Tag Archives: time travel

Kayla Bell reviews Radiant Days by Elizabeth Hand

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Radiant Days cover

There aren’t many stories that can truly say they’ve done time travel in a unique way. Going back to the past or ahead to the future have already been done dozens of times. A fish out of water, or out of time, is going to make for an interesting story. But Radiant Days does time travel differently, and in a way that felt very compelling to me. 

Radiant Days takes place in two different time periods. The 1870s storyline follows French poet Arthur Rimbaud through the trials and tribulations of his youth. The other storyline takes place in the 1970s, and follows Virginia art student Merle as she develops her craft and explores the street art scene. Merle is exploring her sexuality and Arthur is trying to survive as an artist in an oppressive time. One night, somehow, they meet and connect over their shared love of art. In terms of plot, there isn’t anything too major beyond that. 

Still, I found this book really compelling. Merle’s voice feels very authentic, and I wanted to see her make it out okay despite being in a bit of a toxic relationship. I also appreciated the unique perspective of a queer woman from Appalachia. Merle’s sexuality wasn’t at the forefront of the novel, and I think that was quite refreshing. She was also trying to deal with her complex family dynamics, recovering from the abuse she grew up around, and trying to make it in the art world. At the same time, the storyline following Arthur was also entertaining and kept me reading. Hand mixes historical events with humor and fun in a way that clearly showed how much respect and admiration she had for Arthur Rimbaud. As a Young Adult book, I thought this story structure was a clever way to get young readers interested in what from another writer might be a drier historical story. 

That being said, I would have liked to have seen a bit more plot in this novel. Merle exploring the graffiti subculture of the 1970s was very interesting, but I think the story could have used a little more of a driver. Similarly, I wish that Arthur had been given a chance to develop more as a character, I found myself wanting to read more of his inner thoughts and feelings and connecting more with Merle than Arthur. It was clear that both protagonists were impacted by their meeting out of time, but I think the story could have benefitted from spending a bit more time describing the impacts on both of them. With that being said, I thought that this was an excellently paced novel that is fantastic for younger readers. 

If you know a young person that is looking for a book about the power of art and what it means to break the rules, and is interested in historical fiction, this is a great option. I found myself feeling genuinely connected to both characters by the end of the book, and I can only imagine that it would be even more powerful for a younger reader. More queer historical fiction, especially about artists, is something I definitely want to see. 

Danika reviews One Last Stop by Casey McQuiston

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One Last Stop by Casey McQuiston

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“August believes in nothing except caution and a pocketknife.”

I first have to establish that I never read Red, White, and Royal Blue. I know that everyone and their sister was raving about that book, but as you probably can guess, I tend to centre women in my reading. Also, at a certain point the hype became overwhelming. So when I picked up One Last Stop, despite the author’s reputation, I was fully ready not to like it in some sort of defiant stubbornness. Instead, I am here to tell you that this author has earned the hype.

Although I read a lot of books, this is the first read in a long time that’s completely immersed me in it. It was the kind of book where you have to shake your head when you surface, because you’ve completely forgotten that the real world exists or that time has been passing.

This is about August, a twenty-something who has recently moved to New York with no plan other than switching into a new school. She has been doing this for years–switching schools, majors, and cities without ever fully unpacking or settling down. Growing up, it was just her and her mother against a hostile world. Her mother’s brother went missing in the 70s, and her mother made it her life’s mission to find out what happened to him. August’s first word was “case.” She was raised on a diet of true crime and survival strategies. She always carries a pocketknife and never goes to a second location.

At the beginning of One Last Stop, August is looking for a cheap apartment in Brooklyn. Obviously, she doesn’t have a lot of options. She decides to move in with three weirdos despite her misgivings–one is a psychic and another is building a sculpture with frog bones. I was hooked from the first page, where their roommate notice is a) taped to a garbage can and b) reads, in part: “Must be queer & trans friendly. Must not be afraid of fire or dogs. No Libras, we already have one.” (Of course, she ends up becoming fast friends with them.) I love the quirkiness of these characters that never becomes over the top or too cutesy. As for representation, August is white and bisexual (yes, this uses the word bisexual!) and there are significant POC, queer, and trans side characters. The love interest is Chinese-American and butch!

Speaking of the love interest, this is a romance, so let’s get to the heart of it. August is on her way to her first day of class when she spills coffee on her shirt on the Q train. The aforementioned cute butch, Jane, smiles at her and gives her a scarf, and August is immediately smitten–who wouldn’t be? One of my favourite parts of the book is August daydreaming about Jane assembling a bed frame. If fantasizing about cute butches putting together furniture isn’t sapphic culture, I don’t know what is.

There’s just one problem. Jane is stuck on the subway. And has been since the 70s. Now, August has to work a new case to try to figure out how to save her crush stuck in time–even if it means she’ll never see her again.

All of the reviews I’ve seen for this book talk about how cute and delightful it is, which is fair, but it’s also got some depth and darkness to it. August feels lost and isolated. It’s the story of her beginning to make connections and put down roots, and maybe lay the knife to the side sometimes. There are family secrets, betrayals, and tragedies. While this is a love letter to New York, it’s also a celebration of queerness, found family, and community. We get to see what Jane’s experience was like, growing up in the 70s as a butch punk Asian lesbian. The Stonewall Riots were not history for her. It explores queer history in New York and uplifts what queerness looks like there now–including some very memorable drag nights.

It’s also sexy and romantic. August and Jane have an almost supernatural connection. Jane has forgotten most of her life, and together they try to regain her memories, usually through recreating elements of her past. August brings her endless coffee order and snacks to try to find one that sparks a memory. They have great banter–in fact, the quippy dialogue is a strength in this novel overall. Even as they get closer, Jane’s situation pulls them apart. Even if they can find a way to reverse this situation, will Jane stay here or go back to her time? Which does she want? They have undeniable chemistry and there are some seriously steamy scenes. (Content warning for semi-public sex.)

I am fully on board the Casey McQuiston train (puns!), and I highly recommend you come along. This was a 5 star read, and one I look forward to rereading. It’s a sexy, romantic celebration of queerness and New York. Believe the hype.

One Last Stop comes out June 1st.

Carolina reviews One Last Stop by Casey McQuiston [Out June 1, 2021]

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One Last Stop by Casey McQuiston

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Casey McQuiston’s first novel, Red, White and Royal Blue, changed the new adult literary romance genre with its compelling love story of the prince of England and First Son, cementing queer stories’ places on bestseller lists, bookstore shelves and the general public’s hearts. Their follow up, One Last Stop, lives up to all the hype surrounding the release and surpasses it, crafting a beautiful romance in the heart of New York City, all tied up in that beautiful pastel cover.

August rides the Q Train to and from her minimum wage job at a local pancake restaurant as she wades through her senior year of college and comes to terms with what lies ahead in her future. One day, she locks eyes with a kind, handsome butch named Jane Su on the train and falls in love with this stranger’s gentle kindness and fierce devotion to her fellow commuters. After a series of casual conversations, August realizes Jane’s vintage protest pins and Walkman aren’t just a commitment to a retro aesthetic; she has become unstuck in time from the 1970’s and is doomed to ride the train in 2020 for the foreseeable future. August decides to help Jane go back to her own time, trying every Groundhog Day style idea they can think of, falling in love all the while. Can August let Jane go back to her own time, losing the girl of her dreams, or can they find a happy medium?

One Last Stop was a delightful page turner, chock-full of McQuiston’s signature laugh-out-loud dialogue and biting wit. They’re able to pinpoint the pulse of New York City’s magic, and the hidden gems and mom-and-pop shops that make the city so special, warning against the insidious gentrification plaguing the city and turning special oases into yet another Starbucks. Not only is this novel a love letter to a city, but it’s also an ode to the mixed-up magic of a twenty-something discovering themselves, and the different kinds of love we make and find that last a lifetime. One Last Stop is a microcosm into your early 20’s, complete with every late-night roommate conversation, every doubt and regret and hope for your future, and every heated glance with a hot subway stranger, filling the gap in the literary market for people in their early to mid-20’s.

It also stresses the importance of queer friendship, community and history. August’s roommates are a fun, ragamuffin bunch of queer individuals sharing a space and a life with each other, there to the bitter end. Jane devotes herself to preserving the memory of her gay friends in the past, and making sure the world she and her friends fought for does not forget their contributions. Jane offers a window into little-known facets of gay history, focusing on the role of Asian-American leaders in the gay liberation movement, and on the much-overlooked Upstairs Lounge fire in New Orleans.

One Last Stop is part campy time travel comedy, part sexy romance, part lesson in queer history, part murder mystery, and part coming of age story. This gem of a novel will stay with readers for a long time after the last page, leaving a lingering scent of sugary pancake syrup and a feeling of nostalgia and rightness.

Thank you for the publisher and Edelweiss for the advanced copy!

Trigger warnings: homophobia, racism

Marieke reviews This Is How You Lose The Time War by Amal El-Mohtar and Max Gladstone

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This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

Time War reminded me a lot of Good Omens in the sense that two agents–on opposing sides of a high stakes global war that is being fought out across time (yes, time travel) and space and universes, while also only forming a backdrop to the lives of regular unwitting humans–are not as invested in the outcome of that war as they maybe are expected to be by the leaders of those forces. And then they meet, and find they are not indifferent to each other.

Red and Blue maintain communications throughout this story, and their communications are central to the development of both the plot and the characters. These communications are presented in letter form in the book, so it reads like a semi-epistolary novel (in case that is your thing, this is a good book to pick up, as every chapter ends with a letter). Even so, these letters are really steganographical messages (a term pulled directly from the dialogue, that I actually had to go and look up – good thing too, because it was then used again shortly after in another book I’m reading!), i.e. the message was concealed within another form. What shape that form actually took (hah) differed wildly, and includes a few notable instances, but I would prefer for the reader to be surprised by them as each new letter is received.

Both characters self-identify as female, but there is at the same time little indication that sex or gender is a defining factor within their society, especially as agents on both forces are capable of easily altering their own physical forms. Sexual orientation is never mentioned and appears to be pretty much a non-issue in this environment.

The relationship between the two characters grows with each letter they send and receive, and both the letters and the relationship they create, form, and reflect are at the heart of this story. Initially the dynamic between the two characters feels a bit like a microcosm of the war that is being fought out at a macro scale (as the characters themselves observe as well), but they quickly grow beyond and above that. They do not meet physically for most of the narrative, which creates a sense of their relationship structure feeling similar to any modern long distance relationship, where different time zones and few meetings can still be the basis of a strong bond.

The development of their relationship was extremely well written and completely believable. The questions about loyalty to each other versus loyalty to the force they serve were handled quite well, and become major plot points near the end of the tale. The end is also where the story flounders a bit. Without spoiling anything, there are a few time-travel related shenanigans going on and some of it–while presented as a major reveal–can be quite expected if you’re familiar with the time travel genre in general. In that sense the story doesn’t really break any new territory, even though it tries to present the plot twists as unexpected.

Content warning: some battle violence

Marieke (she / her) has a weakness for fairy tale retellings and contemporary rom coms, especially when combined with a nice cup of tea. She also shares diverse reading resources on her blog letsreadwomen.tumblr.com.

Sash S reviews Spellbound by Jean Copeland and Jackie D.

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“Hazel Abbot spent her whole life unaware she was a witch. When a spell thrusts her great-aunt Sarah Hutchinson forward from the Salem witch trials of 1692 and lands her in Hazel’s bookstore, everything Hazel thought she knew about herself changes…”

If you want a read that’s fast-paced, fun, and filled with well-rounded and likeable characters, look no further than Spellbound, a perfect blend of paranormal action and lesbian romance.

We start directly in the middle of the action, with protagonist Raven Dare—sexy, solemn and mysterious in equal measure—doing what she does best: hunting demons. Armed with gold knives and a wit that’s just as sharp, Raven kicks butt whilst quipping about American Idol, and it’s all in a day’s work for this demon hunter with a tortured past.

In a story about time-travel, supernatural monsters and women-fearing cults, it is the characters in Spellbound that are the true heart of the novel. There are a great many interesting dynamics at play between the central cast, and as a reader, you’re immediately drawn to them. The four main women are strong in their own ways, and their interactions are alternately warm, fierce and sizzling with tension. It’s great to see them clashing with the main villains of the novel, but just as fun to see them in their downtime, and there’s plenty of both due to the novel’s excellent pacing.

Sarah is great fun; immediately likeable and not one to take her strange circumstances sitting down, she takes agency and adapts to the world she’s living in, though finding it bizarre at times. Hazel, too, takes up her new mission with an admirable courage, spurred by the attraction she feels towards Raven. Morgan is aloof, sarcastic, but caring underneath. There are two main love stories in Spellbound, and though different in tone, both are equally compelling.

My favourite thing about this book is how down to earth it is, whilst dealing with the supernatural. Vivid descriptions of car rides, plane journeys and cities build up the real world, juxtaposed with fights against demons and monsters; the authors do a great job of nailing magical realism.

To that end, too, the villains of the story are rooted in very real prejudice despite their paranormal nature: whilst the protagonists clash with banshees and hellhounds, the writers don’t shy away from the fact that the real evils of this tale are prejudice, a fear of women and their strength, and a need to subjugate others for one’s own gain. The supernatural elements of Spellbound are a great vehicle for a story that’s ultimately about overcoming these things, celebrating the strength of women and doing what’s right.

This is such a fun read, with excellent pacing, engaging romance and a realistic, compelling cast of characters.

Rating: *****

Kayla Bell reviews The Tea Machine by Gill McKnight

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The Tea Machine by Gill McKnight
I think I would have liked The Tea Machine a lot more if I had read it back in 2015, when it came out. That was the height of the Doctor Who craze (and the height of my love for the show), which clearly influenced the story of this book. However, where Doctor Who keeps its stories somewhat episodic and grounded in the real world, The Tea Machine goes off the rails and takes big swings at establishing alternate timelines.

Here’s the story: a steampunk lady in Victorian London named Millicent messes around with her inventor brother’s time machine. She ends up in an alternate timeline where the Roman Empire never fell and is instead a futuristic society. There, she meets RJ Sangfroid, a female centurion who Millicent falls for quickly. Unfortunately, RJ sacrifices her life for Millicent’s. The rest of the book is Millicent messing around with the timeline in order to get her lover back.

Overall, it’s a pretty fun story and doesn’t take itself seriously at all. Like Doctor Who, it takes a very lighthearted and often absurdist tone. For the most part, that worked well for me. It would have taken me out of the story if the characters were taking the tentacle monster fighting completely seriously. Unfortunately, most of the jokes didn’t really work for me. There was an ongoing bit where Millicent’s sister-in-law Sophia continually misgenders RJ and that went on way too long, in my opinion. And in general, the jokes were just kind of based on the characters being stereotypes: Sophia and Millicent as the prim and proper Victorian ladies thrust into brutal Roman society, and RJ as the masculine, aggressive centurion. More importantly, though, the lack of depth made the love story fall flat for me. I just didn’t really connect with either Millicent or RJ. I wish that the connection between the two women had been taken more seriously and developed more. That being said, though, I really did like how the two of them ended the novel.

One thing I loved about The Tea Machine was alternate Rome. What a cool idea! It was very interesting to see how the author blended aspects of Roman culture and mythology with future technology. This would be a cool world to read more stories in, and it got me thinking of other sorts of fun alternate histories. It also didn’t shy away from highlighting the negative aspects of Roman culture, especially for the women. This kept me reading even when the structure was confusing and I lost interest in the characters.

If you’re looking for a fun, quick, romp through alternate history, The Tea Machine might be for you. It lacks depth and the characters aren’t the most developed, but it does have an interesting world. This book was honestly not my cup of tea (pun intended), I thought it was a little too superficial for my tastes. I read for character, so I found myself losing interest a lot. However, this book did feel like a fun read.

Kayla Bell is the pen name of an author, reviewer, and lover of science fiction, fantasy, and horror. You can catch up with her on Instagram @Kreadseverything for more book reviews and on Twitter @Kreadsitall for more about her writing.

Carmella reviews This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

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This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

Trigger warning: mentions of suicide

This novella was sold to me as “Virginia Woolf and Vita Sackville-West’s love letters, but in an enemies-to-lovers time travel agents au”. I’m not normally a big fan of SFF, but I couldn’t help but be intrigued by a pitch like that!

Red and Blue are operatives fighting on opposite sides of the time war. Both come from different post-human futures: Red is from a technologically-enhanced race (think androids) working for the Agency, and Blue from the environmentalist society (think wood elves) of Garden. Although they are non-human beings with seemingly different social constructions of gender, both use she/her pronouns.

The plot begins on a bloody battlefield. The agent Red discovers a handwritten letter marked ‘burn before reading’. What follows is a chain of coded correspondence as Red and Blue chase each other across parallel pasts and futures–different ‘threads’ of time which operatives manipulate with the aim of bringing about an eventual victory either for the Agency or Garden.

The novella is mostly told through these letters (although ‘letters’ is a loose word–messages can be hidden in anything, from the feathers on a goose to the flavour of a berry) as we see Red and Blue’s relationship develop. Are they falling in love? Are they playing one another to gain a tactical advantage? Where do their loyalties lie? What does ‘winning’ actually mean? And all the while, they are both being trailed by a mysterious Seeker.

There’s an obvious Romeo and Juliet influence going on, especially towards the end [Spoilers, highlight to read] when we get into the territory of apothecary poisons and fake-out suicides, but I can reassure you that in this case there’s a happy ending in sight. [End spoilers]

I think the Virginia/Vita comparison was also pretty apt. Red and Blue come from completely different cultures and have no fixed context (thanks to all the time travel). As Red writes in one letter, “Mrs. Leavitt suggests relying on metaphors one’s correspondent—that’s you, I think?—will find meaningful. I confess I don’t entirely know what’s meaningful to you.” This means they have to communicate in the abstract, in poetic language and high-fluted imagery. The resulting beautiful, lyrical prose style is one of my favourite aspects of the novella.

El-Mohtar and Gladstone do a great job of conveying the characters’ passionate emotions without it ever getting too sappy (although maybe it is a little pretentious here and there – if you’re not into purple prose this may not be one for you).

However, the abstract nature of the letters was also one of the things I found most frustrating. This may sound odd from someone who isn’t generally into SFF, but I found myself wishing there was a little more explanation of the mechanics of the world! In some ways I respect that the authors chose to focus more on the characters’ emotional journey rather than on the hard sci fi world-building–for example, I like their decision never to explain how the agents actually time travel–but at times I did find myself getting lost. I could have done with a few more concrete markers to help me follow the plot.

Even so, I did manage to enjoy the story a lot. The time loop shenanigans are great fun (although thinking too hard about them might result in some head-scratching over paradoxes) and the romance between Red and Blue is beautifully developed. And it’s always good to see diversity in SFF–a story with two queer female(ish) leads, one of whom is specified as having dark skin, is a welcome arrival.

I wouldn’t necessarily recommend this book to everyone, but if you enjoy poetic writing and don’t need to know all the world-building details to enjoy a sci-fi setting, then this may be for you! Plus who doesn’t love the red/blue trope in their gay romance?

Marthese reviews Time Will Tell by M. Ullrich

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‘’One hundred and fifty steps was all it took for her life to get worse’’

Through Netgalley sometimes we find really good reads! I did not know what to expect. I half chose this book because of its cover, but it was fantastic!

If you could undo the past and start anew, would you?

Time Will Tell follows Eva and Casey. As time plays a crucial role in the plot, we get to see different times; the plot isn’t linear but still easy to follow. Whilst time traveling plays an important role, the discovery and dilemma only arise towards the end.

Eva is an aspiring writer living with her abusive uncle. Casey is her best friend, the star student and whose family is Eva’s refuge. Casey is a popular kid but she prioritizes Eva…until Eva runs away, leaving Casey with a multitude of issues.

Luke is a prime asshole which you cannot help but hate, and you don’t even feel guilty about it. From the synopsis the reader knows that he’ll die – that’s what you’ll look forward to. His behaviour towards Eva is truly disturbing and tragic because this sort of abuse happens one too often in real life.

Eva and Casey are really sweet together. We get to see both their point of views and they are both crushing on the other big time. There is also so much banter. For their first kiss, there was no build up, which I think subverted a common trope.

The McCellans, Casey’s parents, are great people. They also are rooting for the two to get together. It was really sweet. Parents that stand up to bullying are great! They were also a balance for Luke.

Their sexualities, while discussed casually, are not the major point! The major conflict happens after a time jump. At 23 and 24, Eva and Casey have major issues. Casey has spent years worried. Eva has formed another social group and changed a lot. The characters seem to switch personalities, which I think considering the context and their background, was quite realistic. They are not sure whether they fit with each other, after all this time and all these changes.

The lead up to sex was seamless and it was hot (this coming from a person that skims over if it’s not written well and believable). In my opinion, there were a bit too many sex scenes/intimate scenes, but I guess this could be explain by the characters having a lot of making up to do and not wanting to be away from each other.

The conflicts and issues are real, despite the time machine and sci-fi elements. The time machine was not even a major plot point until the end, although it did affect their lives from before. I was expecting the time machine to be discovered earlier, but instead, we get to see Eva and Casey growing up and getting to know them. I liked this.

I recommend this to people that like sci-fi in moderation and people that want to see character development and conflict.