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Rachel reviews The Disenchantment by Celia Bell

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Celia Bell’s debut novel, The Disenchantment (Pantheon 2023), is a stunning example of queer historical fiction at its finest. 

Set in seventeenth-century Paris, The Disenchantment follows Baroness Marie Catherine, who lives in a world of luxury, entertainment, and intrigue. However, there is also an undercurrent of darkness racing through Parisian nobility: rumours of witchcraft, deliberate poisoning, and fraud abound, and the voracity of the rumour mill means no one is completely safe. Marie Catherine hides her own secrets. Her tyrannical and distant husband is an oppressive and regulatory force, and when he is home she does all she can to protect her children from him by telling them fairy stories. However, when he is away, Marie Catherine is free to engage with her intellectual pursuits, including salons and spirited conversations with female scholars and writers. 

Furthermore, at the heart of Marie Catherine’s liberated existence beyond her husband is Victoire Rose de Bourbon, Mademoiselle de Conti. Androgynous, bold, and seemingly fearless, Victoire and Marie Catherine are lovers, and Victoire quickly proves to be a source of joy in Marie Catherine’s life. She admires Victoire’s confidence and freedom, and as the situation becomes more and more volatile in her home, Marie Catherine knows she must escape. When a violent murder occurs involving those close to Marie Catherine, she is faced with a choice, and the one she makes leads her down a path she could never have predicted, and toward people who are committed to protecting their own interests. 

I loved this novel. It’s difficult to talk about this book without giving too much away, but the twists and turns of this plot are completely gripping. Bell’s writing is immersive, and captures the atmosphere and drama of this plot so thoroughly that I was hardly able to put it down. Lesbian historical fiction is undeniably my favourite literary genre and this book did not disappoint. The Disenchantment is well-researched, comprehensive, and draws on little-known moments of French history, expertly weaving fiction and fact together to create a wholly original novel. This book is perfect for fans of Maggie O’Farrell’s The Marriage Portrait (2022) or Emma Donoghue’s The Sealed Letter (2008). 

Marie Catherine and Victoire were characters I loved and believed in, and Bell captures their unique and sometimes warring motivations. However, Bell doesn’t only pay attention to upper-class perspectives in this novel, and the text is a much wider examination of Parisian society in this period. This novel felt like a mix of genres in the best way—part literary fiction, historical fiction, crime fiction, mystery, and Gothic. It kept me guessing until the very end and felt like a thoroughly original, gorgeous historical portrait. 

I highly recommend The Disenchantment for fans of queer historical fiction and/or literary fiction. This is undeniably one of my top queer reads of the year. 

Please add The Disenchantment to your TBR on Goodreads and follow Celia Bell on Twitter.  

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history. 

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Rachel reviews The World Cannot Give by Tara Isabella Burton

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Described as a cross between Donna Tartt’s The Secret History and Patricia Highsmith’s The Price of Salt, Tara Isabella Burton’s novel The World Cannot Give (2022) is a dark, Gothic, and powerful meditation on the dangers of desire and the consequences of ambition. 

The novel follows Laura Stearns as she arrives at St. Dunstan’s Academy in Maine, a prestigious school on the coast that her favourite novelist, Sebastian Webster, whose book All Before Them has inspired her move across the country. Webster died at nineteen fighting in the Spanish Civil War and Laura idolizes him, believing that her time at the school will replicate the events of the novel. And indeed, Laura finds some of the intensity she is looking for among the school’s very exclusive chapel choir, led by the compelling, charismatic, and somewhat neurotic Virginia Strauss. 

Laura is immediately drawn to Virginia because of her similar devotion to Simon Webster, and Virginia is a born-again Christian, fanatical about her faith and her rigorous routine, including the miles she runs every morning. Virginia demands excellence from herself and the members of the choir. When Virginia brings Laura into the fold, sharing with her the rituals and routines of the choir/cult, Laura feels like she’s entered into a world heavy with meaning. But soon, things begin to fall apart as Virginia’s authority is challenged by various actors at the school, and Virginia’s demands get more and more outlandish before Laura must make a choice between following Virginia or saving herself. 

Overall, this book was enormously compelling and is perfect for fans of queer Gothic literature. I haven’t seen a lot of press around this book, but it really is perfect for fans of The Secret History and lesbian pulp. The intensity and power between characters in this novel left me unable to put this book down. The relationship between Virginia and Laura changes from hot to cold minute to minute, and Virginia’s pathology is so compelling. 

The setting alone is captivating. An elite boarding school on the edge of the sea, the novel strikes a balance between this bizarrely intense group of high school students who are surrounded by decades of history. The twists and turns of this novel continued to surprise me, and I was on the edge of my seat until the very end. The end of this novel caught me off guard in the best way. 

For anyone interested in queer Gothic mystery and intrigue, The World Cannot Give is a must-read!

Please add The World Cannot Give to your TBR on Goodreads.

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history. 

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Rachel reviews House of Hunger by Alexis Henderson

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From the author of The Year of the Witching (Penguin 2020) comes a new queer Gothic novel about blood, power, and control. House of Hunger (Penguin 2022) was enthralling until the very last page, and I still want more! 

House of Hunger is set in a world where the upper class literally feed on the blood of lower-class women they enlist into their service. Marion Shaw has been born and raised in the slums of her city, and she works as a maid to make ends meet for herself and her brother who has fallen into a drug addiction that takes him out of the world he lives in. Her life appears monotonous and dismal, dominated by tyrannical others who seek to use her for their own ends. One day, though, she sees an ad in the newspaper: someone is seeking a new bloodmaid. Although there is an enormous stigma amongst the lower classes around such a job, it is the only way Marion can hope to escape her circumstances. She applies to the position and is whisked away into a new life, leaving behind all she knows, in a matter of days.

What follows is a shocking and unfamiliar journey into the far north, where Marion is drawn into the upper classes as a bloodmaid in the House of Hunger, an infamous and ancient clan of vampiric aristocrats. Surrounded by debauchery and hedonism, Marion is quickly swept away by her new mistress, Countess Lisavet. Marion’s blood keeps Lisavet healthy, and Marion is drawn in by Lisavet’s magnetic pull, but soon she realizes that things might not be as they appear. Suddenly, bloodmaids begin to go missing, and questions begin to arise about what exactly happens once a bloodmaid has outlived her term at the House of Hunger. Eventually, it is up to Marion to uncover Lisavet’s secrets and save herself and her friends. 

When I read The Year of the Witching, I couldn’t put it down, and when House of Hunger arrived, I had high hopes it would be a similar reading experience and I was not disappointed! This novel is a fresh and exciting take on the idea of the vampire, with adaptive elements from folklore and legend that I really appreciated. The world Marion lives in is a haunting and exaggerated comment on class systems, gender roles, and exploitation. It was exciting to see Countess Elizabeth Bathory queered in the figure of Lisavet (as she arguably always should be). Marion’s character is someone we root for, and it was interesting to experience so much of this world for the first time alongside her. 

This novel definitely has the Gothic intensity I’ve come to expect from Henderson, and the plot is fast paced, engaging, and kept me guessing until the very end. I could very easily spend more time in this world and I think others could too; there is so much I still want to know about Marion’s society and many other plots to follow. 

If you’re looking for a gripping read this holiday season, House of Hunger is definitely it. I will be reading Henderson’s fiction for a long time to come! 

Please add House of Hunger to your TBR on Goodreads and follow Alexis Henderson on Twitter. 

Content Warnings: physical violence, gaslighting, assault. 

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history. 

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Rachel reviews Fayne by Ann-Marie MacDonald

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Famous Canadian author Ann-Marie MacDonald returns with an incredible new historical novel. Fayne (2022) sweeps readers away to an expansive world of fantasy and wonder. 

Set in late-nineteenth-century Scotland, Fayne follows Charlotte Bell, who is growing up at Fayne, the lonely and isolated Scottish estate that straddles the border between England and Scotland. Charlotte has been kept from society by her father, Lord Henry Bell, who adores her. Charlotte’s isolation is the result of a mysterious condition that compels her father to keep her from public view in order to protect her. 

But Charlotte is bright, curious, and clever, always exploring the moor and reading everything she can get her hands on. She is haunted, however, by a portrait of her mother that hangs over the staircase at Fayne. Charlotte’s mother has died in childbirth after having her, and Charlotte’s older brother, Charles, died shortly before that. One day, when Charlotte’s explorations on the moor uncover a strange item, Lord Henry announces that he has arranged for Charlotte to be cured of her condition. What follows is a twisted and winding trail of family secrets, hidden truths, and nefarious individuals that will take Charlotte through a mystery that will upend her sense of her own identity. 

This book was incredible—easily one of the best books I have read this year. As the latest iteration of neo-Victorian queer fiction, this book is a wonderful contribution to queer literary production. As an over seven-hundred-page text, the narrative is thorough and expansive, and the text places small details throughout that later come to have significant meanings for the whole plot. Therefore, this text requires careful reading, and it draws you in. I read it in a span of four days, and I was sometimes literally unable to tear myself away from the intricate narrative MacDonald has crafted. 

Charlotte’s perspective is mesmerizing—I was rooting for her, and I was compelled by her mind and her quest for truth and identity in a world that appears to dissuade her from finding and understanding those things. Her journey is beautiful, and it resonates with contemporary readers as she embarks on a quest for autonomy and power in a highly binarized, gendered world. 

There is also a magical element to this book that was alternately mysterious and compelling. MacDonald uses setting to her advantage, framing Fayne as a character in itself, and the surrounding bog as a place of wonder and danger. 

Alternately touching, harrowing, enraging, and memorable, this book took me through a range of emotions to structure a tale that will definitely become an instant classic. 

Please add Fayne to your TBR on Goodreads.

Content warning: medical violence, physical abuse, child loss, psychological abuse, non-consensual medical procedures. 

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history. 

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Rachel reviews The Book Eaters by Sunyi Dean

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A fast-paced, truly unputdownable fantasy novel, Sunyi Dean’s The Book Eaters is the kind of expansive adventure novel that draws you in and keeps you there. Dean’s writing represents a fabulous new voice in fantasy literature. 

The world of The Book Eaters introduces us to a secret lineage of aristocratic beings who live on isolated and private estates. For them, secrecy is necessary, because books are food. After consuming a book with their “book teeth,” the eater retains all of the content of that book. They give a whole new meaning to the idea of “taste” in literature. Some book eaters prefer romances or fairy tales, while others eat crime thrillers or comics. Encyclopedias taste bland, and the book eater children are punished for bad behaviour by a diet of dictionary pages. 

The novel centers on Devon, a book eater whose value as a female book eater comes from her ability to procreate. While Devon’s brothers enjoy the many freedoms their gender provides, including eating all of the books they want, Devon is permitted only to read fairy tales and other relatively empty pieces of fiction, limiting her knowledge and her capacity for choice. When Devon is married off and has a son whose hunger is not for books, but for human minds and memories, she must make a critical choice between the life she has always known and her son’s future, which could easily come at the expense of her own. 

I truly could not bear to put this novel down. I finished it in a day almost immediately after it was released. It has a thoroughly fast-paced writing style and a world that seems wholly original in its construction. I think this book is perfect for fans of authors like Ransom Riggs who are interested in dark and paranormal horror. This is not a light-hearted fantasy novel; it is intense and harrowing at times. I was absolutely gripped until the very end. 

I feel like there was a period of time this year where I was reading fiction that sounded interesting, and it ended up being about queer women without being overtly marketed that way (that I had seen). So, let me definitively say: this book is queer! It was really interesting to read about a queer main character whose resistance to an oppressively heterosexist space was just one dimension of her rebellion. I feel like Devon was a thoroughly realized character with her own motives and desires that she was compelled to pursue in order to fully embody herself. I loved the queer dynamics in this book, and I found myself rooting for these characters and for their happiness. 

I cannot recommend The Book Eaters enough, especially as the perfect queer read for the Halloween season. 

Please add The Book Eaters on your TBR on Goodreads.

Content Warning: Forced marriage, child abduction, domestic abuse.

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history. 

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Rachel reviews Small Angels by Lauren Owen

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Dark, Gothic, and atmospheric, Lauren Owen’s new novel Small Angels (August 2022) is perfect for fans of spooky queer fiction and it’s out just in time for autumn! This book is definitely one to add to your Halloween TBR. 

Small Angels begins in a small English village with a story that unfolds across decades—or centuries. In the present day, Chloe has looked forward to her wedding to Sam for months, and to her there is no more perfect place to hold the ceremony than at the local village church, Small Angels, in the place where Sam and his sister Kate, grew up. But Small Angels is no ordinary church, and the residents of the village know to stay away. Soon, the locals recount harrowing stories of violent hauntings and dark rituals associated with the church and the infamously reclusive Gonne family who tended it, and what’s worse, Chloe begins to see and hear things she can’t begin to explain. 

At the same time, Sam’s sister Kate has been reluctantly drawn home for her brother’s wedding. Narrating her memories, Small Angels and the nearby Gonne family estate hold many painful memories. Escaping her parents’ fighting as a teenager, Kate was drawn into the lives of the four Gonne sisters and their complex relationship with Small Angels. She learns that the woods behind Small Angels are home to a malicious and unsettled ghost whose violent death has led him to haunt the woods and the Gonne estate. For generations, the Gonne’s have appeased the ghost and prevented him from attacking the villagers beyond the woods, but a terrible event disrupts the tentative harmony of the Gonne’s and the ghost. 

Chloe’s wedding begins to awaken something in the woods beyond Small Angels, and if Kate and the one remaining Gonne sister can’t stop it, there’s no telling what might happen. 

Although the plot of this book seems complex, Owen unfolds Small Angels beautifully. There is a lyrical, unsettling quality to the novel that threads together a number of events and perspectives in a way that I found engaging and intriguing. Owen develops the world of the novel slowly, framing the events around an isolated English village as both out of time and place, and yet vividly real nonetheless. 

The ghostly mystery and paranormal action of this novel make it a perfect read for fall, and Small Angels strikes an excellent balance between literary fiction and horror writing. Each of the characters was effectively drawn, and multiple perspectives allowed for a thorough representation of the world in this novel and all of its intricacies. I felt as though the pacing of this book left me unable to put it down, and I finished Small Angels in a matter of days. I highly recommend this book for fans of Alix E. Harrow, V.E. Schwab, or Julia Armfield. 

Not to mention, this is a queer novel! I haven’t seen that aspect of this text as widely talked about (probably due to my own failing), and I didn’t know when I started reading that the novel would be partially centered around a lesbian love story, but it was a pleasant surprise and a very happy discovery. I highly recommend Small Angels as a spooky read for any time of the year, and I’ll definitely be reading Lauren Owen’s fiction from now on. 

Please add Small Angels to your TBR on Goodreads and follow Lauren Owen on Twitter.

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history. You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Rachel reviews Briefly, A Delicious Life by Nell Stevens

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Nell Stevens’s debut novel, Briefly, A Delicious Life (2022), is a stunning historical novel about a centuries-old ghost who falls in love with one of history’s most infamous writers.

The novel is told from the perspective of Blanca, a ghost who has been fourteen for hundreds of years by the time the novel begins in the 1830s. After dying in childbirth in a hilltop monastery in Mallorca in 1473, Blanca spends her (after)life watching over the monastery and haunting those who harm others. When George Sand (1804-1876), a nineteenth century French author famous for both her novels and her penchant for wearing men’s clothes, arrives at the monastery with her two children and her lover, composer Frédéric Chopin, for an extended stay in Mallorca, Blanca falls instantly in love with George, although George has no idea Blanca exists. The novel narrates Blanca’s desire and devotion to George, as well as George’s writerly and motherly struggles in the present and in the past. Blanca quickly becomes an unseen part of the family’s life, and the novel unfolds against the backdrop of nineteenth-century Mallorca.

Stevens is a prominent memoirist, with her memoirs Bleaker House (2017), Mrs. Gaskell and Me / The Victorian and the Romantic (2018) winning multiple awards. With Briefly, A Delicious Life, Stevens’ first attempt at fiction, she does not disappoint. This novel is full of the emotional and intellectual vigour of the best historical fiction. Stevens’ novel is poetic without being overwrought, and full of humour and delight as much as it is of sadness and female rage. Although Stevens adapts an episode in the lives of real individuals, she does so with postmodern humour, and Blanca’s perspective was unique and refreshing.

This is a novel to linger over, and it’s one that I was thinking about long after I’d finished it. With this text, Stevens promises to become one of the most prominent authors of queer historical fiction. Briefly, a Delicious Life is unlike any ghost story I’ve read before, and it is a novel of hope, renewal, and the female voice.

I highly recommend this book to fans of Sarah Waters’s or Emma Donoghue’s fiction, or of Emily M. Danforth’s Plain Bad Heroines.

Please add Briefly, A Delicious Life to your TBR on Goodreads.

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Rachel reviews Devotion by Hannah Kent

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From the highly acclaimed author of Burial Rites and The Good People comes Hannah Kent’s latest novel, Devotion (2021), a historical lesbian fiction set in 1830s Prussia that has quickly become one of my favourite reads of the year.

Beginning in Prussia in 1836, the novel is the bildungsroman of Hanne, a fifteen-year-old girl who quickly finds herself pulled further and further into the social and domestic rules dictated by her gender and her class. But Hanne is more drawn to nature and the world around her than her domestic life dictates, unlike the other girls in her village. When she meets Thea, however, Hanne feels as though she has finally found someone who understands her. As Old Lutherans whose faith is threatened in Prussia, Hanne’s family is secretly devout. When they are granted passage to Australia to begin a new life, Hanne departs along with her family, Thea’s family, and much of her village to start fresh in a new land. However, the journey does not go as smoothly as planned, and Thea and Hanne will be forced to hold onto one another through life, loss, and time.

When I initially heard about this book, I was immediately interested. Hannah Kent’s fiction is always beautifully written and well-researched, and Devotion is no exception. In this novel, however, Kent’s lesbian characters take center stage in a gorgeously poetic and heart-wrenching novel. This book is Kent’s best work yet, and no one who picks this book up—whether they are lovers of historical fiction, literary fiction, lesbian literature, or all three—will be disappointed.  

I was unable to put this down and read it in about a day, with plans to read it again as soon as possible! Kent’s writing strikes a balance between literary and plot-driven prose, and there is a twist around the halfway point of this novel that had me gasping aloud! This book is exactly the kind of fiction I wish I could read all the time. In the style of writers like Sarah Waters with the haunting twists of Emily M. Danforth, Devotion is an unmissable novel.

My hope is that Kent will continue to write queer stories set in historical time periods, because her voice in this novel is so unique and poignant. As an avid fan of her fiction to date, this novel is one of the best books I’ve read this year and I highly recommend.  

Please add Devotion on your TBR on Goodreads.

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Rachel reviews Not Good For Maidens by Tori Bovalino

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A retelling of one of the nineteenth century’s queerest poems, Tori Bovalino’s new novel Not Good for Maidens (June 21, 2022) is a fast-paced paranormal adventure-thriller that quickly became one of my favourite books of the year.

The novel adapts and retells Christina Rossetti’s famous Victorian poem, “Goblin Market” (1862). Not Good for Maidens follows Lou, the teenage daughter of a family of women who are intimately familiar with the twisted and dangerous corridors of the goblin market. Although her mother and her aunt have done their best to shield Lou from their haunted past, history inevitably repeats itself when Lou’s teenage aunt Neela is kidnapped and taken to the market. Although Lou has only read about the manipulative offerings of fruit and treasure, she knows how tempting the goblin market can be before it turns deadly. But Lou quickly realizes that she is the only one who can save Neela by learning the spells, songs, and tricks that will allow her to outsmart the goblins, enter the market, and retrieve Neela safely. Safely, that is, if Lou can manage to pull her out before the market disappears for the year and Neela is lost forever.

In short, this book was fabulous. If you’ve read and loved Rossetti’s original poem, then this retelling seems as though it’s been a long time coming. Bovalino balances the nuances of the poem with her own original narrative, crafting a literary world that is both fantastical and deeply rooted in the bonds between women. The text highlights and explores the power of female friendship and queerness, and I loved the way the novel seamlessly wove a history and a fantasy world around the goblin market.

Even if you have yet to read Rossetti’s work, this book will appeal. The world and the writing are immersive, with a lot of vivid detail. The characters are unique and develop alongside the supernatural world, and Bovalino’s rich descriptions really bring the goblin market to life. I loved that this novel highlighted the queerness of the original poem by centering queer lives in the narrative and by representing queer identities in nearly every character. This was such a refreshing take that thoroughly impressed me.

I can’t recommend Not Good for Maidens enough as the perfect read for fans of queer paranormal fiction. It promises to be one of the most talked about queer novels of the summer.

Please follow Tori Bovalino on Twitter and put Not Good for Maidens on your TBR on Goodreads.

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Rachel reviews When We Lost Our Heads by Heather O’Neill

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A totally surprising, whimsical, and powerful new novel, When We Lost Our Heads by Heather O’Neill (HarperCollins 2022), is a queer historical fiction that is a must-read this summer!

The novel focuses on the complicated friendship between Marie Antoine, the wealthy heiress to her father’s Montreal sugar factory, and Sadie Arnett, a clever and unnerving girl whose family moves to Marie’s neighbourhood with her politically ambitious family. The two girls become fast friends, drawn to each other through their mutual intellect and intensity, until one day one of their games ends in tragedy, and in an effort to save the reputations of everyone involved, the two girls are separated. What follows in the novel is a long winding narrative of the two women’s lives together and apart across time and across a city that loves, hates, and loves to hate them. Complete with a cast of characters that enrich the narrative, O’Neill paints a fantastical portrait of nineteenth-century Montreal in all of its tragedy, glamour, grit, and delight.

In short, this novel is one of the cleverest texts I have ever read. O’Neill takes many of the principal characters from the French Revolution and transports them to nineteenth-century Montreal. Oh, and she genders all of them female. And the majority of them are queer. Although the novel is a fictional and magical realist text, When We Lost Our Heads is well-researched and full of compelling easter eggs that reveal the historical depth of the novel’s construction.

Furthermore, there really is nothing like O’Neill’s prose. I was anticipating this novel’s release after reading her other books, such as Daydreams of Angels (2015), The Lonely Hearts Hotel (2017), and Lullabies for Little Criminals (2006), and I wasn’t disappointed. O’Neill’s writing is immersive and full of intensity, with hints of magical realism. The relationships, connections, and twists in this novel kept me engaged. I have never encountered a book like this one, and I’ve already read it twice since its release this February.

When We Lost Our Heads is queer historical fiction at its finest, and Heather O’Neill is one of the most prolific voices currently writing in Canada.

Please follow Heather O’Neill on Twitter and put When We Lost Our Heads on your TBR on Goodreads.

Content warnings: sexual assault, violence against women

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.