Carolina reads The Chosen and the Beautiful by Nghi Vo

The Chosen and the Beautiful by Nghi Vo

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Buckle up, old sport! The Great Gatsby has entered the public domain, leaving the door open for any author to submit their take on Fitzgerald’s classic. A myriad of sequels, prequels and retellings of the novel have already been published in 2021, or are slated to be released in the near future. Nghi Vo’s The Chosen and the Beautiful dares to stand out from the other boats beating ceaselessly into the past, and charts a unique course as a trailblazing debut full of heart and originality through the eyes of The Great Gatsby’s enigmatic side character, Jordan Baker.

Amidst the glitz, glamour and gossip of the flapper scene, a magical Manhattan materializes in Nghi Vo’s debut, deftly weaving historical fiction and urban fantasy into a treatise on queer Asian American womanhood. Professional golfer and socialite Jordan Baker feels disillusioned with her peers of the upper echelon of New York society; as a bisexual Vietnamese adoptee, Jordan must steel herself within a cool and collected façade to cope with her oppressive surroundings. As her friend Daisy Buchanan begins to fall for the mysterious Jay Gatsby, Jordan questions her place among her patronizing white friends as she discovers her true self and uncovers a secret that will change her life forever.

Through Jordan’s perspective we lose the sugar-coating of Nick’s rose-tinted lens, exposing the true vanity and monstrosity of The Great Gatsby’s main characters. Daisy becomes an irredeemable white saviour while Gatsby’s incessant stalking and unquenchable lust for power is laid bare, offering an intriguing critique of white womanhood and masculinity. The novel acts as a character study of the intersections of identity: Jordan must reckon with each side of herself, as a woman, as a Vietnamese immigrant, and as a bisexual in the 1920’s to determine who in her life loves her for who she truly is, as microaggressions and blatant exoticism boil over the course of the novel. In this way, The Chosen and the Beautiful acts as a true retelling and re-imagining of the so-called great American novel: Jordan’s story is a reflection of the prosaic contemporary state of Americana, touching upon timeless themes such as  white fragility and model minority with candor and precision. 

The Chosen and the Beautiful is deliciously queer: Jordan refuses to hide her sexuality and regularly parties at gay speakeasies as Nick and Gatsby fall for each other, further subverting the iconic twisted love triangle of the original novel. The novel also goes further in depth into the social struggles of the 1920’s that create the context and worldbuilding for The Great Gatsby, including racism and homophobia, crossing lines that Fitzgerald steered clear of. By touching upon contemporary issues eugenics, Asian exclusion laws and early 20th century gay bar culture, the world of West Egg becomes infinitely more real and fleshed out. 

The world of The Chosen and the Beautiful is quietly imbued with magic: dandies sell their souls to the devil for a chance at wealth, performing troupes craft dragons out of  paper and ghosts and the undead walk among the living. Although I would have preferred a more concrete understanding of the magic system and a deeper exploration of the subplot regarding Jordan’s magic, I appreciated the infectious whimsy of casual magic built with beautiful prose, constructing scenes that will stick with the reader long after the book is over. 

Thank you to the publisher and Edelweiss for the advance copy!

Content Warnings: racism, sexism, homophobia, internalized homophobia, domestic abuse, emotional abuse, substance abuse, alcoholism, death, cheating, abortion

Danika reviews The Chosen and the Beautiful by Nghi Vo

The Chosen and the Beautiful by Nghi Vo

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When I heard that a queer Vietnamese American The Great Gatsby retelling was coming out, I immediately requested a review copy. I can’t resist sapphic retellings, especially literary ones. There’s one little hiccup to me reviewing this book, though: I’ve never read The Great Gatsby. I haven’t even seen a movie version. I’ve absorbed some things from popular culture and gave the Wikipedia page a glance, but don’t expect a lot of side-by-side comparisons between this and the original.

As I said, I only needed to hear the barest of elevator pitches before adding The Chosen and the Beautiful to my TBR–so I went in knowing very little about it. As Jordan describes her and Daisy floating on the ceiling of rooms, I spent the first chapter going back and forth about whether it was metaphorical or whether this was a fantasy story and I wasn’t aware. Then there were mentions of characters literally selling their souls to demons for power, and that settled that. I should have guessed, considering Vo’s previous books, The Empress of Salt and Fortune and When the Tiger Came Down the Mountain, are also fantasy.

Still, although this is a fantasy novel, the magic is in the background for most of the story. Gatsby’s parties employ magical entertainment and decor–but that’s not dramatically different from the lavish parties he would throw without it. The book has a languid, dreamy quality. Time passes unpredictability: we are just seeing the beginning of Nick and Jordan’s relationship when she mentions how it ends. The first chapter has Jordan and Daisy gaze over her sleeping daughter, and then we see Daisy and Tom’s wedding further in the book.

Jordan is a fascinating main character. She’s adopted from Vietnam and was raised in a wealthy family. Her mother died when she was young, leaving her with a strict father. When he passes, she’s taken in by a feminist, independent aunt. Her aunt expects her to continue in the family tradition and manage the household when she passes away, not really acknowledging that Jordan’s claim to that position is challenged by the racist society they live in. Jordan has to learn how to navigate this world, spending most of her girlhood being treated as exotic by friends before they grew up and abandoned her for more respectable companions. She may seem to others to be a spoiled, overindulgent, “careless” young woman, but she’s constantly aware of not truly fitting in.

She has plenty of love affairs with men and women, and she even frequents a gay bar. In this version of the story, Nick and Gatsby have their own romantic relationship, which makes the love triangle (or square or pentagon) between Daisy, Tom, Gatsby (and Nick and Jordan) even more fraught. Nick is reluctant to acknowledge that he has any inclination towards men, but he clearly cares deeply about Gatsby and their… dalliances, even if Gatsby doesn’t take them seriously.

This is a beautiful, absorbing story with an overwhelming atmosphere of magic, indulgence, and tragedy–this time with queer and Asian American angles that add depth to the story. R.F. Kuang called this “Gatsby the way it should have been written” and the Kirkus review reads “Vo has crafted a retelling that, in many ways, surpasses the original.” This does so much more than I would have hoped for from the original. I know that if I do pick up The Great Gatsby now, it would just be to better appreciate The Chosen and the Beautiful.