Til reviews Crownchasers by Rebecca Coffindaffer

Crownchasers cover

Amazon Affiliate Link | Bookshop.org Affiliate Link

Crownchasers by Rebecca Coffindaffer is the story of Alyssa Farshot, a space pilot and member of the Explorers’ Society who wants nothing more than to take risks, break records, and scarf down a greasy hangover cure. Her life takes a sharp turn when the uncle who raised her dies—and did I mention he’s the emperor? Now heirs to the prime families, including Alyssa, must compete in a race across the stars to find the royal seal.

The winner will lead a thousand and one planets. The loser can return to riding flame tsunamis and eating bacon-egg-and-cheese hangover sandwiches.

Let the games… begin?

Alyssa could so easily have been unbearable—I rarely enjoy reluctant heroines—but, instead, she’s clever, resourceful, and immediately twists the situation to one in which she cares about the outcome. Rather than accepting her reluctance, she changes the game by allying herself with fellow contestant and best friend Coy. This speaks volumes to Alyssa’s character. It shows her to be someone who finds and takes third options rather than letting her circumstances be dictated. It also shows her to be a heroine who won’t be dragged along. The narrator cares. So the book stays interesting.

The plot is a straightforward fetch quest, layered with conniving politicians, planetary cultures and geographies, and well-rounded secondary characters. Planets range from dull to gorgeous, hostile to hostiler. Most species are humanoid, with variations like wings and horns, or crying not tears but drops of light. The story moves quickly with snappy, sometimes hilarious prose to match, and balances background with action. For me, this is where a lot of books fall flat—the worldbuilding feels like a textbook. While I don’t recall every detail from Crownchasers, I don’t think I’m missing anything important, because the feeling was more important than the precise circumstance. Things like how unfailingly rational secondary character Setter is, or the worlds that felt exploited by the empire, that remains with me even if I can’t quote direct passages.

In addition to being a solid great read, Crownchasers is very queer-normalized. Alyssa’s sexuality is never named, not as a secret, but as unimportant. Her attraction to multiple genders goes unremarked upon. Alyssa was raised by her uncles, while Setter has two moms. Queerness simply exists. More than that, relationships are portrayed in a healthy way. One thing that especially stood out to me was Alyssa and her ex-girlfriend, Faye, are both in the crownchase. They snark a bit, but no more than they do with anyone else, and although their breakup devastated Alyssa, it happened mutually and without either trying to hurt the other. They just realized they weren’t right together and ultimately remained friends.

I’ve read this book twice—once when it first came out, and again recently as I got my hands on the sequel. Both times I read it quickly, laughed, cried, and absolutely needed to know what happened next. It’s a fast-paced adventure with a engaging narration, that normalizes queerness and questions power structures, all centered around a protagonist who’s deeply flawed but just as deeply lovable.

Maggie reviews Coming Back by Jessi Zabarsky

the cover of Coming Back

Amazon Affiliate Link | Bookshop.org Affiliate Link

Coming Back by Jessi Zabarsky is a rather lovely fantasy graphic novel about two women, Preet and Valissa, trying to come to terms with themselves and each other and the world they live in. It comes out on January 18th, and I’d like to thank Random House for providing The Lesbrary with an ARC for review. Preet and Valissa live in a small community where Preet uses her powerful magic to help everyone in the village. Her partner, Valissa, has no magic and runs the town library. One day, a mysterious mist enters the library from the depths, leading to town panic. They decide to send someone to investigate, and Valissa volunteers because the village needs Preet’s gift too much to lose her. Their separation leads both of them to actions they never would have taken had their lives not been disrupted, and forces them to examine themselves, their relationship, and their very view of the world.

I thought this was a very charming graphic novel with lots of interesting worldbuilding. The worldbuilding is more in the art than in the dialogue, so a slow and careful reading to really appreciate the art is rewarding as the detail unfolds. The way the characters interact with the world around them is interesting. It leads to many questions that do not always get answered, but it’s more fun to imagine the answers than if the story had been loaded down with heavy description boxes, which would disrupt the flow of the artwork. Why is the library built around a hole in the ground? We don’t know but I’m fascinated by the idea. I also always appreciate a story where the diversity and queerness is baked in. Valissa and Preet are clearly accepted as a couple within their village, and none of their conflict revolves around the fact that they’re both women. The village they come from is diverse and accepting, and they’re only concerned when Preet stops performing her duties. The wider world outside the village is also magical, full of people of different shapes and talents. It’s a soft, interesting world, drawn with care and whimsical detail.

Which is the other high point of this book. Jessi Zabarsky’s artwork is gorgeous, full of graceful movements and colorful accents. Personally, I found everyone’s outfits the most charming. Everyone looked soft and very cute. The movements around the magical talents were also well conveyed. The book relies more heavily on art than on dialogue boxes, and Zabarsky’s style holds up well. It’s a very restful read, and a sharp contrast from the busy action so popular in a lot of graphic novels and comic books now.

In conclusion Coming Back was a soft, delightful read. I greatly enjoyed both the artwork and the story. Valissa’s journey shows a lot of strength and courage, and Preet’s big emotions grabbed my heart. If you’re looking for a YA graphic novel for yourself or for a gift, this would be a great choice. Coming Back comes out on January 18, and it would make for a perfect cozy winter afternoon read. 

Marieke reviews Daughter Of The Sun by Effie Calvin

Daughter of the Sun

Amazon Affiliate Link | Bookshop.org Affiliate Link

Anybody who gets me talking about books in any amount of time will swiftly learn there are a few niche genres I’m an absolute sucker for: weird murder mysteries (see: Jane, UnlimitedMeddling KidsThe 7 ½ Deaths Of Evelyn Hardcastle), atmospheric fairy tale retellings (see: Blanca & RojaThe Girls At The Kingfisher ClubDaughter Of The Forest). But another genre I love deeply, to the point I’ve made a Spotify mix for it, is involuntary road trips. A friend pointed out that’s just a fancy way of saying kidnapping, but that’s not what I mean by the term (though it sometimes applies). It’s two people who may not have a common cause, but who share a common destination and/or mutual benefit in travelling together while absolutely not wanting to travel together. For this genre, think of stories like Jaime & Brienne, Arya & The Hound, the Witcher, Fire by Kristin Cashore, etc. It just so happens that Daughter Of The Sun exactly fits in this genre as well, which was a major contributor to my enjoyment of it.

It’s the second instalment in the Tales Of Inthya series, but as the title suggests, all books are individual tales set in the same world. I don’t believe you would need to have read the first book, as Daughter is unrelated to it in plot terms. The only benefit you might glean is a slightly stronger understanding of worldbuilding, but a lot of that is covered in this book as well. The eponymous Daugher is a Paladin who travels the world of Inthya to vanquish chaos gods and other demon-y issues. After she unwittingly fails to banish one such chaos goddess, they meet again while the goddess is disguised in human form and after a discussion end up traveling together to deliver the ‘human’ to her ‘brother.’ Of course, on this journey they run into obstacles of all descriptions and grow closer together throughout, with the secret identity of the goddess looming ever larger…

While the status of Aelia as a goddess might create an unequal power balance in their relationship, she is rather weak as a result of her duel with the Orsina the Paladin – who is blessed with some magic power from her patron god as well, so they are actually on relatively equal footing in that regard. No, the instability in this relationship is created by Aelia choosing to hide her chaotic identity, which requires her to lie and generally be secretive, which puts a significant strain on their relationship. While this is a topic Aelia chooses to not speak freely on, I was glad to see that honesty and communication were strong facets in all other areas of their burgeoning relationship. They obviously have completely different life experiences and backgrounds, but never use this to judge the other (or when Orsina unconsciously does, Aelia immediately calls her out on it and Orsina apologises and makes efforts not to do so again – which makes for refreshingly healthy communication).

Combine strong communication practices with lots of time forcibly spent together (occasionally in small quarters) and a chaos goddess eager to learn about the human world, and you have the makings for a pretty sweet romance. Sweet is the territory where it remains though, as this never becomes one of those epic or sweeping romances at the heart of some other fantasy road trips. While there is a clear progress of shared moments that signpost the road towards romance and emotional intimacy, it’s that exact signposting that feels a bit too fabricated and like a checklist being followed. This means that the growing chemistry between the two characters never comes across as ‘real,’ which is where showing vs. telling may come into the equation with an unfavourable result.

This issue is exacerbated by one of the most common tropes in any romance: The Other Woman. When Orsina left to travel the land fighting demons and other creatures, she left behind a pampered noblewoman who was leading her on. It is clear from the get go that this noblewoman never valued or properly appreciated Orsina, and so Orsina’s going-on-two-years hang-up seems especially fabricated as a romantic obstacle in the way of her relationship with Aelia. This is not helped by the fact that the noblewoman plays no significant part in the development of the plot whatsoever and could functionally have been left out of the story altogether with no major consequences.

While it is always lovely to read a story where queerness is an accepted fact and queerphobia does not feature at all, it would be even more enjoyable if the queer relationships it champions feel more natural and realistic.

Content warnings: grief, fantasy-typical monsters and violence, injuries, child death (background), emotional manipulation

Marieke (she/her) has a weakness for niche genres like fairy tale retellings and weird murder mysteries, especially when combined with a nice cup of tea. She also shares diverse reading resources on her blog letsreadwomen.tumblr.com