Category Archives: Uncategorized

Lesbrary Links: LGBTQ AAPI Books, Police & Pride Reads, and Queer Elders in Comics

Posted on by

I follow hundreds of queer book blogs to scout out the best sapphic book news and reviews! Many of them get posted on Tumblr and Twitter as I discover them, but my favourites get saved for these link compilations. Here are some of the posts I’ve found interesting in the last few weeks.

Juliet Takes a Breath Graphic Novel by Gabby Rivera
Ace of Spades cover
The Jasmine Throne by Tasha Suri
The Chosen and the Beautiful by Nghi Vo
Small Beauty cover

I wrote about Goodreads Charles last year on Book Riot, and since then, there has been no change in how marginalized authors on Goodreads are targeted with 1 star reviews.

Netflix needs more queer content. Here are some LGBTQ books they should adapt.

Not sure which books to read for Pride? Take this quiz! Preorder Queer Books Out In June! And as June approaches, this is more necessary than ever: An Essential Reading List on Police and Pride.

Read these queer memoirs when you feel alone.

Read these 5 Contemporary Novels Featuring Queer Parents.

Last Night at the Telegraph Club by Malinda Lo
Zara Hossain Is Here by Sabina Khan cover
Gearbreakers cover
Shadow Life cover
It Goes Like This cover

May was AAPI Heritage Month! Here are some Asian American queer books you should read–any time of year. Here are 60 queer adult books by Asian authors.

Take this quiz to decide which sapphic fantasy you should read next! Here are some queer standalone fantasy books.

Here are some books with pansexual main characters!

What job would you have in a lesbian romance novel? Take this quiz to find out!

Laura Sackton wrote about the power of seeing older queer role models: The Power of Portals: Seeing My Own Future in Graphic Novels About Queer Elders.

These Marvel comics have good LGBT representation. Still not sure which queer superhero to read? Design your own

At Okazu, Erica Friedman explored the tropes of early yuri and what yuri looks like now in a new video: Yuri: How it Began – How It’s Going.

Carmilla by J. Sheridan Le Fanu,
The Secret to Superhuman Strength by Alison Bechdel
In the Great Green Room cover
One Last Stop by Casey McQuiston
I'm in Love with the Villainess cover

I hope you already know about the lesbian vampire book that predates Dracula. If not, here’s some info. I recommend reading the edition edited by Carmen Maria Machado!

Alison Bechdel discussed her new graphic memoir about her lifelong obsession with exercise, The Secret to Superhuman Strength, at Time, The Washington Post, Autostraddle, and Vulture.

Did you know that Goodnight Moon was originally a love letter to another woman? It’s true! Here are 11 Facts About Margaret Wise Brown, Author of GOODNIGHT MOON.

Casey McQuiston talked about their new sapphic timeslip subway romance, One Last Stop (which I loved!), at Time, Insider, and Goodreads.

This post has the covers linked to their Amazon pages. If you click through and buy something, I might get a small referral fee. For even more links, check out the Lesbrary’s Twitter! We’re also on Facebook, Goodreads, Youtube and Tumblr.

Support the Lesbrary on Patreon at $2 or more a month and be entered to win a queer women book every month! $10 and up patrons get guaranteed books throughout the year!

Shira Glassman reviews Wrong Number, Right Woman by Jae

Posted on by

Wrong Number, Right Woman by Jae

I’d read and enjoyed some fanfic pieces that use the trope of “romance that blossoms when a friendship starts after a wrong-number text responds to the sender,” including a cute “no powers” alternate-universe short with Steve and Bucky, so I was excited to hear that beloved lesfic author Jae had written a whole novel on this premise. Hers sounded even cooler than the other ones I’d read, because she also tossed in the trope of one of them being a “I thought I was straight until now!” So I was excited to read Wrong Number, Right Woman, and the book happily obliged my expectations.

Jae took full advantage of what I find most appealing about the wrong-number-text trope, namely, that without any of the weight of the other layers of human interaction–if you already know someone from work or because they’re a friend of a friend–you are starting from a completely blank slate. You’ve both been reduced to nothing beyond the content of your communication, the output of your brain, and that leads to an interesting type of correspondence. In some cases, you may not even know what the other looks like. Eliza, the “I thought I was straight, so what am I doing in this Jae novel?” character, thinks the other heroine Denny is a man at first, and you can tell there’s chemistry right off the bat. In other words, their souls already click through words before anything like “what you look like” or the social weight of newfound queerness shows up 15 minutes late with Starbucks.

This will be a good book, by the way, for those looking for a fluffy comfort read. Both heroines are charming with no sharp edges, Eliza works literally the coziest job I have ever read in one of these books (she works for an indie company that makes homemade BIRD TOYS, y’all), and both of them have close, affectionate relationships with family and friends. This is also a good book for those looking for representation for women who haven’t decided whether bi or lesbian fits them better. She has, in a lot of ways, the ideal coming out experience, with accepting and supportive family–except for one weird page with one sister, but it makes sense in context–and a trans lesbian bestie at her side. If this is something you want to witness, you will find it here. (Also, I relate ever so much to Eliza’s reaction to Denny’s breasts. Thank you for that. We can never get enough of women’s desire for other women presented as wholesome.)

I also liked the detail that, while Denny is not in touch with her parents, it’s because they kicked out her little sister for being pregnant 12 years ago, not because Denny likes girls. (However, that may be triggering for other readers, so I’m mentioning it up front. I also want to reassure other readers, with other triggers, that pregnancy is not a trope in this book. The “baby” is now a tween, having grown up raised by her mother and aunt, and there’s a moment you think the mom is pregnant again, but she’s not.) In any case, it was reassuring to me, because while queer conflict with parents is a very important theme and I am not at all advocating that it disappear from literature, it’s nice to be able to pick up something fluffy, too.

Denny and Eliza’s undeniable chemistry radiates off the page even when they’re just trying to get to know each other as friends without any other expectations on the table. They already feel like they’re dating when they meet up for the first time to go to the fair, which both of them notice, even though at this point both of them still think that Eliza is straight. It is so meant to be. And that, in my opinion, is what makes a romance novel worth reading–does the author make you want the characters to get together? Jae has succeeded. Their connection is magnetic, and very, very cute.

Shira Glassman is the author of fluffy contemporary and fantasy f/f fiction, including the superhero/damsel-in-distress romance Cinnamon Blade: Knife in Shining Armor which, like the book in this review, also features a love interest who isn’t sure whether she’s bi or lesbian.

February Wrap Up: All the Queer Books I Read Last Month!

Posted on by

All the books I read in February! Thank you to Rock n Roll Heretic for sponsoring this video.

Preorder links for Rock n Roll Heretic:

Sapphic books mentioned:

Meagan Kimberly reviews Not Your Sidekick by CB Lee

Posted on by

Not Your Sidekick by CB Lee audiobook cover

Jess Tran comes from superhero parents and has an older sister with powers, but she did not inherit this gene. She decides to find her own way in a world of metahumans and superpowers and ends up at an internship working for The Mischiefs, her parents’ and the city of Andover’s nemeses. However, everything is not what it seems in the world of superpowers, heroes, and villains. With the help of her crush Abby and her friends, Jess sets out to find and reveal the truth.

One of the more refreshing aspects of the story is how Lee handles Jess’ coming out. It’s casually stated when she tells a brief story of a flashback to English class during her earlier high school years. From there, it’s simply a part of who she is and not a narrative point in which the plot revolves around.

The story deals a lot with being exceptional, and it’s weaved deftly within the world-building. In a world where metahumans were created by X29 after the Disasters, it’s easy to see why Jess feels inadequate, especially compared to her superhero parents and sister. Even though her younger brother doesn’t exhibit metahuman powers either, he’s also a child prodigy. Jess finding a way to know her value without exceptional traits makes her a protagonist to root for.

Lee’s world-building gets woven throughout the plot, which readers can appreciate. However, there are often more questions than answers to many of the details she brings up. Through Jess’s point of view, we learn about World War III, the Disasters, the creation of the North American Collective, and other similar governments around the world. But aside from a history book lesson, the reader doesn’t learn much.

An argument can be made though that this is done on purpose because it’s coming from Jess. She only knows what they’ve taught her in school, and up until now, she hadn’t questioned what she was taught. As she unfurls as a character and starts to realize the world she’s been fed is a lie, that’s when she questions the Collective, the hero/villain dichotomy, and her place in it all.

The blossoming romance between Abby and Jess is absolutely adorable. Everything from the squishy feelings of a crush to the first kiss to their comfortable jokes together creates a realistic and loveable relationship growth. There’s a scene in particular when Abby sleeps over and the tension is so well written.

Overall, a lot of plot points were obvious to the reader, though not obvious to Jess. But even so, it was a lot of fun to read. And the way it ends leaves the readers wanting more of the world, which is good because it’s the first in a series.

Danika reviews The Heiress: The Revelations of Anne de Bourgh by Molly Greeley

Posted on by

The Heiress by Molly Greeley

I’m not a big Pride and Prejudice fan, but for some reason, I’m drawn to P&P retellings–especially queer ones. The Heiress is a Pride and Prejudice novel: not exactly a retelling, a prequel, or a sequel, it fills in the story from one of the minor characters of the book: Anne de Bourgh. In case you forgot, Anne is Mr. Darcy’s original fiancee, and Catherine de Bourgh’s sickly daughter. In the original book, Anne doesn’t leave a strong impression. This novel gives her centre stage, and makes her a compelling and empathetic character.

Anne was a fussy baby, and she was prescribed laudanum drops to quiet her. She continued to be lethargic and delicate, and when she missed her drops, she had horrible reactions (shaking, sweating, sensory hallucinations, etc), so she stayed on these drops her whole childhood. Essentially, Anne has been drugged on opium her entire life. Any time they try to stop, she goes into withdrawal, which they interpret as her sickness getting worse. This leaves her, understandably. listless and easily overwhelmed. She’s never known anything other than this, though: at no point in her life has she been able to be clear-headed and sober for more than an hour or so at a time.

You might remember the character of her mother better. She is controlling and has very strong opinions, not allowing Anne to do anything that might strain her, like learning to play an instrument or reading novels. She is more like an object in her own life: she is often ignored or pitied by guests, and even in her twenties, her mother treats her like a small child. She mostly just watches the people around her. Although she has no agency in her day-to-day life, she is the heiress of their estate, which is extremely rare: she doesn’t have to marry to keep the land.

She loves the house and grounds–and she feels like it loves her back. She can hear it whisper to her after she’s had her drops. But she also lives under the shadow of the estate that will one day be hers. She feels incapable of managing it: she can’t even manage a conversation.

One of the only people who treats her like a human being is her governess, who tries to tell her that she is capable of more. She attempts to warn Anne about the medicine, but Anne doesn’t want to hear it, and her governess knows that pushing too hard will leave her without a job. Anne gets a crush on her, naturally, but the governess leaves and is replaced by a bland woman who acts as a puppet of her mother.

Eventually, Anne begins to internalize what the governess told her, and she realizes that the drops that she has been depending on may be the cause, not the cure, for how she feels. Impulsively, aware that her life is in danger, she dumps her medicine and flees to her cousin’s house in London, one of the few people who has ever treated her like a person. There, Anne tries to learn how to be independent, and how to fit in.

This is also where the book turns into a lesbian historical romance! It’s exactly the kind of excruciating historical lesbian slow burn you love to see. As Anne tries to fit into London society, she becomes fast friends with a woman who is a little too loud and boisterous for Victorians, but Anne can’t pull herself away from her. Eliza introduces her to novels and takes her shopping for fashionable clothing. Soon, they are spending almost all of their time together.

This is a book that fits together with Pride and Prejudice, but could also completely stand on its own. Without the references, it would still be a fascinating look at a woman who lived most of her life in a haze and the struggles of coming out of it. The last half of this book is also a beautiful, absorbing F/F romance. It manages to be both a Victorian historical novel and feature a drug addict lesbian main character with no apparent clash between those ideas!

I highly recommend this for fans of historical fiction, whether or not you are a Pride and Prejudice fan.

Meagan Kimberly reviews Her Body and Other Parties by Carmen Maria Machado

Posted on by

Her Body and Other Parties Carmen Maria Machado cover

In this collection of short stories, Carmen Maria Machado does what skilled horror writers do best: she examines real-world beliefs through a lens that highlights that real horror isn’t monsters, but our own societies. This collection grapples with the trauma and horror women and women’s bodies are put through by a patriarchal society that wants to see them submit.

In the first story “The Husband Stitch” a woman gives her lover everything he desires but keeps one thing to herself–the secret of her prized green ribbon. He’s so entitled that he constantly demands to know why she’s so attached to it, but she refuses to give him this one thing she wants to be hers. They even have a son together and one day after hearing his father ask about the ribbon, he asks about it too, but she doesn’t tell him, creating a rift between mother and child. It’s a poignant moment that illustrates how toxic masculinity is taught and passed down from one generation to the next. Finally, at the end of the story, tired of the questions and demands, she lets her husband remove the ribbon and her head falls clean off. It’s a not so subtle metaphor displaying how the demands and entitlement of the patriarchy end up killing women.

“Mothers” tells the story of a woman left with a child she doesn’t really want, not without her partner at least, who left them. But Machado’s narrative twists to make it seem like the main character had a mental breakdown and that the child, Mara, never existed. Rather, it appears as if the protagonist has broken into another family’s home and abducted their daughter. What made this story particularly scary was the inability to tell which narrative was real. It’s a tale that plays with reality and the psyche.

Machado dives into pop culture with “Especially Heinous – 272 Views of Law & Order: SVU.” Each snippet acts as a summary of an episode, but they’re not episodes of the real show. At least, that becomes clear as the story goes on. But at the beginning, it’s truly hard to distinguish if the synopses are real or not as they sound like actual plot lines from the series.

In “Real Women Have Bodies” an employee of a boutique fashion shop witnesses the strange phenomena of women disappearing and becoming invisible beings. They haven’t died, they’re just no longer corporeal. Even more horrific, these women are getting stitched into the very clothing the store sells, showing the still solid women stepping into their places. With this tale of horror, Machado depicts how the patriarchy keeps women controlling each other, doing men’s dirty work for them.

One of the most fascinating stories, “The Resident,” takes classic horror elements to create a sapphic scary story that’s part The Shining and part The Haunting of Hill House. This story highlights Machado’s skill in creating erotic horror out of lush and sensual language, with lines like, “a voluptuous silence that pressed against my ear drums.”

Every story features a queer main character, making the horrors and trauma they experience that much more terrifying. Because even though these are fictional stories, are they? Haven’t queer women–specially queer women of color–been subjected to unspeakable horrors in real life? At what point do stories and reality merge? Machado’s writing truly leaves readers with a sense of unease in trying to untangle those threads.

Landice reviews Written in the Stars by Alexandria Bellefleur

Posted on by

Written in the Stars by Alexandria Bellefleur (Amazon Affiliate Link)

Written in the Stars is probably hands down the most adorable contemporary romance I’ve ever read. To be fair, I don’t read a ton of books in this genre, but I’ve at least read enough to know that this one is something special!

I just spent twenty minutes trying to write an analogy comparing Written in the Stars to peppermint hot chocolate that wasn’t super cheesy, to no avail, so I’ve decided to channel my inner Elle and just.. go with it: Reading Written in the Stars was like sitting down with my first peppermint hot chocolate of the season. The story was warm, inviting, and familiar enough to be comforting, but it also felt new and unique enough that nothing about it felt stale or contrite.

One thing I really appreciated about this book was that it didn’t get mired down in extended mutual pining the way romance novels often do. Not that there’s anything wrong with slow burn romances, but sometimes I want to be able to relish in the actual togetherness of the characters instead of spending the majority of the novel wanting to push the two leads’ faces together like Barbie dolls, screaming “just kiss already!” The author did an excellent job of finding the sweet spot between insta-love and slow burn, and the result is a compulsively readable novel with an adorable opposites attract romance that felt totally realistic and incredibly satisfying. It’s also worth noting that while there was enough tension to sustain the plot, the angst never felt superfluous or like it was thrown in just for the hell of it.

My only complaint about Written in the Stars was that I wasn’t ready for it to end when it did! I really loved Elle and Darcy together, and while I understand that it’s not always realistic to include an epilogue when you’re planning a sequel that will likely pick up around the time the first book lets off, it doesn’t mean I have to be happy about it (I kid… mostly).

One more thing I want to state for the record, in case I’m not alone in this concern: I went into this read worried that my lack of astrological knowledge might be an issue, but my concern was completely unfounded! In fact, I think Elle’s narrative explanation of Darcy’s sun, moon, and rising signs helped me understand what the “big three” placements really mean better than any of the articles I’d read online.

In closing, Written in the Stars is a cute, quirky sapphic romance that is (for me at least) the book equivalent of a cup of hot chocolate and a warm hug. If this sounds like something there’s even a slim chance you might enjoy, then please give it a go. It was honestly wonderful, and now I’m definitely rambling, but I cannot recommend it enough!

ARC Note: Thank you to Avon and Netgalley for a digital ARC in exchange for an honest review. All opinions and terrible, cheesy analogies are my own.

Landice is an autistic lesbian graphic design student who lives on a tiny farm outside of a tiny town in rural Texas. Her favorite genres are sci-fi, fantasy & speculative fiction, and her favorite tropes are enemies-to-lovers, thawing the ice queen, & age gap romances. Landice drinks way too much caffeine, buys more books than she’ll ever be able to read, and dreams of starting her own queer book cover design studio one day.

You can find her as manicfemme on Bookstagram &Goodreads, and as manic_femme on Twitter. Her personal book blog is Manic Femme Reviews.

Carolina reviews The City We Became by N.K. Jemisin

Posted on by

The City We Became by N.K. Jemisin

“People who say change is impossible are usually pretty happy with things just as they are.”

In today’s world, amidst the ongoing tensions caused by the fight for racial equality, isolation from the Coronavirus, and political dissent in the aftermath of a negligent administration, it seems that humanity is more divided than ever. N.K. Jemisin’s The City We Became erases those arbitrary borders, and reminds us of the power of diversity and togetherness in the face of adversity and prejudice.

Each city is born, lives and dies. Now, it is New York City’s time to shine. Five individuals, all of varying creeds, races and identities wake up as the manifestation of New York’s boroughs: Brooklyn is a Black rapper turned politician, who fits in time as a single mom alongside her never-ending work for her community; Bronca, or the Bronx, is a Native lesbian who’s not afraid to use her steel-toed boots to protect her love for art; Aislyn of Staten Island is a troubled young woman, weighing her personal worth against her family’s traditional, conservative values; Padmini of Queens is a tech-savvy, happy-go-lucky South Asian immigrant; and Manhattan, or Manny, for short, has fallen head over heels for his city, and is determined to save his love. Brooklyn, Bronca, Aislyn, Manny and Padmini must put aside their struggles to become one New York City. Their task? Defeat a Lovecraftian ‘Karen’ who uses her xenophobic tentacle monsters to infect everyday New Yorkers with contemptuous paranoia, and drive citizen against citizen. This novel is a love letter to New York City, and what it represents: community, dreams and a can-do attitude.

Personally, the characters and their relationships are what makes the novel great. N.K. Jemisin creates characters that you can root for, but also criticize for their flaws, channeling inspiration from Sense8 and Good Omens. Characters clash and connect, and must put aside differences to understand and help one another. The diversity in this book allows the characters to feel like genuine New Yorkers, evocative of the melting pot of the city. Almost every character in the novel is a person of color and/or queer, and their identities influence their borough of the city, and the fight as a whole.

Bronca, the lesbian grandmother of our dreams, is bad-ass, ambitious and impassioned, determined to take no shit and pay it no mind. Bronca is a deeply flawed individual, prone to picking fights with others as a coping mechanism. She stood her ground at Stonewall, at Act-Up, and during today’s rise of right-wing ideology, she becomes the victim of a white supremacist smear campaign over the course of the novel. It is not until she realizes those around her love her and want to help her that she is able to rally her community around her and find justice in their compassion and empathy, demonstrating the importance of queer community.

N.K. Jemisin takes H.P. Lovecraft’s tentacled horror monsters, and makes them her own, utilizing the Cthulu to dramatize the insidious nature of injustice at the heart of modern society. Jemisin’s subversion of Lovecraft allows her to topple a racist institution, and build a new one in its place. Today’s bigotry is dramatized in the form of The Woman in White: a wealthy white woman who gentrifies neighborhoods and disregards those who actually call them home. Jemisin calls out modern day prejudices in all degrees, from internet doxxing, to sideways glances and microaggressions, to outright disrespect and violence.

This is one of the most unique science-fiction novels I’ve read in a long time; it feels fresh and innovative, and dissects real, harsh truths in our society. It describes not only what it means to be a marginalized New Yorker, but what it means to be an American: the desire to fit in and band together as a diverse community, but having to face discrimination at your front door. N.K. Jemisin is THE science-fiction writer to look out for, as she combines the classic hallmarks of the genre with allusions to current events, imbuing her narratives with humor and candor. So, queue up Janelle Monae’s Dirty Computer and buckle up for a wild romp around New York City.

Trigger Warnings: Racism, homophobia, hate crimes, use of slurs, gaslighting, white supremacist ideology, Nazi ideology

10 Poetry Collections by Black Queer Women

Posted on by

Poetry has always been an artistic expression. From declarations of love to contemplating the meaning of life, poetry has a way of putting the human experience into words. It’s also an effective way to take a political stance or spark compassion for others’ cultures and ways of life. Here are 10 poetry collections that delve into the experience of Black bisexual, lesbian, and queer writers.

How to Get Over by T'ai Freedom FordHow to Get Over by T’ai Freedom Ford

Ford’s debut collection of poems reads like a lyrical train of thought. Jumping from one piece to the next, each poem holds a life of its own but remains connected to the collection’s overall narrative. Ford’s writing has a melodic sense that will make you stop and listen, not just read the words on the page.

 

 

Crossfire by Staceyann ChinCrossfire: A Litany for Survival by Staceyann Chin

Full of feminist rage, Chin’s collection of poetry Crossfire is aptly named. It brings forth the activist’s voice, full of power, anger, and sass, the very qualities for which the white patriarchy condemns black women. Chin and her work are the definition of noncompliance. Her poetry raises her voice with no apologies for justified anger.

 

 

The Works of Alice Dunbar Nelson by Alice Dunbar NelsonThe Works of Alice Dunbar Nelson by Alice Dunbar Nelson

Nelson was among the first generation born free in the South after the Civil War. Born in New Orleans, Nelson became a prolific poet that influenced the blossoming of the Harlem Renaissance. The Works of Alice Dunbar combine poetry, novellas, and autobiographical stories, giving one point of view of Black women’s lives during her time.

 

June Jordan's Poetry for the People: A Revolutionary Blueprint by June JordanJune Jordan’s Poetry for the People: A Revolutionary Blueprint by June Jordan

The Caribbean-American Jordan inspires poets and readers far and wide to this day. Her program Poetry for the People was highly innovative and successful, inspired by her work as a teacher. This poetry collection is a combination of poems for the people who took her class and by the people who participated.

 

American Dreams by SapphireAmerican Dreams by Sapphire

Mixing poetry and prose, Sapphire creates a collection of poems that are at once a lesson on sensuality and allusions to prophecy. No matter what topic she takes on in her work, she does so with brutal honesty. Born to the name Ramona Lofton, Sapphire took on her pen name after becoming entrenched in poetry in New York City in the late 70s.

 

 

Inventory by Dionne BrandInventory by Dionne Brand

Inventory isn’t so much a collection of poems as it is one long story written as a poem. This long-form poem turned story takes stock of the ongoing violence that comes from upheavals and wars within a community’s own streets. It makes an account of the horror that has become commonplace and no longer holds the sensation it once did.

 

 

Living as a Lesbian by Cheryl ClarkeLiving as a Lesbian: Poetry by Cheryl Clarke

Clark’s work pays tribute to the very subject in the title. Her work ranges from jazz music to her childhood in Washington, D.C. to singing the blues. This collection of poems is filled with rhythmic and lyrical lines that convey Clark’s adept hand at poetry. It’s intimate and personal and yet universal in its themes.

 

 

The Complete Works of Pat ParkerThe Complete Works of Pat Parker by Pat Parker

This poetry collection compiles all of Parker’s pieces from two complete books of poetry and three chapbooks, plus other previously unpublished work. Parker’s work as a Black lesbian feminist poet has influenced and inspired others across generations. Her poems have had such a lasting influence, that even artist Solange has paid homage to her in her music.

 

Proxy by R. Erica DoyleProxy by R. Erica Doyle

This collection tells the story of an unrequited love through prose poetry. Doyle’s poems tell the story of love as landscape. It traverses the likes of New York City, the Caribbean, and North Africa. In a collection of poems that tells all by proxy, nothing is as it seems. There are always countless layers to each piece.

 

 

Head Off & Split by Nikky FinneyHead Off & Split by Nikky Finney

Finney’s work examines Black life through various lenses, including the real and surreal. Her work focuses on studies on Rosa Parks and civil rights marches to a closer look at former Secretary of State Condoleezza Rice. Political and personal, Finney’s work is intimate and exacting.

Where to Start Reading Lesbian Gothic

Posted on by

Where to Start Reading Lesbian Gothic

Haunted mansions! Thunder and lightning! Brooding antiheroes! Women running down corridors wearing long white gowns! I love the tropes of Gothic literature: they’re campy, they’re spooky, they’re sexy. What more could you possibly want from a genre? Well, sapphic romance, obviously.

As it happens, the Gothic is a pretty gay genre to begin with. Its themes of buried secrets, psychological crisis, and the instability of social boundaries all lend themselves perfectly to queer narratives. Despite this, I’ve always found it difficult to find recommendations for specifically lesbian and bi women’s Gothic literature online. But, dear reader, you don’t need to share my plight: I’ve done the work for you! Here is a selection of ten great Gothic works with sapphic characters to get you started with the genre…

Carmilla by J. Sheridan Le Fanu,Carmilla by J. Sheridan Le Fanu

A classic of 19th century Gothic literature, Carmilla is one of the earliest examples of vampire fiction. Laura and her father live in Styria in the remote Austrian countryside. When a mysterious carriage crashes outside their castle, they agree to take in one of its passengers, a frail girl named Carmilla. Laura and Carmilla are immediate friends, but as the relationship grows more and more intense, Laura’s health starts to decline and Carmilla’s to improve – almost as if Carmilla is sucking the life out of her host.

 

Rebecca by Daphne du MaurierRebecca by Daphne du Maurier

After a holiday romance with the handsome widower Max de Winter, his new bride returns with him to his country estate. Instead of being made welcome, she soon realises that her new home is ‘haunted’ by Max’s first wife, Rebecca, whose memory is kept alive by the loyal housekeeper Mrs Danvers. As the bride realises that she doesn’t know her husband at all, she starts to wonder just what happened to Rebecca. Although this isn’t an explicitly lesbian novel, it’s a cornerstone of the Lesbian Gothic: besides the heavy implication that Mrs Danvers was in love with Rebecca, the novel is also steeped with du Maurier’s repressed feelings for women – with whom she would have affairs later in her life.

The Gilda Stories by Jewelle GomezThe Gilda Stories by Jewelle Gomez

In 1850s Louisiana, Gilda escapes slavery and finds sanctuary with two brothel-women who also happen to be vampires. After being initiated into eternal life, Gilda spends the next 200 years living through African American history (and future), searching for community and somewhere to call home. With its exploration of race, sexuality and identity, The Gilda Stories was a completely new take on vampire fiction when it was first published in 1991, and it still feels as fresh today.

Fingersmith by Sarah WatersFingersmith by Sarah Waters

Fingersmith is the fantastic Dickensian novel behind both the BBC miniseries of the same name, and Park Chan-wook’s The Handmaiden. Raised amidst thieves in the slums of Victorian London, Sue Trinder is happy to help when Gentleman – a conman and family friend – calls on her with a plan. Sue will pose as a lady’s maid to help Gentleman seduce the wealthy heiress Maud Lilly. After the two are wed and Maud’s inheritance is secure, Gentleman will have her committed to an asylum and split the winnings with Sue. However, Sue grows fond of her new ‘mistress’, and things aren’t as simple as they first seemed.

The Haunting of Hill House by Shirley JacksonThe Haunting of Hill House by Shirley Jackson

Four strangers – one of them the paranormal investigator Dr Montague – plan to stay at a notoriously haunted house, with the aim of discovering empirical proof of the supernatural. The four make friends quickly, and Eleanor, a fragile young woman with a history with poltergeists, is especially drawn to Theodora, who is fresh out of a quarrel with her female ‘roommate’. The group are faced with spooky occurrences that grow ever more sinister as the night progresses, until it seems that the house itself is plotting against them.

The Confessions of Frannie Langton by Sara CollinsThe Confessions of Frannie Langton by Sara Collins

Frannie Langton, a servant and former slave, stands accused of murdering her employers. Although she can’t remember anything that happened on that fateful night, she knows that she couldn’t have done it – because she was in love with her mistress. Slipping between a childhood on a Jamaican sugar plantation and her domestic service in Georgian London, Frannie’s defense is her life story – a story that exposes crimes far greater than a couple of murders, committed in the name of science and empire.

The Animals at Lockwood Manor by Jane HealeyThe Animals at Lockwood Manor by Jane Healey

During the London Blitz, the Natural History Museum’s collection of taxidermied mammals are evacuated to the countryside, along with newly-promoted director Hetty Cartwright. Their new home is the creepy Lockwood Manor, presided over by the bullying Major Lockwood and his troubled daughter Lucy. Lucy walks the house at night and has nightmares of la diablesse – a devil-woman in white that haunts the manor. Despite Hetty’s burgeoning friendship with Lucy, her residence at Lockwood grows impossible when the animals start to move about on their own.

In the Dream House by Carmen Maria MachadoIn the Dream House by Carmen Maria Machado

Studying at the Iowa writers’ school in her late 20s, Carmen Maria Machado met ‘the woman in the dream house’ – a petite blonde Harvard grad living in a cabin in Bloomington, Indiana. What began as a passionate relationship turned sour when the woman became psychologically and physically abusive, and the ‘dream house’ became a nightmare setting. Machado recounts her own experience while also examining the history and study of abusive romantic relationships between women, in a genre-defying work that blends memoir, gothic literature, academic study, and short stories.

The Wicked Cometh by Laura CarlinThe Wicked Cometh by Laura Carlin

Against a backdrop of Georgian London, where the city’s poor inhabitants can disappear with no questions asked, Hester White is desperate to escape poverty. When she gets caught under the wheels of Calder Brock’s carriage, she seizes her chance to be taken in by his aristocratic family, including the fierce Rebekah Brock. Rebekah tutors her in the ways of gentility – although she seems interested in more than just Hester’s education. Then Hester receives a note telling her to leave before she gets hurt. Together, Rebekah and Hester begin to uncover a dark web of penny dreadful-worthy mystery and crime with Calder at its centre.

White is for Witching by Helen OyeyemiWhite is for Witching by Helen Oyeyemi

In a vast house on the cliffs of Dover, twins Miranda and Eliot are in mourning for their recently-departed mother. In the wake of the tragedy, Miranda develops the eating disorder pica – where she hungers for inedible substances like chalk, dirt and plastic – and begins to hear the voices of women trapped in the walls of the house. Then one night she vanishes, leaving behind her loved ones, including her girlfriend Ore, her father Luc, and the house itself, to tell the story.