Tag Archives: fast-paced

Danielle Izzard reviews Nothing Sung and Nothing Spoken by Nita Tyndall

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the cover of Nothing Sung and Nothing Spoken

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Nothing Sung and Nothing Spoken by Nita Tyndall is a queer YA historical fiction novel—a genre that I had yet to come across, and knew I had to read as soon as it was released. I was immediately intrigued by its poetic title, as well as by the promise of a topic I wasn’t used to reading. Tyndall certainly delivered with this novel: it is well written, intricately plotted, and overall beautiful. Following strong female characters as they navigate not only personal relationships, but WWII in the heart of Germany, this was an interesting read that captured my attention from start to finish. It’s a perfect YA novel, dealing with teenagers struggling with very real issues that have been faced throughout history: identities, relationships, and emotions. It presents strong family dynamics, which strengthened its appeal, showcasing both supportive and unsupportive families, making the novel realistic and believable. Tyndall writes with beautiful imagery: poetry, jazz music, maps that the protagonist, Charlie, creates. These images and Tyndall’s descriptions of the setting makes the novel vivid, easily bringing words to life.

Despite its strengths, Nothing Sung and Nothing Spoken was slightly too short for my liking. Not that short novels aren’t appealing, but in this case, it didn’t help with the progression. It was at times too fast paced, leaving me feeling breathless as I struggled to keep up with the unfolding events. The short length left little time for character development, or even introduction. Throughout reading, I wondered how the characters had come to know each other, and felt that their personalities weren’t conveyed very strongly. I didn’t feel as though I knew them by the end of the novel. I’d have traded the short length for a slower, more drawn-out story. Really, I’d have liked more time in this setting Tyndall so beautifully crafted.

A captivating YA novel that covers WWII in Germany, with queer characters and relationships, Nothing Sung and Nothing Spoken is a great example of books we need more of. It’s perfect for fans of Malinda Lo’s Last Night at the Telegraph Club, and for readers of all ages.

Til reviews Crownchasers by Rebecca Coffindaffer

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Crownchasers cover

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Crownchasers by Rebecca Coffindaffer is the story of Alyssa Farshot, a space pilot and member of the Explorers’ Society who wants nothing more than to take risks, break records, and scarf down a greasy hangover cure. Her life takes a sharp turn when the uncle who raised her dies—and did I mention he’s the emperor? Now heirs to the prime families, including Alyssa, must compete in a race across the stars to find the royal seal.

The winner will lead a thousand and one planets. The loser can return to riding flame tsunamis and eating bacon-egg-and-cheese hangover sandwiches.

Let the games… begin?

Alyssa could so easily have been unbearable—I rarely enjoy reluctant heroines—but, instead, she’s clever, resourceful, and immediately twists the situation to one in which she cares about the outcome. Rather than accepting her reluctance, she changes the game by allying herself with fellow contestant and best friend Coy. This speaks volumes to Alyssa’s character. It shows her to be someone who finds and takes third options rather than letting her circumstances be dictated. It also shows her to be a heroine who won’t be dragged along. The narrator cares. So the book stays interesting.

The plot is a straightforward fetch quest, layered with conniving politicians, planetary cultures and geographies, and well-rounded secondary characters. Planets range from dull to gorgeous, hostile to hostiler. Most species are humanoid, with variations like wings and horns, or crying not tears but drops of light. The story moves quickly with snappy, sometimes hilarious prose to match, and balances background with action. For me, this is where a lot of books fall flat—the worldbuilding feels like a textbook. While I don’t recall every detail from Crownchasers, I don’t think I’m missing anything important, because the feeling was more important than the precise circumstance. Things like how unfailingly rational secondary character Setter is, or the worlds that felt exploited by the empire, that remains with me even if I can’t quote direct passages.

In addition to being a solid great read, Crownchasers is very queer-normalized. Alyssa’s sexuality is never named, not as a secret, but as unimportant. Her attraction to multiple genders goes unremarked upon. Alyssa was raised by her uncles, while Setter has two moms. Queerness simply exists. More than that, relationships are portrayed in a healthy way. One thing that especially stood out to me was Alyssa and her ex-girlfriend, Faye, are both in the crownchase. They snark a bit, but no more than they do with anyone else, and although their breakup devastated Alyssa, it happened mutually and without either trying to hurt the other. They just realized they weren’t right together and ultimately remained friends.

I’ve read this book twice—once when it first came out, and again recently as I got my hands on the sequel. Both times I read it quickly, laughed, cried, and absolutely needed to know what happened next. It’s a fast-paced adventure with a engaging narration, that normalizes queerness and questions power structures, all centered around a protagonist who’s deeply flawed but just as deeply lovable.

Shannon reviews She’s Too Pretty To Burn by Wendy Heard

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She's Too Pretty to Burn by Wendy Heard

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As the weather begins to warm up here in the midwest, I find myself in serious need of books set during the warm summer months. There’s something so magical about long days spent in the sunshine, even if the characters’ daily activities aren’t ones I’d recommend. Books set in the summer just have a certain kind of hypnotic feel, and it’s exactly that feeling I was searching for when I picked up She’s Too Pretty To Burn, the latest novel by Wendy Heard. It’s a young adult thriller with charismatic characters and a swoony romance, and I devoured it in a single sitting.

Veronica is a photographer living in San Diego with her mother. When we first meet her, she’s pretty bored with life, hanging out at a party she’s not enjoying and just wishing for something exciting to happen. She loves photography, but even it isn’t providing her enough mental stimulation to fight off her feelings of boredom.

Then, she meets Mick, a complicated and beautiful young woman who seems to speak right to Veronica’s soul. The reader knows pretty early on that Mick is a troubled character, but Veronica doesn’t pick up on this for quite some time. She just knows that she’s captivated by Mick, and she becomes a little bit obsessed with photographing her, even though Mick herself hates having her picture taken.

Mick’s home life isn’t the greatest, so spending time with Veronica serves as a sort of escape for her. The two begin spending all their free time together, and it’s not long before Veronica introduces her to her good friend Nico, an activist with a passion for performance art. He’s a couple of years older than Mick and Veronica, definitely more worldly than them, and he has a plan he thinks will shake up the city in some necessary ways.

At first, Nico’s plan seems harmless enough, but as time passes and Mick falls deeper under his spell, things take a dangerous turn. Veronica, desperate to make it big as a photographer, doesn’t notice the danger Mick and Nico are putting themselves in right away. Will she figure things out in time to stop something catastrophic from happening, something with the power to affect the trajectories of all their lives?

She’s Too Pretty To Burn is pretty dark, definitely not a good fit for those looking for a story on the sweeter side of the young adult spectrum. Their are some blurred lines when it comes to consent here, and readers who are triggered by discussion of abuse might want to do additional research before picking this up.

The characters aren’t all good or all bad. Instead, they exist in that big gray area that makes them super relatable but also difficult to categorize. It’s hard for me to choose a favorite, since each is incredibly well-drawn. They all make bad decisions at times, but then, that’s a regular part of being a human being, and something I definitely want in my fiction. Perfect, cookie-cutter people aren’t all that interesting to read about.

I enjoyed watching the relationship between Mick and Veronica blossom. The author does a phenomenal job showing how complex love is, especially for teenagers who are working hard to figure their lives out. Certain scenes between the two are poignant and beautiful, while others serve to amp up the tension of the overall story.

If you’re looking for a fast-paced novel that’s dark and twisty and filled with characters who remind you of people you’d meet in the real world, you could do far worse than She’s Too Pretty To Burn. It’s probably not a book that will appeal to every reader, but it landed firmly in my wheelhouse and I’m so glad I gave it a try.

Shannon reviews All Eyes On Us by Kit Frick

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All Eyes On Us by Kit Frick

All Eyes On Us, the 2019 release from author Kit Frick, is the story of two teenaged girls, both desperate to hold onto their secrets and their dreams, even if it means teaming up to take down their mutual enemy. It’s fast-paced and twisty, but not without its faults.

Amanda Kelly has known she would marry Carter Shaw for pretty much as long as she can remember. It’s one of those things that’s simply part of who she is. No one has ever asked her if it’s what she wants, and though a piece of Amanda struggles with the expectations her parents have placed on her, she’s pretty sure she loves Carter and is ready to get married as soon as they’re both done with school. Sure, Carter’s not perfect. He’s cheated on her a time or two, but Amanda’s sure they can get past his indiscretions. After all, isn’t that what true love is all about?

Rosalie Bell wants nothing more than to keep her head down until she turns eighteen. Once she’s a legal adult, she can leave her ultra-conservative parents behind and finally fully embrace her identity as a lesbian. As it is, she has a secret girlfriend and a fake relationship with the super popular Carter Shaw, the kind of boy her parents have always wanted her to spend time with. Carter’s  nice enough, but Rosalie just isn’t into him that way, but she knows she has to keep pretending to be straight if she wants to have a chance at living life on her own terms.

Amanda and Rosalie don’t really know each other, although each is all too aware of the other’s existence. Amanda wishes Rosalie would relinquish whatever hold she seems to have on Carter, and Rosalie feels a mixture of guilt and envy whenever she thinks of Amanda. But when both girls start receiving disturbing text messages from a blocked number, they realize someone out there knows each of their secrets and is ready to make them known to the world if Amanda and Rosalie don’t follow instructions. Now, these two must team up if they hope to come out of this unscathed, but how can they hope to work together with so much unspoken angst between them?

Rosalie’s character is the best thing about this book. I could feel her inner conflict whenever the story was told from her perspective. She doesn’t enjoy using Carter as her fake boyfriend, but her parents’ religious beliefs pose a real danger to her if she admits she’s attracted to girls. It’s a tough situation, one I don’t see in many books these days, and I applaud the author for bringing it to life on the page in a way that feels so relatable and authentic.

Amanda turned out to be a harder character for me to like. She’s super privileged, and while this in and of itself isn’t a bad thing, her thoughts and beliefs were sometimes hard for me to swallow. There’s a sense of entitlement about her that drove me nuts at times. Her life definitely isn’t perfect, but her problems felt insignificant when compared to the things Rosalie is constantly going through. I wanted her to wake up and take a good look at reality rather than just whining about how hard things were for her.

There is quite a bit of homophobic rhetoric here, most of which comes from Rosalie’s parents and their religious leaders. While this gave me a deeper understanding of the peril Rosalie would be in if those around her discovered her sexual orientation, it could prove difficult for some readers to deal with.

All Eyes On Us is the first novel I’ve read by Kit Frick, and although I didn’t love everything about it, I’m intrigued enough to check out more of the author’s work. She definitely knows how to create a compulsively readable thriller, and I’m always on the lookout for those, especially when they feature characters who are bisexual or lesbian.

Danika reviews Karen Memory by Elizabeth Bear

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Karen Memory by Elizabeth Bear

If “lesbian steampunk Western” doesn’t already pique your interest, I’m not sure what else to say, but I’ll give it a try! Karen is a “seamstress” (a sex worker at bordello) in Rapid City, in the Pacific Northwest. She’s satisfied enough with her life–the girls at Hôtel Mon Cherie are a tight-knit group, and she’s saving up money to train horses–when, well, I’ll let the blurb do the talking: “Trouble erupts one night when a badly injured girl arrives at their door, begging sanctuary, followed by the man who holds her indenture, and who has a machine that can take over anyone’s mind and control their actions. And as if that wasn’t bad enough, the next night brings a body dumped in their rubbish heap-a streetwalker who has been brutally murdered.”

Although there is a murder mystery aspect to this, Karen Memory is much more of a fast-paced adventure, as Karen and her friends get tossed into increasingly more dangerous and daring situations. The steampunk element starts off pretty minor–it took me a long time to realize that the “sewing machine” was some sort of mechanical exoskeleton and not just a typical sewing machine–but by the end of the book, there are all sorts of wild steampunk elements that I don’t want to spoil for you.

My favourite part was the relationship between Karen and Priya. Priya is a recent Indian migrant, who was trapped in a human trafficking situation. She has escaped to the Hôtel Mon Cherie, and Karen immediately falls for her. This could fall under insta-love, I suppose, but I don’t really see the problem in being intensely attracted to someone at first and then building a relationship together, which is what happens here.

There is a diversity of side characters, including trans characters and black, indigenous, and Asian characters. They are, for the most part, well-rounded, but they are often described in ways typical of the time period. [Highlight for the particular language/slurs included:] The trans character is described as  having a “pecker under her dress,” but that it was “God’s cruel joke”, and she’s “as much a girl as any of them.” The indigenous character is described as a “red Indian” many time. The N word is included, though not said by the protagonist. There are more, similar descriptions used, but this gives you an idea. I’m honestly not quite sure what to make of that, and I’d like to read some reviews by trans, black, and indigenous reviewers to see what they think of it. I can see how it would be a response to the typical Western, by having a diverse cast, but still staying true to the time period, but I’m not sure you need to include slurs or racist descriptions to do that.

I listened to this as an audiobook, and I thought the narrator did a fantastic job. I really got a sense of Karen’s voice. On the other hand, I have trouble following action-packed plots at the best of times, and by listening to the audiobook, I definitely dropped the thread a few times. I think I enjoyed it more by listening to it, but I probably would have understood what was happening better if I had read it. I’m sure this would be a fantastic read for fans of Westerns or steampunk books, especially if you wish they were a little less straight and white, but it wasn’t the perfect genre match for me. I prefer stories that concentrate on characters, and although I got a sense of Karen’s voice, I didn’t get to know her as a character as well as I would like.

Despite those notes, I did like it enough to immediately pick up the other book in the series, and it looks like I’m going to like Stone Mad even more: Victorian spiritualists are my jam.