Danielle reviews Sirens & Muses by Antonia Angress

the cover of Sirens and Muses

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Sirens & Muses by Antonia Angress is a novel that follows four artists as they embark first on art school before conquering New York City. I loved everything about this novel. Everything. The characters are rich: Angress has done a phenomenal job of creating realistic characters who are not always likable—which, to me, makes them even more real. The four artists are flawed, have their own anxieties and grievances, and are at times self-conscious. Despite times throughout the novel when they are extremely unlikeable, by the end of the novel, two of the four characters, Karina and Louisa, have become some of my favourite fictional characters. It’s important to note that Angress seems to be a master of character development. Cruel at times, each character stumbles. I loved watching each character change direction and reach their potentials despite their earlier suffering and anxieties.

The dynamic between Karina and Louisa is what makes Sirens & Muses for me. Its 368 pages simply don’t have enough of them together. Karina is the character I found most difficult to like at the start of the novel, while Louisa is easy to love. By the time I finished reading, I’d fallen in love with both of them. Between the lines, they have a beautiful love story: obscured by the other two characters’ stories, Angress gave just enough to pull me into their relationship, and desperately hope for some sort of sequel to their story.

My heart hurt for the characters throughout Sirens & Muses. I found myself truly caring about them, and in that sense, Angress has created a masterpiece. The novel is part academic, part love story, part art discourse, and she weaves all of those themes together seamlessly. It is a smart, well-written book that I was immediately captivated by, and have remained captivated by weeks after reading it.

It was the perfect length, leaving you satisfied yet still wanting more, and with such realistic and detailed descriptions of the characters’ art, I felt as though I was walking through an art gallery of their creations: a fictional art gallery filled with the fictional art created by fictional characters. Angress has written a vivid and captivating novel that comes to life off the pages.

Danielle is a Lesbrary guest reviewer. If you would like to submit a review to be featured on the Lesbrary, check out the About page for more information.

Danika reviews One Last Stop by Casey McQuiston

One Last Stop by Casey McQuiston

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“August believes in nothing except caution and a pocketknife.”

I first have to establish that I never read Red, White, and Royal Blue. I know that everyone and their sister was raving about that book, but as you probably can guess, I tend to centre women in my reading. Also, at a certain point the hype became overwhelming. So when I picked up One Last Stop, despite the author’s reputation, I was fully ready not to like it in some sort of defiant stubbornness. Instead, I am here to tell you that this author has earned the hype.

Although I read a lot of books, this is the first read in a long time that’s completely immersed me in it. It was the kind of book where you have to shake your head when you surface, because you’ve completely forgotten that the real world exists or that time has been passing.

This is about August, a twenty-something who has recently moved to New York with no plan other than switching into a new school. She has been doing this for years–switching schools, majors, and cities without ever fully unpacking or settling down. Growing up, it was just her and her mother against a hostile world. Her mother’s brother went missing in the 70s, and her mother made it her life’s mission to find out what happened to him. August’s first word was “case.” She was raised on a diet of true crime and survival strategies. She always carries a pocketknife and never goes to a second location.

At the beginning of One Last Stop, August is looking for a cheap apartment in Brooklyn. Obviously, she doesn’t have a lot of options. She decides to move in with three weirdos despite her misgivings–one is a psychic and another is building a sculpture with frog bones. I was hooked from the first page, where their roommate notice is a) taped to a garbage can and b) reads, in part: “Must be queer & trans friendly. Must not be afraid of fire or dogs. No Libras, we already have one.” (Of course, she ends up becoming fast friends with them.) I love the quirkiness of these characters that never becomes over the top or too cutesy. As for representation, August is white and bisexual (yes, this uses the word bisexual!) and there are significant POC, queer, and trans side characters. The love interest is Chinese-American and butch!

Speaking of the love interest, this is a romance, so let’s get to the heart of it. August is on her way to her first day of class when she spills coffee on her shirt on the Q train. The aforementioned cute butch, Jane, smiles at her and gives her a scarf, and August is immediately smitten–who wouldn’t be? One of my favourite parts of the book is August daydreaming about Jane assembling a bed frame. If fantasizing about cute butches putting together furniture isn’t sapphic culture, I don’t know what is.

There’s just one problem. Jane is stuck on the subway. And has been since the 70s. Now, August has to work a new case to try to figure out how to save her crush stuck in time–even if it means she’ll never see her again.

All of the reviews I’ve seen for this book talk about how cute and delightful it is, which is fair, but it’s also got some depth and darkness to it. August feels lost and isolated. It’s the story of her beginning to make connections and put down roots, and maybe lay the knife to the side sometimes. There are family secrets, betrayals, and tragedies. While this is a love letter to New York, it’s also a celebration of queerness, found family, and community. We get to see what Jane’s experience was like, growing up in the 70s as a butch punk Asian lesbian. The Stonewall Riots were not history for her. It explores queer history in New York and uplifts what queerness looks like there now–including some very memorable drag nights.

It’s also sexy and romantic. August and Jane have an almost supernatural connection. Jane has forgotten most of her life, and together they try to regain her memories, usually through recreating elements of her past. August brings her endless coffee order and snacks to try to find one that sparks a memory. They have great banter–in fact, the quippy dialogue is a strength in this novel overall. Even as they get closer, Jane’s situation pulls them apart. Even if they can find a way to reverse this situation, will Jane stay here or go back to her time? Which does she want? They have undeniable chemistry and there are some seriously steamy scenes. (Content warning for semi-public sex.)

I am fully on board the Casey McQuiston train (puns!), and I highly recommend you come along. This was a 5 star read, and one I look forward to rereading. It’s a sexy, romantic celebration of queerness and New York. Believe the hype.

One Last Stop comes out June 1st.