Nat reviews Black Water Sister by Zen Cho

the cover Black Water Sister

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A suspenseful tale of vengeful ghosts, family secrets, and self discovery – it’s funny, it’s creepy, there are twists and turns, gods and spirits, and a queer main character who’s just trying to get her shit together. What more can you ask for? 

Jessamyn Teoh is the daughter of immigrant parents, freshly graduated from Harvard with no job prospects and a struggling long distance relationship with her girlfriend. If that wasn’t tough enough, Jess is preparing to return to Malaysia with her very traditional parents, pushing her even farther into the closet. In a roundabout way, this story shapes up to be a coming of age/coming out story of a late bloomer. Our main character is a self described “shut-in with no friends,” and many of her struggles are internal. This is quite fitting when much of the story is about spirits who can literally enter your body to haunt and possess you, and you can have entire conversations without saying a single word aloud. 

Despite the serious nature of bodies controlled by restless spirits and vengeful gods, while grappling with sexuality and life’s purpose, this book had me cackling the entire time. Our plucky protagonist has a dry wit and plenty of snarky commentary, and then there’s her meddlesome aunties and tiresome uncles, who are equal parts amusing and stifling. And that leads us to one of Cho’s most intriguing characters, Ah Ma, Jess’ spirit grandmother. Ah Ma is larger than life, even in death, and never shy about telling you how she really feels.  

As Jess learns of her family secrets, while keeping a few of her own, she also finds her voice and a newfound confidence, as she’s forced to face her darkest fears. While most of us haven’t literally been visited or overtaken by a dead relative’s spirit, many of us do know what it’s like to be haunted by our own private fears or struggle with the concept of home and belonging. 

While at first glance this might appear to be a straightforward supernatural suspense, and an exciting and enjoyable read (and I want to lure you in with that prospect,) also know that Cho is coming at you with a lot of serious material: sexuality, religion, racism, cultural identity, and the struggles of immigrant communities both in the US and abroad. There’s a lot to unpack and consider if you’re up for it.

As for culture, I loved experiencing Malaysia through Jess’ eyes, as she too is a visitor there. I didn’t know much about Malaysia and religions in that region, so I found myself Googling details throughout the reading, from food to dialect. Meanwhile, Jess is navigating her feelings of not belonging to any particular place, but also seeing a side of her parents that she never saw when they lived in the US. And Cho’s use of language and sentence structure throughout the novel is one of the keys to its success, further immersing us in her world. 

It’s really hard to do this story justice because there’s so much going on, but it’s never in a way that feels overwhelming. It might be better described as a journey composed of many side quests that each unlock awareness in our main character. While this isn’t a romance (or even really about Jess’ sexuality), the novel still leaves us with an optimistic ending and a feeling of closure, which in these pandemic times is very much appreciated. Absolutely one of my favorite reads in 2021! 

Content warnings: violence, attempted sexual assault, implied assault/rape

Vic reviews Last Night at the Telegraph Club by Malinda Lo

Last Night at the Telegraph Club by Malinda Lo

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Growing up, I devoured books quickly and easily, but by high school, I started to lose interest in the books I found in bookstores or the library, jumping from book to book without finishing a single one.  The problem, I determined, was that I was bored with reading about straight people all the time, and published books, as far as I could tell, were all about straight people.  And then I found a list of YA books featuring LGBT+ characters, and I bought every book on the list, among them Huntress by Malinda Lo. I didn’t end up reading all of the books (genre still matters, among other things, even when LGBT+ books are scarce), but I loved Huntress, enough that it has been the book that, for me, represents the time in my life when I discovered that there actually were books about LGBT+ people, if you knew to look for them.  Fortunately, now it is much easier to find those books, but my fondness for Malinda Lo remains, so when I first heard about Last Night at the Telegraph Club, her name excited me almost as much as the summary (and I love historical fiction, so that is saying something).  Happily, it did not disappoint.

Last Night at the Telegraph Club centers around seventeen-year-old Lily Hu, a closeted Chinese lesbian living in San Francisco during the Red Scare.  At school, Lily befriends another girl, Kath, with whom she begins to visit the Telegraph Club, a popular lesbian bar.  As their feelings for each other deepen, Lily also has to contend with both the racism that could see her father deported, though he is legally an American citizen, and the knowledge that if her love for Kath were to be discovered, it would put both of them in danger.

Though Lo keeps this story firmly planted in history, she does so without it ever becoming either too grim or too rose-colored.  The setting is fully realized, with timelines interspersed throughout the sections to further contextualize the events of the novel, and Lo does not shy away from depicting the racism and homophobia that Lily and the people around her face, ranging from microaggressions to being deported or disowned.

Despite all of this, Last Night at the Telegraph Club is full of love and levity.  While it is true that a part of Lily is always disconnected from her environment, as the only lesbian she knows in Chinatown and the only Chinese girl at the Telegraph Club, the love she feels for her home and the freedom she experiences at the Telegraph Club matter just as much as the fear and the pain.  Though Lo makes it clear that it is not easy to be Chinese, a lesbian, or a Chinese lesbian in this time or place, it is not simply a life of prejudice or hiding or suffering.  She presents a multifaceted view of all parts of Lily’s identity, with a strong feeling of community and hope, and it is those aspects that make this novel really shine.

Perhaps what I loved most about this book was the relationship between Lily and Kath.  I found their dynamic to be a breath of fresh air, both in this book specifically as well as in a more general sense.  From the beginning, Lily and Kath clearly enjoy talking to each other.  They ask each other questions about themselves and their interests, and they listen.  As a reader, I never struggled to understand what they liked about each other, which, for me, is what really makes or breaks a romance.  Their bond was real, a genuine connection that grew out of friendship more than anything else.  They were sweet, and they were passionate, and I rooted for their happiness all the way through.

I know I am not the first reviewer to say this, but Last Night at the Telegraph Club is exactly the sort of book I was looking for in high school.  It is a compelling historical fiction novel centered around a protagonist whose story so rarely gets told, but in Lo’s capable hands, no part of this feels unfamiliar.  I was able to both see myself and learn where I did not, and when I finally closed the book, it left me feeling whole in the way that all my favorite books do.  I cannot recommend it enough.

Trigger warnings: homophobia, racism, racial slurs, misogyny, miscarriage

Larkie reviews The Jasmine Throne by Tasha Suri

The Jasmine Throne cover

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What a book! I didn’t know all that much about it before I started reading, and all the reviews I read felt like they confused me more. Once I got into this book and realized how complicated it was, I could see why. The first half of The Jasmine Throne is fairly slow, as Suri sets up the world. At its core, this book is about how to remove a fanatical, xenophobic emperor who believes so strongly in his superiority that he is willing to burn his own sister to death. This sister, Malini, is exiled so that she can’t continue plotting her coup to put her other brother on the throne. She is sent to Ahiranya, the weakest state in the empire, with its history of mysterious magic, a reputation for its brothels and loose morals, and a rot that has spread from the crops to the people. There we meet Priya, a maid for the regent of Ahiranya, who just wants to live her life and help the people she can. Priya ends up caught between various rebellions, as her brother Ashok leads a small but violent band of rebels, her sister Bhumika wants to work within the empire’s political system to get more support for the Ahiranyi, and Malini realizes that Priya is more than a simple maid, and therefore she presents an opportunity to escape exile and start a war.

With all the groundwork that Suri does in the first half, this book never felt overly complicated or confusing, even as the plot took off and hardly paused to catch a breath. I appreciated the complexity, because, while I love a good band of rebels fighting an evil empire any day, I often wonder about their society and what they plan on doing after fighting is over. Suri manages to address all the questions I usually have during this kind of story, and while she doesn’t solve everything (that’s what the sequels are for, right?} she does make this feel like a complete, complex world. The characters all have their own strengths and weaknesses, they tend to be right in some ways and wrong in others, and a lot of the tension in this book comes from Priya trying to decide exactly where her loyalties lie and how she wants to navigate these relationships.

When I started this book I was a little worried about some of the characters being almost cartoonishly evil and others were entirely Good and Just, but there is a lot of room for character development and background, and there are a lot of characters to bounce between, so I never got bored with one of them. Rao and Bhumika were probably my favorite POVs, because Rao was the most intriguing and I didn’t know where he fit into the wider story, and Bhumika thought the most like me: she was more worried about civilians being hurt and starving than a lot of the other rebels.
I absolutely loved the setting and the rich visuals in this book. Flowers, mosses, vines, they were everywhere—blooming in people’s hair as they suffered from the rot, springing from Priya’s unbridled emotions as her power grows, or carefully cultivated by Bhumika, the imagery of all these plants made me want to go for a walk in the jungle. I love a good creepy forest, and while I feel like the creepy forest could have been creepier, there is plenty of great scenery. Flower body horror is an acceptable replacement for creepy forests.

Finally I feel like I have to talk about the romance, because that is a lot of what drew me to this book, but it was really secondary to a lot of the plot. Which is fine! I have romance books if I want the romance to be center stage. But also this is definitely going to be a slow burn over however many books are planned for this series—Priya and Malini definitely like each other, and there are lots of gay little moments, but a lot of their relationship is spent in negotiation. Priya knows that Malini is manipulative (by necessity, she had to be in order to survive) and is worried about her feelings not genuinely being returned. Malini’s upbringing was a lot more homophobic and she has a Lot going on. She’s trying to escape a prison, break an addiction, and get back to engineering a coup for a brother who would rather be a priest than an emperor—she doesn’t have a ton of time to think about a crush. And with the way book 1 ended, I’m not sure she’ll find it any time soon, but I’m looking forward to seeing how it plays out.

Carolina reads The Chosen and the Beautiful by Nghi Vo

The Chosen and the Beautiful by Nghi Vo

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Buckle up, old sport! The Great Gatsby has entered the public domain, leaving the door open for any author to submit their take on Fitzgerald’s classic. A myriad of sequels, prequels and retellings of the novel have already been published in 2021, or are slated to be released in the near future. Nghi Vo’s The Chosen and the Beautiful dares to stand out from the other boats beating ceaselessly into the past, and charts a unique course as a trailblazing debut full of heart and originality through the eyes of The Great Gatsby’s enigmatic side character, Jordan Baker.

Amidst the glitz, glamour and gossip of the flapper scene, a magical Manhattan materializes in Nghi Vo’s debut, deftly weaving historical fiction and urban fantasy into a treatise on queer Asian American womanhood. Professional golfer and socialite Jordan Baker feels disillusioned with her peers of the upper echelon of New York society; as a bisexual Vietnamese adoptee, Jordan must steel herself within a cool and collected façade to cope with her oppressive surroundings. As her friend Daisy Buchanan begins to fall for the mysterious Jay Gatsby, Jordan questions her place among her patronizing white friends as she discovers her true self and uncovers a secret that will change her life forever.

Through Jordan’s perspective we lose the sugar-coating of Nick’s rose-tinted lens, exposing the true vanity and monstrosity of The Great Gatsby’s main characters. Daisy becomes an irredeemable white saviour while Gatsby’s incessant stalking and unquenchable lust for power is laid bare, offering an intriguing critique of white womanhood and masculinity. The novel acts as a character study of the intersections of identity: Jordan must reckon with each side of herself, as a woman, as a Vietnamese immigrant, and as a bisexual in the 1920’s to determine who in her life loves her for who she truly is, as microaggressions and blatant exoticism boil over the course of the novel. In this way, The Chosen and the Beautiful acts as a true retelling and re-imagining of the so-called great American novel: Jordan’s story is a reflection of the prosaic contemporary state of Americana, touching upon timeless themes such as  white fragility and model minority with candor and precision. 

The Chosen and the Beautiful is deliciously queer: Jordan refuses to hide her sexuality and regularly parties at gay speakeasies as Nick and Gatsby fall for each other, further subverting the iconic twisted love triangle of the original novel. The novel also goes further in depth into the social struggles of the 1920’s that create the context and worldbuilding for The Great Gatsby, including racism and homophobia, crossing lines that Fitzgerald steered clear of. By touching upon contemporary issues eugenics, Asian exclusion laws and early 20th century gay bar culture, the world of West Egg becomes infinitely more real and fleshed out. 

The world of The Chosen and the Beautiful is quietly imbued with magic: dandies sell their souls to the devil for a chance at wealth, performing troupes craft dragons out of  paper and ghosts and the undead walk among the living. Although I would have preferred a more concrete understanding of the magic system and a deeper exploration of the subplot regarding Jordan’s magic, I appreciated the infectious whimsy of casual magic built with beautiful prose, constructing scenes that will stick with the reader long after the book is over. 

Thank you to the publisher and Edelweiss for the advance copy!

Content Warnings: racism, sexism, homophobia, internalized homophobia, domestic abuse, emotional abuse, substance abuse, alcoholism, death, cheating, abortion

Danika reviews The Legend of Auntie Po by Shing Yin Khor

The Legend of Auntie Po cover

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This is a quiet, almost slice-of-life graphic novel about a 13-year-old queer Chinese American girl’s life at a logging camp. Mei is the daughter of the camp cook, and she helps out in the kitchen and spends her free time spinning yarns for the other children in camp–especially about Po Pan Yin, or Auntie Po, a Chinese American matriarchal version of Paul Bunyan. She is best friends with (and obviously has a crush on) Bee, the foreman’s daughter.

In the background, though, is the constant hum of anti-Asian racism. The Chinese workers eat separately from other workers. A sawmill that employed Chinese workers is burned down. Mei is keenly aware that she’s losing something: she no longer prays, she doesn’t know her grandparents, and her Cantonese is rusty. She is caught between traditions she feels disconnected with and an American culture that doesn’t accept her.

Auntie Po is the bridge between them: a blending of cultures and a way of adapting tradition to make it relevant. Not only does Mei tell stories about Auntie Po, she also begins to see her–especially when times get hard. Auntie Poe (and her giant water buffalo Pei Pei) become a source of hope and inspiration for her, and it’s left ambiguous whether or not she’s real.

The foreman claims that Mei and her father are like “family” to him, but Mei’s father knows better than to take him at his word, even if their daughters have grown up together. The story explores friendships across racial and financial differences in both these generations (Bee and Mei as well as their fathers’ relationship) and how fraught these can be. Mei’s father soon finds himself choosing between the man he’s called “family” and his own safety and comfort.

I enjoyed the watercolor illustrations with digital lines art style, and there are some stunning spreads. Pei Pei especially is a delight whenever he makes an appearance. This is a quick read, but there are lots of different aspects to dive into: I think this is a book that could act as a great conversation starter with young readers.

As for the queer content, Mei’s crush on Bee is obvious, and they hold hands and dream about a future together, but this isn’t a romance. It’s the kind of adoring friendship (with occasional blow-ups) you’d expect between 13-year-old girls. Not long ago, this kind of relationship in a kids’ book would likely be dismissed as a close friendship, but the author’s note makes it clear that Mei is queer, and I think we’re finally at a point where queer content doesn’t have to be spelled out to be obvious.

This is a thoughtful book about a topic of U.S. American history not often written about in middle grade books, and I highly recommend it.

Marieke reviews When The Tiger Came Down The Mountain by Nghi Vo

When the Tiger Came Down the Mountain (The Singing Hills Cycle #2) by Nghi Vo

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[This review contains spoilers]

The Singing Hills cycle is a series of stories about storytelling, which happens to be one of my favourite narrative themes. You don’t need to have read the first one (which is also sapphic) in order to appreciate this second instalment. The debut novella does provide a bit more worldbuilding and scene-setting, while this one throws you straight into the middle of the action. Yes, I also love in media res openings.

That being said, all of the action takes place at the start and end, bookending the real meat of the story which is relatively static: none of the characters in the present timeline go through any major personal revelations and most of the present storyline takes place in one location. I specify a present storyline because the story format is similar to the frame storytelling of One Thousand And One Nights: a gifted storyteller must rely on their skill to save their life – in this case the lives of the cleric storyteller Chih (nonbinary, no labels are used but only they / them pronouns apply) and their scout Su-yi (unlucky in her girlfriends) are under threat from the three Sinh shapeshifting tiger sisters.  

Chih serves an order of archivists whose task it is to collect oral histories from around their world and memorise them so they can be written down for future generations. The first book delves a bit more into what this entails and the beliefs that are at the core of the order. The cleric is less of an active agent in this story, as they are almost constantly under threat of death from the tigers and it is only when Chih mentions their recording of the tale about another legendary tiger that the tigresses choose not to kill the two travellers right then and there.

You see, the cleric had just journeyed through a region where they first heard the tale of Ho Thi Thao, the tigress who fell in love with a human and was betrayed (note: I will switch between using tiger and tigress to refer to Ho Thi Thao and the three sisters, as the first serves more as a species identifier but the second helps to identify the character as female. The author refers to all tiger characters as tigers, but all named tigers are female). Only, they had been told this story by humans, and once the tigers who are currently threatening them realise this, they decide to keep the two travellers alive only long enough for them to rectify the wrongs in the passing down of the legend. So Chih tells them the version they learned, a version that was dictated by a distant witness fifty years after the events took place, and so was already diluted when it reached Chih even without taking the human’s bias into consideration. The legend is told in stops and starts, returning to the present time to allow for the Sinh tigers to interject and squabble and tell their version of the section that was just shared by Chih.

Thus, the love story of the tigress Ho Thi Thao and scholar-to-be Dieu is told along two different paths, each from the perspective and with the bias of the respective species. I will leave you to discover the various differences, but both stories do seem to agree that, on her way to take the scholarly examinations in the big city, Dieu is waylaid by a tigress and, the only way she survives the encounter is to share her rice cakes and read her a love poem, after which the two spend an undefined amount of time together in the tiger’s cave. When Dieu continues her journey, the tiger follows her and saves her life from a family of fox spirits who were trying to trap her into a marriage with one of their sons, possibly choosing a marriage to the tiger instead.  

Ho Thi Thao and Dieu spend some more time together after this sudden brush with death, but Dieu still leaves Ho Thi Thao for the city once more. The tigress again follows her, and in the city Dieu arranges for lodgings that the two share, until the day of the examinations arrives. Dieu leaves a final time, and this is too much for Ho Thi Thao to bear: the moment of betrayal. In the end, we don’t know which of the two characters saves the other, this strongly depends on the version you want to believe, but they do choose to leave the city and live together for the rest of their days.

It’s an intriguing tale, almost a fairy tale in its repeated patterns – which are doubled up on by the telling of the two versions. However, the interjections of the present time and the switching between both the two tales being told and the present storyline unfolding makes for a slightly disjointed reading experience. I do like how this tale emphasises that no story ever exists in one way – even if there is a written down version there will be other versions of it still circulating: it’s just a matter of finding the people who are telling them. I also love how Chih can find a story in any situation, and the first novella especially emphasises that the order they work for has a mission to seek out and preserve precisely those stories which might go unnoticed by the official annals.  

The relationship between Dieu and Ho Thi Thao feels more believable in the story told by the tigers, possibly because the human version views the shapeshifting creatures too much as monsters to be worthy of love – another fairy tale theme straight from Beauty and the Beast or East of the Sun (hey! Another story theme I love!). The tiger’s story allows for a whole love between the two characters where their respective species make no difference to the way they feel about each other and they fully see and accept each other for who they are – which really is lovely.

Content warnings: violence, murder, death, blood, gore (almost all at the hands of tigers and people defending themselves from tigers)

Danika reviews The Chosen and the Beautiful by Nghi Vo

The Chosen and the Beautiful by Nghi Vo

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When I heard that a queer Vietnamese American The Great Gatsby retelling was coming out, I immediately requested a review copy. I can’t resist sapphic retellings, especially literary ones. There’s one little hiccup to me reviewing this book, though: I’ve never read The Great Gatsby. I haven’t even seen a movie version. I’ve absorbed some things from popular culture and gave the Wikipedia page a glance, but don’t expect a lot of side-by-side comparisons between this and the original.

As I said, I only needed to hear the barest of elevator pitches before adding The Chosen and the Beautiful to my TBR–so I went in knowing very little about it. As Jordan describes her and Daisy floating on the ceiling of rooms, I spent the first chapter going back and forth about whether it was metaphorical or whether this was a fantasy story and I wasn’t aware. Then there were mentions of characters literally selling their souls to demons for power, and that settled that. I should have guessed, considering Vo’s previous books, The Empress of Salt and Fortune and When the Tiger Came Down the Mountain, are also fantasy.

Still, although this is a fantasy novel, the magic is in the background for most of the story. Gatsby’s parties employ magical entertainment and decor–but that’s not dramatically different from the lavish parties he would throw without it. The book has a languid, dreamy quality. Time passes unpredictability: we are just seeing the beginning of Nick and Jordan’s relationship when she mentions how it ends. The first chapter has Jordan and Daisy gaze over her sleeping daughter, and then we see Daisy and Tom’s wedding further in the book.

Jordan is a fascinating main character. She’s adopted from Vietnam and was raised in a wealthy family. Her mother died when she was young, leaving her with a strict father. When he passes, she’s taken in by a feminist, independent aunt. Her aunt expects her to continue in the family tradition and manage the household when she passes away, not really acknowledging that Jordan’s claim to that position is challenged by the racist society they live in. Jordan has to learn how to navigate this world, spending most of her girlhood being treated as exotic by friends before they grew up and abandoned her for more respectable companions. She may seem to others to be a spoiled, overindulgent, “careless” young woman, but she’s constantly aware of not truly fitting in.

She has plenty of love affairs with men and women, and she even frequents a gay bar. In this version of the story, Nick and Gatsby have their own romantic relationship, which makes the love triangle (or square or pentagon) between Daisy, Tom, Gatsby (and Nick and Jordan) even more fraught. Nick is reluctant to acknowledge that he has any inclination towards men, but he clearly cares deeply about Gatsby and their… dalliances, even if Gatsby doesn’t take them seriously.

This is a beautiful, absorbing story with an overwhelming atmosphere of magic, indulgence, and tragedy–this time with queer and Asian American angles that add depth to the story. R.F. Kuang called this “Gatsby the way it should have been written” and the Kirkus review reads “Vo has crafted a retelling that, in many ways, surpasses the original.” This does so much more than I would have hoped for from the original. I know that if I do pick up The Great Gatsby now, it would just be to better appreciate The Chosen and the Beautiful.

Danika reviews Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar

Hani and Ishu's Guide to Fake Dating cover

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You might remember Adiba Jaigirdar from her previous book, The Henna Wars! This is another YA romance between two teenage girls of colour, set in Ireland, and I liked it even better than her debut. Humaira (“Hani”) and Ishita (“Ishu”) are the only two brown girls at their all girls Catholic high school. Because they’re both Bengali, they’re often lumped together–but they’re nothing alike. They speak different languages and have different religions, for one, but their personalities are what really separates them. Humaira is a social butterfly who tries to fit in and be well-liked. She’s out as bisexual to her parents, who are both supportive–she feels like she can tell her mom anything. She’s Muslim, but she doesn’t feel like her friends understand or completely accept that about her. Ishita is… prickly. She’s sometimes caustic. She’s an academic overachiever trying to live up to her parents’ impossible standards. She has no interest in cultivating friendships at school and is uninterested in what her classmates think of her. She has big goals she’s laser-focused on.

When Humaira comes out to her friends as bisexual, they’re dismissive. They argue that she can’t know unless she’s dated/kissed a girl. Humaira surprises herself by insisting that she is dating a girl: Ishita. Her friends hate Ishita, and Humaira and Ishita hardly speak, but she’s determined to try to sell this so that they won’t question her identity. When Humaira asks Ishita to go along with it, she agrees, but on one condition: Humaira helps Ishita become popular enough to win the Head Girl election, which will look good on college applications.

This is a classic fake dating romance between two girls who weren’t exactly enemies before, but definitely fit into the “opposites attract” category. I liked how distinct their personalities were and how they end up complementing each other (but not before clashing first). While their romance is the focus of the plot, it’s Jaigirdar’s depiction of being a Bengali teen in a very white high school that caught my attention the most. Both Humaira and Ishita deal with everyday racism and microaggressions, but they deal with them in very different ways. Ishita seems to tune them out, or prefers not to consciously think about them. Humaira reacts with anger and frustration at the system. The school administration demonstrates blatant (racially biased) favoritism that made me angry just to read about, but that’s accepted as a fact of life.

One small note is that I appreciated that this book starts with content warnings, which I hope is becoming a more common practice. Overall, I thought this was even stronger than The Henna Wars. Both main character feel three-dimensional and fully-realized, and it was entertaining to see how they tried to adapt to each other and work together. If you’re a fan of fake dating or F/F YA, definitely give this one a try.

Rachel reviews Last Night at the Telegraph Club by Malinda Lo

Last Night at the Telegraph Club by Malinda Lo

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I read Malinda Lo’s newest book, Last Night at the Telegraph Club (2021) about a month ago, and I’m still thinking about it. If you’re looking for a slice of mid-twentieth-century lesbian culture with some wonderful Chinese American representation and rich social history, Last Night at the Telegraph Club is for you. Having read many of her books over multiple years, including Ash (2009) and Huntress (2011), I believe that this novel is Lo’s most stunning achievement to date. The world needs more lesbian fiction like this, and I couldn’t get enough.

Set in 1954 San Francisco, the novel follows seventeen-year-old Lily Hu, a young Chinese American girl growing up amidst social, political, and cultural changes—many of which could place her and her family in danger. But Lily’s struggling with more than what’s happening in the world—she’s begun to wonder about herself, too. About who she might be beyond the context of the Red Scare and her family’s expectations. When she and her friend Kathleen Miller arrive at the long-coveted lesbian bar called the Telegraph Club, Lily’s world opens up in ways she has never allowed herself to imagine. But these discoveries are not without consequences, and Lily and Kathleen must struggle against the various influences that threaten them on all sides.

I was unable to put this book down. The rich, immersive quality of Lo’s writing really painted a picture of queer life in 1950s San Francisco that was alternately tantalizing and educational. So much of this novel reminded me of Sarah Waters’s Tipping the Velvet (1998) in the best way—not just because of the aspects/erotics of male impersonation that Lo employs, but due to Lo’s sophisticated writing and careful detail. It’s clear that this novel was heavily researched, and it really is the kind of Young Adult fiction that shows an immense interest in telling queer stories correctly and for all audiences. Lo obviously has a grasp of various cultural touchstones for queer communities of the period, and her work with lesbian pulp fiction was alternately heart-warming and thrilling—who among us hasn’t encountered our own version of Strange Season?

There is something so high-stakes and fast paced about this novel that kept it from leaving my hands. You’re desperate to see what will happen, which keeps you hurtling towards the end. Lily’s anticipation and desire are infectious, and by the time she enters the Telegraph Club for the first time, I was just as desperate to see inside as she was. What I truly appreciated about Lo’s novel was how universal she rendered queer experience—there were so many moments where I recognized myself (both as a teenager and now) in Lily or Kathleen’s characters. What is particularly special about novel’s like this one is that they make an effort to identify a queer community beyond two individual (and often isolated) love interests. That’s what truly makes this novel so rich and unique, and it makes the reading experience so much wider and worthwhile.

I haven’t been able to stop thinking/talking about or recommending this book to everyone I know. It’s such a heartwarming story that will appeal to queer readers and beyond.

Please visit Malinda Lo on Twitter or on her Website, and put Last Night at the Telegraph Club on your TBR on Goodreads.

Content Warnings: Violence, physical and verbal abuse, homophobia.

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

A copy of this book was graciously provided by the publisher in exchange for an honest review.

Danika reviews How Do We Relationship? Volumes 1 & 2 by Tamifull

How Do We Relationship Vols 1 and 2 by Tamifull covers

Although I’m far from an expert, I’ve really been enjoying yuri manga lately, especially lesbian manga. (Check out my post: Lesbian Manga and Yuri Manga: What’s the Difference and Where Should You Start?) Although I enjoyed books like Girl Friends, I’d rather read about adult characters–hopefully ones that use words like lesbian, bisexual, or queer to describe themselves.

This series is about two women who meet in college and decide, “What are the chances I’m going to
run into another out queer woman here? Why don’t we just date each other?” They don’t have much in common–in fact, they hardly know each other at this point, but decide to see what happens. They have very different personalities, which keeps their interactions interesting, and it’s hard to tell at first if they will be able to have a functioning relationship.

They’re also both working through a lot of self-esteem issues and carry some baggage with them. Miwa is very shy and sheltered, and she’s never been in a relationship. Miwa was painfully outed when she was younger. These influences mean they sometimes disagree about being out as a couple. Because they have this contrived beginning to their relationship, they take nothing for granted, which I really liked. They have frank discussions about their relationship–and particularly about sex. I’m used to yuri manga that has a lot of blushing and hand-holding and meaningful glances. This is one of the
few that I’ve read that has sex scenes, and they don’t feel like fan service or the male gaze to me. Whether it’s in sex or conversations, I appreciated that they’re often realistically awkward. This is not a romanticized relationship: they are both complex, flawed people, but they are trying to improve.

This isn’t flawless: volume 2 contains a possibly transmisogynistic joke, unless I’m misinterpreting it–though it also might have a trans character. There is a side character who gets a subplot who discussed not wanting to be in a relationship because they would “have to be a woman.” I look forward to seeing how that arc continues in volume 3. Saeko can also be pushy with Miwa–and she definitely needs to stop groping her in public.

Overall, though, if you like yuri manga, I highly recommend this series! I’m excited to see queer manga become more common: series that deal with real-life LGBTQ issues and not just subtext or schoolgirl stories.