An Enemies-to-Lovers Space Opera for the Ages: No Shelter But The Stars by Virginia Black

the cover of No Shelter But The Stars

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No Shelter But The Stars by Virginia Black was published on January 23, 2024 and follows Kyran Loyal, the last in her line of family royals for a planet that has been lost to her people for years, and Davia Sifane, a woman from an empire Kyran was raised to rebel against. When a battle takes place and everyone around them perishes, they are left to fend for themselves on a desolate moon. With no one to rely on but each other, they have to decide if they can put aside their feelings about their pasts and work together to survive for an indefinite period of time in an unforgiving environment. 

Virginia wrote a gorgeous novel that captures the things that make us all human. At its core, it is a story that explores all the things that connect us, no matter our backgrounds. Through Kyran and Davia she presents raw emotions–pain, grief, frustration, anger, fear, and gay panic over a pretty woman, despite the fact she’s your mortal enemy. At their base, these are the things that transcend all others. She has created an environment where these two characters have no other choice but to feel all of those things. There are no distractions. Her exploration of what happens when there is nothing else left but two human beings, and what that looks like when everything else is stripped away, is truly breathtaking. 

There are too many things I loved about this book to put in this review, but one of my favorites is her use of language and language being more than a means of communication. These two women literally speak different languages, and yet they have to find some way to communicate. And they do. What I loved about Virginia’s decision here is that it is clear Kyran is guarded and protective of her language. In many ways, it is all she has left of her people and of her loved ones. So even as she starts to open up, she still refuses to share that part of herself with Davia. Davia, on the other hand, is not as protective of her language (which made sense to me in the context of how she grew up), and Kyran actively tries to learn it. I loved this aspect of Kyran and Davia’s relationship development because it created such an intimate way to bond. And I happen to think there is something inherently romantic and beautiful about learning another language for someone. I love how language and teaching one another is a thread throughout the story, with one of my favorite moments coming in towards the end.  

Kyran and Davia come from very different backgrounds. Kyran has never really had stability, and has been searching for a home for most of her life. That instability is owed to Davia’s home–one of privilege and wealth. It is hard to imagine that these two would have anything in common, but again, Virginia is so good at finding that commonality between two very different characters, and showing you that these two share much more than a desolate moon on the outskirts of a galaxy. Despite coming from vastly different worlds these are two women that were tasked with carrying on a legacy and duties neither really wanted. Because of that, there is a complicated and beautiful exploration of competing emotions about becoming stranded. Of course there is sadness and anger about their losses, but additionally there is relief and a sense of freedom that comes from being somewhere where nothing is expected of them. Those loss of expectations, and feeling relief about that, also comes with guilt. Virginia presents these dueling emotions so well, and were among my favorite parts. 

This story was both gorgeous and haunting. I rarely get literal goosebumps from books, but I did several times while reading Kyran and Davia’s story. Their evolution from enemies, to tentative allies, to maybe friends, to eventual lovers was so immaculately crafted that I was often left breathless. These two are enemies by birth, and not by choice. Each grew up with an idea of the other, and yet I found their evolution to be believable. The characters are so rich, you can tell there was an immense amount of planning and thought that went into every detail of their arc, both individually and together. And it is why it works so well. 

The thing is, when you read such a well crafted story, it also has the power to leave you feeling so many emotions. Virginia had me crying with just two words. Two words that said and held so much, and that is a testament to everything she had written prior to that point. The ending to this story felt so perfect to me. I read it and felt in awe with how someone could write a conclusion that seemed so fitting and perfect, but that I still never saw coming. That, to me, is the sign of an incredible author. Virginia Black’s words moved me in a way that makes me so thankful there are sapphic authors out there writing incredible stories like No Shelter But The Stars. I am in awe of how Virginia created a story that had such moments of softness–in direct contrast to the harsh reality these two women were living. She is an amazing storyteller and I can’t wait to see what she does next. 

While I could go on, I’ll just say I cannot recommend this book enough. You will not regret it.

A Literal Love Song: Stars Collide by Rachel Lacey

the cover of Stars Collide

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“You’re more than your sexuality. So much more.”

After her divorce, pop star sensation Eden Sands’ latest album lacked the spark fans and the industry have expected of her after 20 years. Meanwhile, Anna Moss, her fellow Grammy nominee, is beginning to rise, though people in the industry don’t take her as seriously as she hoped. To rekindle that spark, Eden invites Anna to join her on stage during her Grammy performance, only for fans to focus on the spark between them. Following the unexpected popularity of #Edanna, Eden invites Anna to open her upcoming tour. The more time they spend together, the more they realize that chemistry exists off-stage, too. Is there something more to what they’re feeling?

Mild Spoilers Ahead. Book Contains Sexual Scenes.

Rachel Lacey does a wonderful job at exploring topics of self-discovery and identity. Eden and Anna’s love story gives a respectable nod to many realities of life as a celebrity. As a young star, Eden is forced to mature quickly. Allowing the adults in her life to make major decisions on her behalf stole Eden’s control, leading her to claim that control in extreme ways as an adult. Fans have mobbed Eden, tugging at her hair, getting in her personal space, and claiming some unspoken right to flash cameras in her face, leading Eden to further seclude herself under the guise of safety. So much of her young life was controlled that she lost the chance to explore her identity beyond the pop star on stage. Meanwhile, Anna is forever seen as a teen character she played (while in her 20s), prompting no one to take her seriously. One of the things I loved most about this book was the mentorship between the two women. While Eden helped Anna recognize the control she could have over her career, Anna helped Eden recognize who she was and the life she could have outside of the spotlight. A lot of the conflicts in this story were internal; Eden’s self-discovery and sexual awakening, the words of a controlling and toxic ex haunting Anna. Eden and Anna helped one another through their self-growth.

In my favorite scenes, Anna coaxes Eden to talk through her thoughts (finally, a sapphic book that avoids using miscommunication to simmer the story in tension). Anna reminds Eden, “You don’t have to label yourself before you’re ready… or ever, if you don’t want to. How you identify is so personal, and you’re under no obligation to share it with anyone.” For many people, recognizing who they are—labels or not—is a lonely process. Anna never pushes or rushes Eden, but she does help Eden work through her concerns. You’re never too late to decide who you are. I didn’t navigate my own sexuality until after college, but I wish I’d had a friend to help me understand it, the way Eden had Anna. Even when their relationship blossoms into more, their friendship never wavers. Rachel Lacey does an incredible job at describing how out of tune you can feel for so much of your life, only for the static to clear because of an event, a realization, or a person. I’ve met that person and I can say with certainty that it can change everything.

Though I loved the internal conflicts both main characters had to navigate to mature and develop, the lack of strong external factors seems unrealistic. The major external factors are the mobbing fans and Anna’s ex; the latter of which creates the only major blow-out scene in the entire novel. While we see Anna mature throughout the story (both in how she treats Eden and in her career growth), her maturity unravels in that scene. Eden, who is usually steadfast in her composure, steps beyond the professional veneer she wears in a moment of immature jealousy. That scene, presented in the last few chapters, felt like a rushed, inserted source of conflict before a HEA ending. Even Anna’s ex felt out of character in these scenes, jumping from one extreme to the next, brought in as a last-minute trigger for Anna’s insecurities about her relationship with Eden. There were other external conflicts to explore that would have strengthened the story. For example, the media is never posed in a negative light (as if the media wouldn’t distort the truth or paparazzi wouldn’t mob both popstars). What if Eden was only enamored by the situation (a concern that could have crept alongside Anna’s other doubts)? During the second half of the novel, Eden and Anna were surrounded by so much BLISS that I kept waiting for a real problem to challenge their relationship. The strongest relationships navigate problems and survive, all the stronger for it.

Recommended to anyone in need of a warm and fuzzy romance read. Ideal for fans of sexy slow burns, workplace romances, and celebrity romances.

✨ The Vibes ✨ 
👩‍❤️‍👩 Lesbian and Pansexual Main Characters
💞 Sapphic Romance
🎤 Workplace Romance / Forced Proximity
🎙️ Dual POV
🎵 Slow Burn
⌛ Age Gap
💗Friends to Lovers
🏳️‍⚧️ Transgender Rep
❤️‍🔥 Sexual Awakening
🌶️ Spice

Fake Dating at a Sapphic Island Getaway: The Honeymoon Mix-Up by Frankie Fyre

the cover of The Honeymoon Mix-Up by Frankie Fyre

The Honeymoon Mix-Up by Frankie Fyre was released in June 2023, and it’s a sweet and spicy contemporary romance about two people facing unusual circumstances which leads them both to a situation of a lifetime. Basil Jones has the seemingly perfect life until she is left at the altar by her fiancé. Determined not to lose out on an important work deal, she goes on the honeymoon trip as planned. She flies to gorgeous Sapphire Isle, where sapphic women go to escape their real life and live in paradise, even for a short time. The only issue? It’s a strict “couples only” policy, and Basil is without a partner. Enter Caroline King. The two had one brief encounter prior to meeting each other for a second time on the island. That second meeting is a little less by chance than Basil thinks, but Caroline is both taken with Basil and needs a place to stay, so she agrees to be her “wife.”  What follows is a fake relationship trope for the ages, with each of them holding on to secrets from the outside world and one another.

If you are a fan of fake relationships, sapphic islands, and intense sexual chemistry, The Honeymoon Mix-Up is a must read. I admit that I do find something delicious about two people having to fake their way through intimacy, only for that intimacy to grow into something real. The tension in this fake marriage is no different and is perhaps even turned up several levels due to how Basil’s and Caroline’s first encounter went down. (Ahem…so to speak.) There is no denying these two women are attracted to each other, but each has their own reasons for trying to resist the pull they feel. Caroline has learned mixing business with pleasure can lead to heartbreak, and Basil was just left at the altar–an event that would leave anyone to proceed with caution.

In addition to these two women having to play wives, the forced proximity of sharing a honeymoon suite (*there is, indeed, only one bed*), and being on a literal island adds to them not being able to escape the other. Fyre, who’s name is fitting for how she writes certain scenes, has created an environment that any sapphic will be clamoring to find. There is something incredibly lovely about the thought of escaping to a safe island filled with other sapphic women. Also, it is no secret in my personal life that I am quite competitive, so Fyre’s invention of the “Sapphic Olympics” left me longing to find a real life version. The events she’s created are clever and fitting for its participants. I don’t mean to brag, but I would absolutely nail the dresser building competition. Within the context of the story, the games are just another area to add fuel to that tension between Caroline and Basil. Having to work together as a team and pitting them against one of Basil’s childhood nemeses creates another scenario where they are forced to confront their ever growing attraction. Basil’s Type A behavior, paired with Caroline’s more practical approach, fueled by her time in the military, creates a perfect storm of additional conflict.

As the weather gets colder, it would be wise to hold on to this book if you’re looking to read something to keep you warm. Literally. I, for one, will never be looking at a photo booth the same way again. I have a feeling after reading this book, neither will you. Their story is filled with delicious tension and heated looks. Fyre is incredibly good at building tension so tight you think you might burst, so you can only imagine what the characters are feeling. Thankfully, you don’t have to imagine too much. There are those scenes that will have you looking around to make sure you’re  alone or, at the very least, that no one is peeping over your shoulder. Maybe don’t read on public transportation. Or do, who am I to judge? (If there is one thing the sapphic community can do, its school features so no one knows you are reading about two women doing the horizontal polka.)

As filled with sexual tension as this book is, there are other themes that flow throughout. Through Basil, it examines the pressure of family obligations and how long we can allow our parents’ dreams to propel us forward before a resentment starts to build. Fyre also forces the main character/reader to examine at what point hurtful actions and breaches of trust, despite the intentions behind them, are too much for us to forgive. What is that line and do those good intentions absolve the person who hurt us and broke our trust? I found myself asking what that line would be for me.

At its base level, The Honeymoon Mix-Up is a story about overcoming your fear of failure—in life and relationships—and being brave enough to try again. I appreciate the twists that Fyre also throws in, keeping you guessing about a few mysteries until a reveal leaves you saying: “OH!?!”. Did I want to grab one character at one point and say: “please, out with it!” Yes! But without it, there would be no conflict to overcome.

With a cast of side characters that include a hedgehog and supportive best friends who will leave you smiling, The Honeymoon Mix-Up is a great read.

A Workplace Romance at a Lesbian Magazine: Just As You Are by Camille Kellogg

the cover of Just as You Are

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In Camille Kellogg’s debut romance, Just As You Are, a workplace clash turns into a workplace crush.

Nether Fields, a long-running queer women’s online magazine, is on the verge of shutting down as Liz and her Nether Fields coworkers gather to mourn its passing. But when two wealthy lesbians swoop in to save the publication, these staff writers and close friends are given a second chance to uphold the magazine’s values. What Liz hasn’t told anyone is that she’s getting tired of being Nether Fields’ resident sex and relationship columnist, spending every day writing butt plug reviews and clickbait personality quizzes. She has bigger aspirations: to launch an independent writing career and publish her first novel.

But that dream gets squashed as Liz gets pulled back into the orbit of the Nether Fields culture, and into the thrall of one of its hot new owners, Daria. Daria militantly audits the magazine’s business practices, slashing budgets in an attempt to pull Nether Fields out of the red while alienating staff with her no-nonsense approach. Liz is equally repelled by and attracted to Daria’s intensity, unable to deny the allure of her confidence and androgynous fashion sense.

What starts as an antagonistic relationship (Daria basically calls Liz’s articles puerile fluff) slowly develops into something more nuanced. When the two share a car from New York to Boston for a work assignment, Liz starts to see beneath Daria’s business-like exterior. Daria provides a window into her strained relationship with her conservative, hard-to-please family. Liz confides in Daria about her writing dreams and her ongoing struggle to feel confident in her skin. It almost feels like they each accept the other person just as they are, as the book’s title suggests. But every time Daria seems to open up, she subsequently pulls away from Liz. Will their clashing personalities and workplace politics get in the way of a deeper connection?

What made this Pride and Prejudice inspired enemies-to-lovers story stand out to me was its exploration of Liz’s feelings about her gender and her struggle to express it authentically. Despite being immersed in accepting, queer work and home environments, Liz hasn’t quite hit her stride when it comes to presenting herself to the world, often choosing her wardrobe to conform to her environment on any given day. Typically our romantic heroines have already found their “look,” or fall into a certain bucket of queer identity, so it was refreshing to watch Liz navigate the moving target of her gender expression.

Like Austen, Kellogg explores class dynamics, in this case of a workplace being overhauled by wealthy benefactors. That said, Kellogg could have done more to explore the dynamics of the diverse cast of friends/coworkers that serve as the book’s vibrant backdrop. While Liz, who is white and cisgender, gets embroiled in a situationship with Daria, she simultaneously casts judgment on her coworker and roommate Jane, a Black trans woman, when Jane gets involved with the magazine’s other rich buyer, Bailey. Liz also teases Katie, another roommate and woman of color, for being hung up on an unrequited crush. There is an unacknowledged imbalance in the way Liz moves through the world that I would have preferred not go unchecked.

Read if:

  • You like to lovingly poke fun at queer culture sometimes.
  • You enjoyed The L Word: Generation Q in all its entangled millennial glory.
  • You want to reflect on your gender identity and presentation.

A Wholesome and Messy Queer Romcom: Wild Things by Laura Kay

the cover of Wild Things

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Laura Kay could teach a masterclass on the low-key, wholesome, slightly messy queer rom com, as exemplified in her third novel, Wild Things. El is stuck in a rut, both personally and professionally. Still in her dead-end job at a London newspaper, she spends most of the workday making photocopies rather than researching stories, as the job had initially promised. Meanwhile, El’s roommate leaves passive-aggressive notes on the fridge while otherwise disregarding her existence. But worst of all, El harbors a gigantic, unrequited crush on Ray, her best friend of five years and also her coworker.

In an attempt to scoop herself out of said rut, El plots to do one “wild thing” each month for a year. In January, she drinks ten shots of tequila. In February, she gets a butterfly tattoo. In March, El experiments with MDMA. In April, she has a failed threesome. (You get the idea.) But when El, Ray, and their mutual friends Will and Jamie devise a plan to move to a fixer-upper farmhouse in the countryside, El finally begins to feel alive again. The catch: El must regulate her feelings for Ray now that they live (and work) in close proximity 24/7. Will she choose to protect their years-long friendship, or risk it all by spilling her feelings for Ray?

Wild Things is a friends-to-lovers romance, yes, but also a heartwarming exploration of found family. Kay breathes life into the book’s characters, all of whom are flawed and lovable and distinctly themselves. Ray, the effortlessly cool lesbian love interest, is spunky and enters every DIY farmhouse project with infectious enthusiasm. Will is the group’s token straight man, a sensitive soul leaning hard on his friends following a breakup with the woman who was supposed to have escaped to the countryside with him. Jamie is a Thai, biracial gay man who drags his friends to karaoke nights and forges a bond with the commune’s four chickens. It is impossible not to feel the love between this motley crew of friends, who simultaneously lift each other up and call each other out on their bullshit. Even minor characters (El’s queer mentee Rozália, the local townspeople, etc.) feel fully realized and essential to the plot, driving home the notion that family extends far beyond blood relations, that everyone has a place to belong. 

Recommended for fans of droll British humor, readers of In at the Deep End and Queenie, and watchers of Fleabag and Feel Good.

Content warnings: absent/distant parents, cheating (not related to main character)

Susannah reviews Mistakes Were Made by Meryl Wilsner

the cover of Mistakes Were Made

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Mistakes Were Made, Meryl Wilsner’s second f/f romance following 2020’s acclaimed Something to Talk About, is billed as “a sexy rom-com about a college senior who accidentally hooks up with her best friend’s mom.” While I anxiously awaited this book as much as the next reader of queer romances, I admittedly postponed picking it up, afraid that a relationship between a college student and a woman one generation her senior would be too problematic, or too cringe, for me to root for. But Wilsner proved me wrong–this book is funny, nuanced, deeply empathetic, and piping hot.

It’s Family Weekend at Keckley College, but not for senior Cassie Klein, who is effectively estranged from hers. Cassie goes to an off-campus bar to escape the festivities, not to cruise for hookups, but when a statuesque older woman catches her eye from across the room, she can’t resist sending a drink her way. Erin Bennett is not there to cruise for hookups either. A recent divorcee splitting Family Weekend visiting hours with her ex-husband, she is simply killing time in a college town. But when a bold younger woman sends a drink across the bar, she has trouble turning down the opportunity to enjoy her relatively new singlehood. A steamy backseat romp ensues, and the two women part ways–no numbers exchanged and no plans to meet up again.

When Cassie’s best friend Parker invites her to tag along to breakfast with her mom the following morning, Cassie comes face-to-face with Erin–the Erin from the bar last night, the Erin she never intended to see again, the Erin who is also her best friend’s mom.What was meant to be a one-night fling becomes impossible to ignore as Cassie and Parker become closer friends and Cassie’s and Erin’s paths repeatedly cross. 

When Parker surprises Cassie by inviting her home for the holiday break, Cassie can’t say no despite the, um, complication of cohabitating with Erin. Unsurprisingly, she can’t say no to Erin either, who is still as alluring as she was the night they met. Erin and Cassie start to sneak around behind Parker’s back as their fling morphs into something more serious. (A side effect of their sneaking around is a liberal number of very hot sex scenes in a variety of covert locations.) This begs the question: will Cassie and Erin come clean about their secret relationship at the risk of losing the most important people in their lives, or will they end it and live with the heartbreak?

While I scoffed at the likelihood of Cassie so cavalierly hitting on Erin in the opening chapter, Wilsner expertly develops both Cassie’s and Erin’s characters and shines light on their motivations. Cassie is a whip smart, ambitious aeronautic engineering major whose hardscrabble youth has translated to a resilient, confident demeanor. Erin is a highly successful attending physician whose professional badassness is not evinced by her interpersonal skills. A bisexual reentering the dating scene following a suffocating marriage, Erin lacks the self-assuredness to confidently go after what she wants. This sometimes comes across as iciness toward Cassie. Aside from these few moments of emotional withholding, however, the dynamic between the two women feels authentic and relatively balanced. That said, it can’t be ignored that given her age and independent wealth, Erin inherently holds some amount of power over Cassie, a young woman only on the cusp of post-college adulthood.

Surprisingly, the one factor about this book that didn’t sit well with me was not the age-gap trope, but the tokenizing of Cassie’s and Parker’s friend Acacia. Through the course of the book, Acacia, who is the only Black main character we meet, is the sole person who carries the secret of Cassie’s and Erin’s affair. That Acacia has to do the emotional labor of navigating this extremely sensitive situation for an entire academic year feels like an unfair burden to throw on her, and I would be remiss not to mention it.

Ultimately, this is a thought-provoking contemporary romance that challenged some prejudices I carried about age differences in relationships. And that, to me, is the mark of a well-crafted book: to make readers open their minds and hearts to situations and people that make them feel uncomfortable.

Content warnings: alcohol consumption, alcoholic parent (mention), cheating partner (past), divorced parents, misogyny, parental neglect, recreational marijuana use.

Susannah (she/her) is a public librarian and writer based in Cambridge, Massachusetts. She consumes mostly queer literary fiction, with contemporary romance novels as palate cleansers. You can find her on Goodreads at https://www.goodreads.com/ohhsusannah and at https://www.susannahbt.com/

Danika reviews Melt With You by Jennifer Dugan

the cover of Melt With You

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This is a sapphic YA romance with an ice cream truck road trip, and if that doesn’t intrigue you, we have very different tastes in books. To be more specific, it’s a friends-to-lovers-to-enemies?-to-lovers? ice cream truck road trip sapphic YA romance.

Fallon and Chloe were best friends practically their whole lives. Their moms are best friends who own a gourmet ice cream truck together. (It’s called Love at First Bite, and all the flavours are romance movie puns.) Their moms imagined they’d be as close as sisters, but that’s not exactly how it turned out. Instead, they ended up sleeping together. But Chloe cancelled on Fallon the next day and disappeared to university, and they haven’t really spoken since.

For Fallon, it just reinforced that the night meant nothing for Chloe, and she was foolish to think otherwise. After all, Chloe’s motto is, “It’s not that deep.” When Chloe shows up in town acting like nothing happened, Fallon is pissed and wants nothing to do with her.

That’s when their moms drop the bomb that they have an important business meeting at the same time as their biggest moneymaker event of the year. They need Chloe and Fallon to work at the event, or Love at First Bites will likely go under. But that means driving the truck out there and working shoulder to shoulder for the event. It’s a nightmare for Fallon, but she can’t exactly say no. Meanwhile, Chloe seems to be using the opportunity to win Fallon back over, but she doesn’t understand why Fallon is so angry in the first place.

It’s hard to imagine a better premise for a sapphic summer read! I didn’t love this quite as much as I hoped, but I think that I might have to face that YA romances just aren’t clicking with me lately, so I think that’s a me problem. We’re firmly inside Fallon’s head for the narration, and I found her directly addressing the audience (“I know what you’re thinking, but…”) a little akward.

Also, this book is dominated by miscommunication. Fallon even addresses that she knows everyone will think they just need to talk, but she’s sure she knows what Chloe is thinking and that it’s not worth talking about. This made the middle chunk of the book drag for me, because despite road trip hijinks, the dynamic between Chloe and Fallon is stuck in this dynamic, which made it feel like there wasn’t any progression in the core story.

Still, it delivers on the promise of the description, and it was a quick, light read. If the premise appeals to you and you don’t mind a miscommunication-based plot, toss this one in your tote bag for your beach reading this summer!

Kelleen reviews The Roommate Risk by Talia Hibbert

the cover of The Roommate Risk

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Recently, a friend of mine asked me for friends-to-lovers romance recommendations. Now, if you know anything about me as a romance reader (besides the fact that I’m gay and disabled and read gay and disabled romance), it’s that I HATE the trope friends-to-lovers.

I love friendship. I think friendship is the greatest gift and greatest tool we have, and I often think that our society actively denigrates friendship in favor of a hierarchy that places romantic and sexual love at the pinnacle of human connection (I saw as a nearly exclusively romance reader). And every time I read a friends-to-lovers romance, I think “but why can’t they just be friends? They gave each other everything they needed as friends,” and “Wait, but what was keeping them apart in the first place?” I know that this is how many many real life relationships start — as friends — but in a romance novel with a plot, I always find it frustrating and unsatisfying. Except for when Talia Hibbert writes it. (Yes, okay, and like a few other times, but mostly when Talia Hibbert writes it.)

If you loved Take a Hint, Dani Brown, I beg you, I implore you, I beseech you, PLEASE read The Roommate Risk. It is friends-to-lovers with a bisexual Black heroine, a South Asian hero, anxiety rep, pining for DAYS, and more super hot, steamy sex than should reasonably fit in 75,000 words.

The story is told in flashbacks interspersed between scenes of “now,” when a flood in her flat requires Jasmine to move in with her best friend Rahul. Rahul has been in love with Jasmine since they met and slept together once in college and, when Jasmine asserted that she does not sleep with her friends, elected for friendship over hooking up. However, the fates of adulthood and forced proximity now require them to confront their desire, and ultimately their love, for one another.

I think one of the reasons this book works so well for me is that their friendship is so clearly the center of their sexual and then romantic relationship. No matter how loudly Jasmine asserts that she does not do relationships and does not sleep with her friends, the fact that they have nearly a decade of friendship between them is what allows them to trust one another fully with their bodies and their hearts.

This book is so brazen and full of heart. It is sex positive and body positive. Jasmine is casually and essentially bisexual. Her queerness is fully integrated into her identity and is not at all a factor in their conflict. It is unapologetic and unexplained. And reading a queer Black heroine in an M/F written by a queer Black author feels like a gift.

I love seeing an author work through the same questions over multiple projects and diving back into Talia Hibbert’s backlist and seeing her tackle these similar themes and tropes is such a delight. This is a friends-to-lovers romance that puts the friendship first and tells a true, authentic, complex story about queerness and anxiety and interracial love.

Content warnings: parental neglect, panic attacks, anxiety, death of a parent, accidental cuts (blood), alcohol misuse

Danika reviews Snow Falls by Gerri Hill

cover of Snow Falls

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Every year, I plan on spending December reading seasonal books: Christmas romances, wintry fantasy novels, snowed in stories, and so on. And every December, I find myself with an “urgent” TBR that pushes those books off my reading list. There are always ARCs to review, books to read for the next All the Books podcast recording, or library books with encroaching due dates. Although about 98% of my reading comes from ARCs or library books, in 2016 I was so excited by the premise of this novel (a snowed in sapphic romance) that I ordered it on the spot. And there it’s sat on my shelves for the last 5 years.

This year, though, I finally said enough was enough, and although I still have books I should be reading, I carved out some space for seasonal reads. After all this time of anticipation, I pulled down Snow Falls from by TBR shelves and picked it up. Immediately, it was exactly what I wanted from it: an F/F romance about two strangers who get snowed in together for weeks. One is a grumpy and secretive recluse, the other sheltered, clueless, and chatty. There’s only one bed! There’s two huskies!

Unfortunately, there were also aspects of this book that just didn’t work for me. The romance itself was nice, slowly building a relationship between them, but other plot points fell flat for me. There’s a lot of references to a scandal Ryan went through that leads to her living in anonymity in the middle of nowhere, but when that scandal is revealed, it felt anticlimactic for how much weight was being put on it. The sex scenes also didn’t work for me, and sometimes the dialogue felt stilted. I know Jen is sheltered (she grew up in a controlling, religious family and was homeschooled), but “I was apparently conceived at a drug party where she had sex with as many as seven different guys” is a sentence that does not sound natural.

On top of that, there were a few things I took issue with. Let’s go in escalating order of alarming: first, Ryan makes a joke about how she might have “mental disorder” and that Jen should be worried (this is after also joking about being an axe murderer), which is an ableist joke that I wish had been left out. Then there’s an issue I find with many lesfic titles: no acknowledgement of bisexuality. Jen is questioning her sexuality—she’s currently in a relationship with a guy—but the word bisexual isn’t mentioned. She just wonders if she’s straight or gay. That I could let slide, since she is very obviously gay (she’s never had any sexual attraction to her boyfriend), but it’s reinforced later with another character.

In fact, let’s give Presley her own character, since she’s involved in the most alarming/weirdest part of the book. Presley is Ryan’s brother’s date, and she’s openly hitting on Ryan. Ryan asks her why she’s doing this, since “you’re straight.” (They’ve never interacted before this, so Ryan seems to be assuming any woman who dates men is straight.) Worse, Presley then agrees that yes, she is straight, and that she’s had men and women lovers. She proceeds to keep hitting on Ryan. Now, I’m not denying that there are women who call themselves straight and also frequently sleep with women, but again, the word bisexual doesn’t come up at all. This isn’t the alarming part, though.

Charles, Ryan’s brother, takes her aside at the party to say that his date is flirting with her:

[Charles:] “You interested?”

[Ryan:] “In her?”

He raised his eyebrows. “I could watch.”

“You’re insane.”

“We did it before. Remember that chick I brought home from college? What were you? Eighteen?”

“The difference is, I didn’t know you were watching,” she reminded him. She’d never been more embarrassed in her young life when she found out he’s been hiding in the closet. . . . She was, however, careful to check her closet from then on.

To be clear, Charles is presented as a laidback, playboy type. They get along. They both laugh this off. This is… not normal. I get the whole “straight men are into watching lesbians” thing, but your sister??

Needless to say, I can’t give this a glowing review. There were some parts I really enjoyed, including [spoiler, highlight to read] that the breakup with Brad was so civil and that he was a really great friend–it’s so easy to make this character villainous for no reason at all. [end spoiler] But they don’t outweigh the problems I had with it.

Despite this not being to my taste, I loved the reading experience, because it was exactly that snowy, seasonal sapphic romance that I was looking for. It really reinforced that I want to make this time for myself, because I enjoy it just as much as I imagined I would. If I can get that from a book I had so many problems with, I can’t wait for when it’s a book I click with.

Content warning: Homophobia, including from family as well as internalized homophobia.

If you’re looking for seasonal sapphic books to add to your winter TBR, check out: Wintry Sapphic Reads to Cozy Up With!