A Lavender Haze Love Story: Late Bloomer by Mazey Eddings

Late Bloomer cover

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“I wish I could say it gets better, but it only gets worse.”

“Nothing says love like Taylor Swift.”

There is a lot to like about Late Bloomer by Mazey Eddings, but these two lines are what made the book stand out for me. In context, the first line is spoken by one main character, who is 26, to the other, who is 24. Later on, when Opal, the 24-year-old, says the line about Taylor Swift, Pepper replies, “Aren’t a lot of her songs about heartbreak?”

“Absolutely do not get me started,” is both Opal’s retort and what I would say in response to someone bringing up either of these topics. I have a lot of thoughts on these topics, and that is certainly part of what made me enjoy Late Bloomer so much.

Late Bloomer is set outside of Asheville, North Carolina, on a flower farm named Thistle and Bloom. Opal wins the lottery, buys the farm, moves from Charlotte to Asheville, and discovers that her new home is very much still occupied by Pepper. As it turns out, Pepper has had the farm sold out from under her by her ne’er do well mother because of something something probate. Hijinks ensue. There are two ways to approach the setting and exposition of Late Bloomer: 1) If you love flowers and/or Asheville, then you’re going to love the entire backdrop of this book. 2) If those things do not matter to you as much, throwing Opal and Pepper together in a house without “adult supervision” is more than enough to drive the story forward. 

So about that 26-year-old giving sage advice to a 24-year-old… truthfully, it was not my favorite. Have I once upon a time said something similar in a similar situation? Probably more than once. It’s the kind of thing that isn’t meant to be overheard by someone who wasn’t entirely sure if their back was going to cooperate this morning. That’s okay, though. More importantly, this interaction made me realize something: I think Late Bloomer is the first romance I’ve read where both characters are Gen Z. I’ve read plenty of books with Millennial/Millennial pairings as well as Gen X/Millennial and Millennial/Gen Z pairings, but I think this is the first Gen Z/Gen Z romance. 

To be clear, this is a good thing. No one in this book owns a coffee shop (not that there’s anything wrong with that!), and neither main character is remotely close to having children—or having their life together, for that matter. Pepper is autistic, and Opal has ADHD. (Unless she’s also autistic. Opal tells Pepper that, because medical tests are expensive and there’s a lot of overlap between the two, that she didn’t bother getting a diagnosis. Again, no one owns a coffee shop.) These two characters allow Eddings to talk about ADHD and autism in ways that I don’t often see from Gen Xers or Millennials. Eddings’s characters felt more real to me than many of the characters I’ve read in other romances lately. If someone told me that people like these characters existed in real life, I would definitely believe it. And while I know that romance is not the best place to go for realism, it works in Late Bloomer

Also, there’s a flower sculpture contest, so it’s not like I’m saying the book is bereft of whimsy.

Speaking of which, what’s up with the number of romances out there that invoke Taylor Swift’s name? Not just the first and last name—it’s important that Alison makes it onto the page as well. Swift’s middle name has somehow become the vehicle by which someone can emphasize just how powerful Swift truly is. (I’m certainly not denying that; shortly after the release of folklore in 2020, I began referring to her as “the bard.”) And the Swift references as book titles! In just the past two months, I’ve read Don’t Want You Like a Best Friend by Emma Alban and How You Get the Girl by Anita Kelly. Eddings gets in on the fun as well, which readers discover as part of the author’s note in Late Bloomer. I’ll admit that my favorite part of the book is probably “Anatomy of a Title,” in which Eddings reveals that one of the possible titles for Late Bloomer was—you guessed it… 

“Lavender Haze.”

I really needed to get that whole Taylor Swift thing off my chest. More importantly, the insight that Eddings provided into that part of the writing process was a treat.

What I’m trying to say is that Late Bloomer has a lot of depth to it. I like the stories that follow tropes in a way that is predictable and comforting, yes, but it is also fun when an author adds something that I don’t come across that often. Or, in the case of the bard, something I see a lot of but approached in a way that’s different and makes me laugh. Late Bloomer is an easy recommend, and—if it matters to you one way or the other—it’s also one of spicier romances that I’ve read this year. 

Liv (she/her) is a trans woman, a professor of English, and a reluctant Southerner. Described (charitably) as passionate and strong-willed, she loves to talk (and talk) about popular culture, queer theory, utopias, time travel, and any other topic that she has magpied over the years. You can find her on storygraph and letterboxd @livvalentine.

A Sweet and Steamy Polyamorous Romance: Triple Sec by T.J. Alexander

Triple Sec cover

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Before this book had even come out (happy release day, Triple Sec!), I’d already been recommending it nonstop on Our Queerest Shelves. Ever since I finished it, I haven’t been able to stop talking about. It’s definitely one of my favourite books of the year so far, and in my top five favourite romance novels I’ve ever read.

This is about Mel, who is a bartender who’s jaded about love ever since her divorce. But then Bebe walks into the bar, and they have undeniable chemistry. Bebe is interested in dating Mel — she’s also married and polyamorous. Mel has never tried an open relationship, but it seems like a good way to tiptoe back into dating. This will be totally light and casual, right? They mutually agree: no falling in love. And Bebe’s nonbinary wife Kade is so intimidating that Mel can’t imagine actually being a part of their lives. But obviously, feelings don’t obey even the most clearly written out agreements.

I’ve long thought that reality TV shows are missing out by not casting all bisexuals. (Other than that season of Are You the One?) Think of the drama potential! The opportunity for different pairings increases exponentially. Since reading Triple Sec, I feel the same way about romance novels and polyamorous main characters. You can have two falling-in-love scenes in the same romance! Twice the first kisses! Two — or more — completely different relationship (and sexual) dynamics! I feel like I’ve been spoiled and will have trouble going back to two-person romances.

I know romance novels are so specific to each reader, but I loved the relationship dynamics and especially the dialogue. When Mel shows Bebe her tattoo of Pompeii and Bebe replies, “I love a good disaster myself” — look, I also would have fallen in love right then and there. I also liked the friendship between Mel and her roommate, who both agree to follow the good word of Saint Channing Tatum.

It’s also very steamy. I’m not going to get into it, but wow.

I enjoyed the ongoing rewriting of Bebe and Mel’s relationship agreement as they renegotiate things like pet names, catching feelings, and the dynamics between Kade, Mel, and Bebe.

While the central plot is the relationships between Mel, Bebe, and Kade, there’s also a subplot about a cocktail competition. I don’t drink, but I still found it fascinating to read about Mel’s different creations and how she keeps reworking her creations leading up the competition. Winning would mean she could buy her own bar, a dream of hers.

I also liked reading about Mel’s job: Terror & Virtue is a high-end cocktail lounge, and Mel is very skilled and passionate about her work — but it’s also customer service. It means dealing with drunk, rude customers and worrying about your next paycheck. In fact, the only criticism I had with Triple Sec is that I feel like the class difference between Mel and Bebe/Kade wasn’t really explored, other than Mel admiring their apartment and feeling a little out of place. Bebe and Kade are wealthy — Kade is a successful artist and Bebe is a lawyer defending workers’ rights.

That’s a very small complaint, though, especially since the ending didn’t go where I thought it would. If you want a fun, queer, polyamorous romance with lots of kind people learning how to best support each other, I highly recommend Triple Sec.

Take a Shot on How You Get the Girl by Anita Kelly

the cover of How You Get the Girl by Anita Kelly

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While coaching East Nashville High’s girl’s basketball teen, Coach Julie Parker expects passionate players and quick springs, not for the star of her fantasies, ex-WNBA baller Elle Cochrane, to show up with the niece she’s fostering. Despite being all heart-eyed and tongue-tied, Julie convinces Elle to become her assistant coach, allowing Elle to keep an eye on her niece. Neither expects sparks to fly along with basketballs shooting across the court, even as Elle helps Julie navigate the unfamiliar terrain of dating. Will they continue sitting on the sidelines of their own lives, or finally take a shot?

Dear Anita Kelly. Thank you. Thank you for a story about two beautifully, vulnerably queer women who are so real and authentic and layered. What easily could have been a trope-filled sapphic sports romance is instead a stunning exploration of identity, mental health, and personal growth. Bear with me, Lesbrary readers, as I try to find my words. This story started with Julie’s megawatt heart-eyed celebrity crush and a little forced proximity, but it became so much more. Between her queer twin and best friend, Julie always thought she was a little behind in defining her queerness, but there’s no timeline, no deadline. She always struggled to find her label, her place (only to realize they’re just… whatever!), and it’s not until Elle steps into her life and throws her out of her comfort zone that Julie gets the chance to grow into herself. I also adored that Jules couldn’t fully pick one label (“15 percent general queer, 10 percent lesbian stereotype. 20 percent ace, 55 percent dumbass.”) because identity is in fact a spectrum. She does mention the possibility of being demisexual at one point, which my girlfriend identifies as, and honestly… I don’t think I’ve ever seen a character recognize that as an option before. To say it brought tears to my eyes is an understatement.

In a way, Elle has been stuck in a comfort zone, too, until she starts fostering her niece and coaching alongside Jules. Elle is so patient with Jules, so willing to step back and give Jules the chance to process her own thoughts, recognize her own needs. There’s a give and take to their relationship: when one falters, the other steps in to help them find their balance again. There are so many layers to this story: “There’s this idea embedded into our culture of getting over things,” “Maybe all love is a surprise, followed by practice,” “You can be happy and still feel like you don’t really know what you’re doing.” There’s so much to appreciate in the little lessons these women learned. Together. (If we’re keeping track, I cried three times while reading this book: when seeing “demi,” at the news clipping, and during Jule’s speech. I need more tissues now, thank you.)

There is one topic I wish received a little more attention, namely because it isn’t discussed often enough. Elle meets with the school’s weights guy, who assumes all the players on the team are girls: “the ingrained hierarchy and immovable binary of most sports.” Elle and Julie made a “space for any player who wanted to put in the work, regardless of their identity.” Kelly mentions fighting for equality in sports within her acknowledgments, but I do wish we’d seen a little of that fight as a source of conflict within the book.

The story is a bit slow at the beginning, but once it finds its momentum, it GOES. I will say I wasn’t aware this was a duology when I grabbed this ARC, but the references to the previous story weren’t so heavy that you can’t enjoy this one as a stand-alone.

Recommended to all readers, whether you’re looking for a sports romance, sapphic romance, or simply a good book with lots of mental health love. This one is going to stay with me for a long while.

Rating: ⭐⭐⭐⭐

The Vibes

🌈 Sapphic Ship – Lesbian/Demi
💞 Fake/Practice Dating
🏀 Sports/Workplace/Forced Proximity Romance
🏆 Mental Health Rep
📚 Part of the Nashville Series
🏆 Contemporary Romance
🏀 Dual POV
💞 Smut
🌈 Queer Main & Side Cast

💬 Quotes

❝ Any relationship that’s worthwhile, whether it’s friendship or romantic or sexual, only really works when you try. ❞

❝ But that when it came to identity, when it came to queerness, the whole point was that there were no tryouts. If you were even thinking about it, you were already on the team. That labels weren’t meant to confine, only to bring comfort to those for whom they were useful. That Julie didn’t need to ascribe to any of them, if she didn’t want to. ❞

❝ “There’s nothing wrong with you, Julie,” Elle said in that same half-whisper that was slowly going to kill her. “You’re not behind on anything. There’s nothing for you to be behind on. There’s nothing, and no one, you have to track your own life by.” ❞

❝ Maybe all love was a surprise, followed by practice. A step out of comfort zones, followed by hard work. Lurking in all the places you didn’t expect, places that become a forever part of you. ❞

A Bisexual Disaster Romantasy: Hunt on Dark Waters (Crimson Sails #1) by Katee Robert

Hunt on Dark Waters cover

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I have been slow to jump on board the romantasy bandwagon, partly because I am particular when it comes to romances, and partly because the subgenre has been pretty cis and straight. When I heard that Tiktok favourite Katee Robert had a new fantasy pirate romance with a bisexual woman main character, it seemed like the perfect place to start. Although I ended up with some complaints, I’ll admit that I do see the appeal of this subgenre, and I plan to pick up the sequel.

Evelyn is a witch in a situationship with the vampire Lizzie. She knows it’s a bad idea, because Lizzie is heartless and extremely powerful…but the sex is good. And it’s a nice distraction from her grief over her grandmother. When things go south with their arrangement, she decides to take a parting gift in the form of some jewels, hopping through a portal to escape Lizzie. That’s when she meets Bowen, the captain of a Cŵn Annwn ship, who tells her she has a choice: join the crew or be killed. Evelyn agrees for now, but is looking for an escape route. Meanwhile, the taciturn, “paladin” Bowen and snarky pickpocket Evelyn can’t ignore the heat between them.

So yes, this is primarily an M/F romance, and predictably, I was most interested in the beginning chapters with Lizzie. Still, I had fun reading this. It’s exactly what I would expect from a romantasy book: some fantasy adventure and worldbuilding, but with a focus on the relationship—and plenty of steamy sex scenes. I also think this is the first time I’ve seen a romance heroine described as having a soft stomach, large thighs, and small breasts. And she knows she’s hot. So that’s fun.

A small thing I appreciated was that this is a queernorm world: there doesn’t seem to be any discrimination against queer or trans people in this world. There are also several nonbinary side characters, including ones who use they/them pronouns and ones that use neo pronouns. Since this book takes place in a world where people come through portals from very different worlds and cultures, it makes sense that they’d all be different and come with their own understandings of gender and pronouns.

I will say that the writing style wasn’t this book’s strongest feature. It felt a little too simple, and the dialogue was clunky at times. I also quickly got tired of the main characters spending every page describing how hot the other one is.

The plot was serviceable: Bowen has been fiercely loyal to the Cŵn Annwn and is having to reconsider whether they’re actually the bad guys, which takes a lot of unlearning. He was taken in by them as a kid and has no memory of the time before that—which felt like it would play a bigger part in the plot, but doesn’t really. I wasn’t deeply invested in this world, but I also wasn’t bored with it.

Vague spoilers in this paragraph: as I mentioned, I found Lizzie to be the most interesting part of this book. She’s the protagonist of the sequel, so although she can seem villainous at times, the author is also careful to include some glimpses of her softer side—she might be a powerful, killer vampire, but she can’t be completely irredeemable. That makes her an intriguing figure, especially in the last section of the book. She’s both the big bad that Evelyn is running from and a character that needs to be sympathetic enough to star in her own story. The tension between these two roles was interesting to read.

Overall, this was a fun, sometimes silly read. I feel like it’s worth mentioning that this was my first Katee Robert book, and it has a much lower average rating than her other books, like the Dark Olympus series. Her fans mostly seem to find this one disappointing, so I’m not sure that I should recommend it as a starting point for her books. Still, although I had my issues with it, I am looking forward to reading Lizzie’s story in the sequel (which has a central F/F romance).

A Blood-Drenched Queer Space Opera for the Ages: Redsight by Meredith Mooring

the cover of Redsight by Meredith Moore

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Better buckle up your buttered biscuits, because you’re in for one hell of a ride. 

Meredith Mooring’s debut novel Redsight, freshly published February 27, 2024, arrived studded with blurbs. The two that ultimately pulled me were: “The heretical, genre-defying daughter of Killing Eve and Dune,” (Kemi Ashing-Giwa) and “A stellar debut, born from a collision between epic space opera and bewitching cosmic space horror” (Ren Hutchings). Sign me up

Fresh from having devoured all 394 pages in a single sitting, I have to agree with the comparisons. 

Our chosen one, Korinna, is a red witch thrust into the heart of an intergalactic conflict she doesn’t understand, haunted by the bloody memory of a massacre and her own complicity. Like all Redseer clerics, she relies on tactus—the tactile energy of all things—to sense her world, rather than sight. She’s raised with the knowledge drilled into her that she is the weakest of her cohort, fit only for duty in the ship’s gardens. Certainly not strong enough to navigate a ship, let alone a massive Imperium warship.

When Korinna’s path intersects with the buff and mysterious pirate captain Aster Haran, Korinna can’t deny her attraction to the other woman. As the stakes grow ever higher, Korinna has a choice to make: loyalty to her Order and the only life she’s ever known… or cutting a destructive swathe of vengeance across the universe beside a gorgeous outlaw with an ever-expanding array of secrets. 

Redsight is action-packed, occasionally to the detriment of its characters, who have a slightly unfinished quality. They easily accommodate belief-shattering concepts, reconciling multifaceted issues within the space of a single conversation. Maybe I’m a sadist, but I wanted to witness their internal struggles play out longer.

There is so much to love about this book and the sweeping universe Mooring created. There were passages that left me breathless, ravenous to know the outcome. Mooring has a talent for channeling visceral physical trauma, so there were other passages that had me gritting my teeth and begging for my favorites to just please, please make it through. 

Redsight also has one of the more unique magic systems I’ve read in awhile—and I do so love an epic mythos. You can never give me enough goddesses in locked tombs, and you can never give me enough queer space pirates and acolytes. Bring on the apostasy, baby.

However: a word of warning for my queasy friends re: Mooring’s gift for transcribing bodily harm. The blood, y’all. There’s so much blood, all the time. It is immensely disconcerting and I’m used to gore. Honestly, it’s impressive. 

Redsight might be one of my new favorites. Not because it’s perfect, but because it gets so much right.  Mooring offers truth and a way forward. She offers a sense of hope and belonging for perpetual outsiders. Despite the heavy content, there are glittering threads of optimism woven throughout. I wouldn’t call it a feel-good, but… the novel is a deliciously weird and delightful treat, and I’m going to be thinking about it for a long time. If you’re a fan of powerful queers in space, you’re going to enjoy Redsight.

Content warnings: blood, violence, gore, low self esteem, dubious consent (taking power)

An Enemies-to-Lovers Miami Romance: Fighting for Control by J.J. Arias

the cover of Fighting for Control

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Fighting for Control by J.J. Arias was published on November 11, 2023 and is the second book in the Dominion series. While I highly recommend reading the first in the series, Losing Control, because it’s a truly amazing book, it is not absolutely necessary to read before this one. It does, however, introduce one of the main characters, and several recurring characters. Fighting for Control follows Lola Barros and Carmen Vargas on a deeply rich and satisfying enemies-to-lovers romance. Lola is a talent agent trying to make a name for herself in an agency run by someone that deals in no nonsense. Carmen is an attorney working for her family’s firm and trying to forge her own path while honoring and carrying the legacy of those who have come before her. The two women work in the same building and cross paths occasionally… and sparks usually fly in one way or another. After a particularly intense encounter, involving a race to the parking garage and a nearly injured janitor, the owner of the building gives Lola and Carmen an ultimatum: attend anger management counseling with her “spiritual guide” or risk eviction. What follows is a journey for two strong women to explore feelings that, for better or worse, are incredibly intense and unlike anything they have experienced before. 

In the last year I have come to the conclusion that I love an enemies-to-lovers trope. Especially when it is done well. I don’t like cruelty, and I don’t think that can be easily forgiven, but a good old fashion feud that is largely propelled by ideas one person has of the other, and vice versa? A feud that is also propelled by a confusion at how you could find someone so hot it makes you do absolutely irrational things?? That is what I like to see. And in Fighting for Control, J.J. Arias absolutely nails it. Both Lola and Carmen are three dimensional characters who each have such strong backstories and development. What could be a surface level enemies to lovers based on physical attraction is instead a story about two people with different backgrounds each fighting their own internal battles and trying to find the bravery to trust. 

I adored Lola and Carmen, both individually and as a pair. Everything in Lola’s life has been transactional. She has never been given anything without the expectation of something in return. She searches for an angle in everything because there have only ever been angles. Lola’s backstory and home life leave you both heartbroken and exhausted on her behalf. You fully understand why she acts the way she does, and J.J. is truly one of the best at character development. The way Lola starts to open up to Carmen, and the way Carmen receives that, is a beautiful thing to watch unfold. Carmen walks around with the weight of the world on her shoulders, made even heavier with a family legacy her mother insists she upholds. There is a gentleness to her, and I think that is what Lola is drawn to… in addition to finding her infuriating attractive. Carmen is like no one else Lola has met, and that is both appealing and confusing for her. They both offer each other a safe place, and a protectiveness over the other that was one of my favorite things to watch unfold. 

With any J.J. book, you are going to get heat and passion, and you are going to feel those things deeply as you read. I think she is one of the best at writing love scenes that are layered, and so beautifully written they leave you a little breathless. But with J.J. it is never just those scenes that get you. She writes love stories that make you need a glass of water one minute and a tissue the next. Her range is incredible, and I believe her to be one of the best at portraying a myriad of emotions, sometimes all at once. There is one scene in this story that was truly so powerful and well written, I get teary eyed just thinking about it. That only happens when an author has written characters you truly care about, and J.J. has done that with this book. 

The premise of this book leads to some truly hilarious (and steamy) set-ups, and I am anxiously awaiting the third in the Dominion series—the focus of which will be Lola’s icy and incredibly successful boss, Natalia. Fighting for Control is J.J. Arias at her best, and I cannot recommend it enough.

Academic Lovers to Enemies to Lovers: The Headmistress by Milena McKay

The Headmistress cover

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Everyone knows the old saying, “be careful what you wish for”. For Professor Samantha “Sam” Threadneedle, the main character of Melina McKay’s moody and dark academia romance The Headmistress, that adage becomes very true. Three Dragons Academy, a remote all-girls boarding school that has been her home since she was an orphan left on the school’s doorstep, is close to financial ruin. Disquieted by the prospect of losing everything she has ever known and loved, Sam makes a wish for change. She is stunned, however, when change comes in the form of the new headmistress, Magdalene Nox. Magdalene has a reputation for being a ruthless administrator who will not hesitate to fire everyone if it means getting results. While all of Sam’s colleagues rush to hate Magdalene, there’s more to this new headmistress for Sam. Magdalene has haunted Sam’s dreams ever since their passionate one night stand three months ago. Soon, Sam and Magdalene are butting heads about the future direction of the school all while resisting their urges to re-create that special night.        

As a main character, you can’t help but root for and sympathize with Sam. She is a textbook example of a people pleaser, constantly giving of herself to her students and colleagues at the expense of her own needs. For example, she’s still in the closet at the beginning of the novel because she has wanted to avoid adding stress to the previous headmistress. She’s headstrong and combative when it comes to protecting those she loves, which can cause her to heedlessly jump into fights. She’s a lesbian white knight, ready to fight any fight, even if it means coming out the worst for it. It’s a personality type that I’ve always been drawn to, and her character arc of learning to balance her needs with the needs of others is something I very much relate to. 

In Magdalene, you have a very swoon-worthy love interest with great emotional depth. While she’s initially set up to be an “Ice Queen”, Sam and the reader discover that there’s more to her than that. She is not cruel because she wants to be. Her bluntness does not come from a place of animus, but rather from her drive to get things done. Just like Sam, she’s incredibly driven to save the school, even if it means making the tough choices. She knows she is going to be portrayed as the villain no matter what and plays that role because she knows it’s the most efficient way to save the school. However, there is also this sweet side to her that begins to emerge as her and Sam’s relationship develops. By the end of the novel, Magdalene ends up being this really lovable multifaceted character who also happens to be drop dead sexy. The fact that all of this is conveyed solely through Sam’s point of view is a testament to Milena McKay’s writing.   

Not only are Sam and Magdalene great characters by themselves, but the dynamic between them was a delight to read. Flashbacks to their one night stand appear early in the novel, so you know that these two have great chemistry. However, they almost immediately start butting heads upon Magdalene’s arrival at the school. Sam and Magdalene are both very driven and stubborn people, which makes for very entertaining arguments where sparks can really fly. Seriously, if I had a nickel for the amount of times I whispered “okay, now kiss!” during their arguments, I could afford to buy this book multiple times over. When they aren’t butting heads, the banter between them is infused with this playful flirtiness that I just ate up.    

In terms of story, I loved how tightly interwoven it was, with external conflicts seamlessly feeding into the internal conflicts between Sam and Magdalene. While forbidden romances between bosses and their subordinates are always fun, the fact that the external conflicts of the story kept forcing our couple together added that little bit extra. You have two stubborn characters who are insanely attracted to one another yet keep finding themselves on opposing sides of the same argument. It is in these disagreements where a lot of their relationship begins to develop and where the central tension between them lies. Furthermore, there are other external subplots that continue to crop up throughout the story and influence the narrative. There’s an anti-woke board member who’s hellbent on returning the school to its “traditional values”. There’s a group of queer students who could be forced to leave the school. There’s the bitter former headmistress causing trouble for both Sam and Magdalene. There’s even a mystery surrounding a series of “accidents” that seemed to be aimed at either injuring or killing Sam. While that does sound like a lot, none of them feel neither superfluous nor distracting. Instead, they are really well-balanced and serve to create a captivating story of two people falling in love despite all the challenges around them.   

I thoroughly enjoyed my time at Three Dragons Academy with Sam and Magdalene. If you’re looking for a steamy romance with great characters, moody atmosphere, and enthralling story, I highly recommend giving The Headmistress your undivided attention.

Supremely Steamy Slow Burn: Losing Control by J. J. Arias

the cover of Losing Control

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For my first romance of 2024, I decided to read Losing Control by J. J. Arias. I had heard so many great things about this author (shout out to the Strictly Sapphic podcast) and knew that I really wanted to check her work out sometime. So when my friends gifted me a copy for Christmas, I knew what I had to do. I am so happy with my choice. This book is a nearly perfect steamy slow build romance with tons of emotional depth.

Losing Control is the first in her new series of books set at the Miami-based Dominion Talent Agency. Andrea Ortiz is one of the top talent agents at the agency. The definition of straight-laced, she has gotten where she is by always following the rules, whether they be from her parents, teachers, or her boss. It’s led her to a fairly simple and straightforward life, but that’s the way she likes it. This life is upended, however, when she’s tasked with managing Roxy, better known as the wild and sexy pop star Roxxxy. Roxy’s latest antics have resulted in her tour manager quitting right before her nationwide tour is about to begin. Unable to find a replacement on such short notice, Andrea has no choice but to go on tour with Roxy in the hopes of keeping her out of further trouble. As Andrea and Roxy spend night after night together on Roxy’s tour bus, a connection forms between them that threatens to make Andrea break all her rules. For Roxy, this connection may finally be the thing that allows her to let someone in and see the real person behind the stage persona.

One of the key elements that can make or break a romance, especially a slow burn romance, is the tension between the characters. As a reader, it’s not enough to be told that characters are into each other; you need to feel it. J. J. Arias does a masterful job of making you feel the sexual and emotional tension between Andrea and Roxy as it gradually builds throughout the book. From their first meeting, you can sense the energy between them in the prose. Every sentence and paragraph is expertly used to build a palpable sense of inevitability between Andrea and Roxy, even if the characters themselves think it impossible. You know these two want each other; you feel it as it continues to escalate and drive them to do things they never thought they would. What makes this tension even better is how Arias mixes the sexual and emotional sides of this tension. Andrea and Roxy don’t just want to have sex with each other. There’s more to it than that, even if they don’t know it quite yet. All of this works together to make the slow burn a roaring fire that slowly builds into a blazing inferno.

Of course, tension is only good if there is a payoff. Arias knows this and delivers a highly satisfying payoff. (Slight spoilers for the last quarter of the book, highlight to read) She forgoes the trope of a third act breakup and instead gives us what could be described as an extended epilogue filled with incredibly steamy sex scenes and fantastic emotional character moments. At this point, the tour is over, and Andrea and Roxy are back in the real world. They’ve decided to be together, but that means figuring out what that means for both of them, their careers, and their personal lives. I personally loved this because it allows us to see how Andrea and Roxy continue to develop as a romantic partnership. Additionally, the sex scenes are so good because not only do they give us tasty 5-alarm spice, but also show how much these characters care for each other, how far they’ve come, and how deep their love is now. (End of spoilers)

Losing Control is a wonderfully steamy book filled with fantastic characters that you want to be together. The tension between characters is palpable and the payoff is very satisfying. If you’re a fan of spicy sapphic slow burns, I highly recommend this book. Personally, I can’t wait to see what J. J. Arias has cooked up in the rest of the series.

A Steamy Lesbian Historical Romance in France: An Island Princess Starts a Scandal by Adriana Herrera

the cover of An Island Princess Starts a Scandal

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“A person could live a lifetime in six weeks, Your Grace. Entire lives have been changed in less.”

Picture this: it’s summer, your sunscreen is applied, and you’ve taken the day off to spend solo on the beach. You’ve already taken a dip in the ocean. You lay out your towel and get all your fun drinks and snacks ready, and you pull out An Island Princess Starts a Scandal: a steamy F/F romance set in 1889 Paris. Bliss. That’s how I read this title, and it was the perfect setting for this romp of a romance read.

I’m not usually a big romance reader, especially historical romance, but this changed my mind about what a historical romance novel could be. It has such a fun premise. Manuela is a lesbian engaged to a wealthy man, but she has a summer of freedom in Paris with her two best friends before she gets married. She plans to spend this time exploring the sapphic side of Paris in one last debaucherous adventure.

There, she meets Cora, a wealthy businesswoman giving off Anne Lister vibes. Basically the only thing of value to Manuela’s name as a single woman is a small parcel of land she inherited, and Cora needs it to complete a lucrative railway project. Manuela agrees to sell it on one condition: Cora needs to be her guide to the lesbian nightlife of Paris. Oh, and did I mention they already met once before at a queer sex club?

This made for a perfect beach read. I always love seeing the gay side of Paris in the late 1800s/early 1900s, especially the art and literary side. Manuela is a painter, so we see a bit of that: Manuela sees examples of women who have managed to make a living doing their art, something she thought was impossible.

That setting combined with the premise had me hooked from the beginning, and the dynamic between Manuela and Cora kept me reading. Manuela is reckless, indulgent, and clever, while Cora is more tightly wound and ambitious. They clash, but they’re also instantly obsessed with each other. Both are leveraging their power over each other before the land deal goes through for good, and they’re both pretending they’re fine with this being a purely physical, limited time fling.

I can’t leave off that this is perhaps the steamiest romance novel I’ve ever read. There are a lot of sex scenes, everything is described, and everything is described in detail.

I did sometimes get hung up on the writing style, because there are a ton of sentence fragments. They’re a stylistic choice, and I’m not saying it’s wrong to write that way, but they’re frequent. I did sometimes snag on that and get distracted from the story.

This is part of a trilogy of romance novels, each following one of three friends as their love stories play out simultaneously during this summer. I liked seeing glimpses into those stories, and though the other two are straight romances, I still might pick them up, since I had so much fun with this one. This is the second book in the series, technically, but I didn’t feel like I was missing anything by starting here.

If you’re looking for an immersive and sexy romance to escape with for a while, I highly recommend this one.

A Sapphic Romance That Soars: Fly With Me by Andie Burke

the cover of Fly With Me

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They were mirrors in a way. Both of them watching their loved ones suffer. Both unable to help in any meaningful way. Both coping—one with work and the other with a list. Both scared shitless of hurting the other one.

Content Warnings: Terminal illness, chronic illness, misogyny, toxic relationship, grief, traumatic brain injury

ER nurse Olive Murphy’s fear of flying doesn’t stop her from getting on a plane to honor her brother, but it seems her fear is misplaced. A medical emergency forces Olive to leap out of her seat and into action, only for the flight to get redirected. She would have missed the marathon she was meant to run at Disney if not for Allied Airlines pilot Stella Soriano: a gorgeous, type A woman who captivates Olive with a glance. They share a magical day at Disney together as the video of Olive saving a man’s life goes viral (after all, she did TECHNICALLY save Mickey Mouse), prompting an uptick in positive press and sales for the airline. Stella sees it as an opportunity to earn her long-deserved promotion and asks Olive to play the role of her fake girlfriend as they generate more press. Can Olive stand playing a fake role when her heart is already on a one-way flight?

Get ready for a sassy, steamy, sapphic love story bound to soar into your heart. Andie Burke’s debut novel has a little of everything; an insta-crush, fake dating (complete with a binder full of rules and research!), sharp and witty banter, plus some real and raw mental health rep. Between their anxieties, family responsibilities, and messy emotions, both Olive and Stella are relatable main characters you can’t help but fall in love with. Sparks fly from the moment Olive and Stella meet, and Olive’s mega-crush is adorable without making her seem adolescent. We gain a lot of insight into both characters’ lives despite the fact that the story sticks with Olive’s point of view, which isn’t always an easy feat. The prose is descriptive but not overly flowery, but it’s the character development that really flies off the page. I absolutely adored Olive’s best friend, too (imagine Felix from Orphan Black).

Burke does a wonderful job of normalizing mental health conditions without it being the main focus. Olive’s symptoms are as much a part of her as the heart-eyes she wears when Stella is in the room. After her (toxic) ex broke up with Olive because her anxiety disorder and panic attacks were “too much,” Olive is afraid her symptoms will eventually scare Stella away. Meanwhile, Stella’s responsibilities as her father’s caretaker (who has Parkinson’s) create the cracks in her type-A facade and show us why she’s so committed to earning her promotion. Both characters encounter misogyny as well. While some readers might feel that there’s too much going on, Burke carefully stacks these issues atop of one another. That’s life; we’re all juggling multiple conflicts, both internal and external. Read the quote I selected again. These women are mirror images of one another. Their struggles, while different on the surface, make it all the easier for them to empathize with and support each other. There’s also no perfect, easy solution to the problems these women are facing because, again: that’s life.

A part of me does wish this story split the POV, allowing us to see Stella’s perspective. Keeping the focus on Olive ensured Stella’s feelings for her remained hidden, but…come on. We all know where a sapphic romance novel is bound to end: with a sapphic romance. The “fake dating girlfriends with benefits” situation is where the story really gets messy. It’s difficult to believe that Stella doesn’t have romantic feelings for Olive at that point. The miscommunication trope is still my least favorite, but it lingers much too long in this one, leading to a not-at-all surprising third-act breakup. Even so, this remains the best sapphic romance I’ve read so far this year.

Recommended to fans of the fake dating trope, serious character development, and a heart-eyed, healing main character.

 The Vibes ✨
✈️ Fake Dating
✈️ Bisexual Main Character
✈️ Sapphic Ship
✈️ Panic Attacks/Depression/Mental Health Rep
✈️ Debut Author

Major thanks to the author and publisher for providing an ARC of this book via Netgalley. This does not affect my opinion regarding the book.