Kelleen Reviews Three Novellas to Marathon This Summer

Caroline’s Heart by Austin Chant

the cover of Caroline’s Heart

I read Caroline’s Heart by Austin Chant for the first time this month and it blew my mind. It’s a queer trans historical western fantasy novella and it’s just so GOOD. I don’t read a lot of fantasy and I don’t read a lot of westerns, but I love a queer historical, so I jumped in with both feet. I don’t want to give too much away, but it follows a bi trans witch who’s trying to resurrect her lost lover and the bi trans cowboy who has her lover’s heart in his chest. And then, they fall in love. The stakes are so high, the world building is so precise, and the romance is so addictive. It’s tender and raw and absolutely electrifying. It’s the perfect Pride read for historical and fantasy lovers alike!

Representation: bi trans heroine, bi trans hero, bi trans author

Content warnings: death of a loved one, blood, violence

Can’t Escape Love by Alyssa Cole

the cover of Can't Escape Love

Alyssa Cole writes the most dynamic, diverse, relatable romance worlds and this little novella is no different. The fourth in her Reluctant Royals series, this novella follows Reggie, the badass CEO of the nerdy girl media empire Girls with Glasses and the video creator she used to have an internet crush on. When Reggie’s insomnia has made it impossible for her to keep working, she turns desperately to Gus, whose puzzling livestreams are the only thing that ever soothed her enough to fall asleep. And then, they fall in love. Reggie never actually names her identity on page, but she’s polysexual of some kind. She is also a wheelchair user. Both Reggie and Gus are neurodivergent and the way their brains work together is so lovely. These two understand each other better than anyone else does and they make something so beautiful together. The book is sexy and smart and nerdy and hilarious and absolutely delightful. Alyssa Cole is always a must-read, but this novella is EXCELLENT, and perfect for the second half of your Pride TBR.

Representation: queer, neurodivergent, wheelchair using Black heroine, neurodivergent, Vietnamese-American hero, queer, neurodivergent, Black author

Content warnings: roofies (off-page, mentioned), discussion of hospital stays

Wherever is Your Heart by Anita Kelly

the cover of Wherever Is Your Heart

Anita Kelly has given us a gift for us in the Moonies series, a series of novellas that center around a queer karaoke bar. This one, the third and final in the series, is sapphic and is my favorite of the lot. It’s a soft novella about blue collar soft butch lesbians in their late 40s, early 50s who are ready to settle down and fall in love and I love it with everything that I am. And then, they fall in love. I don’t really know how to describe it, but this book is about soft butches but it also feels like it IS a soft butch? Like it’s an embodiment of soft butchness in book form. It’s so tender and gentle and beautiful. The book takes place during Pride at a karaoke bar so now’s the perfect time to read it! My predominant feeling when reading an Anita Kelly book is warmth—I feel warm and safe and seen and celebrated, and what more could you want from Pride?

Representation: middle aged, plus sized, butch lesbian heroines, chronic pain, nonbinary author

Content warnings: Drunk driving, alcoholism, death of parent, weed

Sometimes, in my life existing as a twenty-something butchish queer disabled woman and experiencing different aspects of my community online and in the world, I worry that I am not cool and hip and irreverent enough. And sometimes, this makes me feel not only like I’m not connected to my community but that I have no business calling it my community. But all three of these books never fail to remind me that queer people are also silly and awkward and quiet (I’m not quiet) and soft and nerdy and dramatic and complicated, and that there is not one acceptable way to be queer.

You can read more of Kelleen’s reviews on her bookstagram (@booms.books) and on Goodreads.

Danika reviews Fresh by Margot Wood

Amazon Affiliate Link | Bookshop.org Affiliate Link

I picked up Fresh when I was in a bit of a reading slump, and in the first few pages, I wasn’t sure what to think of it. It definitely has a distinct voice. It’s a first person point of view, and it sure sounds like a college freshman telling you a story–which is exactly what this is. It’s Elliot’s first year of university: how she messed it up, and how she tried to rebuild. She’s a little ridiculous, and she has lots of silly asides, including footnotes. It’s a style that will immediately turn some people off and pull others in. Once I bought in, I loved it, and I ended up reading it in two days–so much for that reading slump.

This is loosely inspired by Emma–if Emma was a bisexual girl with ADHD who went to an artsy college but is mainly interested in getting laid. Her family is wealthy, so she’s not too concerned about getting the most out of her education. She likes sex–but not commitment. Her high school relationship ended in heartbreak and humiliation, so she’s strictly casual now. The only assignment she puts any real thought into is an essay for her Sex and Intimacy class (did I mention it’s an artsy school?), where she embarks on a personal quest to sleep with a ton of people to try to find truly Good Sex–and then write about it.

A lot of people (especially on TikTok) are looking for more queer new adult books: books about the beginning years of college and/or just leaving high school, when you’re not quite a fully-fledged adult, but YA no longer reflects your experience. This definitely isn’t my experience with university, which involved still living at home and working to pay for tuition, but it’s certainly somebody’s! It’s got classic sloppy partying scenes and, as mentioned, a lot of casual hookups. Although there is a lot of talk about sex in Fresh, it’s not an erotic or steamy read. Sex is treated very matter of factly, and Elliot doesn’t give it a lot of weight.

I really enjoyed reading about a character who messes up so much. That’s where the Emma comparison comes in: she tries to set up her friend, determined that she knows what’s best for her, without realizing that her own life is very much not together. She’s afraid of intimacy and has no direction. She has no goals for her future, she’s not trying in any of her classes (and also not signing up for serious/useful classes), and she’s also not being a great friend. It doesn’t take long before it all blows up in her face.

I do want to give some clear content warning for both sexual assault and slut shaming. Elliot isn’t treating people well–she’s ghosting her hookups, and they’re not always aware that she only wants something casual–and that gets tangled up in general cultural shaming around women having casual sex (especially bisexual women). It’s clear from context that the slut shaming sentiment is wrong, but it’s not clearly defined. Similarly, while one character treats the attempted sexual assault very seriously (as does Elliot), not every character does, and it also gets mixed up with other things. I don’t think that’s a fault of the writing, necessarily, but I think readers should be aware of that going in.

Despite Elliot’s intimacy issues, there is also a romantic subplot, full of yearning, miscommunication, and a touch of the enemies to painful crush pipeline.

Overall, I thought this was such an absorbing, entertaining read, and I think it’s much-needed for new adult readers. Meanwhile, us older and wiser readers will be shaking our heads fondly at the rollercoaster of college relationships. I definitely never stopped hating the term “tender chicken,” which is used a lot in this book, and really spotlights how not erotic the descriptions of sex are, but I managed to get over that, and I’m grateful for it breaking through my reading slump. If you’re looking for a fun, silly, fast read–or queer new adult about college!–I highly recommend this one.