Tag Archives: contemporary romance

Nat reviews Tailor-Made by Yolanda Wallace

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Tailor-Made by Yolanda Wallace

I went looking for one of Wallace’s newer books at the library and, to my delight, stumbled on a few of her older books, which is always a nice surprise when you find a new author you like. Instant book list! Tailor-Made is an opposites attract, forbidden love romance with a lot of interesting dialogue on gender and bias, which while sometimes clumsily explored, shows good intention. 

Grace Henderson is a tailor working for her father, and set to take over the family business when he retires. Grace is a daddy’s girl, and still lives at home with her family, including her two sisters. It’s a full house with not a lot of privacy. Grace is out to her family, and while they’re church-going folks who care about their standing in the community, and who lean on the conservative side, they’re supportive in a conditional sort of way. As long as Grace is dating “respectable,” feminine women, they really don’t care about her sexuality. 

Enter Dakota Lane, bad boi lesbian and famous men’s clothing model. She’s butch, white, and always in the tabloids with a new woman. When Dakota and Grace have instant chemistry during a suit fitting, they try and fail to stay away from each other. Grace struggles with her undeniable attraction to a masculine woman and repeatedly tells herself Dakota is “not her type,” as her childhood posters of Janet Jackson prove. 

Gender presentation is a really important theme in the book, though there are some awkward moments during the exploration. One of these speed bump moments is courtesy of Dad, who is maybe a little out of touch in that boomer sort of way. There’s a moment near the beginning of the book that gave me pause, with Dad describing a new, transgender client as “a woman who used to be a man,” and it took a few more pages to confirm this was Dad’s voice and a tool to introduce the topic of gender identity, rather than a direct reflection of the author. A few more pages clears this up nicely, but I did tilt my head and brace for the worst. Grace realizes she has something to learn about the transgender community, pronoun use, and her unconscious bias toward masc of center women. This leads to some exploration of what it means to be visibly queer vs passing, and a well-placed, very real and uncomfortable scene where Dakota goes through an airport scanner and is misgendered. 

There are some issues and tension with one of Grace’s sisters that largely remain unresolved, not a huge deal as far as loose ends go as the sister wasn’t a main part of the plot, but she did introduce a healthy amount of negativity and resentment toward Grace. I think one of my larger disappointments came with how Grace handled her budding relationship with Dakota, which was filled with miscommunication. After a pep talk from her other, more supportive sister about not letting your parents dictate your decisions and life, she still didn’t really make the decision to embark on her independence both in terms of her career and romantic relationship without daddy’s approval. That irked me a little bit, even though things worked out for her—of course, it is a romance—I was really rooting for her to reach a point where she didn’t need her father’s acceptance to move forward. 

There could have also been a touch more groveling at the end after Grace and Dakota part ways in our third act conflict. Poor Dakota was way more forgiving than warranted considering how things go down (though that is a frequent complaint of mine in a lot of recent contemporary romances). Girl, make her work for it! Wallace’s Tailor-Made may not be the bespoke suit of romance novels, but it’s certainly a fun read to add to your list. 

Meagan Kimberly reviews Make You Mine This Christmas by Lizzie Huxley-Jones

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the cover of Make You Mine This Christmas

Christopher and Haf meet at a university Christmas party one night and after drunkenly kissing under the mistletoe, they’re mistaken for a couple. Rather than own up to the truth that they were simply strangers making out at a party, they go along with the idea. Haf agrees to fake date Christopher during the break with his family so as not to admit to her own family that she will be alone this holiday. Along the way, Haf meets an incredible woman at a bookstore, and oops, it turns out, it’s Christopher’s sister. Shenanigans ensue.

Haf and Christopher are absolutely delightful characters, despite what trainwrecks they both are. It’s pure bisexual chaotic energy as they go about trying to convince Christopher’s family that they’re a couple. Meanwhile, Haf is trying her damndest not to keep falling for his sister, the beautiful and intimidating Kit.

Huxley-Jones does a phenomenal job of developing Kit’s character. She is disabled and living with a chronic condition that leaves her physically exhausted and having to walk with a cane. But this never defines her entire character. She’s saucy, confident and a bit formidable, but in the best way. It’s no wonder Haf falls head over heels in love with her.

It’s easy for readers to fall in love with Haf as well. She’s a plus-size heroine who totally owns her body. It’s so refreshing to read a fat character’s story that doesn’t center on fretting over her weight. Moreover, no one around her ever makes her feel bad about her body.

Perhaps the most delightful thing about the plot is how it takes the fake dating trope and turns it into a rather sweet friendship between Haf and Christopher. It never turns into an awkward love triangle situation between her and the two siblings (which frankly I’m thankful for because that would have been too weird).

There are plenty of rom-com shenanigans to keep you laughing throughout the whole book, mixed in with heartwarming moments of friendship. There’s a particularly excellent chapter involving a baby reindeer and that’s all I’ll say about that. It’s the perfect cozy romance for the winter season and holidays.

Susan reviews Above All Things by Roslyn Sinclair

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Above All Things is the second part of Roslyn Sinclair’s Carlyle series. Vivian and Jules have committed to each other, and now they have to find a way to stay committed to each other during upheavals at work, family drama, and the small matter of Vivian’s pregnancy.

To start off: this really feels like the second half of Truth and Measure, and it benefits from reading it as soon after as you can. Again, this is a 200k fic that’s been rewritten and split into two books, so this isn’t a surprise! But it’s still something to be aware of going in.

Above All Things does something that feels rare to me, in that the characters are out of the getting together phase. A lot of romances focus on how the characters get into a relationship and not how they stay in it, so seeing Jules and Vivian have to negotiate and renegotiate their relationship is really satisfying. There are so many obstacles – Vivian’s fame, Jules’ family, their own ability to communicate—but they choose each other, and they keep choosing each other in the face of all of them! It helps that the characters are still very much themselves as well. Being in love doesn’t soften Vivian at all; she is still ruthless and terrifying, and not always in a way that Jules enjoys. Jules desperately wants to prove herself, and that she doesn’t need Vivian’s help, despite how much Vivian would help her. They have to negotiate the power dynamics, the perception of their relationship, and their contradictory wants, and seeing the way it balances is glorious.

The scenes with Jules’ family are quite hard—well-written, but hard. Being understandably worried about your daughter in a relationship with heavily skewed power dynamics is fine, but the undercurrent of homophobia that her parents have carried from the previous book is there in force. There are some supportive and affirming reactions from other characters, but I thought it best to highlight that Jules’ parents are a whole thing.

For those who want to know how it compares to the fic version of Truth and Measure:

  • Above All Things doesn’t have as much of Jules being aggressively competent as T&M did Andy, but what we get is very good.
  • There’s an actual discussion of heteronormativity and the optics of Vivian and Jules’ relationship in light of the #MeToo movement. I’ve really appreciated how much more casually queer the New York of the Carlyle series is than that of The Devil Wears Prada, so I enjoyed that the characters could be out—even if only to have a media strategy in place to prevent abuse allegations. (Feel free to join me in feeling old because T&M came out in 2013.)
  • “Does [x] big confrontation still take place?” Yes and it’s GREAT. That is the least spoilery way I can put that.
  • If you were like me and appreciated that Miranda didn’t give birth on-page: I’m so sorry.

The long and short of it is that I enjoyed the level of drama and relationship dynamics in Above All Things. I don’t think I enjoyed it as much as Truth and Measure, but I enjoyed the novelty of what it was doing and the finely tuned drama of it all. If you want fashionable queer women earning their peaceful ending, you should definitely pick up this series.

Caution warnings: Homophobia, pregnancy, birth, age gap romance, coming out

Susan is a queer crafter moonlighting as a library assistent. She can usually be found as a contributing editor for Hugo-winning media blog Lady Business, or a reviewing for Smart Bitches Trashy Books, or just bringing the tweets and shouting on twitter.

Meagan Kimberly reviews A Lot Like Adiós by Alexis Daria

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A Lot Like Adiós cover

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Gabe and Michelle had been best friends since childhood. As they grew into teenagers, their feelings took a turn toward romantic, but before they did anything about it, Gabe left.

Over 10 years later, Michelle works as a freelance marketing specialist in the Bronx and Gabe owns a gym in LA, and they haven’t had contact since he left, until now. Gabe makes a return to New York to work with Michelle on a marketing campaign to open a new branch of the gym. Emotions run high, lies become tangled and it’s time for both of them to face the past if they’re going to reach their happy ending.

This is a Latine story on every level. Sprinkled with Spanglish and Spanish throughout narration and dialogue, mentions of Puerto Rican and Mexican foods and their families being way too involved in their relationship all create a familiar environment for Latine readers. Gabe’s strained relationship with his parents is also a familiar situation that many children of immigrants can relate to and plays a central role in his character development. Throughout the novel, Gabe begins to untangle his old feelings and realize a great deal of miscommunication occurred between them.

Meanwhile, Michelle works toward untangling her relationship with work and burnout, especially as how those parts of her life act as a crutch to keep her from making meaningful relationships. As she reconnects with Gabe, she begins to let go of control and stop doubting herself and her abilities.

As the story unfolds, there are inserts of a fanfic Gabe and Michelle wrote together as teenagers called Celestial Destiny. They shared a love for a sci-fi TV show that finally gave them Latinos in space and then was canceled after only one season, a stituation too many of us are all too familiar with. But these inserts serve as a fantastical way to convey a lot of character development that Michelle and Gabe keep from one another and even themselves.

Bisexuality is dealt with subtly in this book. There’s a conversation early on between them where Michelle states, “Gabe, are you telling me we’re both bisexual?” They have a brief conversation about their past relationships regarding being bi and that’s the last you hear of it. It’s a different way for bisexuality to play a role in an f/m romance story than I’ve seen before. There’s never a big deal made about it. It’s addressed but it doesn’t make up the bulk of the plot or character development. But that doesn’t make these characters any less queer.

Within the little bit about the characters’ sexualities, however, there is more nuance given to Michelle. She speaks about dating people of different genders but never having sex with women. She doesn’t hide her sexual orientation from her family, but she doesn’t discuss her dating life with them either. It seems like she’s still getting comfortable with her bi identity.

For those who like their romance novels extra steamy, you’re in luck! A Lot Like Adiós includes lots of hot sex, dirty talk and wonderful examples of consent. Alexis Daria did a fantastic job of portraying a passionate relationship without shying away from sex, desire and pleasure, making it all guilt-free and without shame. It’s totally sex-positive,

Nat reviews Guava Flavored Lies by J.J. Arias

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the cover of Guava Flavored Lies by J.J. Arias

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Ever since I read J.J. Arias’s Guava Flavored Lies, I’ve wanted to go to Miami so bad, just to hit up a Cuban bakery or three for a pastelito de guayaba and a cafecito. It’s been a while since I’ve read a book by Arias, and, as with a lot of prolific authors lately, this recent work is a departure from her normal MO (in this case, exemplified by Vampires and the Goode series).

From two households alike in dignity, Sylvie Campos and Lauren Machado are business rivals and lifelong enemies thanks to a decades long feud between their families. But the conflict for our main characters may be more complex than it seems on the surface – details about Sylvie and Lauren’s past will be revealed along the way that give us a bit more insight into why the anger between the two seems so very… extra.

The story is largely centered around the feuding between the Campos and Machado families, who both own popular Cuban bakeries in Miami, and who each accuse the other of having allegedly stolen family recipes when the founding families parted ways. Opening with a flashback to Lauren and Sylvia’s schooldays, we get a glimpse of how the families’ long time squabbles have affected their kids, who are literally at each other’s throats, though it’s tempered with a hefty dose of humor.

Lauren and Sylvie end up thrown together in the foodie version of the only one bed trope; that is, one food festival and only one functional espresso machine. Aside from their day to day struggles while being stuck side by side at a high profile event, and all the verbal sparring that comes along with it – Sylvie is still determined to try to solve the mystery of the family feud and to prove once that Lauren’s family are recipe thieves.

By the end of the book you’ll have some intense cravings for croquetas and a strong cafe con leche. But the food is also a vehicle for themes of old vs new, as the younger generations of both rival bakeries are being groomed to take over. Lauren wants to modernize some aspects of her family’s business, trying out vegan recipes and experimenting with (much to Sylvie’s dismay) oat milk in her Cuban lattes. Sylvie just wants to perfect the classics and build on her family legacy. Food is the love language of both our MCs, and rather than being at odds, their styles are complimentary, though it takes some translation to realize it.

A satisfying enemies-to-lovers romance, Arias gives us an example of the amazing quality of writing coming from self published authors and small presses these days. Solid, witty prose and dialogue, and pacing and intrigue to move the story along. I hope this is a book that finds its way into a lot of e-readers! And as a long time independent publisher of Sapphic romance, Arias has a backlog of works in the event you fall for her recent bakery wars romantic comedy.

Nat reviews Sour Grapes by Eliza Lentzski

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the cover of Sour Grapes

If you’re mostly familiar with Eliza Lentzski from her Don’t Call Me Hero series (which I really loved) you’ll notice this is quite a departure from that grittier, mysterious style and more in keeping with the contemporary vibe of her more recent novels, including The Woman in 3B. Sour Grapes was an especially fun read for me, because my day job is in the wine and spirits industry, and I love it when my interests collide. Sapphic romance in a winery? Always a yes, and thank you. One of the things I really enjoyed about Sour Grapes was the attention to detail around the winemaking and even the agricultural aspect involved. A lot of the book is dedicated to discussing the craft with accuracy, so if you’re studying up on your level one Sommelier test, this might be a fun way to ingest some wine knowledge.

Speaking of studying up, June St Clare, who’s recently purchased a winery with no winemaking knowledge or even a desire to own said winery, knows absolutely nothing. But owning a winery had been her partner’s retirement plan for them — at least until her untimely, and fairly recent, death. The timing of events was something I struggled a bit with, how quickly June processed her partner’s unexpected death, or more accurately didn’t seem to process. Her partner Alex has only been gone a few months, but there’s a distinct lack of fresh grief from someone whose lover of 20 years has just suddenly died, which I think might have seemed less strange if the author had included a bit more internal dialogue. There are some indications throughout the book that their relationship was less than perfect, but June’s behavior felt more in line with someone whose spouse passed away at least a year or two before, and that detail nagged me quite a bit.

This brings us to our grumpy love interest. I love an Eeyore, and Lucia Santiago doesn’t disappoint. She was definitely my favorite character of the book, and I would have really enjoyed reading from her viewpoint as well, but then maybe that would have made her much less mysterious and brooding. Lucia is the assistant winemaker of June’s new venture, who is brilliant when it comes to viticulture and hatching amazing ideas, but severely lacking when it comes to people skills. Of course Lucia is less than thrilled to meet the clueless, new owner of the winery where her family has been working for decades behind the scenes. Her issues with the doors money can open leads to an interesting sidequest, where Lentzski uses Lucia’s character, who’s Mexican-American, to effortlessly bring attention to immigration issues, farm labor, and unions. If Jorts the cat could read, he’d be so proud!

Overall, this was a solid showing with a few scrapes here and there. The ending felt a bit rushed, almost frantic. I know a common complaint with some romance novels is that that the characters get back together too quickly after one of them does something incredibly stupid in the third act. When the “Bad Decisions” part of this book came along, the last couple of chapters kind of sped out of control. Lucia’s acceptance of June’s return felt very out of character with her brooding, better-off-alone persona, and I wish it had been fleshed out a bit more. I also didn’t love June’s constant pity parties, and by the end I almost felt that Lucia could have done better, but the heart wants what it wants! Despite the flaws in Sour Grapes, all in all it remains a fun summer read that would pair well with a Napa cab sauv.

Susan reviews Truth and Measure by Roslyn Sinclair

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the cover of Truth and Measure by Roslyn Sinclair

If you’ve been in the Devil Wears Prada fandom at any point since 2013, you might be familiar with Truth and Measure as Telanu’s 200k epic post-canon Andy/Miranda fic – featuring Miranda’s nasty divorce, her surprise pregnancy, and Andy weaving herself into the heart of Miranda’s life. Or, you might know Truth and Measure as the first part of Roslyn Sinclair’s latest office romance, featuring an all-capable assistant who’s devoted to her terrifying magazine editor boss, and only finds herself growing more so as she supports her through her nasty divorce and a surprise pregnancy.

What I’m saying is that I’ve been desperate for this to come out ever since I found out Roslyn Sinclair has been rewriting her fic as original stories, and the wait paid off!

I went into this with high expectations, and they have been exceeded. For those who aren’t coming to this from a fandom background: Truth and Measure is an incredibly satisfying romance with brilliantly drawn characters. Vivian particularly is great; Sinclair does a beautiful job of showing all of her different facets, from the terrifying and spiteful goddess, to the competent and ruthless editor, to the magnetic mentor, to the very vulnerable woman who only has one (1) person she trusts. Jules, Vivian’s assistant, is relentlessly charming – she’s believable in her reactions and attitudes, and she is absolutely earnest and competent, which I adore. And the chemistry between them is excellent. Even before the romance really kicks in, the slow reveal of respect and empathy they have for each other delights me. The grumpy one is soft for the sunshine one – if you look closely enough.

It helps that Truth and Measure does explore how healthy it is to a) date your boss, and b) be so mutually obsessed with each other that spending a day apart is anxiety inducing. Jules’ life revolves around Vivian in so many ways, so her impatience with people questioning whether it’s a good idea versus her own assessment of how deeply she’s involved feels like a delicate balancing act. This isn’t completely resolved in Truth and Measure, only partially, but there’s enough set-up that I’m assuming the balance of their relationship is going to be the linchpin of the sequel. (For bonus points: Jules’ mother is somewhat homophobic, which is a Chekhov’s gun that hasn’t gone off by the end of this book, so brace yourselves for that going off in Above All Things.)

Possibly my favourite part though is how much the characters value their work. The scenes where Jules explores queerness and fashion and how she wants to write about that warmed my heart, because that is what I want. People who care deeply about what they’re doing getting to the root of what it is they care about! And Vivian is consistently terrifying and demanding, but also really good at her job. Characters who fall in love while doing things that are important to them, and understanding how important that is to their partner? Yes.

For those who read the fanfic original: the storyline cuts are seamless. The twins have been excised completely, which has trimmed down the book immensely from the behemoth we know and love, but Ellie is still there! The duology is split after Jules’ birthday, so brace yourselves for that emotional whirlwind and maybe make sure that you have Above All Things ready to go immediately. Most of the changes are updating the story to reflect 2022 instead of 2013 – Jules is openly bisexual, the tech level has been updated, the real life publications and websites have been modernised. Honestly, I’d say that Truth and Measure is anchored by the most important scenes you’d recognise from the fic, but the journey to and from those scenes is different enough that it feels new.

My biggest reservation about Truth and Measure is that I don’t know how it would read for someone completely new to the story. I’ve read the fic version too many times to be unbiased on that front! But having read it that many times means that I can say Roslyn Sinclair has done the impossible, which is packaged up one of my favourite stories and given me a way to read it again for the first time. I can’t recommend it enough.

This review is based on an ARC from the publisher.

Caution warnings: mentions of homophobia, infidelity, boss/subordinate relationship, age gap romance, pregnancy

Susan is a queer crafter moonlighting as a library assistent. She can usually be found as a contributing editor for Hugo-winning media blog Lady Business, or a reviewing for Smart Bitches Trashy Books, or just bringing the tweets and shouting on twitter.

Meagan Kimberly reviews Something to Talk About by Meryl Wilsner

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Something to Talk About by Meryl Wilsner follows Jo, a famous actress, writer and showrunner in Hollywood, and her assistant Emma. When they appear at an award show together and seem incredibly intimate, rumors of their romance begin to swirl. This ignites questions of the dynamic of their relationship and pushing from their family and loved ones. Miscommunication and shenanigans ensue.

I listened to this on audiobook, narrated by Jorjeana Marie and Xe Sands. If it hadn’t been for listening to the audio, I probably would have DNFed this book, to be honest. I didn’t hate it, but I know if I’d been reading it in e-book or physical copy, I wouldn’t have plowed through it. But that’s just my personal taste.

From the way the book starts, I had high hopes for what it could accomplish, but it fell short in my opinion. It’s established early on that Emma is bisexual, out to her family and comfortable in her identity but not shouting from the rooftops, and that Jo is a lesbian only out to her best friend and parents (not even Emma knows until about halfway through the book).

In the beginning, Jo’s issues with Hollywood’s racism are addressed as she deals with comments from entertainment reporters who believe she’ll have “too soft a touch” to properly write a screenplay for the action franchise, Agent Silver, the James Bond of this world. Emma pegs it right away as racist, coded language because Jo is Asian, and Asian women are often stereotyped as soft and submissive.

Emma’s dedication to Jo and Jo knowing Emma so well is established right away. It’s clear they have a close relationship that goes beyond employer and employee; it’s a solid friendship. Truthfully, that’s what their relationship feels like throughout the entire book. The romance that eventually blooms doesn’t feel organic. It feels like it’s stemming from the pressure of the rumors and the insistence of their friends and family that they are, in fact, in love.

The relationship dynamic between Jo and Emma always feels like an intimate friendship. Even the most romantic moments feel platonic. Their friends’ and family’s teasing about their rumored dating relationship is cringe-worthy. It’s never mean-spirited, but good intentions don’t necessarily mean the behavior is appropriate.

Part of what makes the dating relationship feel forced and inorganic is the power dynamic difference. Wilsner actually addressed this pretty well throughout, showing the characters’ recognition of how Jo had influence over Emma’s career, as well as the age difference.

However, when the rumors first started spreading, Jo insisted on not making a comment because she’d never commented about her love life, and she wasn’t going to start now that the rumor was her dating a woman; it would seem homophobic. Jo’s points in not commenting about her dating life are valid and solid reasons. But the way she believes she’s right comes off as dismissive and invalidates Emma’s feelings about the situation.

It was hard to become invested in the characters’ inner lives because these characters are people who don’t let anyone see too deep into them, including the reader. Their development both as individuals and together as an eventual couple feels surface level. Even the supporting characters are often described as knowing them so well, but it’s always a statement made through exposition and rarely shown within behavior and relationship dynamics.

Overall, the story itself was entertaining, but the characters and their interactions felt like they needed something more.

Content warnings: Homophobia, biphobia, racism

Kelleen reviews She Gets the Girl by Rachael Lippincott and Alyson Derrick

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You know how sometimes you’re watching a hit 90s romcom set in high school or college and you’re reveling in the delicious shenanigans of the leads and the dramatic irony of them not knowing that they are the leads in a romantic comedy and they’re about to fall in love despite their absolute refusal to acknowledge that they are fallible human beings and love will come for them and their one true love is standing right in front of them? And they go rollerblading and play Never Have I Ever and try their darnedest to futilely manipulate fate? And then you turn off the TV (or Netflix or whatever) and sit back and sigh and think “Man, that was delightful but I wish it had been sapphic”?

Well boy, do I have a book for you.

She Gets the Girl by Rachael Lippincott and Alyson Derrick is an ADORABLE interracial Cyrano-ish college-aged sapphic romance about two polar opposite college freshman who team up to help each other get the girl of their dreams only to discover that the girl of their dreams has been in front of them this whole time. It is such a cute, fun read.

I love Alex and Molly. I love both of them so much. They are opposites attract in the best way possible, both trying their hardest to navigate a world that they do not feel valuable in and finding value in themselves and each other. Alex is a thick-skinned white lesbian and Molly is a nervous Korean-American lesbian. In short, Molly is a mom-jeans lesbian and Alex is a ripped black skinny jeans lesbian. They are flawed and messy and just trying their best and that is the best kind of young sapphic romance.

This is intricately plotted, and the different POVs are distinct and vibrant. The writing is funny and contemporary and wholehearted. The whole book feels so hopeful to me.

This is being sold as a YA, but I’m not entirely sure why. There’s no sex on page, but also there it doesn’t feel like there needs to be for the story. However, there is alcohol and drug use on page and it deals with some pretty heavy subjects such as alcoholism and internalized racism. The college setting and the liminal adulthood of it all feels necessary to the blend of maturity and immaturity of the story. It is definitely grittier and more mature than I was expecting from the ADORABLE cover and the YA tag.

I highly highly recommend for both romance and YA readers alike.

Also it was written by a wife/wife team, and what is cuter and gayer than that?

Thanks to NetGalley and Simon&Schuster for the ARC. She Gets the Girl releases on April 5th, 2022.

Content warnings: Anti-Korean racism, food scarcity, alcoholism, car accidents, on-page drinking

You can read more of Kelleen’s reviews on her bookstagram (@booms.books) and on Goodreads.

Nat reviews D’Vaughn and Kris Plan a Wedding by Chencia C. Higgins

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One of my favorite romance tropes is the fake relationship – I just can’t resist it. So there was little doubt that watching D’Vaughn and Kris plan a fake wedding would be absolutely delightful. 

The story is centered around a reality show called Instant I Do and told through the first person perspectives and solo camera interviews of D’Vaughn and Kris. The premise of the show is to convince your closest friends and family that you’re getting married to the person you’re paired with — in six weeks. Framing the book in the context of the show means we also experience our main characters in a sort of vacuum, removed from their everyday lives and jobs while they focus on their goal. 

Curvy, femme and very closeted D’Vaughn is hoping to diversify the cast of this season of the show with her presence as a queer, Black, full figured contestant. Her main motivation for going on the show is to come out to her family, which she’s never been able to bring herself to do. She just needs to convince her conservative, judemental mom that she’s about to get gay married! Bold move, D’Vaughn.

Kris is a social media influencer, a stud who’s got a rep for being a bit of a player. She’s looking to find true love and a real connection, and thinks going on this show will help her do just that. She’s been out to her big, boisterous Afro-Latinx family for ages, but the trick will be convincing them she’s serious about settling down, and with someone they’ve never met or even heard of. 

As a couple, D’Vaughn and Kris are adorable, and I love the support Kris gives to D’Vaughn as she comes out to her family even though they’ve just met. I really enjoyed the narrative expressed in the Jitter Cam sections, giving us a bit of an extra perspective on what the characters were thinking and feeling. The story has great pacing, and you experience things in the moment, a bit like it would be if you were watching the show. 

The only real problems for me came from consistency issues surrounding the technical reality show aspects that I think should have been caught by an editor. Obviously in Romancelandia we are opening our minds and hearts to things that prooobably would not happen in real life. That’s why those little world building details are so crucial. Mentions of the mics and cameras that clarify some issues are provided later in the story, but would have better been served at the beginning of the book. At some points it kind of felt like the author was figuring things out as she went along, but didn’t go back to shore up any leaks that may have been caused in the story. I even had to go back a few times to make sure I hadn’t missed something. These were the sort of details that kept pulling me out of the book. 

So while I can get behind our characters falling in love in six weeks, I’m totally chafing about not being able to tell when they were on film or being recorded vs when they were alone having private moments. I personally don’t have much experience watching reality shows, so I don’t know if that helped or hurt my perspective on how that was shown to us on the page. My writer’s brain understands how these problems developed, but a fresh set of editing eyes could have caught these little inconsistencies. 

Despite those few hiccups, this is a fun romance with lovable characters and definitely worth a read!