A Queer M/F Romance of Healing and Reconciliation: A Shot in the Dark by Victoria Lee

the cover of A Shot in the Dark by Victoria Lee

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This novel is a masterful exploration of various themes, ranging from consent and communication during intimate moments to faith, substance abuse, and power dynamics. The author’s ability to delve into these topics with depth and sensitivity truly impressed me.

The novel shines in its approach to consent and communication during sexual encounters. Lee’s portrayal of characters navigating these conversations felt both authentic and refreshing. The way the characters navigate their desires and boundaries is a testament to the importance of open dialogue in relationships.

Furthermore, the exploration of faith and its impact on one’s identity within the context of the Orthodox community adds another layer of complexity to the story. Lee handles this topic with great care, highlighting the struggles and conflicts faced by Ely as she grapples with her past.

Substance abuse is tackled with a nuanced perspective, portraying the protagonists’ journey through recovery with empathy and realism. Lee’s portrayal serves as a reminder of the challenges individuals face on the path to sobriety, and how recovery is a continuous process.

The examination of power dynamics is another highlight of the novel. The teacher-student relationship between the characters introduces a layer of tension and complexity that is brilliantly executed. The internal struggles of the characters as they navigate their feelings while maintaining a professional boundary is both engaging and thought-provoking.

In conclusion, A Shot in the Dark is an exceptional read that skillfully weaves together a myriad of important themes. Victoria Lee’s ability to approach subjects such as consent, communication, faith, substance abuse, and power dynamics with sensitivity and depth is truly commendable. This novel is a must-read for anyone seeking a captivating story that sparks introspection and provides a platform for meaningful discussions.

Trigger warnings: substance abuse, alcohol, overdose, transphobia, abusive parent, antisemitism, drug use, religious trauma, relapse, death of a parent, domestic violence

Nat reviews Pack of Her Own by Elena Abbott

the cover of Pack of Her Own

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I picked up this li’l werewolf book off of a Twitter recommendation – vampires, ghouls, shifters – I expected something of a campy read. Who knew we would be exploring identity, found family, and processing trauma from various angles? If you plopped down a literary fiction tome and told me that we’d be dealing with complex themes like those, I’d say no thank you, I’ve read the news this week and I’m already a bit depressed. But give me some vampires, a full moon, and a happily ever after and that is the spoon full of sugar I need to tackle these issues. 

Natalie Donovan is a young, transgender woman with a traumatic past – she’s looking for a fresh start, or at least to begin to heal from a lifetime of abuse, both physical and emotional. Wren Carne (yep, Carne) is a werewolf living in a small town of paranormal misfits, her dark past only a few counties away – she’s also had to escape an abusive situation because of her true nature; she’s an Alpha wolf who ought to be on the path to forming her own pack. 

There’s quite a bit of trauma processing in this book between our two main characters, though Wren has already had some time and space to rebuild her life. At times Natalie’s point of view can really be heart wrenching because you’re watching in real time as her thoughts sometimes spiral with insecurity and feelings of worthlessness, or of being a burden to her friends. She believes she’s incapable of being loved, thanks in part to her abusive ex and her trashcan parents. Most of these issues are tied to her trans identity. 

Let’s take a moment to talk about were-books with romantic leanings. I’m certainly no expert on them and haven’t read them extensively, but there often seems to be a power dynamic, the Alpha/Omega, dominant/submissive relationship between the love interests. This dynamic exists in some form in the book, though the problematic bits of such relationships are called out, especially the issue of consent. Wren is fleeing what is essentially a toxic, cult-like situation built on abuse of power and fear – she believes this is how all packs operate, and vows to never have one of her own. (The story also has the fated mate trope, which involves an inexplicable, magical sort of connection between our main characters.)

Our main characters have so much in common and a lot of the book explores those commonalities, even though the circumstances in their lives are quite different. Both are harboring secrets that they think stand in the way of their happiness; both have suffered at the hands of those who were supposed to protect and support them. 

Pack of Her Own isn’t perfect, and there are a handful of inconsistencies that distracted me from time to time, little moments where one fact contradicted another. Also, for me, the ending felt a bit rushed; what I thought should be the epilogue was just a last chapter, so there’s a time jump and suddenly everything is great for Natalie and her new life, in a way that doesn’t jive with the tone and pace of the rest of the book. One of the last core scenes of the book is really intense, and could have used a smoother transition to prevent whiplash. But! The pros outweigh the cons by far. There’s big series potential here, so I’m curious to see where it goes!  

Trigger warnings: depictions of past physical abuse, emotional abuse/manipulation, gaslighting, assault

Sam reviews Dreadnought & Sovereign by April Daniels

the covers of Dreadnought & Sovereign

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I’m not all that into superheroes—I don’t really read comic books, I don’t follow superhero media—but I really enjoyed both Dreadnought and its sequel Sovereign by April Daniels. The books are set in a comic-book-esque modern day, where supervillains appear in history textbooks and it’s not unusual to see flying strongmen punch antimatter androids above the downtown skyline. It’s during just such a superfight that the mantle and powers of one of the world’s strongest heroes, Dreadnought, are unexpectedly passed (another comic book trope, I’m pretty sure) to trans teenager Danielle Tozer. The sudden superpowers speed up her transition, but bring with them a host of pressures, judgements, and expectations from both the heroes and villains of the city alike. With her life upended and her family providing its own challenges, Danielle has to figure out who she wants to be with the whole world watching.

I could pretty easily guess that Dreadnought and Sovereign are the author’s first novels; a few expository and dialogue choices stand out a bit awkwardly, and I simply can’t believe the characters are as young as the text claims them to be. All that is overshadowed, however, by how the books manage to balance the union of both trans and superhero narrative. Bluntly put, Dreadnought and Sovereign are popcorn books—and I mean that in the best way possible. They’re fun, easy to read and hard to put down, and best of all, they have a lot of heart. A lot of trans literature from the past 15 years feels laser-focused on struggle and suffering, so a story about being trans that’s also cheesy genre fiction was (to me, at least) a welcome breath of fresh air. 

Coming at it from the other side, YA adventure novels that try to include a trans character without turning into a book about being trans can sometimes feel a little flat, a little shallow. In Dreadnought and Sovereign, Danielle’s life is equally defined by her gender and sexuality as it is by her superpowers; the worst the novels get is a little over-explanatory of certain terms and concepts related to trans identity and issues (but also superhero identity and issues, to be fair). As I read, I could actually feel myself relax as I realized that April Daniels was taking the struggles of a newly out trans woman seriously, but not losing sight of joy along the way.

The world needs more books like these. As coincidence would have it, April Daniels and I actually graduated from the same literature program (though separated by I’m not sure how many years). It’s not hard for me to imagine the pressure she must have received to write serious works full of sad, serious people, and I’m so glad that these are the novels she decided to create. Trans authors deserve just as much range of expression as their cis counterparts, and stories like Danielle Tozer’s deserve to be told.
Supposedly Daniels is working on a third book in the series, but with where Sovereign ended, I don’t think you should wait for it to be finished before picking up the first two—even if, like me, you’re not that into superheroes.

Content Warnings: transphobia, homophobia, child abuse, torture, violence

Samantha Lavender is a lesbian library assistant on the west coast, making ends meet with a creative writing degree and her wonderful butch partner. She spends her spare time playing and designing tabletop roleplaying games. You can follow her @LavenderSam on tumblr.