A Meditation On Grief Through a Speculative Lens: Our Wives Under The Sea by Julia Armfield

the cover of Our Wives Under the Sea

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I’ve seen this book mainly categorised as horror but after reading it, it feels more like a speculative fiction with elements of horror and sci-fi in it. This book transcends genres: that’s the mark of a phenomenal read! 

I went into this story expecting an action-packed, horror-strewn plotline and found something much better and resounding. Leah, a marine biologist, is married to Miri and embarks on a deep-sea mission from which she doesn’t return for six months. It’s a mission that goes horribly wrong and alters her life inextricably. The story is told from alternating points of view of Leah and her wife, Miri. 

The first portion of the book portrays the slow and gradual deterioration of their relationship and the silences that hover around them. The writing style is mundanely descriptive and intimate but charged with unspoken emotions. The author spotlights and emphasises their dynamic inner worlds and feelings and their reaction to this traumatic event. 

The chapters are interspersed with haunting and heartfelt past memories of the couple that throw into stark relief their dire situation in the present. Miri feels that the only way to move forward is to look back and hold the past as a beacon of light to guide their enigmatic future. This new unprecedented future seems endless, strange and indescribable, and in contrast, the past feels tangible and comforting. So she collects pieces of her past, holds them close to her heart, and soldiers on. 

There is a constant tone of nostalgia and a sense of something that is lost and irretrievable. Miri tries her best to be there for her wife through her transformations and it takes a toll on her. For Leah, she carries the horrors that she faced under the sea to her life on the land as well. The sea haunts her days and nights alike. Leah’s experience under the sea isolates her and brings her face-to-face with a truth that lodges itself into her body and continues to take charge of her. It is interesting to witness the struggles of the wives parallelly. 

Some of the chapters in the book make brilliant comments on grief and its enduring hold. It shows us how grief can transform us, either for the better or for the worse. Apart from the sea experience, I think the book also comments on how some traumatic events can really shake the foundations of our lives and relationships and permanently set us adrift. Also, I found the naming of the parts in this book very interesting and accurate. It documents how Leah gradually becomes one with the ocean and loses her grip on the land. 

The last portion of this book is filled with suspense and it takes on a frenzy sort of urgency. Even though I predicted the ending, it completely crushed me. It reminded me of the movie Shape of the Water. As long as you don’t dwell on the technicalities of the plot, the story is heartbreaking and profound. The book gets sadder as it progresses and then suddenly it plunges you into an abyss of absurdity and terror. I was not ready for it. However, I thoroughly enjoyed reading it! The entire reading experience feels like a poetic submersion! 

Childhood Nostalgia is a Trap: Mister Magic by Kiersten White

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I wasn’t sure if I would review this for the Lesbrary at first, because although the main character mentions that she’s bisexual at the beginning, it didn’t seem to come up again. Once I finished it, though, I realized that queerness is essential to the underpinning of the story. (There are also several queer men side characters.)

Millennials all remember Mister Magic: it was a kids’ show with a huge following, and 30 years after it shut down, people still discuss it in message boards and debate the finer points of the show. Was Mister Magic a person or just a puppet? Did the show stop because a kid died, or is that just a creepypasta rumour? These debates are impossible to verify, though, because there are no surviving episodes or even clips from Mister Magic, despite it being one of the longest running shows of all time.

Val doesn’t remember her childhood. Her memories start when she and her father showed up at a horse ranch and began a new life. He refused to let her have any contact with the outside world, including watching television. Then, at his funeral, an oddly familiar man shows up and tells her she was once part of the Circle of Friends on Mister Magic, and they’re all getting together for a reunion. Before she can second guess herself, she leaves with these new/old friends, looking for answers about what she’s been running from her whole life.

I’m a little divided on how I feel about this book. The premise is interesting, and I liked the interspersed snippets about the show, including Reddit discussions. The author’s note was illuminating, and I respect what she was trying to do. I like the message about the danger of trying to return to an imagined childhood innocence, and how trying to do the best for your kids can lead you to crushing their individuality out of them. The ending was surprising but fitting. Spoiler, highlight to read: And I appreciated that the ideal person raising kids and teaching them lessons about the world was a childless queer woman. End spoilers.

While I liked the premise and the message of this novel, the execution fell a little flat to me. I think this would make an amazing novella—maybe even a short story. The middle dragged a lot, and I didn’t feel like I was getting new information. In the end, I’m glad I read it because of the strength of the premise and ending, but I do think most of the middle could be cut without losing much of the story.

As for the horror element, this is a little unsettling and creepy, but not outright scary or disgusting. I think this would be a good book to pick up if you want to dip your toes into horror, but don’t want to give yourself nightmares.

If you’re on the fence, I recommend reading the author’s note first to give you an idea of what the author is going for. Some elements of this are really strong, so it’s a shame that I didn’t enjoy it as much as I could have if the plot was a little more streamlined.

Content warnings for parental abuse and neglect, racism, homophobia, religious trauma, child death.