Marthese reviews Band vs Band by Kathleen Jacques

band vs band 76

Ever wanted a regularly updated webcomic to cater for your fluffy and drama needs in the long term because short things are not the best when you get attached to the characters? You’re in luck!

Band vs Band is a cute and bright webcomic by Kathleen Jacques. For those that prefer physical copies, there is a volume of 150 pages out as well.

Band vs Band follows…you guessed it, two bands that are ‘rivals’. The first band is the Candy Hearts, fronted by Honey Hart. In Candy Hearts there are also Honey’s best friend Cherry Cola (her real surname is Kirsch! For those that know German this is a fun fact(, Coco who always hides her face and Zero who doesn’t appear so often and reminds me of Fred from Scoobie Doo with that scarf.

The second band is the Sourballs fronted by Turpentine who like Honey also plays the guitar and sings. In the band there are also Foxy, who reminds me of Luna Lovegood with her character, Atomic Domme who is the level headed, intellectual feminist in the group and Arsenic, Turpentine’s best friend since childhood who’s always hooking up with people. The Sourballs’ motto is ‘’Hedonism, Nihilism, Petty vandalism’’!

The names are fitting to their bands. The Candy Hearts are all very bubbly, idealistic and sweet and always try to teach lessons to children, take part in charity and so on. The Sourballs are trouble makers who mess with the Candy Hearts. This is especially true for Turpentine to Honey; Honey sometimes retaliates especially when it comes to drawings and letters.

Turpentine and Honey have different personalities. Honey is very sweet, bubbly and caring while Turpentine seems not to have a care in the world (though she’s secretly also caring especially towards Nick aka Arsenic and Honey). They are also rivals but there is romantic and sexual tension between the two. I mean, they share a dessert right after the first confrontation. It doesn’t take a long time for them to start looking out for each other apart from being rivals. This includes late night phone calls, trips to hell and facing impostors. The plot basically revolves around this rivalry, sweetness and simple life moments where they drive each other crazy but stick out for each other.

The two bands and the two singers often have band offs and duets. Indeed, there is a whole lot of songs in this webcomic. It’s like a musical, someone is doing something irrelevant, then someone calls for a song and bam, you have a song that’s quite catchy.

The colours in this comic are all reds, blues, whites and blacks and the typographs is very varied. Apart from short episodes, there are also side-stories of side characters, magazine pages, activity sheets that includes colouring pages, album art covers and so many other creative additions. I really liked the pages that are basically song lyrics and interpretations especially when Honey and Turpentine sing together or against each other. The ‘up next’ after each episodes are funny, so take notice of them.

Sometimes, the plot seems a bit detached as it’s not one continuous timeline but episodes after each other and sometimes there is too much extra content that you forget the main plot. If you binge read though, this shouldn’t be a problem.

Although the main plot is about Turpentine and Honey, the other characters also have their things on the side. I found all characters engaging and liked the side characters side-comics since I tend to want to know more about each character shown.

The webcomic, although not finished is updated every Monday at this URL: http://bvbcomix.com/ and I suggest if you like the premise to read it and not the afraid of the fact that it’s not finished because it’s regularly updated and there is content from years ago that you need to catch up with! I suggest starting from the about section first.

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Kalyanii reviews Turtle Season by Miriam Ruth Black

turtle season by miriam ruth black

Suffice it to say, our personal growth does not take place within a vacuum. Our circumstances and those with whom we interact are often the catalysts for the reconfiguring of our beliefs and perceptions. So it is for Anna Simon, the protagonist within Miriam Ruth Black’s debut novel, Turtle Season.

Blindsided by her husband’s death, dismayed with the lack of access to her children and grandchildren and adrift amid the tides of hormonal imbalance, Anna finds herself lost and alone as she navigates the challenges of middle age. The demise of her career as a community college instructor of hospice care gives her pause, motivating her to take charge of her life and to embrace the present; yet, her initial efforts to let go of the past reveal a secret that upends all she believed to be true of her thirty-year marriage.

While tending to the fallout of her dead husband’s choices, Anna finds the courage to make baby steps toward reclaiming her life, embarking upon a course of estrogen replacement therapy and enrolling in a documentary production class at the university. She gradually moves beyond her self-consciousness and begins to enjoy the process of learning camera operations, interviewing and editing. Even her project partner, Ken, respects her abilities and her input.

As the two of them go about filming a ten-minute documentary on a gay and lesbian marching band, a topic suggested by Ken that initially brings up not only a bit of discomfort for Anna but latent memories of her relationship with Audrey back in college, Anna takes the lead in interviewing members while Ken tends to the nuts and bolts of capturing footage and schlepping the heavier equipment. Upon their first meeting, the band’s drummer, Carla Martinez, secures Anna’s attention, inspiring a sense of intrigue that extends far beyond the realm of the intellectual and artistic. For the first time in years, Anna’s body responds with longing and even what she remembers as desire.

With remarkable insight, Black illuminates the groundlessness often encountered amid the shifting landscape of midlife, delving into Anna’s experience with a sensitivity that is unique within a genre that more often tackles the challenges of younger women coming into their own while coming out. Although Anna questions herself at every turn, her story is one of bravery as she grows ever more willing to challenge her own biases and assumptions and reveal her authentic self before those whose decades of friendship have no alternative but to be redefined.

Fortunately, Turtle Season is primarily a story of self-discovery and personal evolution, for the more intimate elements are simply not compelling nor believable. Neither Anna nor Carla behave in a manner akin to that witnessed in the dance of two women getting to know one another. The flirtatious moments are clumsily executed while the nuances of the courtship ring hollow for they are described rather than shown within the women’s interactions.

Although I was admittedly disappointed with the handling of Anna and Carla’s burgeoning romance, I found the focus upon Anna’s personal journey to be refreshing and validating as a middle-aged woman myself. Indeed, Black’s is a fresh voice that offers the reader shelter while encouraging her to break free of the perceived safety that exists in clinging to an understanding of herself and her experience that once was valid, but is no more.

Link Round Up: April 11-24

no one helped by marcia m gallo   no confession no mass jennifer perrine   OneHundredDaysofRain   dirty-river   undertheudalatree

Autostraddle posted Lez Liberty Lit #95: My Puppy Ate My To-Read Pile.

BCLA LGBTQ posted Middle Grade Books with LGBTQ+ Themes – Part 1.

The 2016 Goldie Finalists have been announced.

Lambda Literary posted Publishing Triangle Awards: Winners Announced.

LGBTQ Reads posted Under the Gaydar: Bad Girls Edition.

Women and Words posted Hot off the Press, April 2016 and Coming Attractions, May 2016.

how many letters are in goodbye yvonne cassidy   bigbigsky   the-gay-revolution-9781451694116_lg   longredhair   bodymap

How Many Letters in Goodbye? by Yvonne Cassidy was reviewed at ALA GLBT Reviews.

Big Big Sky by Kristyn Dunnion was reviewed by Casey the Canadian Lesbrarian.

The Gay Revolution: The Story of the Struggle by Lillian Faderman was reviewed at Okazu.

Long Red Hair by Meags Fitzgerald was reviewed by Casey the Canadian Lesbrarian.

myyearzero   we love you charlie freeman cover   lovebythenumbers   ask a queer chick   life in a box is a pretty life

My Year Zero by Rachel Gold was reviewed at Lambda Literary.

We Love You, Charlie Freeman by Kaitlyn Greenidge was reviewed at Lambda Literary.

Love by the Numbers by Karin Kallmaker (audiobook) was reviewed at Omnivore Bibliosaur.

Ask a Queer Chick: A Guide to Sex, Love, and Life for Girls Who Dig Girls by Lindsay King-Miller was reviewed at Lambda Literary.

the predicament of or shani mootoo   lesbian sex haiku book with cats   so much to be done barbara brenner   the abyss surrounds us   oscar of between

The Predicament of Or by Shani Mootoo was reviewed by Casey the Canadian Lesbrarian.

The Lesbian Sex Haiku Book (With Cats!) by Anna Pulley was reviewed at AfterEllen and Autostraddle.

So Much To Be Done: The Writings of Breast Cancer Activist Barbara Brenner edited by Barbara Sjoholm was reviewed at ALA GLBT Reviews.

The Abyss Surrounds Us by Emily Skrutskie was reviewed at Rich In Color.

Oscar of Between: A Memoir of Identity and Ideas by Betsy Warland was reviewed at Autostraddle.

This post, and all posts at the Lesbrary, have the covers linked to their Amazon pages. If you click through and buy something, I might get a small referral fee. For even  more links, check out the Lesbrary’s twitterWe’re also on FacebookGoodreadsYoutube and Tumblr.

Thank you to the Lesbrary’s Patreon supporters! Special thanks to Martha Hansen, Emily Perper, and Kath. Support the Lesbrary on Patreon at $2 or more a month and be entered to win a lesbian/queer women book every month!

Megan Casey reviews Winged Dancer by Camarin Grae

the winged dancer camarin grae

When Camarin Grae wrote the majority of her novels, there was no Amazon, no Goodreads, no peer reviews. The only way for a book to be reviewed was for the publisher to send galleys to periodicals months in advance of publication and hope for the best. Reviews for any work of lesbian literature were not only few and far between, but limited to the few almost-underground lesbian mags available only by mail or through the very few lesbian bookstores that existed at that time.

Scholars of lesbian literature have been slow to recognize—or even unearth—some of the classic works of lesbian mystery. Witness the very few reviews and ratings for brilliant novels like Claire Macquet’s Looking for Ammu, Nanisi Barrett D’Arnuk’s Outside In, or Helen Shacklady’s The Patterned Flute. Like Camarin Grae’s Winged Dancer.

The story begins with a fable. Hundreds of years ago, in a small South American country, several different tribes vied for existence. The cruelest and most powerful of the tribes subsumed or eliminated their rivals until only one of the smaller tribes was left—the Boweso, who escaped to an area impervious to attack. They worked out an egalitarian system of society where all members—men and women—enjoyed equal status. Each year they celebrated life by bringing out a life-sized statue of a winged dancer, fashioned mostly of gold. It is a fable of oppression and power, rebellion and redemption.

The novel itself has a similar motif. Kat Rogan is simply in the wrong place when a dying stranger begs her to deliver a coded letter to his sister in a fictional South American country. On her first day there, she is attacked by a man who wants to not only steal the missive, but rape her in the bargain and she kills him in self defense. But it is hard for a stranger to be believed in a country where abuse of women is almost the norm, and Kat is sentenced to life in a particularly unsavory prison.

Without going into any more detail about the plot, it is important to mention that while in prison, Kat learns the rules of the jungle. She finds herself first a bully (“I came to see others as either useful objects or interfering obstacles.”), then a near-slave (“My job is to perform as you wish, as a finely tuned instrument responsive to each whim you have.”) In other words, she runs the gamut of that power and oppression I talked about earlier. And of associated dichotomies like ethical and unethical, winners and losers.

Through all of her prison experience, Kat works on decoding the letter she received from the dead man—the solution of which would get her out of prison. It is an intriguing code referring to the original Boweso legend, which brings both stories together in a very satisfying way. It’s hard to find anything bad to say about this book. The puzzle is original, the action palpable, the romances titillating, and the relationships between characters realistic and totally human.

If Patricia Highsmith’s The Price of Salt has been resurrected to be the darling of lesbians the world over; if Charlotte Perkins Gilman’s Herland has been injected into college Women’s Studies classes, then Winged Dancer deserves its place in the pantheon of minor American classics.

For more than 200 other Lesbian Mystery reviews by Megan Casey, see her website at http://sites.google.com/site/theartofthelesbianmysterynovel/ or join her Goodreads Lesbian Mystery group at http://www.goodreads.com/group/show/116660-lesbian-mysteries

Julie Thompson reviews Confucius Jane by Kate Lynch

confucius jane katie lynch cover
Warning: This novel may induce drooling! Produces a Pavlovian response to descriptions of Chinese cuisine. A platter of deliciousness is advised to have on hand while reading.

Confucius Jane is a wonderful treat. After the emotionally heavy drama-rama of The Walking Dead and Game of Thrones, it was nice to slip into a world that’s comfy and welcoming, but also dotted with imperfections.

We meet our protagonists, Jane and Sutton, at a crossroads in their lives. New York City’s Chinatown and Upper East Side provide colorful and staid backdrops to the tale. There is also plenty of awkward Will-I-Won’t-I romance dancing between the two women. It’s a great mix of drama, humor, and food for thought.

Jane is the kind of woman who never needs a coat, plucks poetry from the air, and seems to have hidden wells of confidence in reserve. Under the surface, however, lies a thick layer of uncertainty. It’s one thing to offer pat advice and ambiguous futures to strangers she’ll never meet, via the slips of paper inside each fortune cookie. It’s quite another for Jane to divine what step to take next following her early departure from college. She spends her afternoons in an office above her aunt’s and uncle’s fortune cookie company, penning pithy prognostications and furtively watching “The Goddess in Glasses” eat at the Noodle Treasure — a woman she will come to know as Sutton St. James.

Sutton is a swirling mix of scientific passions and career drive, with no time for love. She struggles to balance her parents’ expectations for surface perfection and strict adherence to their moral code. Her father, a former US Surgeon General, known as “America’s Doctor”, pressures his daughter to follow in his footsteps. Neither of her parents wants her to find love with a woman. Despite her sacrifices of time and emotional energy, she ends up giving more to her parents and their world, than she receives in return from them.

Kate Lynch peoples this world with charming and frustrating characters. The supporting cast provides just the right amount of seasoning to give Confucius Jane full flavor. Min, Jane’s precocious eleven-year-old cousin, pokes and prods the love lives of her family and friends. She even Googles pick-up lines for Jane to use on Sutton before she works up the nerve to approach her. It’s adorable and hilarious when she reads them aloud to Jane. Sue, an older woman who runs a Chinese apothecary and astrology shop in the neighborhood, offers encouragement and support for Jane, and later for Sutton, as well.

“Sue made [Jane] feel part of the fabric of the community instead of a frayed thread barely dangling from the edge. That sense of never quite belonging came with the territory of being hapa.”

Hapa relates to Jane’s biracial heritage and also to her globetrotting formative years. The author explores the idea of existing in halves across cultures. It’s an interesting idea to chew on, this need to categorize people and things as either one thing or the other. In the supplemental “Author Interview”, Kate Lynch discusses Hapa further, relating it to lesbians:

“LGBTQ-identified people are socially hapa by virtue of our sexuality; we stand at the intersection of multiple communities, endeavoring to make a space for ourselves in all of them.”

The bonus Author Interview and Discussion Questions are great supplements to the story.

April is National Poetry Month. Like Jane, you can find poetry wherever you go. If you’re interested in exploring her way of weaving words together, it’s pretty easy to do. Find a space to sit with a pen and paper and listen to the flow of words as the fragments float past. After your outing, read through the lines of conversation you caught and select the ones that speak to you. Arrange them into a poem. You can learn more about other ways in which “Found Poetry” transforms text (menus, advertisements, lists, etc.) at Poets.org and at foundpoetryreview.com

https://www.poets.org/poetsorg/text/poetic-form-found-poem

http://www.foundpoetryreview.com/about-found-poetry/

Link Round Up: March 26 – April 10

tippingthevelvet   lesbian sex haiku book with cats   Lo_Adaptation_HC_600x900   shes just not that into you   YouSetMeOnFire

Autostraddle posted

BCLA LGBTQ Interest Group posted YA Fiction Featuring LGBTQ+ Characters that I Either Love or Am Really Excited About.

Lambda Literary posted The 8th Annual Rainbow Book Fair and New in April: Edmund White, Mariko Tamaki, Jonathan Corcoran, S. Andrea Allen and Lauren Cherelle.

teahousefire   rightsideofhistory   south of sunhine dana elmendorf   the-gay-revolution-9781451694116_lg    searching for sappho philip freeman

The Teahouse Fire by Ellis Avery was reviewed at Omnivore Bibliosaur.

The Right Side of History: 100 Years of LGBTQI Activism by Adrian Brooks was reviewed at Lambda Literary.

South of Sunshine by Dana Elmendorf was reviewed at Omnivore Bibliosaur.

The Gay Revolution: the Story of the Struggle by Lillian Faderman was reviewed GLBT ALA Reviews.

Searching For Sappho: The Lost Songs and World of the First Woman Poet by Philip Freeman was reviewed at GLBT ALA Reviews.

when I was your girlfriend nikki harmon   annieonmymind   undertheudalatree   lez talk   felicity mary oliver cover

When I Was Your Girlfriend by Nikki Harmon was reviewed at Sistahs On the Shelf.

Annie on My Mind by Nancy Garden was reviewed by Anna Larner.

Under the Udala Trees by Chinelo Okparanta was reviewed at BD Live.

Felicity by Mary Oliver was reviewed at Lambda Literary.

Juliana by Vanda was reviewed at Lambda Literary.

Oscar of Between: A Memoir of Identity and Ideas by Betsy Warland was reviewed at Lambda Literary.

This post, and all posts at the Lesbrary, have the covers linked to their Amazon pages. If you click through and buy something, I might get a small referral fee. For even  more links, check out the Lesbrary’s twitterWe’re also on FacebookGoodreadsYoutube and Tumblr.

Thank you to the Lesbrary’s Patreon supporters! Special thanks to Jennifer Holly, Martha Hansen, Emily Perper, and Kath. Support the Lesbrary on Patreon at $2 or more a month and be entered to win a lesbian/queer women book every month!

Danika review When Fox Is a Thousand by Larissa Lai

when fox is a thousand

First things first, don’t read the back cover of When Fox Is a Thousand. At least not on the 2004 reprint by Arsenal Pulp Press. The plot points it describes don’t come into play until near the end of the book.

This is a slow burn of a read. It’s beautifully done: it’s told through three alternating viewpoints, all indicated by a symbol in the beginning of each section. One is the story of the fox, who is nearing her thousandth birthday, which will bring her greater powers and knowledge than she has known in her long lifetime. Sparsely scattered through the book is the story of Yu Hsuan-Chi, a real-life poetess from ninth-century China. Lastly is Artemis’s story, a young woman in modern-day Vancouver.

When Fox Is a Thousand is told like folklore. Even Artemis’s story, which is primarily about struggling with relationships of all kinds as a twenty-something while dealing with sexism and racism, has an undercurrent of magic and the surreal. The narrative keeps creeping forward, but embedded are many short fable-like stories, inspired by Chinese mythology.

Each narrator sets a different tone in her story. I was most intrigued by Yu Hsuan-Chi’s story, who falls for a woman during the T’ang dynasty, and that without even realizing until the afterword that she was inspired by a real person. I picked up this book unsure if it actually had queer women content or not, and was surprised to find that each of the three narrators has relationships with other women.

Artemis’s story was the hardest for me to read. I think it’s very true to being in your early twenties, especially if you’re involved in a social justice-type group. (Though that is entirely my own bias.) She has relationships with multiple women throughout the novel, but they seem to always end up toxic, even just as friendships. They discuss politics and activism without applying the underlying assumption of compassion and respect to each other. I found it painfully honest at times.

There isn’t a clear resolution at the end of this story, but that’s not the point. It’s immersive and atmospheric, unfolding at a languid pace while enveloping you in the poetic language. This is a book that I think would benefit from rereading, and to be honest, I can’t believe this isn’t a classic of lesbian fiction. It’s beautiful and challenging. Definitely worth the read.

Audrey reviews Honor Girl by Maggie Thrash

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Mild spoiler warnings–nothing you wouldn’t get from reading the jacket copy, though. Reading Honor Girl is painful in the way that reading your old diaries is painful. Not the “Wow, I was stupid-shallow” parts, but the moments of earnest hope where you can see the younger you before your first real, crushing heartbreak, before you knew what it was like to feel hollow inside because of another person.

Maggie’s 15, spending her summer in Kentucky as she always does, at the same camp her mother attended, participating in the same rituals and traditions. During the school year, she lives with her upper-crust family in Atlanta. She floats between these worlds, and her most solid anchor is her love for one of the Backstreet Boys.

This summer is different, though. This summer she’s finding her place, finally, on the shooting range. And this summer, there’s Erin. The shooting might be okay, but at this very Christian, very Southern camp at the beginning of the new millennium, the slow realization that she’s attracted to Erin–and that Erin returns the feeling–is very not okay.

Maggie’s not terribly uncomfortable with her feelings, but she’s deeply uncomfortable with other people’s reactions, especially when they seem to get Erin in trouble. Maggie’s choices during that summer make this book feel in part like an expiation, and the ending is quietly devastating. This is being touted as a book about a girl going to summer camp and discovering she’s a lesbian, but what she discovers about her character, and how that knowledge informs her life afterward, is crucial.

Having been one of those kids who got along better with adults (i.e., I found camp traumatizing in and of itself), I did a little looking around. Maggie Thrash considers that summer to have been an “idyllic bubble” and a quick Google search for Honor Girl turns up adjectives like “hilarious” and “heartwarming.” In the same interview linked above, Thrash notes that the memoir isn’t about being held down by her peers, but crushed by older people.

Because this is a graphic memoir, it’s pretty much a one-afternoon kind of deal. There are more memoirs coming out in this format now. This story is particularly suited to it. Thrash clearly remembers what it’s like to be 15. It’s exciting, terrifying, funny, boring, fleeting, excruciating, and brilliant. Sometimes within the space of a few minutes.

Two people read this in my house. My fiancee borrowed it from the library and read it, then told me I should. How was it? “It was okay. It was good. Quick. You’ll finish it in like an hour and a half,” she said. I finished it and was, as I phrased it earlier, quietly devastated. This is definitely one of those books that, once set free in the world, is going to mean different things to different people, regardless of what its creator/subject intended. Good on its own; excellent conversation starter. Great for book clubs (teens and adults). Book is currently cataloged as adult bio. I’m moving it to where the YA crowd will swarm.

Danika reviews Darlin' It's Betta Down Where It's Wetta by Megan Rose Gedris

darlin its betta down where its wetta cover

I’ve been following Megan Rose Gedris’s work ever since her webcomic YU+ME: Dream was in its early days. The only comics of hers that I hadn’t read were the ones hosted on Filthy Figments, an adult comics site with a subscription fee. So when the book version of Darlin’ It’s Betta Down Where It’s Wetta came out, I was eager to snap it up. Lesbian mermaid porn comics! And by Rosalarian, who is notorious for love of (weird) mermaids.

angler_fish_mermaid_by_rosalarian-d2zrakn

Like this anglerfish mermaid. Is it included in the comic? You’ll have to read to find out!

Down Where It’s Wetta is made up of short arcs, all featuring the same characters. This is definitely a porn comic, so it’s light on plot, but there is enough variety in setting to keep it interesting. The book begins with Pearl, a mermaid, encountering a naked and horny girl on the beach. Pearl decides she wants to have a vagina of her own, so she tracks down the sea witch to try to make a deal.

After that, the plot mostly compromises of Pearl and Chloe (the human) trying temporarily to be responsible and quickly deciding to have sex instead. It can get a little repetitive read as one volume (instead of the individual spaced out, as they were originally on the site), but they’re still enjoyable.

I love Gedris’s artwork, and this volume is no exception. The subtle watercolor-like shading in the full-color edition really adds interest to the pages, I thought. Although the focus is definitely on sex, I also really enjoyed the humor in Down Where It’s Wetta. The author makes a few appearances in the pages, including defending her use of a half-page detailed illustration of shoes as definitely pornographic. Chloe, especially, makes for a ridiculous (and entertaining) character to read. She makes the kind of choices that you wouldn’t be able to stand in a friend but lap up in a fictional landscape.

For a fun, quick, and sexy read, I really enjoyed this collection. My only complain would be that there isn’t much of a variety of vulvas in this collection: they all look pretty much the same. That’s a shame, because Gedris excels at representing many different body types in a more general way. That’s a pretty small drawback, though, so it’s still definitely one I’d recommend.

Buy the book from Rosalarian, or subscribe to Filthy Figments to read it online!

Elinor reviews Saving Delaney by Keston and Andrea Ott-Dahl

saving delaney from surrogacy to unexpected family ott-dahl cover

Saving Delaney: From Surrogacy to Unexpected Family is an interesting memoir and an unusual story. Written by Keston and Andrea Ott-Dahl, it’s told from Keston’s perspective as she and her partner, Andrea, become parents to a daughter with Down syndrome. Their daughter, Delaney, was longed for–but not by them. Andrea had been a surrogate for a lesbian couple who’d tried unsuccessfully to become parents other ways. The couple, Liz and Erica, were thrilled when Andrea became pregnant through insemination. Then prenatal testing revealed that the fetus had Down syndrome and the doctor predicted the fetus also had other serious disabilities and the pregnancy would likely end in miscarriage or stillbirth. Liz and Erica made the heart-wrenching decision to terminate the pregnancy. But Andrea wouldn’t. Her research suggested that the doctor was wrong in his most dire predictions and he was using standards of typical prenatal development when he should have compared the baby using the standards of prenatal development of babies with Down syndrome. Andrea decided to keep the baby and raise it herself if Liz and Erica wouldn’t, Keston got on board, and that’s exactly what they did.

Andrea and Keston’s backgrounds make the story even more complicated. Keston is sixteen years older than Andrea and has one adult child slightly older than Andrea, and a teenage son who has all but left the house when the couple meet. Andrea has two young children and is recently out of an abusive marriage to a man. Like Andrea, Keston’s children were both conceived in relationships with men and without difficulty. They aren’t prepared for the challenges of non-intercourse conception when Andrea excitedly volunteers to be a surrogate for a couple in their extended social circle. Andrea wants to be a surrogate to help the couple, and for the money it would bring in. Secretly she’s also hoping that carrying a child for another couple would help her ease the guilt she feels over an abortion she had years earlier, when she was preparing to leave her violent husband. Keston’s struggling with the recent death of her mother and the choices she had to make at the end of her mother’s life. This takes an important role in the book, as Keston’s imagined conversations with her late mother guide her and reveal her inner feelings. Some of those feelings include hate and fear of people with disabilities.

The story is largely framed around Keston’s journey away from prejudice and toward advocacy for her daughter. It’s moving, but it’s also not the most useful or nuanced frame. Plus in her pre-Delaney days, Keston says and thinks horrible things about people with disabilities. If you pick this up, be prepared for slurs and worse. If you don’t want to slog through that, don’t force yourself. I appreciated that Keston was ultimately educated, thanks to Andrea, and that she did bring some compassion when others initially weren’t accepting. It didn’t make her early beliefs or comments easier, though.

Keston tried to tell this complex story fairly, mostly avoiding easy villains, but there are some slip ups. For one thing, some of the drama of the situation could have been avoided with a little caution, planning, and communication. Keston and Andrea don’t read the contract carefully before agreeing to surrogacy, and Keston, Andrea, Liz and Erica don’t have the tough conversations they ought to before deciding to go forward with surrogacy. Tension starts before the pregnancy too, as it takes over half a year to get pregnant, they all decide to add known sperm donors into the mix without a clear legal agreement in place, and the doctor they work with isn’t a great fit for Andrea and Keston. When Keston and Andrea decide to keep the baby and raise her without Liz and Erica, they aren’t as sensitive as they could be to Liz and Erica’s devastation, or the shock Andrea’s already leery family is experiencing. It’s occasionally tiresome to read about somewhat unnecessary complication, but the many, many bumps in the road do add intrigue to the story and keep it moving along.

I felt for Liz and Erica a lot and wished I knew more of what happened after they and the Ott-Dahls stopped speaking to each other. The doctor had painted a pretty bleak picture aside from Down syndrome, and I couldn’t imagine paying thousands of dollars for a surrogate to carry on with a pregnancy that a doctor said likely wasn’t viable. The couple had already gone through fertility treatments, cycles of hope and disappointment, and had at least one adoption fall through. It made sense to me that they weren’t as optimistic as Andrea and Keston and that they wanted to have some control over the process. Trying to add a child to your family, however you go about it, can be scary and leave you feeling powerless. From their perspective, this is not a heartwarming tale.

One thing I hated in this book–and another reason that I’m a bit hesitant to recommend it–was the way Keston wrote about Liz and Erica’s infertility. More than once Keston, Keston’s imagined mother, or Andrea says something like, “Some people aren’t meant to be parents,” or implies that the couple’s struggles to have a child means that they shouldn’t have one. It was interesting to me the way this attitude connected to Keston’s self-proclaimed prejudice around ability. The idea that some experiences aren’t “meant” for a person because that person needs assistance or their body works differently is a common theme in justifying ableism. Also, the ability to get pregnant is in no way correlated with the ability to parent and I think we all sort of know that. Still, if you’re trying to conceive or have experienced infertility, reading those comments in the memoir will be horrifying, depressing and/or rage-inducing, and you might want to steer clear.

If you aren’t dealing with that and you can roll with some harsh language and inaccurate ideas about folks with disabilities in the earlier chapters, you might like this book. It’s a unique situation and it makes you think. It is an easy read, it’s fast paced, and parts of the story are pretty moving. But think carefully before picking it up, because this book is not for everyone.