Tag Archives: dark academia

A Chaos Theory Psychological Thriller: Strange Attractors by Ana K. Wrenn

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the cover of Strange Attractors

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Strange Attractors by Ana K. Wrenn was released in August 2022 and it follows the complex character of Sonja J. Storey. The book has been described as a psychological thriller, and it takes a deep dive into the darker side of academia. It is not a light and fluffy romance, but if you allow the main character to have her flaws, and go on her journey, it is a novel that will stay with you for a long time after you’re done reading. I am usually a pure romance kind of gal, so this was certainly a different novel for me, but I am glad I took the plunge.

Dr. Storey is a professor of chaos theory, and this novel takes you on a well-written roller coaster of what happens when life seemingly begins to imitate the very theory one teaches. Dr. Storey teaches at a small college in North Carolina and has plans to put the tiny school on the map. Not only does she believe she can do it, but she also has the drive to do so. It takes one post-it note to set Sonja’s arc in motion. 

Interpersonally, Sonja is closed off and doesn’t make friends easily (or at all).  It’s fair to say she intentionally pushes people away with her ultra icy exterior. The closest relationship she has is with that of her telescope, which seems fitting as it allows her to escape in the stars, a place seemingly uninhabited by people. Her telescope can’t let her down, can’t judge her, and can be directed only where she points.

Those around her wouldn’t hesitate to call Sonja all sorts of names, but as a reader, we are let into parts of her story that the people around her are not privy to. As you read this novel, and Dr. Storey’s past is revealed little by little, it is of little wonder that she interacts with the world around her the way she does. 

Wrenn presents us with two characters in this book: Dr. Sonja J. Storey and junior professor Dr. Crystal Byrd. Where Sonja is closed off and receives every outside interaction with skepticism and a desire to exit the interaction immediately, Dr. Byrd is in many ways the opposite. Both have experienced trauma in their lives, but the path each has taken to both deal with that trauma and how they see the world around them couldn’t be more different. Where Sonja is closed off and icy, Crystal is open, warm, and friendly.  

When the two women meet, it goes as you would expect, but there is something about Crystal Byrd that Sonja, despite her unwillingness to allow anyone in, can’t seem to stay away from. Crystal is persistent, but it’s also undeniable that Sonja finds her intriguing. Despite her misgivings, Sonja allows herself to become close to the other woman. In Crystal, Sonja finds someone who does not hesitate to push back and call her out for her behavior when the situation warrants. Crystal makes it clear she is there for her and there to support her, but Sonja has to put in the work. Crystal won’t be her savior.

Wrenn weaves a tale that will have you wondering and guessing about connections, past and present, and questioning if things are really as they appear.  

Sonja J. Storey is a complex character with a lot of reasons to present herself to the world in the standoffish way she does. She is, at times, a cautionary tale of how our past influences the way we interpret and view the events of our life. Ultimately, I would consider Sonja’s story to be one of courage and of a character making the hard decision to move forward without constantly looking back. It lays bare the dark side of being a woman in academia and of a woman trying to escape a past that isn’t keen on letting her go. 

Wrenn’s debut novel is smart, twisty, dark, and a read that will stay with you long after you’re done. There are scenes that serve as absolute gut punches—but this is not meant to be a Hallmark romance. Wrenn is brilliant in being able to set a scene so emotionally charged that I found myself holding my breath and heart. And it wasn’t just once.

I highly recommend Strange Attractors if you’re in the mood for something a little darker, and if you’re a fan of Ice Queens protected by an iceberg that makes the one that took down the Titanic look like an ice cube from your freezer. I maintain the freeze is understandable, but whether you agree will be up to you. I took this journey knowing that not everyone loved Sonja J. Storey, but love her or not, I encourage you to read with an eye to at least understanding her and the layers she possesses. When everyone around you, including those meant to protect you, have failed you over and over, self preservation tactics seem bound to kick in. I felt for her, and I was rooting for her. I think the sign of a good novel is one that, even when you’re done, you can’t stop thinking about it. Strange Attractors is that novel. 

Content warnings: discussion of past abuse, descriptions of past sexual assaults.

Rachel reviews The World Cannot Give by Tara Isabella Burton

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Described as a cross between Donna Tartt’s The Secret History and Patricia Highsmith’s The Price of Salt, Tara Isabella Burton’s novel The World Cannot Give (2022) is a dark, Gothic, and powerful meditation on the dangers of desire and the consequences of ambition. 

The novel follows Laura Stearns as she arrives at St. Dunstan’s Academy in Maine, a prestigious school on the coast that her favourite novelist, Sebastian Webster, whose book All Before Them has inspired her move across the country. Webster died at nineteen fighting in the Spanish Civil War and Laura idolizes him, believing that her time at the school will replicate the events of the novel. And indeed, Laura finds some of the intensity she is looking for among the school’s very exclusive chapel choir, led by the compelling, charismatic, and somewhat neurotic Virginia Strauss. 

Laura is immediately drawn to Virginia because of her similar devotion to Simon Webster, and Virginia is a born-again Christian, fanatical about her faith and her rigorous routine, including the miles she runs every morning. Virginia demands excellence from herself and the members of the choir. When Virginia brings Laura into the fold, sharing with her the rituals and routines of the choir/cult, Laura feels like she’s entered into a world heavy with meaning. But soon, things begin to fall apart as Virginia’s authority is challenged by various actors at the school, and Virginia’s demands get more and more outlandish before Laura must make a choice between following Virginia or saving herself. 

Overall, this book was enormously compelling and is perfect for fans of queer Gothic literature. I haven’t seen a lot of press around this book, but it really is perfect for fans of The Secret History and lesbian pulp. The intensity and power between characters in this novel left me unable to put this book down. The relationship between Virginia and Laura changes from hot to cold minute to minute, and Virginia’s pathology is so compelling. 

The setting alone is captivating. An elite boarding school on the edge of the sea, the novel strikes a balance between this bizarrely intense group of high school students who are surrounded by decades of history. The twists and turns of this novel continued to surprise me, and I was on the edge of my seat until the very end. The end of this novel caught me off guard in the best way. 

For anyone interested in queer Gothic mystery and intrigue, The World Cannot Give is a must-read!

Please add The World Cannot Give to your TBR on Goodreads.

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history. 

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Danika reviews A Lesson in Vengeance by Victoria Lee

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I feel a little “dead dove, do not eat” about this reading experience. I went into it looking for a creepy, unsettling read and then finished feeling unnerved and unhappy about feeling that way. So while I didn’t enjoy this read as a whole, that’s down to my own choices. I also started listening to this in October, when I love reading horror and thrillers, but it expired when I was halfway through and I finished in about a month later. Likely if I hadn’t have had that gap in between, I would have enjoyed it more.

This is a dark academia YA novel about Felicity, who has come back to her exclusive/pretentious boarding school after taking a leave to take care of her mental health. Last year, her girlfriend died in a tragic accident. At the time, she’d been obsessed with Dalloway House’s history, with its murders and rumors of witchcraft. This time, she’s determined to set aside the attraction to witchcraft and concentrate on her studies.

That’s when Ellis shows up: a famous (teen) author who is writing about the Dalloway murders and pulls Felicity in to her research. Soon, she finds herself immersed in a world of magic and murder again, even as Ellis tries to prove the Dalloway “witches” were just ordinary women and that the murders could happen without magic. Felicity has more and more trouble telling reality from fiction, especially as she stops medicating for her psychotic depression (a diagnosis the author shares).

If you’re looking for sapphic dark academia, this definitely fits the brief. Dalloway House is a creepy boarding school, and the students are just the kind of pretentious academics you’d expect from the setting. They recite poetry in rooms lit by candlelight, they write their essays on typewriters and eschew cell phones, and they dress like they’re in a period piece.

Part of the reason I didn’t personally enjoy it was that I have a terrible memory and have a bit of a phobia of it becoming worse, so reading from the perspective of someone who often lost touch with reality was very unsettling. (Again, that’s not a fault of the book, but with what I brought to it.) Ellis and Felicity also have an unhealthy relationship, with Ellis being manipulative and often leading Felicity into dangerous territory for her well being, which was hard to watch, especially as Felicity seems to miss a lot of the red flags.

I don’t want to criticize the depiction of Felicity’s mental illness, because it is own voices, but I will say I was a bit confused comparing the author’s note (and her Goodreads review) with how Felicity is portrayed.

This seems to be a divisive read, but I will say many of the criticisms I’ve read are just of the premise or it being in this subgenre. This is dark academia: of course it has unlikable, pretentious, morally gray (at best) main characters. And no, you should not go to this book expecting a cute F/F romance. That’s not what it’s trying to do.

Despite the fact that I didn’t love it personally, I’d still recommend it to readers looking for a dark academic book. I also recommend reading the Lesbrary reviews from Carolina and Sinclair Sexsmith, who both really enjoyed this one, for some other perspectives!

Carolina reads A Lesson in Vengeance by Victoria Lee

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A Lesson in Vengeance by Victoria Lee

“Dark Academia” is a cultural trend sweeping Tumblr and Tiktok, an eclectic sub-community gauzed in stark, academic aesthetic and darkly gothic themes. On any dark academia moodboard, you can find androgynous tweed suits, dark libraries, sepia-tined cigarette smoke. However, the trend has little place for female characters or sapphic relationships, as it primarily focuses on classical homoeroticism. A Lesson in Vengeance eschews the male-gaze and is a wildfire of sweeping speculative historical fiction embedded in a thrilling, sapphic magic mystery, becoming my go-to dark academia recommendation. 

One year ago, Felicity Morrow’s girlfriend, Alex, died under mysterious circumstances at the hallowed Dalloway School, a boarding school for gifted girls built upon the bones of the Dalloway witches, five girls part of an occult 17th century coven whose strange and inexplicable deaths haunt the campus. Now, Felicity is back at Dalloway, torn between putting the past behind, or discovering the truth behind Alex’s death. The choice is made for her by the enigmatic Ellis Haley, the newest pupil at Dalloway, who draws inspiration for her best-selling novels through an extremist take on method-writing. When Ellis decides to write about the Dalloway witches, she and Felicity become intertwined with the past when they decide to replicate each of the witch’s deaths to uncover the truth of what happened all those years ago, and reveal the darkness that lies in their hearts.  

The vintage, macabre aesthetic of the novel is incredible, full of immaculate detail and atmospheric writing. Lee was also sure to include nods and winks to the literary canon of female horror through references to Shirley Jackson, Helen Oyeyemi and others, providing built-in book recs for those interested in female-led horror. The novel also is not limited by the young adult genre, as it is constructed with just the right amount of gore and suspense needed for a perfect horror story. Our main character, Felicity, is as thrilling and twisted as any Amy Dunne or Tom Ripley; a new sapphic star of the thriller world.

A Lesson in Vengeance is a twisted feminist thriller about the lengths one would go through to survive. Lee takes dark academia staples, such as mystic rituals gone awry and an unquenchable thirst for knowledge, and imbues them with their own wit, style and uniquely queer flavor, creating a new home for sapphic women in the genre. Also, do yourself a favor and follow Victoria Lee on Tiktok, they’re a delight. 

Thank you to the publisher and NetGalley for an advanced copy!

Content Warnings: substance abuse, trauma, death, gaslighting, mental illness, violence, gore, neglect, animal abuse

Rachel reviews Plain Bad Heroines by Emily M. Danforth

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Plain Bad Heroines by Emily M. Danforth

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A dark, haunting, gothic novel, Emily M. Danforth’s Plain Bad Heroines (2020) is a delightfully dark queer book with a complex and fun premise that was right up my alley.

Set across two separate timelines, the first begins in 1902 Rhode Island at the Brookhants School for Girls. Two students, Flo and Clara, are known to be uncommonly devoted to one another and to a writer named Many MacLane and her book. The two girls form The Plain Bad Heroine Society based around their love of each other and the book. But when their secret meeting place in the school’s apple orchard becomes the scene of their violent and startling deaths, a series of bizarre events begin to take place on the campus—haunting the students and staff until the school shutters for good five years later.

The second timeline finds us in the present day. Merritt Emmons publishes a hugely popular book about the darkly queer history of Brookhants School. The book inspires a film adaptation that introduces the reader to a cast of main characters. These three heroines will return to Brookhants for filming, but as they do, “past and present become grimly entangled” and the haunting forces that terrorized the Brookhants Heroines from a century ago may not be quite finished with their curse.

A layered story with multiple timelines and black and white illustrations by Sara Lautman, Plain Bad Heroines is an example of the neo-Gothic at its best. I absolutely loved this book. I ordered a copy as soon as a heard about its release, and I was not disappointed. Dark and Gothic, with characters that are thoroughly compelling and mysterious. The book alternates timelines and perspectives across chapters, but I never felt lost or confused. The narrative of Danforth’s novel is a complex one—it has many clues, red herrings, and conspiracies that constantly kept me guessing. And even then, I couldn’t guess the ending. I loved Danforth’s use of symbol and metaphor, and her investment in making both of her timelines as real and vivid as possible. In addition, the narration—with a cheeky narrator who addresses the reader and draws attention to the ‘storied’ nature of the novel—was fun and exciting and helped to organize the book’s complex plot.

The best part of Plain Bad Heroines is that nearly everyone is queer. Queer people abound across both timelines and I was particularly interested in Danforth’s portrayal of the queer women. Not only does Danforth link her modern and historic queer characters with each other through their shared and haunting experiences, but she also imagines a version of queer life in the early twentieth century that has an element of realism amongst her haunting and supernatural plot.

I could not recommend this book enough for those who love queer historical fiction, horror and the Gothic, or a good and dark mystery!

Please visit Emily M. Danforth on Twitter or on her website, and put Plain Bad Heroines on your TBR on Goodreads.

Content Warnings: Violence, physical and verbal abuse, homophobia

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Sinclair Sexsmith reviews A Lesson in Vengeance by Victoria Lee

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A Lesson in Vengeance by Victoria Lee

I got my hands on an advanced reader’s copy of A Lesson in Vengeance by Victoria Lee, which is a dark academia, witchy, teenage boarding school sapphic romance which includes seances, a three hundred year old murder mystery, and ghosts.

After seeing about it from the author herself on Tiktok, I had to keep an eye out for it. I suspected I would enjoy it, and I really did. I will definitely pick up other work by Victoria Lee.

It was easy to read, very much a page-turner. Lee set up the suspense in the story from the very beginning, trickling out bits of information from when the main character, Felicity, had attended this spooky but elegant Dalloway boarding school in the past before having to take a year off. We get many clues and hints into what happened in the past, including a romance with the brilliant and now dead Alex, but it takes a good amount of time for it to all be explained. Meanwhile, Felicity meets Ellis, new to Dalloway but already wildly popular since she is a famous novelist, and they begin a whirlwind, intimate friendship.

I don’t want to give away much of the actual plot, moreso just a feeling for the tone of it. I looked forward to reading this and found myself making time to read, which is always a good sign that I’m enjoying the book. I enjoyed the characters, and loved how the book dealt with queerness — as just reality, not necessarily something to be deeply reckoned with or to have an existential crisis over. I loved how clever and intimate the characters were, and especially the whole tone and setting of the boarding school with witchy vibes. Highly enjoyable read.

Victoria Lee’s A Lesson in Vengeance is out August 3, 2021.

Thais reviews Catherine House by Elisabeth Thomas

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Catherine House by Elisabeth Thomas

I loved this book. I loved it so much that I immediately binned the other review I had planned for this month, even though I do not have the slightest idea of how to properly describe and criticize this book. I know a lot of people hated Catherine House, so I wanted to make this clear from the get go—I loved this book.

I tend to love experimental works of fiction and Catherine House is very much that. It mixes gothic horror and the campus novel genre to tell a story better suited for a thriller, and it does so by using a structure that is unashamedly literary, heavy in atmosphere and imagery that drips with details and repetition of motifs.

There is still plenty of plot, even some elements that put the book in the speculative fiction category, but Catherine House is the story of a young college girl still in the grip of depression and guilt for falling with the wrong crowd and spiraling through a couple of neglected years that led to trauma and self-loathing, and you will get exactly that from the narration.

Ines is depressed and at times (and for long stretches of time at that), the book follows her depression, her inability to pull herself out of her fog, to follow up on her curiosity, to even be alarmed at the sinister undercurrent that seems surround this place to which she has just committed three years of her life. And that is a hefty commitment.

Because Catherine House is not just any fictional elite college, it is a place that demands its students distance themselves from everyone in their lives, including their past selves. Like a cult, Catherine House demands that each student gives themselves to the school completely, and we start a story with the new class of students that has done just that arriving at their new, secretive home.

Some of them are already a bit cautious, but for the most part, students are seduced into this free, top-tier institution that promises them success in life, if they surrender every part of themselves to it.

Even to me, it felt seductive. I tend to avoid any media that has elements of horror, because I struggle with insomnia as it is. I was reluctant to pick this up, but the beautiful prose lured me in, and soon I was moving deeper and deeper into the house with Ines, wondering with her what ‘plasm’ was and why it had so many of her classmates so obsessed, getting horrified with her by the creepy meditations the school imposed. But like Ines, I also felt drawn to School Director Viktória, even as I could tell from the start that she was evil.

Viktória might have actually been the most seductive part of all. Ines is bisexual and that is established early on in the narrative, so her obsession with the beautiful, mysterious older woman who runs Catherine House felt sexual at first. Ines did not yearn for Viktória quite that way, but her eyes still follow Viktória whenever she is around, keeping herself apart from everything and overly involved with everyone at the same time. In a room full of people, Ines only ever has eyes for Viktória, for every minute detail of her appearance and demeanor.

It is not romantic, but Ines’ gaze feels desire. She can’t stop drinking in Viktória, basking in her presence.

Viktória, for her part, seems all too happy to cast herself as nurturing and maternal, but also seems to display a predatory interest for Ines, never crossing the line, but often making sure she gets Ines alone and disarms her with long talks, probing questions into her interests, lingering touches.

At the end, I couldn’t help but feel more than allured by the school, Ines was allured by Viktória, and that the horror of the book lies primarily with this deeply dysfunctional relationship.

While Ines has a long-term relationship with one of male characters, Theo, even that felt like tethered to Viktória—Viktória tells her to be social, to immerse herself in the school, to make deep ties that anchor her to Catherine and Ines does.

Other than her friendships with her roommate Baby and with another young black woman called Yaya, all of Ines’ actions seem performative even to herself, a way to show that she’s becoming good, that she’s becoming worthy.

No matter how sinister the school got, I found it impossible to pull away and I think the main reason for that were all those entangled, complicated relationships between women (and mostly women of color at that).

I was so entranced by the relationships in the story that it didn’t bother me very much that the aspects of the book that tended a bit towards science fiction were never fleshed out or that a lot of the later reveals in the book are a bit predictable. I also imagine some people might have had problems with the pace of the story, but like I said before, I expected literary, experimental, with small touches of horror, and Catherine House delivers on that.

If you want a satisfactory plot with clear resolutions, this might not be the book for you, but if you are craving something moody, with lots of description of winter in rural Pennsylvania and complex (and sometimes infuriating) female characters, I think you will like this.

Carmella reviews Hex by Rebecca Dinerstein Knight

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Hex by Rebecca Dinerstein Knight

Hex is a dark, uneasy novel about poison and desire. It follows the main character Nell, a PhD candidate in biological science, who’s expelled from Columbia after her labmate dies in an accident with plant toxins. Derailed, depressed and desperate, Nell steals the killer seeds to continue the work from a grim apartment in Red Hook. While she tries to engineer an antidote, she’s also writing a series of obsessive journals dedicated to ‘you’ – Dr. Joan Kallas, the lecturer she’s in love with.

Nell and Joan are caught up in not so much a love triangle as a love hexagon: there’s Nell’s medievalist ex-boyfriend Tom; her glamorous best friend Mishti; Mishti’s boyfriend Carlo; and Joan’s creepy husband Barry. Despite its botanical backdrop, the novel spends most of its time focusing on these tangled relationships, and the webs of desire between them are just about as toxic as the seeds germinating in Nell’s apartment.

If it sounds incestuous, claustrophobic and messy – it is. There’s a sense of ‘dark academia’ in Dinerstein Knight’s portrayal of campus politics. If you enjoy novels where everyone’s brainy and unpleasant (think The Secret History or Bunny) then this is one for you.

Nell herself is a compelling character to spend time with, not despite her unpleasantness but because of it. It’s always refreshing to read female characters who are allowed to be grotty. Not showering for days? Keeping a mushy banana in your pocket? Having toenail fungus? That’s feminism! Well, maybe not, but it makes for an interesting narrator. Nell’s world view is – for lack of a better word – weird. Her ‘journals’ are studded with surprising images, odd tangents, and strange yearnings: “I wished I could carve you a pumpkin”; “I wanted immediately, with my whole self, to be your cat”; “I thought it might be pleasant to be one layer of uncolored nail polish lying in rest over your fingernails”. I loved this depiction of desire – at once so unique and yet completely familiar.

The novel interrogates the idea of desire throughout. What do the characters want for themselves? For each other? From each other? Nell doesn’t always know what she wants, but she is always wanting, so that the act of wanting almost becomes an activity in its own right. After all, what’s more important to her: Joan, or the act of wanting Joan? As Nell wonders aloud to Mishti, “Which is fuller, the longing or the union?” Whatever the answer is for Nell personally, it’s certainly the longing that makes this novel a success.