warm summer months. There’s something so magical about long days spent in the sunshine, even if the characters’ daily activities aren’t ones I’d recommend. Books set in the summer just have a certain kind of hypnotic feel, and it’s exactly that feeling I was searching for when I picked up She’s Too Pretty To Burn, the latest novel by Wendy Heard. It’s a young adult thriller with charismatic characters and a swoony romance, and I devoured it in a single sitting.

Veronica is a photographer living in San Diego with her mother. When we first meet her, she’s pretty bored with life, hanging out at a party she’s not enjoying and just wishing for something exciting to happen. She loves photography, but even it isn’t providing her enough mental stimulation to fight off her feelings of boredom.

Then, she meets Mick, a complicated and beautiful young woman who seems to speak right to Veronica’s soul. The reader knows pretty early on that Mick is a troubled character, but Veronica doesn’t pick up on this for quite some time. She just knows that she’s captivated by Mick, and she becomes a little bit obsessed with photographing her, even though Mick herself hates having her picture taken.

Mick’s home life isn’t the greatest, so spending time with Veronica serves as a sort of escape for her. The two begin spending all their free time together, and it’s not long before Veronica introduces her to her good friend Nico, an activist with a passion for performance art. He’s a couple of years older than Mick and Veronica, definitely more worldly than them, and he has a plan he thinks will shake up the city in some necessary ways.

At first, Nico’s plan seems harmless enough, but as time passes and Mick falls deeper under his spell, things take a dangerous turn. Veronica, desperate to make it big as a photographer, doesn’t notice the danger Mick and Nico are putting themselves in right away. Will she figure things out in time to stop something catastrophic from happening, something with the power to affect the trajectories of all their lives?

She’s Too Pretty To Burn is pretty dark, definitely not a good fit for those looking for a story on the sweeter side of the young adult spectrum. Their are some blurred lines when it comes to consent here, and readers who are triggered by discussion of abuse might want to do additional research before picking this up.

The characters aren’t all good or all bad. Instead, they exist in that big gray area that makes them super relatable but also difficult to categorize. It’s hard for me to choose a favorite, since each is incredibly well-drawn. They all make bad decisions at times, but then, that’s a regular part of being a human being, and something I definitely want in my fiction. Perfect, cookie-cutter people aren’t all that interesting to read about.

I enjoyed watching the relationship between Mick and Veronica blossom. The author does a phenomenal job showing how complex love is, especially for teenagers who are working hard to figure their lives out. Certain scenes between the two are poignant and beautiful, while others serve to amp up the tension of the overall story.

If you’re looking for a fast-paced novel that’s dark and twisty and filled with characters who remind you of people you’d meet in the real world, you could do far worse than She’s Too Pretty To Burn. It’s probably not a book that will appeal to every reader, but it landed firmly in my wheelhouse and I’m so glad I gave it a try.