Tag Archives: slow burn

Gory Bisexual Horror/Fantasy: The Dead Take the A Train by Cassandra Khaw and Richard Kadrey

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the cover of The Dead Take the A Train

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One thing about a Cassandra Khaw book: I never know what I’m getting into. Even two-thirds of the way through this, completely invested in the story, I still kept thinking, “What genre is this? And also, what’s the plot?”

Julie is a 30-year-old exorcist for hire, not quite scraping by in New York City by taking on the deadliest and most gruesome jobs carving monsters out of people and going head to head with demons. Her arms are wrapped with barbed wire magic, which she tears from her flesh in order to use those spells. She keeps a suitcase full of fresh organs in case she needs to swap any of hers out on a mission gone wrong. She also is not making enough to pay her rent, never mind support her drug habit.

She just broke up with her ex-boyfriend, Tyler, who works for an investment company that is mostly invested in souls, body parts, curses, and making deals with unfathomable gods. It’s a dog-eat-dog environment where you’re more likely to be killed gruesomely than be promoted, but Tyler loves it there, and he sometimes hires Julie for the jobs he doesn’t want to get his hands dirty for. When Julie doesn’t go along with one job, though, he plots revenge.

Just as Julie is beginning to wonder how she can possibly scavenge up any cash, her high school friend Sarah shows up suddenly at her door. She’s been secretly in love with her for years. Side note, my favourite bisexual woman stories are the ones that name a bunch of faceless ex-boyfriends, and then there’s ✨ her ✨. This is definitely one of those books. After a lot of prodding, Sarah finally admits that she’s here because she’s running from her abusive ex, Dan… and then has to make Julie promise not to torture and kill him.

And that’s sort of the plot. Two bisexual girls falling for each other while their ex-boyfriends try to ruin their lives. It’s probably the goriest book I’ve ever read—the descriptions are truly skin-crawling—but it doesn’t feel like horror to me. It doesn’t feel like I’m supposed to be afraid. If you’re the kind of person who needs to understand the magic system of a fantasy world, this is not for you. It’s a mess of different types of magic, demons, curses, Eldritch gods, and other inexplicable weirdness. It’s dense with world building, without any one structure weaving it together. This totally worked for me, but you need to just let it was over you.

In fact, I think that complements the setting well, because New York City—as the title suggests—plays a major role in this story. And this tangle of different kinds of magic felt like a reflection of many different worlds all living in parallel inside of NYC. Also, did I mention that lay people have no idea magic is real? Despite the unending encounters Julie has with possessed brides-to-be, foxes puppeting zombie bodies, and so much more, it somehow goes completely unnoticed; she can walk onto the A Train covered in blood and viscera, and no one looks twice.

In some way, it actually reminded me of a noir story. Julie is trying to track down Dan, and she is constantly getting injured. That dogged pursuit in a gritty environment while getting beaten down and somehow surviving felt like it would be at home in that genre… just with a lot more tentacles than usual.

Then, just to keep things interesting, at the heart of this gritty, gruesome, often gross story is a ridiculously cute bisexual F/F pining love story. I love a sapphic friends to lovers story. I won’t spoil it and say whether they get together in the end—also, this is only the first in a duology—but I will say the pining is not one-sided. I’m also annoyed that I had such trouble finding out if this was a queer book before I read it, because so much of the book is about Julie and Sarah’s relationship.

I feel like I’ve only scratched the surface of this big, sprawling book. I haven’t mentioned the angel, or what the plot turned out actually to be about, or Tyler’s point of view chapters, or how about halfway through the book we start to get one-off POVs from other characters. And I have to squeeze in the fact that there’s a character who is cursed to not be able to die until he has sold every book in the bookstore to the Right Customer, and as a former employee of a used bookstore, I felt that in my bones. I’m pretty sure I’ve met someone with that same curse before.

If you can stomach gore and a whole lot of weirdness, I really recommend this one. It kind of reminded me of Welcome to Night Vale, with a lot more blood. So if that’s your vibe, you need to pick this up.

Content warning: gore, blood, violence, body horror, relationship abuse (not described in detail), drug use.

Cheesy Goodness: The Princess and the Grilled Cheese Sandwich by Deya Muniz

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the cover of The Princess and the Grilled Cheese Sandwich

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Note: Though plot spoilers are restricted to the very end of the review, this review discusses some themes and character arcs in the latter part of the book.

As the first snow falls in my region, it’s a perfect time for a cozy graphic novel with grilled cheese oozing on the cover. Despite some quibbles, I had a great time with The Princess and the Grilled Cheese Sandwich by Deya Muniz, a lighthearted young adult romance inspired by the author’s own love story.

In the kingdom of Fromage, Lady Camembert can’t legally inherit her father’s fortune without marrying a man. Aware that she isn’t into men, her father suggests she move away and pretend to be his son. After his death, she follows his advice. She brings only one servant, Feta, who has been with her since birth. While taking on a masculine persona is no problem for the dashing, gregarious Cam, discretion proves a greater challenge, as she immediately makes waves at the princess’s no-furs ball. Cam has always been a fan of Princess Brie’s activism and develops a crush on her, causing no end of frustration for Feta, who knows Cam could be arrested if her secret gets out. 

If the naming scheme isn’t making it clear, this is a story more interested in a fun time than a realistic time. If you want to be swept away in an earnest fairy tale of a royal romance, be assured that this one doesn’t take itself too seriously. The expressive art style was what personally sold me on it and gave me the most giggles. Cam especially is a bundle of charm thanks to her mannerisms, ranging from debonair to excitable to flustered. The pages’ compositions effectively conveyed the story, with clarity, good flow, and emotional impact. Plus, Brie’s puppy is top-tier precious.

Despite the title, this book is less focused on food (if anything, the main characters are into fashion, which Cam nerds out over adorably) and more on whether it’s worth giving up true happiness to take a path focused only on avoiding pain. As is pointed out later in the book, many people don’t have the luxury of trying to actively pursue a good option in life and must instead choose the least undesirable path. Being a princess gives Brie more freedom to break boundaries and set a new standard, despite the societal limitations around gender and sexuality—yet even as an activist, she balks at the idea of upending the status quo. Meanwhile, from the start, Cam rejects the “safe” path of marrying a man, but then has to choose between the safety of living a secretive life versus pursuing a chance at love. 

Without spoilers, I’ll just say I didn’t personally enjoy how the midpoint turn played out or where it left the status quo of the main characters’ relationship for a portion of the book. I would have preferred a direction that allowed for more interaction between the main couple in the book’s second half. I also wished that Brie’s best friend, Ricotta, got to shine more as an individual. Her design and personality were fun, so I would have liked her to get a bit more depth outside of her support of the main couple, and for her to be more in the loop in the end. In contrast, I thought that the other main supporting cast members, Gorgonzola and Feta, had satisfying character arcs, as some of the most memorable moments involved them changing their approaches to the central conflict and theme. 

Everything else aside, I couldn’t stop grinning at Cam’s reactions from panel to panel, and I’m glad I read this. Order this book up if you like your romance with an extra helping of cheese.

The following content note contains spoilers:

This book contains an instance of a character guessing her love interest’s assigned gender due to a visual cue and then reacting negatively, which may be triggering for trans readers. As implied in the summary, the book also contains parental death and discussions of structural sexism and heteronormativity. 

Fake Dating Meets Single Parenting: Make Her Wish Come True by A.L. Brooks

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the cover of Make Her Wish Come True

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Make Her Wish Come True by A.L. Brooks was released on October 23, 2003 and is a contemporary romance about two women who are absolutely not in a place to date. Or so they keep telling themselves.

Abby Baxter had to grow up way too fast, stepping in to raise her 12-year-old half-sister after their mom passed away. She’s been working for an online magazine as an administrative assistant until she can break into her dream profession: a journalist. Her prospects seem to get a boost when her friend, a columnist who writes for the magazine, offers Abby a deal: fake date a woman for a story, and she’ll do what she can to get Abby her shot at writing.

Erica Goode has been solely focused on raising her daughter, Kayla, for the last eight years. She works two jobs to help support their family, and has no time for a social life. When she’s presented with the chance to date Abby, and get out of the house in the process, who is she to say no? What follows is a slow-burn romance for two women who have both made sacrifices that many others can’t easily understand—and neither knows quite what to do when presented with someone who understands what the other has been through but recognizes they might not be at the same point in life.

I adored this sweet and charming story about two women trying to find their way after both of their lives took unexpected turns when they were young. Abby is so sure she doesn’t want another child in her life after having to put hers on pause to raise her sister. When she meets Erica and her daughter Kayla, Abby is adamant she can’t be in a real relationship with someone who has a kid. And despite finding Abby incredibly attractive in more ways than one, Erica’s number one priority is her daughter. What I really appreciated about this story was that you couldn’t fault either woman for how they felt and what their limitations were. I understood why Abby was so hesitant. After dropping out of college to care for her sister, Abby knows better than anyone that raising a child is a huge responsibility and, with her sister now in college, it makes sense that she is incredibly reluctant to do it all over again. As much as you want Abby to give this relationship a real chance, I respected that A.L. had Abby take her time. Deciding whether you’re prepared to make all those sacrifices again can’t be something decided overnight. As a reader, I wouldn’t have been able to trust it otherwise—and certainly neither would Erica.

As a parent myself, I found Erica’s emotions around dating to be relatable and true. It’s so hard not to lose yourself in parenting, and you have to make the conscious decision to make time for you to be a “person” outside of that role. As a single parent, Erica feels the added pressure of trying to be everything to her daughter. It’s so easy to think that our kids should be our sole focus all the time. Sure, for a period of time after they’re born, that is how it needs to be, but as kids age, it’s necessary to have an identity outside of “parent” and to be a whole person. With that said, it is often incredibly hard to balance these roles and responsibilities, and to do so without feeling guilt is near impossible. A.L. presents that dilemma in a realistic way, though you can’t help but hope Erica allows herself the happiness she deserves. I also loved the multigenerational parenting that occurred in this story. Erica’s mom is such a huge part of helping raise Kayla, and we see that the concern for your kids never goes away—even when they are grown.

At its heart, this feels like a story about letting go of the past and being willing to be brave enough to see a brighter future. Things can always go wrong, hearts can always be broken, but sometimes those risks are worth taking. Both Erica and Abby have things to lose, but they both also have everything to gain.

Kayla, Erica’s daughter, is cute and precocious. She’s a good kid, and it’s clear in the story that Abby’s reluctance isn’t about Kayla, but about the undertaking of caring for another human being. The way Abby and Kayla’s relationship grows is sweet and organic. Kayla asked Santa for another mom, and the journey to that answer is complicated and real.

While this story has many sweet moments, and I appreciated that any angst along the way was dealt with in a timely manner, it should also be noted that this certainly has some steam that not just Erica and Abby appreciated! Although Erica has known she was bisexual since she was a teenager, she’s never physically been with a woman before, and A.L. builds that tension between her and Abby incredibly well. There is something delicious about the fake dating trope, especially when it’s clear both main characters are fighting that attraction. The series of dates, including skating and romantic dinners, offer plenty of situations for that tension to build and grow.  

This is a great book to kick off November!

A Dramatic Supernatural YA Horror Read: Here Lies Olive by Kate Anderson

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the cover of Here Lies Olive by Kate Anderson

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Here Lies Olive by Kate Anderson is a young adult fiction novel that follows sixteen-year-old Olive as she navigates unwitting friendships to save a ghost that she accidentally-on-purpose brings into the material plane in order to find out if the Nothing that she saw when she “died” after an allergic reaction is really all there is at the end. She is constantly thinking about the Nothing; it becomes such a preoccupation and such a big source of anxiety for her that she abruptly ends her friendship with her best friend Davis, and she has to figure out how to be by his side again post-Nothing when his new girlfriend pulls both Olive and Olive’s school enemy Maren into his life.

I’m not usually a YA person, but the premise of Here Lies Olive was so good that I decided to give it a chance. I’m glad I did! I liked this story a lot more than I expected. The author really captures the drama of being a teenager in a way that I found myself able to get into. At times when I typically would have started rolling my eyes or DNF-ing any other YA novel, I instead found myself able to accept the over-the-top reactions to the dramatic situations Olive and her friends find themselves in due to the way Kate Anderson set up the story. Of course Olive is dramatic; she’s a teen who died, came back to life, and is now terrified about the dark, lonely fate that she thinks awaits her and everyone she’s ever cared about. Of course she stopped hanging out with her best friend and thinks that losing his friendship will hurt less than losing him to the Nothing; she’s a teenager. She doesn’t know any better. I completely understood where Olive was coming from. It reminded me of how big every emotion felt during my own teenage years, and I didn’t even have ghosts or the Nothing to deal with. Olive is definitely the sort of character I could see a younger me finding a lot of solace in.

I was also pleasantly surprised by how much I enjoyed the budding relationship between Olive and Maren. I’m a big fan of enemies to lovers, and while their rivalry wasn’t as strong or visceral as I typically like my rivalries to be, it still seemed plenty important to Olive and Maren, and that was good enough for me to keep reading. A slow-burn has to be a very specific brand of slow-burn for me to love it, and I think Olive and Maren almost hit that mark within this genre.

What really kept me reading, though, was the supernatural aspect of the book. I really love the way Kate Anderson made sure to keep the ghostly details going throughout the story. I was worried that, at some point, the ghost stuff would drop off to be replaced by just regular teenage life, but the book’s supernatural element was up and in your face until the very end. Even the town Olive lives in is spooky! Nearly everybody has a job somehow associated with death, and I wouldn’t be surprised if one hundred percent of the population claimed that Halloween was their favorite holiday. Olive always thinks of the Nothing once she comes back from it, and the moment she brings Jay’s ghost into the fold, she stays with him, intent on righting her wrong and getting the confirmation she craves about what truly happens after death. Olive never loses her curiosity with the thing that led me to pick up the book in the first place, and that kept me holding on when I could have dropped off.

Here Lies Olive still contains some of the regular qualms I have with the Young Adult genre: a villain revealed in the third act who the main character could have figured out was the villain in the first act, parents who talk to their teenagers like they either have no time for them or like they’ve all gone to therapy, and a solution to a problem at the end that feels way too perfect. But I still enjoyed it, and I would easily recommend this book to anyone who wants a YA novel with a bit of a dark twist.

Content warnings for death (obviously), ghosts, and some gore that I didn’t expect but actually really liked.

Swashbuckling, Time Travel, and Sapphic Romance: Isle of Broken Years by Jane Fletcher

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The first thing I have to say about Isle of Broken Years is that I didn’t want it to end, and it’s been a while since I felt that way about a book. The second thing you should know is that this isn’t just a book about pirates, though the cover and description, if not carefully read, may lead you to believe that’s where you’re headed. To be fair, we do begin the adventure with lots of swashbuckling and a bit of kidnapping, but this book is really more of a time travel story with lots of unexpected surprises. If Lost, Gideon the Ninth, and Their Flag Means Death had a weird little baby, it might be Isle of Broken Years.

Our main characters are Catalina de Valasco, a Spanish noblewoman being married off by her family and en route to her betrothed by way of galleon; and Sam Helyer, the cabin boy of a privateer ship intercepting said galleon. Sam, as it turns out, is not a cabin boy at all. The beginning starts off strong, with lots of action, a battle at sea, a little hostage taking (as a treat) and some getting to know our main characters. Content warning: there’s a lot of talk/threat of potential sexual assault in the beginning pages—it doesn’t happen, but it drives the opening of the book as Sam is trying to keep Catalina safe from the other sailors.

Just when you’re comfortably settled into your colonial era pirate world, the book makes a major shift. Sam and Catalina end up stranded on an island that’s not at all what it seems, and meet up with a group of other survivors previously stranded there. The diverse cast of characters and their interaction is one of the really fun aspects of the book, as they share vast cultural differences, and sometimes struggle to communicate from language barriers. While a lot of this is comedic, there are also some serious discussions involving slavery and human rights. Meanwhile, Catalina and Sam are at odds with each other, as the former has no love for pirates and thinks they all should hang—fair, considering how the book kicked off. Catalina and Sam eventually have to learn to work together, and a fun little romantic arc unfolds as well.

This book checks all the boxes: pirates, aliens, murder, creepy islands, betrayal, comedy, time travel, mystery, and yea, a lil bit of kissing. It’s a fun ride, but has a number of serious moments including struggles with identity and sexuality. My main complaint is that it wasn’t longer. There were a number of places that Fletcher could have expanded the narrative, including some of the side characters’ back stories, and even the romantic element between Catalina and Sam. But I guess it’s always better to be left wanting more!

Content warning: mention of past sexual assault, threat of sexual assault

A Tender Foodie F/F Manga: She Loves to Cook, She Loves to Eat by Sakaomi Yuzaki

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the cover of She Loves to Cook, and She Loves to Eat by Yuzaki Sakaomi

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They say the quickest way to a man’s heart is through his stomach, but in Sakaomi Yuzaki’s latest manga, that proves just as true for women.

She Loves to Cook, She Loves to Eat is a lovely, heartwarming story about two neighbors who bond over a shared love of food. Nomoto, an office worker with a passion for cooking and no one to finish off the epically-sized dishes she dreams of making, finally meets her match in Kasuga, her very tall, very reserved neighbor with a very, very large appetite—an appetite perfectly suited to dishes containing, say, eight eggs and over three pounds of rice.

The dialogues flow naturally in this excellent translation by Phil Christie, as does the character growth. While the two initially get off on a slightly awkward foot, a series of shared dinners slowly bring them closer together.

But what starts as mutual appreciation is beginning to show signs of developing into something deeper in these first two volumes. Between bashful daydreams, thoughtful gestures, and small steps outside of their respective comfort zones, the two women find themselves wanting to spend more time with each other. And more time looking at each other.

And as their feelings become more and more obvious, it shows clear as day on the page. Blush-lines and all.

a manga panel showing Nomoto and Kasuga eating together. Nomoto is looking at Kasuga and smiling with faint blush lines over her cheek and nose

Tell me this isn’t the face of a woman in love.

The slow simmering of the romance is poised to make it all the more satisfying. This is such a perfect comfort read—clever, funny, sincere and so full of love. The second volume has a bit about the cultural meanings of take-out boxes that had me in stitches.

The focus on food includes some truly delicious descriptions and illustrations, so I’d recommend reading this either on a full stomach or with some savories handy. For example, crab cakes and spicy peanut sauce (which is what I got up to make halfway through volume one!) or popcorn with melted cheese and sun-dried tomato pieces (the accompaniment to volume two).

If you prefer Japanese food inspired by the story, there are also recipes at the back of the books, so you can open to the last page and prepare something ahead of time…

the cover of She Loves to Cook, She Loves to Eat Vol 2

Fans of Doughnuts Under a Crescent Moon and that soft, low-stakes romance-with-a-side-of-social-commentary centering two working women will find a similar slow-burn story here, albeit with more overt observations on gender roles and norms in modern Japan. It doesn’t shy away from nuisances like marriage pressure, misogyny and uncalled-for assumptions, but it does not let them take center stage, either. Unless it’s to gently, elegantly skewer them.

Whether portion sizes, passion or paychecks, the women are constantly expected to make do with less. But these diminishing encounters are subtly contrasted with the genuine appreciation, acceptance and admiration that Nomoto and Kasuga’s budding relationship is based on.

a panel showing Kasuga saying, "Speaking up sometimes makes a difference."

They really do care for each other so much and it’s so lovely to read. There are so many warm fuzzies, but it’s the grounded sort of tenderness that comes with age. I was smiling so much at the little kindnesses and considerations they had. It’s such a healthy relationship that never loses its sense of humor.

I mean, no one says that the quickest way to a woman’s heart is through her period cravings, but the author certainly understands!

Chapter 16 was the one that deviates a little from this vibe and delves into some heavier topics. It comes prefaced with an author’s note stating such. But it also has a Frog and Toad reference that proves a well-placed picture can express a thousand words. It’s a reminder of the ways queer youth find and make meaning from media that was never explicitly about them, but which made space for stories like theirs nonetheless. For a manga focused on acceptance, it is a series of fitting visuals.

The manga might also appeal to fans of the older m/m series What Did You Eat Yesterday by Fumi Yoshinaga. Granted, the plot seems to take precedence over the food so far, while it was the other way around in Yoshinaga’s manga, but I’m excited to see where it goes. Preferably, with a plate of loaded egg-battered fries on the side.

Volumes one and two are currently available in English, and Volume three is available for pre-order!

Nat reviews Errant (Volumes 1-3) by L.K Fleet

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I’m always impressed by books that are co-written, but a book with three writers?! A menage-an-author? The Errant series is written by L.K. Fleet, the pen name for a trio of writers: Felicia Davin, K.R. Collins, and Valentine Wheeler. For those of you who are very online and have perhaps pined for Touraine’s arms in CL Clark’s The Unbroken or Gideon’s very large biceps in Tamsyn Muir’s Gideon the Ninth, may I present to you: Aspen Silverglade’s well-muscled thighs. (Not that her arms aren’t also worth mentioning.) Aspen is a tall, dark, and mysterious do-gooder with impeccable swordsmanship but a troubled past. When Aspen meets Charm Linville, an actress whose skills extend to pickpocketing, she’s trying to protect the woman from a handsy fellow in a pub. This doesn’t go quite as planned for Aspen, but it does kick off the start of a series of adventures involving a secret organization called the Scale and a troupe of bawdy actors. 

One of the reasons this series gave me such warm fuzzies is its treatment of gender as well as  the casual introduction of characters with their pronouns. Gender roles are an interesting part of this book, but presented so subtly, woven into the world building, that you can’t help but appreciate the ease with which it’s done. Just about everyone gets some rep here: Polycule of domestic bliss? Check. Genderqueer/fluid, trans, and bisexual characters… triple check. Aspen, a tough but sensitive butch, is bisexual and has previously only had relationships with men/genderfluid characters, not following the stereotypical gender role script. Our curvy, secretive femme Charm is a lesbian. The people of the Sun have genders that change with the color of their scales! There are so many things to love about the book. (Including a horse named Mouse!)

My only minor issue was some confusion about the world our characters were living in. “Earth” people vs those of the Wood and the Sun (etc.) threw me off course a bit, thinking that perhaps there was off planetary travel, which seemed weird with the horses and swords, but who knows: it could have been a sci-fi mash-up or a Wheel of Time situation (where a once high tech world is thrown into the dark ages). This worked itself out for my brain about halfway through the book, where it becomes clear these are regions and the terms are more geographically based, but all on the same planet. 

This review is for the series as a whole, which reads quickly. As far as the romance goes, this is a slow burn, folks. We might have flirtation and heated glances, one horse, one bedroll and the like, but get cozy, because these lovebirds are going to take their sweet time consummating the relationship. It’s a bit like watching a TV series draw out the chemistry between the main characters until you are ready to throw something at the screen. In a good way, of course. 

Errant is relatively angst free; it does deal with issues of past trauma such as emotional abuse, but nothing incredibly heavy or triggering. These books are also meant to be read as a series. The authors do a decent job filling you in on a few details you might have missed or jogging your memory if you’ve taken a break between reading them, but you’ll likely feel lost if you don’t start from the beginning – although I can’t think of any reason you wouldn’t want to read all three of these delightful novellas! 

Larkie reviews The Jasmine Throne by Tasha Suri

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What a book! I didn’t know all that much about it before I started reading, and all the reviews I read felt like they confused me more. Once I got into this book and realized how complicated it was, I could see why. The first half of The Jasmine Throne is fairly slow, as Suri sets up the world. At its core, this book is about how to remove a fanatical, xenophobic emperor who believes so strongly in his superiority that he is willing to burn his own sister to death. This sister, Malini, is exiled so that she can’t continue plotting her coup to put her other brother on the throne. She is sent to Ahiranya, the weakest state in the empire, with its history of mysterious magic, a reputation for its brothels and loose morals, and a rot that has spread from the crops to the people. There we meet Priya, a maid for the regent of Ahiranya, who just wants to live her life and help the people she can. Priya ends up caught between various rebellions, as her brother Ashok leads a small but violent band of rebels, her sister Bhumika wants to work within the empire’s political system to get more support for the Ahiranyi, and Malini realizes that Priya is more than a simple maid, and therefore she presents an opportunity to escape exile and start a war.

With all the groundwork that Suri does in the first half, this book never felt overly complicated or confusing, even as the plot took off and hardly paused to catch a breath. I appreciated the complexity, because, while I love a good band of rebels fighting an evil empire any day, I often wonder about their society and what they plan on doing after fighting is over. Suri manages to address all the questions I usually have during this kind of story, and while she doesn’t solve everything (that’s what the sequels are for, right?} she does make this feel like a complete, complex world. The characters all have their own strengths and weaknesses, they tend to be right in some ways and wrong in others, and a lot of the tension in this book comes from Priya trying to decide exactly where her loyalties lie and how she wants to navigate these relationships.

When I started this book I was a little worried about some of the characters being almost cartoonishly evil and others were entirely Good and Just, but there is a lot of room for character development and background, and there are a lot of characters to bounce between, so I never got bored with one of them. Rao and Bhumika were probably my favorite POVs, because Rao was the most intriguing and I didn’t know where he fit into the wider story, and Bhumika thought the most like me: she was more worried about civilians being hurt and starving than a lot of the other rebels.
I absolutely loved the setting and the rich visuals in this book. Flowers, mosses, vines, they were everywhere—blooming in people’s hair as they suffered from the rot, springing from Priya’s unbridled emotions as her power grows, or carefully cultivated by Bhumika, the imagery of all these plants made me want to go for a walk in the jungle. I love a good creepy forest, and while I feel like the creepy forest could have been creepier, there is plenty of great scenery. Flower body horror is an acceptable replacement for creepy forests.

Finally I feel like I have to talk about the romance, because that is a lot of what drew me to this book, but it was really secondary to a lot of the plot. Which is fine! I have romance books if I want the romance to be center stage. But also this is definitely going to be a slow burn over however many books are planned for this series—Priya and Malini definitely like each other, and there are lots of gay little moments, but a lot of their relationship is spent in negotiation. Priya knows that Malini is manipulative (by necessity, she had to be in order to survive) and is worried about her feelings not genuinely being returned. Malini’s upbringing was a lot more homophobic and she has a Lot going on. She’s trying to escape a prison, break an addiction, and get back to engineering a coup for a brother who would rather be a priest than an emperor—she doesn’t have a ton of time to think about a crush. And with the way book 1 ended, I’m not sure she’ll find it any time soon, but I’m looking forward to seeing how it plays out.

Danika reviews Sweet & Bitter Magic by Adrienne Tooley

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Sweet & Bitter Magic by Adrienne Tooley

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Tamsin is a 17-year-old witch who was banished from her community of witches when she was 12, for committing the worse of magical crimes. Worse, she was cursed, and now she can’t feel love unless she takes it from others. Without love, she can’t see colors, taste food, or feel warmth. When the townspeople fall ill or are in need of big magic, they come to her and offer up their love for their children or spouse in exchange, and she carefully rations that small store of emotion. Wren is a source: someone made of magic, but who can’t use it herself. She would be an incredible book for witches, but she’s kept herself hidden–her brother was killed because of the actions of a witch, and her family fears magic. After her mother died, she’s been stuck taking care of her sickly father, though what she really wants to do is go to the Witchlands and nurture her power. When a magical plague ravages the queendom (including Wren’s father), they team up to try to stop it.

This is a high fantasy story with big, world-ending stakes–but more importantly, it’s a slow burn sapphic romance. Tamsin and Wren have a perfect grouchy one/sunshine one dynamic. Tamsin is jaded, haunted by her past, and literally incapable of love or positive emotion. Wren is bubbly, naïve, and distractible; she sees magic everywhere. They seem like opposites–but in reality, they have most of the same motivations. Tamsin has a martyr complex; Wren is self-sacrificial to a fault. They both have spent their lives living it for others, only to be punished for it. Wren has tried to be the “good girl” her whole life, always making herself small; Tamsin was the star student, a rule follower. In the present day, neither of them thinks they are worthy of happiness.

Together, they have to journey to Within (aka the Witchlands) to begin their hunt for the witch responsible for the dark magic that is causing havoc–the same Within that cursed and banished Tamsin 5 years earlier. I really enjoy “quest” stories that involve a fantasy travel journey, and I loved seeing Tamsin and Wren clash as they tried to get through it together. I only wish we got a little more of their travel Within (where there’s walking cottages and all kinds of weird stuff), but I recognize that probably wouldn’t fit the pacing.

While there is a high fantasy plot here, including magical duels, family secrets, and a world in the balance, it becomes obvious that the heart of this story is the romance between Wren and Tamsin. Wren is frustrated to find herself falling for someone who a) is incapable of loving her back, b) is going to take her love for her father from her as soon as Tamsin completes her end of the deal, and c) is kind of a jerk to her. [spoilers] I loved the element of Tamsin beginning to see flashes of color in Wren. Never has “Your hair is red” been such a swoon-worthy statement. [end of spoilers] In addition to the grumpy one/sunshine one trope, there’s also a “there’s only one bed” moment! Classic.

I really enjoyed reading this romance unfold, seeing Tamsin take down some of her defenses and despite herself begin to see the world through Wren’s eyes sometimes. It’s also about complicated family dynamics and how to see people complexly, even the people closest to you. I know a lot of people will also appreciate that this is set in a world without homophobia: the prince has rejected men and women suitors, and there are same-sex couple side characters introduced with no more fanfare than M/F couples. This is an absorbing read that I can’t wait to see people fall in love with.

Emily reviews The Priory of the Orange Tree by Samantha Shannon

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The Priory of the Orange Tree by Samantha Shannon

The Priory of the Orange Tree is an epic fantasy standalone that features characters across the world struggling with the re-emergence of a thousand-year-old threat. At the beginning of the story, Ead is a lady in waiting in the court of Sabran the Ninth, hiding forbidden magic and a secret mission to keep the Queen safe. Loth, the Queen’s best friend, has been sent on a deadly mission by the Queen’s spymaster. On the other side of the world, Tané is in training to become a dragon rider, but her life is altered by a chance encounter with a foreigner on a beach. Niclays is living his life in exile, but Tané’s decision will pull him out of obscurity. From there, Shannon weaves a truly fantastic plot, taking the reader on a wonderful journey before bringing the threads from all over her world together for the conclusion.

There is a lot to love in this book. Any book with pirates, magic and dragons is something I will love, but this one included so much more. Shannon roots her world in real world history, as well as a number of myths and legends, which gives the book a really solid grounding and makes the whole thing seem real. Having characters from different parts of the world really adds to this realism, because we get to see different cultures in detail, as well as how they overlap. The characters all have different viewpoints on the world, but they are all engaging and interesting to read about. I particularly loved Ead and Tané’s journeys. I will say that I found different viewpoints less interesting than others at certain points in the story, but that’s a problem I have with most books that balance so many perspectives.

Ead’s plotline involves a slow burning sapphic romance and it was absolutely delightful! It developed slowly, but in a way that left it feeling inevitable, and I rooted for the characters to be together so much. I also really appreciated that the barriers to lgbtq+ characters being together in this book were rooted in class, duty and circumstance, rather than in homophobia.

The pacing was a little off in places: the first half of this book was quite slow, with Shannon taking her time to build up the intrigue in Sabran’s court and to introduce you to the world. I had no problem with the pace picking up as the book went on, but it sped up so much that it felt like there wasn’t quite enough time to do justice to the big finale at the end. It perhaps suffered slightly from trying to balance so many characters and such an epic plot in a single book. That said, the conclusion was still very satisfying, and the work felt complete as a standalone.

This wasn’t a particularly new or inventive fantasy–if you’ve read much of the genre, you’ll probably find this book feels familiar to you. However, I don’t think that’s a bad thing! I’ve never seen this kind of story with a sapphic relationship taking centre stage before, and I absolutely loved it. It was so nice to see myself represented in the kind of fantasy story I loved growing up. Overall, this was a really enjoyable and accessible fantasy, and I’d really recommend it!