Gothic Horror Infused with Queer Rage: Grey Dog by Elliott Gish 

Grey Dog cover

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Elliott Gish’s debut queer Gothic novel, Grey Dog (ECW Press, 2024), is one of my most anticipated releases of the year. Intense, foreboding, and atmospheric, Grey Dog is the latest in queer horror, and it’s a must-read!

Set in 1901, the novel is structured as the diary of Ada Byrd, a spinster and schoolteacher, who arrives in the isolated small town of Lowry Bridge under a cloud of misery after things went awry at her last post. Starting afresh with new students, Ada explores the surrounding woods and makes new friends who know nothing of her past. Slowly, Ada begins to hope for a future at Lowry Bridge and a place in the community. Maybe, in this new place, Ada can leave her past behind. 

Slowly, however, strange events begin to take place: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. Ada believes that something disturbing and inhuman lurks in the woods, pursuing her from afar and presenting her with these offerings—offerings that both repel and intrigue her. As the creature she calls ‘Grey Dog’ encroaches, Ada’s sense of reality blurs and her past returns to haunt her as she confronts the rage simmering inside her. 

I hesitate to say more without giving the plot away! One of the charms of this novel is its suspense and mystery, which quickly gives way to horror in the second half of the novel. Gish has the incredible ability to generate a sense of fear and danger in even the most seemingly innocuous moments. By structuring Grey Dog as Ada’s diary, the novel is confined to her perspective, which unravels more and more as the text goes on, although there are clues that Ada may not be as honest as the diary form suggests she will be. The reader feels as though they are living in Ada’s head and experiencing the confusing, haunting events of the novel along with her. 

As historical fiction, Gish pays close attention to the social and gendered contexts which confine and police Ada throughout the novel. Ultimately, Grey Dog is a book about rage—queer rage and women’s rage—and the pain of emotional and physical abuse. Ada can only repress her anger at the injustices of her life and the lives of those she loves at the hands of those who seek to control her. When the dam finally breaks, the result is both extraordinary and dreadful in equal measure. 

I loved Grey Dog. I could hardly bear to put it down. I’m reading it for the second time this week and it’s just as fantastic as it was the first time. This novel has become a new favourite for me and I look forward to reading Gish’s future work!

Please add Grey Dog to your TBR on Goodreads and follow Elliott Gish on Instagram.

Rachel Friars is a Doctoral Candidate in the Department of English at Queen’s University in Ontario, Canada. Her current research centers on neo-Victorianism and lesbian literature and history. Her work has been published with journals such as Studies in the Novel, The Journal of Neo-Victorian Studies, Queer Studies in Media and Popular Culture, and The Palgrave Handbook of neo-Victorianism.

You can find Rachel on X @RachelMFriars or on Goodreads @Rachel Friars.

A Lesbian Road Trip Romcom About Death: Here We Go Again by Alison Cochrun

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I read Alison Cochrun’s previous book, Kiss Her Once for Me, and liked it, but I was not expecting to love this one quite as much as I did. Some of that is for reasons that will translate to many other readers, and some of my enjoyment comes from it combining my own random interests. Either way, I highly recommend this one, even if you have no experience teaching high school English and aren’t also contemplating getting assessed for ADHD.

Just as high school is such a pivotal time of life despite being only four years, my three years teaching and learning to teach had a permanent impact on me. I may not have been a high school English teacher for long, but I think some part of me always will be—and it’s still my back-up career. During those years, it completely consumed me. I would lay awake at night trying to figure out how to be a better teacher. My practicums were the most stressful times of my life. So it won’t come as a shock that I deeply related to this story about three high school English teachers. Unsurprisingly, Cochrun used to be a high school English teacher herself. (It’s also dedicated to teachers: “For all the queer educators out there. You save lives simply by showing up. Thank you. And for every queer teenager who became a little too attached to their English teacher. I see you. I love you.”)

Logan and Rosemary are rival English teachers at the same high school, but once, they were best friends. Then one kiss ruined their relationship, and now they can’t stand each other. It doesn’t help that they are classic Type A (Rosemary) and Type B (Logan) teachers, each judging the other for their opposing styles. How did they end up in the same profession? When they were teens, the only person who saw and accepted these two struggling queer and neurodivergent teachers was Joe, their Mexican American, openly gay English teacher. In their conservative small town, Joe was a life-saving presence for them, and they both followed in his footsteps.

Joe isn’t teaching anymore, though. He’s only 64, but years battling pancreatic cancer has ended with him being recommended hospice care. Both Rosemary and Logan have been helping take care of him, but he has a deathbed request that will be a lot more challenging to fulfill. He wants to die in his cabin in Maine, and he wants Logan and Rosemary to drive him there. Together.

Because the two of them can hardly be in the same room together, the idea of being in the same car for almost a week seems impossible, but they can’t ignore Joe’s pleas for them to make up and help go out the way he wants to. Besides, Rosemary has—unbelievably—just been laid off and doesn’t have a guaranteed job to go back to after the summer, so she needs something to keep her anxious brain occupied. So, she makes a giant binder of travel plans and convinces Logan to get on board, and off they set: a dying man, two mortal enemies, and a dog, all crammed in a van together.

I love a road trip story, and just as you’d expect, being in a confined space together forces Logan and Rosemary to communicate. There has been a lot of miscommunication between the two of them over the years, including Logan believing that Rosemary is a tight-laced, high-achieving, heterosexual neurotypical person with everything under control. In reality, they’re both neurodivergent lesbians, and Rosemary manages her anxiety with a desperate need to try to be in control, with a plan for everything.

The two of them haven’t been friend since they were 14, but neither of them moved on in the nearly two decades since. Rosemary keeps so busy with teaching that it allows no time in her life for dating, while Logan keeps her relationships to casual hookups only.

Logan planned to graduate and travel the world, having big adventures. But when her mother left her dad, she was determined not to do the same thing, so she’s been living with him ever since. This road trip is the first time she’s really left their small town.

As they travel, the two of them continue to butt heads, but they also reluctantly reconnect as adults—and finally address what actually happened the day they kissed. Logan’s instincts to run away from conflict mean that it’s not so easy to repair their relationship, though, especially when Logan refuses to grapple with Joe’s imminent death.

In the acknowledgements, Cochrun calls this a romcom about death, and that is accurate. I appreciated that it doesn’t have a particularly romantic view of death. Rosemary and Logan have to change Joe’s diapers as he howls at the indignity. Death is not a quiet, noble affair. It’s prolonged and painful—both for the person dying and their loved ones. There is a little bit of “Tuesdays with Morrie shit,” as Joe refers to it, but it’s not cloying.

(Spoilers, highlight to read) I also thought the first sex scene—Rosemary’s first time having sex—was especially well done. They both go very slowly, with clear consent at all times. It’s sweet, and since I’ve had some sex scenes completely turn me off of the book recently, I was glad to see it treated with such care.(End of spoilers)

A lesbian road trip romance + ruminating on death + both characters having ADHD + all the main characters being high school English teachers made this a home run for me, but you don’t have to have my exact configuration of interests to enjoy this friends to almost lovers to enemies to lovers romance. And yes, I cried.

Official content warnings: This book contains references to an off-page death of a parent due to overdose, and it includes the on-page death of a parental figure.

Academic Lovers to Enemies to Lovers: The Headmistress by Milena McKay

The Headmistress cover

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Everyone knows the old saying, “be careful what you wish for”. For Professor Samantha “Sam” Threadneedle, the main character of Melina McKay’s moody and dark academia romance The Headmistress, that adage becomes very true. Three Dragons Academy, a remote all-girls boarding school that has been her home since she was an orphan left on the school’s doorstep, is close to financial ruin. Disquieted by the prospect of losing everything she has ever known and loved, Sam makes a wish for change. She is stunned, however, when change comes in the form of the new headmistress, Magdalene Nox. Magdalene has a reputation for being a ruthless administrator who will not hesitate to fire everyone if it means getting results. While all of Sam’s colleagues rush to hate Magdalene, there’s more to this new headmistress for Sam. Magdalene has haunted Sam’s dreams ever since their passionate one night stand three months ago. Soon, Sam and Magdalene are butting heads about the future direction of the school all while resisting their urges to re-create that special night.        

As a main character, you can’t help but root for and sympathize with Sam. She is a textbook example of a people pleaser, constantly giving of herself to her students and colleagues at the expense of her own needs. For example, she’s still in the closet at the beginning of the novel because she has wanted to avoid adding stress to the previous headmistress. She’s headstrong and combative when it comes to protecting those she loves, which can cause her to heedlessly jump into fights. She’s a lesbian white knight, ready to fight any fight, even if it means coming out the worst for it. It’s a personality type that I’ve always been drawn to, and her character arc of learning to balance her needs with the needs of others is something I very much relate to. 

In Magdalene, you have a very swoon-worthy love interest with great emotional depth. While she’s initially set up to be an “Ice Queen”, Sam and the reader discover that there’s more to her than that. She is not cruel because she wants to be. Her bluntness does not come from a place of animus, but rather from her drive to get things done. Just like Sam, she’s incredibly driven to save the school, even if it means making the tough choices. She knows she is going to be portrayed as the villain no matter what and plays that role because she knows it’s the most efficient way to save the school. However, there is also this sweet side to her that begins to emerge as her and Sam’s relationship develops. By the end of the novel, Magdalene ends up being this really lovable multifaceted character who also happens to be drop dead sexy. The fact that all of this is conveyed solely through Sam’s point of view is a testament to Milena McKay’s writing.   

Not only are Sam and Magdalene great characters by themselves, but the dynamic between them was a delight to read. Flashbacks to their one night stand appear early in the novel, so you know that these two have great chemistry. However, they almost immediately start butting heads upon Magdalene’s arrival at the school. Sam and Magdalene are both very driven and stubborn people, which makes for very entertaining arguments where sparks can really fly. Seriously, if I had a nickel for the amount of times I whispered “okay, now kiss!” during their arguments, I could afford to buy this book multiple times over. When they aren’t butting heads, the banter between them is infused with this playful flirtiness that I just ate up.    

In terms of story, I loved how tightly interwoven it was, with external conflicts seamlessly feeding into the internal conflicts between Sam and Magdalene. While forbidden romances between bosses and their subordinates are always fun, the fact that the external conflicts of the story kept forcing our couple together added that little bit extra. You have two stubborn characters who are insanely attracted to one another yet keep finding themselves on opposing sides of the same argument. It is in these disagreements where a lot of their relationship begins to develop and where the central tension between them lies. Furthermore, there are other external subplots that continue to crop up throughout the story and influence the narrative. There’s an anti-woke board member who’s hellbent on returning the school to its “traditional values”. There’s a group of queer students who could be forced to leave the school. There’s the bitter former headmistress causing trouble for both Sam and Magdalene. There’s even a mystery surrounding a series of “accidents” that seemed to be aimed at either injuring or killing Sam. While that does sound like a lot, none of them feel neither superfluous nor distracting. Instead, they are really well-balanced and serve to create a captivating story of two people falling in love despite all the challenges around them.   

I thoroughly enjoyed my time at Three Dragons Academy with Sam and Magdalene. If you’re looking for a steamy romance with great characters, moody atmosphere, and enthralling story, I highly recommend giving The Headmistress your undivided attention.

A Chaos Theory Psychological Thriller: Strange Attractors by Ana K. Wrenn

the cover of Strange Attractors

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Strange Attractors by Ana K. Wrenn was released in August 2022 and it follows the complex character of Sonja J. Storey. The book has been described as a psychological thriller, and it takes a deep dive into the darker side of academia. It is not a light and fluffy romance, but if you allow the main character to have her flaws, and go on her journey, it is a novel that will stay with you for a long time after you’re done reading. I am usually a pure romance kind of gal, so this was certainly a different novel for me, but I am glad I took the plunge.

Dr. Storey is a professor of chaos theory, and this novel takes you on a well-written roller coaster of what happens when life seemingly begins to imitate the very theory one teaches. Dr. Storey teaches at a small college in North Carolina and has plans to put the tiny school on the map. Not only does she believe she can do it, but she also has the drive to do so. It takes one post-it note to set Sonja’s arc in motion. 

Interpersonally, Sonja is closed off and doesn’t make friends easily (or at all).  It’s fair to say she intentionally pushes people away with her ultra icy exterior. The closest relationship she has is with that of her telescope, which seems fitting as it allows her to escape in the stars, a place seemingly uninhabited by people. Her telescope can’t let her down, can’t judge her, and can be directed only where she points.

Those around her wouldn’t hesitate to call Sonja all sorts of names, but as a reader, we are let into parts of her story that the people around her are not privy to. As you read this novel, and Dr. Storey’s past is revealed little by little, it is of little wonder that she interacts with the world around her the way she does. 

Wrenn presents us with two characters in this book: Dr. Sonja J. Storey and junior professor Dr. Crystal Byrd. Where Sonja is closed off and receives every outside interaction with skepticism and a desire to exit the interaction immediately, Dr. Byrd is in many ways the opposite. Both have experienced trauma in their lives, but the path each has taken to both deal with that trauma and how they see the world around them couldn’t be more different. Where Sonja is closed off and icy, Crystal is open, warm, and friendly.  

When the two women meet, it goes as you would expect, but there is something about Crystal Byrd that Sonja, despite her unwillingness to allow anyone in, can’t seem to stay away from. Crystal is persistent, but it’s also undeniable that Sonja finds her intriguing. Despite her misgivings, Sonja allows herself to become close to the other woman. In Crystal, Sonja finds someone who does not hesitate to push back and call her out for her behavior when the situation warrants. Crystal makes it clear she is there for her and there to support her, but Sonja has to put in the work. Crystal won’t be her savior.

Wrenn weaves a tale that will have you wondering and guessing about connections, past and present, and questioning if things are really as they appear.  

Sonja J. Storey is a complex character with a lot of reasons to present herself to the world in the standoffish way she does. She is, at times, a cautionary tale of how our past influences the way we interpret and view the events of our life. Ultimately, I would consider Sonja’s story to be one of courage and of a character making the hard decision to move forward without constantly looking back. It lays bare the dark side of being a woman in academia and of a woman trying to escape a past that isn’t keen on letting her go. 

Wrenn’s debut novel is smart, twisty, dark, and a read that will stay with you long after you’re done. There are scenes that serve as absolute gut punches—but this is not meant to be a Hallmark romance. Wrenn is brilliant in being able to set a scene so emotionally charged that I found myself holding my breath and heart. And it wasn’t just once.

I highly recommend Strange Attractors if you’re in the mood for something a little darker, and if you’re a fan of Ice Queens protected by an iceberg that makes the one that took down the Titanic look like an ice cube from your freezer. I maintain the freeze is understandable, but whether you agree will be up to you. I took this journey knowing that not everyone loved Sonja J. Storey, but love her or not, I encourage you to read with an eye to at least understanding her and the layers she possesses. When everyone around you, including those meant to protect you, have failed you over and over, self preservation tactics seem bound to kick in. I felt for her, and I was rooting for her. I think the sign of a good novel is one that, even when you’re done, you can’t stop thinking about it. Strange Attractors is that novel. 

Content warnings: discussion of past abuse, descriptions of past sexual assaults.