Tag Archives: singer

Supremely Steamy Slow Burn: Losing Control by J. J. Arias

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the cover of Losing Control

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For my first romance of 2024, I decided to read Losing Control by J. J. Arias. I had heard so many great things about this author (shout out to the Strictly Sapphic podcast) and knew that I really wanted to check her work out sometime. So when my friends gifted me a copy for Christmas, I knew what I had to do. I am so happy with my choice. This book is a nearly perfect steamy slow build romance with tons of emotional depth.

Losing Control is the first in her new series of books set at the Miami-based Dominion Talent Agency. Andrea Ortiz is one of the top talent agents at the agency. The definition of straight-laced, she has gotten where she is by always following the rules, whether they be from her parents, teachers, or her boss. It’s led her to a fairly simple and straightforward life, but that’s the way she likes it. This life is upended, however, when she’s tasked with managing Roxy, better known as the wild and sexy pop star Roxxxy. Roxy’s latest antics have resulted in her tour manager quitting right before her nationwide tour is about to begin. Unable to find a replacement on such short notice, Andrea has no choice but to go on tour with Roxy in the hopes of keeping her out of further trouble. As Andrea and Roxy spend night after night together on Roxy’s tour bus, a connection forms between them that threatens to make Andrea break all her rules. For Roxy, this connection may finally be the thing that allows her to let someone in and see the real person behind the stage persona.

One of the key elements that can make or break a romance, especially a slow burn romance, is the tension between the characters. As a reader, it’s not enough to be told that characters are into each other; you need to feel it. J. J. Arias does a masterful job of making you feel the sexual and emotional tension between Andrea and Roxy as it gradually builds throughout the book. From their first meeting, you can sense the energy between them in the prose. Every sentence and paragraph is expertly used to build a palpable sense of inevitability between Andrea and Roxy, even if the characters themselves think it impossible. You know these two want each other; you feel it as it continues to escalate and drive them to do things they never thought they would. What makes this tension even better is how Arias mixes the sexual and emotional sides of this tension. Andrea and Roxy don’t just want to have sex with each other. There’s more to it than that, even if they don’t know it quite yet. All of this works together to make the slow burn a roaring fire that slowly builds into a blazing inferno.

Of course, tension is only good if there is a payoff. Arias knows this and delivers a highly satisfying payoff. (Slight spoilers for the last quarter of the book, highlight to read) She forgoes the trope of a third act breakup and instead gives us what could be described as an extended epilogue filled with incredibly steamy sex scenes and fantastic emotional character moments. At this point, the tour is over, and Andrea and Roxy are back in the real world. They’ve decided to be together, but that means figuring out what that means for both of them, their careers, and their personal lives. I personally loved this because it allows us to see how Andrea and Roxy continue to develop as a romantic partnership. Additionally, the sex scenes are so good because not only do they give us tasty 5-alarm spice, but also show how much these characters care for each other, how far they’ve come, and how deep their love is now. (End of spoilers)

Losing Control is a wonderfully steamy book filled with fantastic characters that you want to be together. The tension between characters is palpable and the payoff is very satisfying. If you’re a fan of spicy sapphic slow burns, I highly recommend this book. Personally, I can’t wait to see what J. J. Arias has cooked up in the rest of the series.

A Literal Love Song: Stars Collide by Rachel Lacey

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the cover of Stars Collide

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“You’re more than your sexuality. So much more.”

After her divorce, pop star sensation Eden Sands’ latest album lacked the spark fans and the industry have expected of her after 20 years. Meanwhile, Anna Moss, her fellow Grammy nominee, is beginning to rise, though people in the industry don’t take her as seriously as she hoped. To rekindle that spark, Eden invites Anna to join her on stage during her Grammy performance, only for fans to focus on the spark between them. Following the unexpected popularity of #Edanna, Eden invites Anna to open her upcoming tour. The more time they spend together, the more they realize that chemistry exists off-stage, too. Is there something more to what they’re feeling?

Mild Spoilers Ahead. Book Contains Sexual Scenes.

Rachel Lacey does a wonderful job at exploring topics of self-discovery and identity. Eden and Anna’s love story gives a respectable nod to many realities of life as a celebrity. As a young star, Eden is forced to mature quickly. Allowing the adults in her life to make major decisions on her behalf stole Eden’s control, leading her to claim that control in extreme ways as an adult. Fans have mobbed Eden, tugging at her hair, getting in her personal space, and claiming some unspoken right to flash cameras in her face, leading Eden to further seclude herself under the guise of safety. So much of her young life was controlled that she lost the chance to explore her identity beyond the pop star on stage. Meanwhile, Anna is forever seen as a teen character she played (while in her 20s), prompting no one to take her seriously. One of the things I loved most about this book was the mentorship between the two women. While Eden helped Anna recognize the control she could have over her career, Anna helped Eden recognize who she was and the life she could have outside of the spotlight. A lot of the conflicts in this story were internal; Eden’s self-discovery and sexual awakening, the words of a controlling and toxic ex haunting Anna. Eden and Anna helped one another through their self-growth.

In my favorite scenes, Anna coaxes Eden to talk through her thoughts (finally, a sapphic book that avoids using miscommunication to simmer the story in tension). Anna reminds Eden, “You don’t have to label yourself before you’re ready… or ever, if you don’t want to. How you identify is so personal, and you’re under no obligation to share it with anyone.” For many people, recognizing who they are—labels or not—is a lonely process. Anna never pushes or rushes Eden, but she does help Eden work through her concerns. You’re never too late to decide who you are. I didn’t navigate my own sexuality until after college, but I wish I’d had a friend to help me understand it, the way Eden had Anna. Even when their relationship blossoms into more, their friendship never wavers. Rachel Lacey does an incredible job at describing how out of tune you can feel for so much of your life, only for the static to clear because of an event, a realization, or a person. I’ve met that person and I can say with certainty that it can change everything.

Though I loved the internal conflicts both main characters had to navigate to mature and develop, the lack of strong external factors seems unrealistic. The major external factors are the mobbing fans and Anna’s ex; the latter of which creates the only major blow-out scene in the entire novel. While we see Anna mature throughout the story (both in how she treats Eden and in her career growth), her maturity unravels in that scene. Eden, who is usually steadfast in her composure, steps beyond the professional veneer she wears in a moment of immature jealousy. That scene, presented in the last few chapters, felt like a rushed, inserted source of conflict before a HEA ending. Even Anna’s ex felt out of character in these scenes, jumping from one extreme to the next, brought in as a last-minute trigger for Anna’s insecurities about her relationship with Eden. There were other external conflicts to explore that would have strengthened the story. For example, the media is never posed in a negative light (as if the media wouldn’t distort the truth or paparazzi wouldn’t mob both popstars). What if Eden was only enamored by the situation (a concern that could have crept alongside Anna’s other doubts)? During the second half of the novel, Eden and Anna were surrounded by so much BLISS that I kept waiting for a real problem to challenge their relationship. The strongest relationships navigate problems and survive, all the stronger for it.

Recommended to anyone in need of a warm and fuzzy romance read. Ideal for fans of sexy slow burns, workplace romances, and celebrity romances.

✨ The Vibes ✨ 
👩‍❤️‍👩 Lesbian and Pansexual Main Characters
💞 Sapphic Romance
🎤 Workplace Romance / Forced Proximity
🎙️ Dual POV
🎵 Slow Burn
⌛ Age Gap
💗Friends to Lovers
🏳️‍⚧️ Transgender Rep
❤️‍🔥 Sexual Awakening
🌶️ Spice

A Sapphic K-Pop Horrormance: Gorgeous Gruesome Faces by Linda Cheng

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the cover of Gorgeous Gruesome Faces by Linda Cheng

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Content warnings for self-harm, homophobia, racism, sexism, suicide, violence, and gore.

Sunny, Candie, and Mina were a young K-pop group on the rise, starring in a popular TV show that launched their career. That was before everything fell apart. Before Sunny and Candie turned against each other. Before the ritual that went wrong. Before Mina jumped to her death.

Now, Sunny is 18 and feels like the best years of her life are behind her. She squandered her shot at fame, and Candie won’t speak to her. They used to be be inseparable, but now she won’t take Sunny’s calls. While following Candie on social media, Sunny discovers that she’s entered herself into a K-pop competition. To her manager mother’s delight, Sunny joins the same competition, but it’s not really to try to relaunch her career. She wants to reconnect with Candie and finally talk about what happened to Mina, as well as the secrets they’ve been keeping. Meanwhile, something is wrong with the workshop: girls keep getting injured, the hallways seem to rearrange themselves, and Sunny could swear she can see Mina out of the corner of her eye sometimes.

The story rotates timelines between the K-pop competition and the lead-up to Mina’s death. This is described by the publisher as a “speculative thriller,” and I think that fits better than “horror.” There are horror elements, including some unexpectedly upsetting gore, but the majority of the book has an off-putting and surreal feel.

At the workshop, Sunny is placed with Candie as her roommate—but Candie continues to be standoffish even in close proximity. Because I don’t think this is a spoiler, I’ll say that Sunny and Candie’s relationship isn’t strictly platonic, but Candie pushed her away to maintain her image. That history simmers below the surface, and in some ways, this is a bit of a horrormance: their fraught relationship is at the centre of this story.

I don’t want to give away the supernatural element, because the answers to what happened to Mina and what’s happening at the workshop are unspooled throughout the story, but I will say it’s a different focus than I’ve seen in a horror novel before. On the other hand, there is a scene with teeth and scissors that I will truly never be able to get out of my head (bad choice of words…) Because the book is mostly dreamlike and unsettling, that scene really shocked me.

There is more going on here than just shifting hallways and girls with the wrong faces, though. It also touches on the pressures of the K-pop industry and the difficulty of fame, including racism and stalking.

If you’re a fan of K-pop, horror, dark fantasy, sapphic romance subplots, and surreal settings—or any mix-and-match of those—pick up Gorgeous Gruesome Faces. This is Linda Cheng’s debut, and though I thought there were a few clunky lines (especially the dialogue tags, which shows just how picky I’m being), the premise and atmosphere was strong enough to override any drawbacks, and I look forward to seeing how her writing develops in her next books.