Danika reviews Goldie Vance Vol. 1 by Hope Larson (Author) and Brittney Williams (illustrator)

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Aahh, it’s been a long time since I’ve read a book with surprise queer content. It’s such a great surprise.

Goldie Vance is an all-ages comic that has been described as Lumberjanes meets Nancy Drew, which I think is a pretty solid assessment. It also gave me hints of Veronia Mars, but that may just be because I haven’t been exposed to many girl detective characters. Goldie works at a hotel with her father, but she also attempts to act as a detective on the side.

For some reason, I kept being surprised that the main character of this is a teenager. I shouldn’t have been: she acts as a valet, so she’s clearly old enough to drive. I think it’s because teenagers are usually drawn in comics as if they were twenty-somethings, so I assumed that this teenager was a preteen.

I really love the art in this volume. The colours are vibrant, and the character designs are distinctive and engaging, and the cast is diverse. The plot lost me a for a little while, just because I was expecting it to be aimed at a younger audience and wasn’t thinking about it having any sort of political aspect.

But, of course, what stuck with me was the queer content. This is an all-ages comic with a girl who likes girls at the centre of it! She meets Diane and is immediately enamored with this girl rocking the James Dean look. It’s not subtextual. It’s not treated any differently than any other romance in the text. But I’m so unused to queer characters in a book for young people that I could hardly believe what I was reading. Was I wearing queer goggles? Was I projecting?

I’m so glad that with comics like this and Lumberjanes, and with shows like Steven Universe, we’re getting queer representation in kids’ media, too. It’s so important, both for queer kids and for making society in general more accepting. This is a really fun comic, and it would make a great gift for fans of Lumberjanes and similar comics.

Danika reviews The One Hundred Nights of Hero by Isabel Greenberg

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I have to start this with my Goodreads status update from 5 pages in:

I literally cannot handle how much I like this book. I can’t get through a page without cackling or exclaiming. The art! The narration! The surreal worldbuilding! The f/f couple in the middle of it!!! The feminism! The cleverness! Like, I actually can’t handle it. I have to read it a couple pages at a time or I get overwhelmed. I don’t think this has ever happened??

I don’t think I’ve ever been so giddy from the first pages of a book. I was already hooked from the premise: a graphic novel retelling of the Arabian Nights featuring a woman who has fallen in love with her maid. Once I had it in my hands, I was stunned by the cover alone. It looks even more gorgeous in person, with the text in shining gold letters. And best of all, the two women reaching for each other: no attempt to disguise the queer content.

I’m a sucker for experiments in story telling, and I love how this book is structured. From the page layouts to the narration, the design and writing of this book perfectly fits its story, even when it deviates from the norm. A book that starts with a creation story of “In the beginning there was the world / And it was weird” is going to immediately jump in my estimation. I haven’t read the previous book, The Encyclopedia of Early Earth, but this book stands on its own–while dropping enough hints that I want to pick up the earlier book to get an even richer understanding of this story.

The framing device here is that Cherry’s husband has made a bet with another man, Manfred, that he can’t seduce Cherry in 100 nights. In order to save Cherry from being forced into this arrangement, Hero (her lover and maid) tells Manfred stories over the course of these nights, with the promise that once he seduces Cherry, the stories will end. These stories are engaging in themselves, and resemble folk tales. They revolve around women, often sisters, and as those characters tell their own narratives, the nesting story structure grows.

Although there’s a timeless, folk lore feel to the story, there’s also some moments of great, clever humor thrown in, including the narrator cutting in for commentary, and Hero and Cherry using vocabulary I was not expecting! Mostly the humor is dry, feminist wit.

And, of course, there’s the romance. The unapologetic, unshakable love between Cherry and Hero. The moment that really made me trust this story was when it describes the two women getting into bed together and then cuts to after, with the narrator interjecting “No! Of course I’m not going to show what happened then! What kind of a book do you think this is?” It was setting up for a voyeuristic look into two women’s sex life, then makes a hard left and questions the reader’s expectations.

This a beautiful, epic love story that centres on two women. That fundamentally respects women and their love. This is a story that respects storytelling, that believes that stories can change the world.

This is the queer feminist mythology we deserve.

Danika reviews SuperMutant Magic Academy by Jillian Tamaki

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I read most of SuperMutant Magic Academy when it come out in webcomic form, but I’d heard that the collected version added content to make it into a more continuous story, and it had been a while since I first read the comics. The comics themselves are just how I remember them: irreverent, funny, and just a little bit sad.

SuperMutant Magic Academy takes place at a boarding school for disaffected, superpowered teens. The stories are more high school drama than superhero comic, though. My favourite character is Frances, a guerilla artist who relishes in disturbing the comfortable and is only ever shaken by one panel where a teacher coolly observes that her art is “a little 70s”.

Although a few pages were added to give the thread of a narrative, these are mostly disconnected, featuring a large cast (including Everlasting Boy, who attempts to come to grips with immortality throughout all of time). Each page is great in itself, but they don’t really flow together, and I did find it a little tiring as a reading experience when I read big chunks at a time.

The plot that does exist surrounds Marsha, a sarcastic, often apathetic psychic student, and her best friend Wendy, a fox girl who she has hopelessly fallen for. Marsha is closeted and debates about whether to tell Wendy about her feelings. Marsha is acts superior about Wendy’s naiveté and optimism, often criticizing her about it, despite the fact that those are clearly the traits that made her fall in love with Wendy.

This isn’t a romance, and Marsha and Wendy’s friendship doesn’t take up a lot of room in the book, but it is at the heart of it. There might be a lot of supernatural elements in the story, but the experiences and characters are heart-achingly realistic–Marsha most of all.

I think that I preferred SuperMutant Magic Academy as a webcomic just because I absorbed it better page by page instead of binge reading, but I’m glad I got to read the extra content. If you’ve got a bit of a pessimistic sense of humor, you’ll love this one.

Audrey reviews Honor Girl by Maggie Thrash

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Mild spoiler warnings–nothing you wouldn’t get from reading the jacket copy, though. Reading Honor Girl is painful in the way that reading your old diaries is painful. Not the “Wow, I was stupid-shallow” parts, but the moments of earnest hope where you can see the younger you before your first real, crushing heartbreak, before you knew what it was like to feel hollow inside because of another person.

Maggie’s 15, spending her summer in Kentucky as she always does, at the same camp her mother attended, participating in the same rituals and traditions. During the school year, she lives with her upper-crust family in Atlanta. She floats between these worlds, and her most solid anchor is her love for one of the Backstreet Boys.

This summer is different, though. This summer she’s finding her place, finally, on the shooting range. And this summer, there’s Erin. The shooting might be okay, but at this very Christian, very Southern camp at the beginning of the new millennium, the slow realization that she’s attracted to Erin–and that Erin returns the feeling–is very not okay.

Maggie’s not terribly uncomfortable with her feelings, but she’s deeply uncomfortable with other people’s reactions, especially when they seem to get Erin in trouble. Maggie’s choices during that summer make this book feel in part like an expiation, and the ending is quietly devastating. This is being touted as a book about a girl going to summer camp and discovering she’s a lesbian, but what she discovers about her character, and how that knowledge informs her life afterward, is crucial.

Having been one of those kids who got along better with adults (i.e., I found camp traumatizing in and of itself), I did a little looking around. Maggie Thrash considers that summer to have been an “idyllic bubble” and a quick Google search for Honor Girl turns up adjectives like “hilarious” and “heartwarming.” In the same interview linked above, Thrash notes that the memoir isn’t about being held down by her peers, but crushed by older people.

Because this is a graphic memoir, it’s pretty much a one-afternoon kind of deal. There are more memoirs coming out in this format now. This story is particularly suited to it. Thrash clearly remembers what it’s like to be 15. It’s exciting, terrifying, funny, boring, fleeting, excruciating, and brilliant. Sometimes within the space of a few minutes.

Two people read this in my house. My fiancee borrowed it from the library and read it, then told me I should. How was it? “It was okay. It was good. Quick. You’ll finish it in like an hour and a half,” she said. I finished it and was, as I phrased it earlier, quietly devastated. This is definitely one of those books that, once set free in the world, is going to mean different things to different people, regardless of what its creator/subject intended. Good on its own; excellent conversation starter. Great for book clubs (teens and adults). Book is currently cataloged as adult bio. I’m moving it to where the YA crowd will swarm.

Danika reviews Darlin' It's Betta Down Where It's Wetta by Megan Rose Gedris

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I’ve been following Megan Rose Gedris’s work ever since her webcomic YU+ME: Dream was in its early days. The only comics of hers that I hadn’t read were the ones hosted on Filthy Figments, an adult comics site with a subscription fee. So when the book version of Darlin’ It’s Betta Down Where It’s Wetta came out, I was eager to snap it up. Lesbian mermaid porn comics! And by Rosalarian, who is notorious for love of (weird) mermaids.

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Like this anglerfish mermaid. Is it included in the comic? You’ll have to read to find out!

Down Where It’s Wetta is made up of short arcs, all featuring the same characters. This is definitely a porn comic, so it’s light on plot, but there is enough variety in setting to keep it interesting. The book begins with Pearl, a mermaid, encountering a naked and horny girl on the beach. Pearl decides she wants to have a vagina of her own, so she tracks down the sea witch to try to make a deal.

After that, the plot mostly compromises of Pearl and Chloe (the human) trying temporarily to be responsible and quickly deciding to have sex instead. It can get a little repetitive read as one volume (instead of the individual spaced out, as they were originally on the site), but they’re still enjoyable.

I love Gedris’s artwork, and this volume is no exception. The subtle watercolor-like shading in the full-color edition really adds interest to the pages, I thought. Although the focus is definitely on sex, I also really enjoyed the humor in Down Where It’s Wetta. The author makes a few appearances in the pages, including defending her use of a half-page detailed illustration of shoes as definitely pornographic. Chloe, especially, makes for a ridiculous (and entertaining) character to read. She makes the kind of choices that you wouldn’t be able to stand in a friend but lap up in a fictional landscape.

For a fun, quick, and sexy read, I really enjoyed this collection. My only complain would be that there isn’t much of a variety of vulvas in this collection: they all look pretty much the same. That’s a shame, because Gedris excels at representing many different body types in a more general way. That’s a pretty small drawback, though, so it’s still definitely one I’d recommend.

Buy the book from Rosalarian, or subscribe to Filthy Figments to read it online!

Danika reviews 100 Crushes by Elisha Lim

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100 Crushes is a collection of excerpts from different pieces that Elisha Lim has done over the years, including Sissy, The Illustrated Gentleman, Queer Child in the Eighties, and 100 Butches. Most of these works focus on queer people of colour, and I don’t think I’ve ever read a book that was such a celebration of qpoc lives. There are interviews and short bios of “butches”, “sissies” and “sissy inspirations”, all with evocative illustrations.

Because these are just excerpts, it did feel disjointed at times, but that is the only complaint that I have. Having just a taste of these makes me want to dive into Elisha Lim’s back list in full. I love the range of queer experiences given voice in this collection, and it made me think about all the ways that we interpret our own gender and sexuality. I wish I had prints of some of these pages to hang on my walls. For anyone looking for more diverse representations in comics/graphic novels & memoirs, I definitely recommend giving 100 Crushes a try.

Danika reviews Kashimashi (Girl Meets Girl) Omnibus Collection 1 by Satoru Akahori, art by Yukimaru Katsura

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Kashimashi is a yuri manga about Hazumu, a boy who is turned into a girl by aliens. Lesbian hijinks ensue? I’m torn on how to talk about this book, because of course the whole premise is cissexist. The idea that changing your body automatically would change your gender is cissexist, and in fact despite being all about Hazumu adjusting to another gender, there is no acknowledgement in the story that trans people exist. At the same time, however, it was interesting to see how gender is explained and expressed in the narrative. We don’t really get to see into Hazumu’s thoughts of swapping bodies and being expected to live up to a different gender role. When pressed, she* just basically shrugs and says “There’s nothing anyone can do about it.” She seems to roll with it pretty easily, however. She is confused by the rigid expectations of how women should behave, but other than that she doesn’t seem to have much of a problem with it. (Except that it comes with the expectation that she will be attracted to men.) And the first time we see Hazumu pre-transformation, he is told he seems “really feminine”. Hazumu rebuffs the girl’s subsequent apology by smiling awkwardly and saying “It’s okay. I get that a lot. Everybody says I look like a girl.” [mild spoilers, highlight to read] Later, we find out that as a child he wanted to be a bride. [end spoilers] So I wonder if Hazumu ever was 100% comfortable with his gender pre-transformation. [mild spoilers] We even get hints that Hazumu was looking to transform and escape his reality in some way–that the transformation may not have been nonconsensual. [end spoilers]

I can completely understand people not wanting to read Kashimashi because of the cissexism, or not enjoying it because of that. But I admit that I still found it a really fun read. The bulk of the story, apart from everyone trying to teach Hazumu how to be “appropriately” female, is a love triangle between Hazumu, the lesbian he was rejected by pre-transformation who is now interested, and Hazumu’s friend who was interested in him pre-transformation and is now completely confused by her feelings. It’s silly and dramatic even without the alien aspect. (The aliens stick around, observing Hazumu and putting her in awkward situations.)

I have read very few manga stories, so I’m not sure how this compares to the rest of the yuri genre, but I really enjoyed it. It induced quite a bit of eye-rolling around cissexism and heterosexism (“Girls… liking girls???”), but I liked the characters and their unique relationships (oh, except the creepy incestuous dad and… well, most of the male characters), and it was mostly just a fun ride. I would definitely put some caveats in place with a recommendation, but it’s worth picking up if it piques your interest. Personally, I’ll be reading the next omnibus and hoping for more of an insight into Hazumu’s personal gender identity.

*the book uses she pronouns post-transformation and he pre-transformation, which is what I’m using here

Danika reviews Kiss & Tell: A Romantic Resume, Ages 0 to 22 by MariNaomi

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Right off the bat I have to let you know that this isn’t a lesbian book. MariNaomi seems to be attracted to more than one gender, but the vast majority of this book deal with her relationships with boys and men, with the occasional experiment with girls, though there are hints throughout the book that she accepts a queer identity later in her life.

Kiss & Tell is a graphic memoir that spans MariNaomi’s life from childhood to 22, with brief (usually only a page or two, sometimes a handful of pages) stories about each of her romantic interests, whether they lasted a day or years. The art style is similar to Marjane Satrapi’s in Persepolis, and the style and storytelling really grabbed me, even though each story is so brief. By following these romantic interests through the years, we get a sketchy look as her life in general, and it’s one that’s intriguing and occasionally melancholic. Although the art style is usually fairly basic, there are sequences that receive a lot of detail and are even more affecting for the contrast.

Although I’ll admit that I was expecting a little bit more queer content from this collection, I still ended up really enjoying it. This was a really quick read and totally engrossed me; I read it in two sittings. Despite the book chronicling dozens of characters, each was drawn distinctly enough that I never mixed them up, and the stories never felt repetitive. I’ll definitely be picking up more of her books in the future.

Danika reviews War of Streets and Houses by Sophie Yanow

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An American artist witnesses the Quebec spring 2012 student strike on the streets of Montreal. The brutal police response and their violent tactics trigger an exploration of urban planning and its hidden connections to military strategies. Marshal Bugeaud’s urban warfare tactics in Algeria, Haussmann’s plan for Paris, planning and repression in the New World; theory and personal experience collide into an ambitious and poetic cartoon memoir.

I don’t usually post the blurb for books, but I don’t think I can describe what this book is any more concisely than that. I was both excited and a little bit intimidated to pick this one up. I love a lesbian political book, and I have a soft spot for queer graphic novels, so this promised to be a good read, but it also seemed very… smart. And it is a little bit academic for a comic memoir: there are even endnotes that cite sources! These ideas are presented pretty accessibly, though. War of Streets and Houses is a series of vignettes, not a continuous narrative. Some focus on Yanow’s witness of and participation in the Quebec student protests, while others ruminate on the nature of the city and how it can affect what social change is possible.

The art style is usually loose and undetailed, but it varies. Some pages show the city as an overwhelming force in the background. One of my favourite sections of the book describes Yanow’s adjustment to living in the city by erasing this background, showing Yanow as a small silhouette against the expanse of white. Some of these drawings show more of her own internal landscape than the physical architecture, which is an interesting contrast, because a lot of the book does focus on the physical layout of the city.

Yanow briefly touches on lots of ideas that are really fascinating, mostly around urban planning and control. She shows the link that urban planning has to military tactics and now police enforcement, and how wide, modernist spaces are also conducive to controlling the masses, while winding, narrow streets can help protect resistance. She also talks about feeling an inevitable draw towards the city because she is queer, because the city is supposed to be a place where being queer is a realistic possibility. We also see glimpses of Yanow’s queer community, and a small acknowledgment of how Yanow’s whiteness factors into her activism and feeling of safety.

This is a very short read, only a 64-page graphic novel, but it will leave you thinking. If the blurb sounds at all appealing, you should give War of Streets and Houses a try.

Danielle Ferriola reviews Blue is the Warmest Color by Julie Maroh

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Goosebumps formed on my skin the moment I began reading Blue is the Warmest Color by Julie Maroh. Aesthetically pleasing and beautifully written, Maroh immediately captured my attention and my heart. The story begins with Emma reading diary entries written by her love, Clementine. Although Clementine has passed, her memories are very much alive. Clementine was 16 years old when her life had changed. On one particular day, headed to a date with a boy from school, she caught sight of a young woman with blue hair. This image remained vivid in her mind for many days to come.

Clementine’s heart raced every time she saw something blue, with anxious hope she might see this woman again. Never having experienced such strong feelings for women, Clementine did not know what was happening to her. As a result, she struggled with accepting herself for a considerable time. Her parents referred to homosexuality as wrong which likely contributed to Clementine’s conflicted view of herself. Suppressing one’s true nature does not make the situation go away; quite often denial leads to negative feelings and further upset. This story is relatable to anyone who has had a difficult time coming to terms with who they are –unfortunately, we live in a society that is very heteronormative and many parents are not appreciative of their children expressing non-heterosexual tendencies. Even more so, fellow students are not always open to diverse sexual identities, especially in middle and high school settings. Friends Clementine thought she could count on did not want to associate with her anymore once they had suspicion she was a lesbian.

As Clementine felt more comfortable with her newfound self, her life became full of color. Her path crossed with the mysterious woman with blue hair and she became excited about the world again. As it turns out, Emma would play a very significant role in Clementine’s life. As the title so mentions, blue really does become the warmest color for Clementine. It is amazing how we as readers can feel such empathy in response to Clementine’s feelings –almost as if we were a part of the story, experiencing love for the first time with her. Blue is the Warmest Color is a must-have for any personal library as the graphic novel can easily be appreciated in one sitting and feel just as moving each time it is read.

I watched Blue is the Warmest Color a few months ago, very excited that a foreign lesbian-protagonist centered film hit mainstream media. After finishing the movie, I discovered that the story was inspired by the graphic novel, which was originally printed in 2010 in French. Thrilled that Maroh has since published an English version of Blue is the Warmest Color; I had made it my mission to find the book. Kept by my bedside for convenient reading, Blue is the Warmest Color has become my favorite graphic novel.