Danika reviews Eat the Rich by Sarah Gailey, Pius Bak, and Roman Titov

the cover of Eat the Rich, showing a skewer with meat, an eyeball, and a finger on it

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It’s Halloween, and I know exactly which book you should read cover to cover today.

Joey is meeting her boyfriend’s family, and it’s understandably stressful. They’re wealthy; she’s not. He’s worried about trying to stay sober back there. She wants to impress them. But she’s on her way to becoming a lawyer, so she’ll be joining the elites soon. She’s up to the challenge of learning how to blend in.

It goes about as well as you’d expect at first. Joey feels judged and out of place. She becomes friends with the family’s nanny, Petal, even as Petal advises her that being seen with the help will not be good for her standing in this society. As she explains this to Joey, the baby picks up what appears to be a human jawbone on the beach and begins playing with it…

This is a short graphic novel, so I don’t want to spoil anything, but I think you can probably guess that this rich community is eating people; it’s revealed pretty quickly. The twist (mid-story spoiler) is that it’s not a secret. It’s in their contracts. You retire, and you get hunted for sport and eaten. But in the meantime, you get paid well, you get good health benefits, etc. For some people, it’s the best option on the table. That’s capitalism for you. (end of spoilers)

This an over-the-top, gruesome, funny, anti-capitalism, queer graphic novel that I enjoyed from beginning to end. In just a few pages, I completely fell for Petal, who wears a “Loud and Queer” t-shirt and assures Joey that yes, she knows how awesome she is. I think I can safely say that if you like the title and cover, you’ll love this book, and it’s such a fun one-sitting Halloween read.

Danika reviews House of Hunger by Alexis Henderson

the cover of House of Hunger

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On paper, this should have been the perfect book for me to read Halloween month. I’m fascinated by the historical figure of Elizabeth Bathory, I love a (fictional) obsessive and unhealthy sapphic relationship, and this sounds like it would be a blood-soaked, sexy Gothic in the vein of A Dowry of Blood by S.T. Gibson. Unfortunately, although I liked House of Hunger, I ended up feeling like it pulled its punches a bit, not quite living up to my expectations.

I find this a difficult book to categorize. At first, I thought it was YA: we have a 19-year-old protagonist, and the cover seemed like a YA style to me. It wasn’t until a scene mentioned snorting lines of cocaine that I realized… this definitely isn’t YA, though it does have a very readable writing style.

This is set in a fictional world that reminded me of Victorian England. Marion lives in the South, where she is barely scraping by working as a maid and caring for her angry, addicted, ill older brother. Her employer and her brother are cruel to her, she has no real friends, and she feel like she has no options. So when the opportunity arises for her to apply to be a blood maid, she takes it. She would live in the North in luxury, with enough money to pay for her brother’s treatment. Sure, it means her employers drink her blood for its health benefits, but that doesn’t seem much worse than the job she has now.

Her blood is deemed to be particularly high quality, and she is taken to the home of Countess Lisavet (the Elizabeth Bathory stand-in). There, she joins a harem of blood maids, all desperately in love with Lisavet, craving her attention. Marion falls hard, even as she struggles in this cut-throat world of wealth that’s so different than what she’s known. This is where I have some difficulties with the book: it sounds like it would be a scandalous story of orgies, drugs, and blood, but while there is the occasional unsettling and gory scene as well as brief mentions of sex, it isn’t nearly as dark as I expected. On the other hand, there are enough mentions and occasional scenes that I wouldn’t recommend this to teen readers or people sensitive to horror, which puts it in a tricky in-between spot to me.

The setting and plot were just what I wanted from it: the claustrophobia and helplessness as the blood maids slowly waste away, the passion and sudden cruelty of Lisavet, the dangerous devotion Marion has for her, the slowly-dawning realization that staying will eventually destroy her — but I didn’t connect with it as much as I expected. I felt a bit of distance from the story. This is one that I would love to see on the big screen, because I think it would be beautiful and haunting. But the audiobook didn’t really grab me.

Those are pretty minor complaints, though, so if the premise appeals to you, I still recommend picking it up. And of course, I love a good capitalism and racism commentary: the rich are literally feeding on the poor (especially poor Black women) and draining the life out of them. I think I just came in with such high expectations that even a good book fell a little bit short for me.