Tag Archives: Appalachia

Maggie reviews Another Appalachia by Neema Avashia

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the cover of Another Appalachia

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Another Appalachia: Coming Up Queer and Indian in a Mountain Place by Neema Avashia is part memoir, part collection of essays as Neema Avashia recollects growing up as part of a tiny Indian community in a majority white community in a corporate town in West Virginia and her subsequent relocation for college and then for a career in Boston. Through a series of anecdotes, she remembers the kindness of neighbors and coaches as she grew up and whenever she visits, her family’s experiences in creating their own small Indian community and what that meant for their kids, and how she reconciled those experiences with her adult life away from West Virginia. Avashia’s queer realization happened later in life, once she’d already left West Virginia, but she spends plenty of page time talking about her efforts to integrate being queer, being Indian, and being from West Virginia, while being a Boston Public School teacher.

I always love a narrative about being from a rural area and being queer. Indiana is a little different flavor of rural than West Viriginia, but the underlying themes still resonate strongly. I especially resonated with her continual meditations on being happily settled in an urban area on one hand, but missing the sense of community or some traditions on the other, and on yet a third hand being unable to fit back in when driven to re-visit.  It’s a theme that I think will be familiar with many readers from rural areas who left, as are her continual efforts to decide who is safe to introduce her wife to, and to integrate her family and friends’ expectations for how a relationship progresses into her lived reality as a queer woman. Avashia handles these topics deftly, balancing good memories with bad and childhood nostalgia with a more nuanced adult perspective in a way I appreciated.

Avashia also spends a lot of time on her roots versus her moving on with her adult life, which I deeply felt reading this on a bus in Pittsburgh while reflecting on my own roots. Her meditations on her father’s expansive and caring definition of community, how her neighbors growing up took care of each other, and her efforts to apply those values to her urban life in Boston, where she didn’t even know her neighbors, is impactful and emotional. She struggles with her identity as an Appalachian writer who lives in Boston, as an Indian woman who connects to her heritage and culture differently than her parents and extended family because of where she grew up, and as a queer woman who had no context for that growing up. Avashia’s blunt, honest writing attempts to bridge the gap between past and present and is extremely easy to fall into, covering a wide range of topics in one, conveniently travel-sized book.

In conclusion, if you are looking for an impactful memoir to read this summer, Another Appalachia is an excellent book to check out. It’s not a long read, but it’s emotional. You could make an afternoon of it, or it’s perfect for small moments like a commute.  If you resonate with the material, you will appreciate the nuance, empathy, and compassion she brings to the rural experience. And if you’re new to the experience, this collection will be full of depth and understanding. I can’t recommend it enough for people looking for a queer memoir.

Kayla Bell reviews Radiant Days by Elizabeth Hand

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Radiant Days cover

There aren’t many stories that can truly say they’ve done time travel in a unique way. Going back to the past or ahead to the future have already been done dozens of times. A fish out of water, or out of time, is going to make for an interesting story. But Radiant Days does time travel differently, and in a way that felt very compelling to me. 

Radiant Days takes place in two different time periods. The 1870s storyline follows French poet Arthur Rimbaud through the trials and tribulations of his youth. The other storyline takes place in the 1970s, and follows Virginia art student Merle as she develops her craft and explores the street art scene. Merle is exploring her sexuality and Arthur is trying to survive as an artist in an oppressive time. One night, somehow, they meet and connect over their shared love of art. In terms of plot, there isn’t anything too major beyond that. 

Still, I found this book really compelling. Merle’s voice feels very authentic, and I wanted to see her make it out okay despite being in a bit of a toxic relationship. I also appreciated the unique perspective of a queer woman from Appalachia. Merle’s sexuality wasn’t at the forefront of the novel, and I think that was quite refreshing. She was also trying to deal with her complex family dynamics, recovering from the abuse she grew up around, and trying to make it in the art world. At the same time, the storyline following Arthur was also entertaining and kept me reading. Hand mixes historical events with humor and fun in a way that clearly showed how much respect and admiration she had for Arthur Rimbaud. As a Young Adult book, I thought this story structure was a clever way to get young readers interested in what from another writer might be a drier historical story. 

That being said, I would have liked to have seen a bit more plot in this novel. Merle exploring the graffiti subculture of the 1970s was very interesting, but I think the story could have used a little more of a driver. Similarly, I wish that Arthur had been given a chance to develop more as a character, I found myself wanting to read more of his inner thoughts and feelings and connecting more with Merle than Arthur. It was clear that both protagonists were impacted by their meeting out of time, but I think the story could have benefitted from spending a bit more time describing the impacts on both of them. With that being said, I thought that this was an excellently paced novel that is fantastic for younger readers. 

If you know a young person that is looking for a book about the power of art and what it means to break the rules, and is interested in historical fiction, this is a great option. I found myself feeling genuinely connected to both characters by the end of the book, and I can only imagine that it would be even more powerful for a younger reader. More queer historical fiction, especially about artists, is something I definitely want to see.