Aoife reviews two Puppy Love romances by Georgia Beers

rescued heart georgia beers cover   Georgia Beers Run To You

Georgia Beers’ new Puppy Love series centres around Junebug Farm, a no-kill animal shelter in upstate New York, and the people that work there. While the series features a recurring cast of characters, each book focuses on a single couple – though Beers chose to diversify the POVs in the second book, which was I choice I found I didn’t mind, as it adds to the rather cinematic feel. It’s something I’d watch on TV or on Netflix if I wanted something fluffy and romantic. Rescued Heart, book one, follows the relationship of Lisa, the shelter intake and adoptions officer, and Ashley, a baker who volunteers at the farm; Run to You, book two, looks at Catherine, the shelter accountant, and Emily, a donor and volunteer. It’s also a little Christmassy.

Overall, I liked both, and I’d be happy to read another, but I wouldn’t be devastated if I didn’t. The setting was a big draw for me – puppies and romances? Yes. And Beers doesn’t disappoint on that front – there are lots of adorable dogs and cats, and I liked that there was a little dig into how a shelter like that might manage to run. It’s pretty obviously written by an animal lover, and I’m into that. Personally, out of all the animals, I fell in love the most with a dog that didn’t get much page time (Dave) because I’m a sucker for pit bulls. While they’re part of the same series, they’re written differently, each with its merits. I’d say best overall was probably Run to You, but I can see how others might choose otherwise.

Rescued Heart starts slow, with a professional relationship that turns sweet, each person bringing out new sides in the other. A big theme in these books is trust, and Lisa doesn’t have a lot of it. She’s holding tightly to some family issues, which have made her closed off and a bit controlling in both her professional and personal lives. Ashley, on the other hand, is bubbly, but passive, stuck in a semi-relationship with a sweet girl because she can’t bring herself to do anything about it. Lisa unknowingly brings her out of her shell a bit, and the interplay between Lisa’s need for control and Ashley’s increasing dominance is interesting. Beers doesn’t act like Lisa and Ashley are the only people in each’s respective life, which I liked. Friends and family pop in and out, and the tone of their interactions is deliciously gossipy.

Probably the most important thing about Rescued Heart is that it doesn’t follow the typical romance structure of building up to a crisis point so there can be satisfying resolution – and if it does, it does so half-heartedly. This could be because I was a little bored by the book, but I actually kind of liked it – I’m an anxious person, and high stakes make me tense. I do wonder if I might have liked it better had I known that going in. That’s not to say that there’s no drama, it just doesn’t build up to something huge.

It’s not super tightly written, Lisa and Ashley felt a little flat to me, and some people might not be into its structure, but it’s a nice book. As I mentioned, though, I did get a little bored with it, and I’m pretty sure that’s mostly down to the sex. It was fine and everything, it just wasn’t great. I didn’t tap into their chemistry the whole time, and like – you’re both in your thirties. Is this really oh my god the best sex you’ve ever had, you’ve never felt anything like this before, no one’s touch has done this to you, etc.? Really? It’s fine, it was just a little too clichéd for me. This is something I felt with both books, although probably a little more with the first. Again, this is probably mostly a personal preference thing, and I’m sure most people would have no objections.

Run to You is more tightly written, and much more of a slow burn. Emily is the representative of a family company that donates the bulk of the shelter income, and Catherine is the accountant. It’s inappropriate, definitely not professional, and very obviously something that they’re going to enter into – bonus point for a classic ‘we shouldn’t’ while kissing. This book was less on the normal-life friendship, but more on the workplace friendship (I’m saying now that I think the third book will focus of Jessica, the head of Junebug) (there are an improbable amount of wlw working at this shelter, but I like it). As I mentioned earlier, there’s more diversity in perspective here; RH had only two POVs, but RtY has maybe five? I’ll say five. This one is probably better paced, with a more dramatic arc (hello, crisis point), with well-strung tension. While Ashley is probably the most endearing character of the four – she smells like cupcakes – Emily’s my second favourite. Both Lisa and Catherine are more emotionally closed off, and while that makes for interesting romantic dynamics, it’s just not a hugely appealing quality. Also Emily is the one with the pit bull and leather jacket, so she’s ticking a lot of my boxes. One issue I did have is that RtY is not super well edited – ‘ascent’ used instead of ‘assent’, etc. Nothing major, but it did pull me out of the story at moments.

As I said, I enjoyed both, and while they’re maybe not the most gripping of reads, they’re light and fun and sweet, with a decent dose of adorable animals, and a guaranteed happy ending. If you like your fluffy reads, you’ll probably enjoy the series. It’s a little white, and there’s not much in the way of representation for anyone other than the L in LGBTQIA, but if that’s not going to bother you, I’d go ahead! They’re better than the covers make them look, I promise.

There aren’t any huge trigger warnings for these two, though there’s a bit of sexual harassment which had the potential to turn into assault in Rescued Heart. I wouldn’t read the series if you’re trying not to drink? There’s a lot of wine.

This and other reviews by Aoife can also be found at https://concessioncard.wordpress.com/.

Lesbrary Patreon Giveaway!

lesbrary-patreon-giveaway

It’s time again for the monthly Lesbrary Patreon giveaway!

The Lesbrary and its tumblr Fuck Yeah Lesbian Literature have a Patreon page, and every month, patrons who pledge $2 or more a month are entered to win a free queer women book!* (*no, you don’t pay for shipping, and yes, it’s open internationally)

Pictured above are some of the (most photogenic) books available this time around!

I’m so grateful to anyone who supports me on Patreon or even just spreads the word about it, because it gets me one step closer to being able to devote more of my time to the Lesbrary, FYLL, and booktube. My dream is to be able to work my day job just a little bit less than full time and to be able to spend the rest of the time promoting queer women books, which is my favourite thing to do.

Support the Lesbrary Patreon page here and be entered in the giveaway!

Stephanie reviews Juliet Takes a Breath by Gabby Rivera

juliettakesabreath

I can’t remember the last time I read a book in two days, but I have to admit that once I started reading Juliet Takes a Breath, I couldn’t put it down. I laughed, cried, raged, and wondered at Juliet’s antics and her naiveté, and fell more in love with this book every time I turned the page.

The novel’s protagonist is Juliet Milagros Palante, a 19-year-old Puerto Rican college student from the Bronx. She’s pretty sure she’s lesbian, and has been reading her feminist idol Harlowe Brisbane’s Raging Flower: Empowering Your Pussy by Empowering Your Mind, to help her learn more about feminism as well as her own sexual orientation. On a whim, Juliet writes Harlowe a letter and the author responds with an invitation to Portland to work as her intern for the summer.  After an awkward dinner where she comes out to her family, Juliet hops on a plane to Portland to try to figure it all out.

Harlowe is every white lesbian feminist hippie stereotype rolled into one. I have a feeling this was purposeful, since a good portion of the latter half of the novel is spent questioning Harlowe’s intentions and the one egregious act that sends Juliet away from Portland for a few days.  Still, Rivera’s characterization of Harlowe is hilarious as well as fodder for serious eye rolling. For example, when Juliet starts her period early, Harlowe tells her “My cycle is probably going to mentor yours.” Another gem:  After Juliet experiences a few intense days, Harlowe declares, “Not talking about a break-up can totally lead to a yeast infection.” There’s more of this, but again, I think the stereotyping is intentional; Rivera’s purpose is to question the universality of feminism and sisterhood, and Harlowe is the vessel through which she works through these issues in her novel.

My favorite character is probably Juliet’s cousin Ava, who calls Juliet out on her obtuseness after she flees to Miami to process what happened at Harlowe’s reading at the bookstore in Portland. My favorite line: “Girl, c’mon you could have realized that she was some hippie-ass, holier-than-thou white lady preaching her bullshit universal feminism to everyone.” Welp. I have to admit, I’d been waiting for someone to say this to Juliet the entire novel.  Regardless, Ava helps her to understand that queer Brown communities just might be the place where she can be her entire Puerto Rican, feminist, queer, curvy, self.   Ava takes Juliet to the Clipper Queerz party, a Black and Brown people only space, where it’s “less about there being ‘no white people’ and more of a night for us to breathe easier.”  Black and Brown folks are often accused of being exclusionary when we carve out spaces for ourselves, and Rivera does a great job of making it clear why these spaces are necessary for our mental, emotional, and yes, physical health.

I really loved this novel. However, there were a couple of times where I shook my head in disbelief as I was reading. For example, while Juliet’s naiveté is mostly endearing, there are places where it’s a bit over the top. How has she not heard of Chicana feminists Cherríe Moraga or Gloria Anzaldúa? Even her white feminist lesbian girlfriend Lainie seems to have a better grasp of Latina activists than Juliet, given her knowledge of Puerto Rican history and Lolita Lébron.  I was also a little troubled by the scene where she bleeds all over the bed at Harlowe’s house. Let me be clear, the bleeding wasn’t my issue, but who on earth tries to clean blood off of sheets using deodorant? Juliet is 19, not nine, so it seems unlikely that she wouldn’t know how to get a bloodstain out of her sheets.  There were a couple of other minor snafus as well, (the novel was preachy in places, and we don’t know that the novel is set in 2002 until halfway through), but these issues don’t detract much from the story.

All in all, this novel is a welcome addition to lesbian literature that focuses on Latina experiences. It’s a “fish out of water” type bildungsroman, with a Queer Brown twist. Does Juliet figure it all out in Portland? Is she able to reconcile all the parts of her intersectional identity? Can all women truly be sisters? I can’t promise that Juliet Takes a Breath offers tidy answers to any of these questions, but I can promise that you’ll have the time of your life finding out.

 

Danika reviews As I Descended by Robin Talley

As I Descended robin talley

When I heard a YA book was coming out that was a lesbian boarding school Macbeth retelling, I was already on board before I had even heard that it was by Robin Talley, the author of one of my favourite lesbian YA books.

This isn’t a direct retelling of Macbeth, but it does cover most of the main plot points, and it delivered exactly the kind of broody atmosphere full of revenge plots that I was hoping for. There are some great nods to the original story, including the chapter titles all being lines from the play, but it also works if you haven’t read or seen the play–or if, like me, you read it years ago and have to Wikipedia the plot details. The haunted boarding school (built on a former plantation) adds to the creepy factor, pulling in a strong Southern Gothic vibe.

As I Descended immediately drops us into this atmosphere, with the main characters summoning spirits with a Ouija board. I really enjoyed this brooding story, but I was surprised when the genre started to slip slightly into horror territory. I would definitely warn anyone planning on reading it that there are triggers common to horror, including blood and violence, as well as a blurring of reality.

It’s probably silly to mention in a review of a Macbeth retelling, but this gets very dark. If you only read LGBTQ books with a happily ever after, this isn’t the book for you. These are deeply flawed people, and the relationship at the heart of Descended is an unhealthy one. Maria (read: Macbeth) and Lily (read: Lady Macbeth) obviously are devoted to each other, but Lily knows how to manipulate Maria and uses that information. Maria initially seems to be an ideal student and friend, but as soon as she begins to lose that moral high ground she can’t seem to stop slipping.

It’s enough to have a lesbian YA Macbeth retelling, but there are other elements going on in this narrative as well. Maria is Latina, and her understanding of what’s happening to her and the spirit(s?) in the school comes from her relationship with Altagracia, her childhood nanny, who taught her how to communicate with spirits. Mateo is also Latino, but he has a different understanding of the spirits at the school. Lily is desperate to overcome being seen as just “the girl with the crutches”, and is terrified of adding “lesbian” to that.

Mateo, Brandon, Lily, and Maria are all queer, so no one character has to represent all of queerkind. That way, although a Macbeth retelling has a low survival rate, this doesn’t feel like a “Bury Your Gays” situation, because a) it’s a genre that demands a high death rate and b) no one character is The Gay.

I did feel like I couldn’t quite understand why Maria changed so drastically over the course of the book, and I was surprised at the tone change from “delightfully broody” to “I’m legitimately horrified”, but those are small complaints.

I would definitely recommend this one, especially on a blustery fall evening.

Danika reviews Labyrinth Lost by Zoraida Cordova

labyrinth lost

Nothing says Happy Birthday like summoning the spirits of your dead relatives.

2016 is shaping up to be introducing the kind of LBPQ YA we’ve been waiting for. Between Georgia Peaches and Other Forbidden Fruit‘s YA lesbian romance with an unapologetically religious main character, Of Fire and Stars‘s fantasy story focusing on two princesses falling in love, and Labyrinth Lost‘s Latina system of magic with a bisexual main character, the genre seems to be progressing leaps and bounds. We’re finally getting the kind of complex, intersectional, multilayered stories that readers have been endlessly requesting.

Labyrinth Lost is about Alex, a Brooklyn bruja (witch) who resents her own powers. She believes that magic has done nothing but harm her and her family, and she longs to be free of it. The magical system is inspired by multiple Latin American and Afro-Cuban cultures and beliefs. Although the book begins in our world, the majority is set in Los Lagos, an in-between world of gods and powerful, unearthly creatures.

It was refreshing reading a fantasy book that didn’t root itself in European tradition. Alex herself is an interesting protagonist, as well. Her magic has to do with her (dead) ancestors, and using it has consequences. Because of her history with her almost uncontrollable power, she has associated it only with destruction. She just wants to live her everyday life, and it frustrated with her sisters’ and mother’s attempts to include her in their belief system and magical practices. She struggles to accept her power, and for a queer POC protagonist, this has particular resonance.

Although the word “bisexual” isn’t used in the text, Alex finds herself pulled between two people: the brooding brujo she finds herself allied with, and her bubbly best friend, who is her constant source of light. In case it wasn’t already obvious, I wasn’t a fan of the broody dude. I’m usually not. But Rishi, her best friend (who doesn’t even get mentioned in the description!) is amazing. She’s absolutely adorable, and it was also nice to see an interracial pairing in a queer YA book that is between two girls of colour.

Although I did have some issues with the book partway through, all of those concerns were addressed by the end. I wasn’t expecting so much of the story to take place in another world. Daniel Jose Older called it a mix between Alice in Wonderland and Dante’s Inferno, which isn’t far off.

If you’re interested in a different take on YA fantasy, definitely pick up Labyrinth Lost!

Aoife reviews Always Human by Ari (aka walkingnorth)

always human
Always Human is a sci-fi webcomic set in 24th century Australia, where people now use ‘mods’ to essentially continually genetically engineer themselves – ranging from anti-cancer mods to fashion mods. People who don’t/can’t use mods are at an automatic disadvantage, particularly in terms of schooling – they can’t use memory mods and focus mods like the rest of their peers. Suntai is 22 and interning at a virtual reality company, while Austen is an 18 year old genetics major at uni. They meet at a train station, and the story goes from there.
I love this webcomic. It’s adorable, the art is amazing, the concept is great, it’s really diverse… I just love it. It’s really refreshing to read something set in Australia, even if it’s not exactly my Australia – it’s set in future WA, for one thing. (We still have vegemite, it’s all good). The vast majority of queer literature I’ve read is set in America, which is fine, but it’s not a culture I’m super familiar with or 100% comfortable in.
While the story is a romance, it’s also a meditation on how humanity interacts with technology, and an exploration of the pros and cons of that relationship. The worldbuilding is so good. It’s evident that Ari’s put a lot of thought into it, and there are some great little details, like the debugging scene, which makes her world seem very realistic. I’d be interested in knowing what mod access is like in terms of money and class, but it’s set up so issues like that can be explored in the future. If not, Ari does answer questions both on her tumblr and in Q&A pages.
One thing I particularly love about this comic is that future Australia has a lot of diversity – just like current Australia – but it’s accepted and normalised and lovely. Lots of the cast are racially and ethnically diverse, including our two main gals; we have an asexual character, and at least two non-binary people. The technology fits in with gender diversity really nicely: instead of needing surgery and hormone treatments if you want to transition, you just buy a mod – which is even cooler for non-binary or agender people because, while the majority probably couldn’t afford to do it daily, if you feel like changing it up, or become dysphoric, you can go right back.
I’m not going to go much into the details of the relationship, because I don’t want to spoil anything. It’s adorable and I love Suntai and Austen. Their friends are really sweet as well. I also love the way Ari uses their relationship to explore their world, and how problems are dealt with in a healthy and communicative way. It’s lovely. So far, it’s what Danika would call a cotton candy comic. AND I LOVE IT. I spent my read going “ugh it’s SO CUTE I WANT A GIRLFRIEND”.
Always Human updates on Saturdays, and is currently two chapters into its second season. If you’re looking for a lovely, light read with beautiful visuals, this is for you.
No trigger warnings I can think of, unless you’re a little leery of discussions of hospitals and chronic illnesses.
This and other reviews by Aoife can also be found at https://concessioncard.wordpress.com/.

Cara reviews Not Your Sidekick by C. B. Lee

not your sidekick

The premise of Not Your Sidekick has promise that the execution, unfortunately, doesn’t live up to. The best part of the book is the characterization of the protagonist and her love interest, but everything else falls short.

The book opens as Jess, the protagonist and first-person narrator, tests herself for superpowers in the desert near her home, then follows her home and into school to exposit the setting and to establish her relationships with her family and her two best friends. The biggest problem with this opening is that it’s boring, and to be honest, I almost gave up on the book altogether before I hit the key event that sets off the plot, midway through Chapter 3.

The relationships are boring because they’re stereotypical. Her parents are superheroes, but in other respects they’re East Asian parents who expect Jess to do well in school. She has an older sister, Claudia, who has superpowers stronger than their parents and whom Jess idolizes. She has an annoying younger brother who’s an engineering prodigy. We’re made to understand that Jess feels like the black sheep of her family, but there’s no emotional depth to it, no strong resentment, ambition, rebelliousness, alienation, or anything else you’d expect in someone who feels like a disappointment to her parents and inferior to her siblings. Likewise, her friendships feel superficial. We never learn why she’s friends with Bells or Emma or any of the emotional history that presumably binds them together. Unfortunately, this lack of emotional impact never gets better.

The world building could have saved the opening, but it’s boring too. The US, we learn, has been absorbed into the “North American Collective” and Vietnam into the “Southeast Asian Alliance.” This is unlikely at best, because countries are durable. The US has survived for 250 years, including two world wars and a civil war. Vietnam has existed in some form since around 938 CE, despite being conquered by China and France and fighting a bloody war against the US. When countries do change, it’s more common for them to fragment rather than combine. The enormous difficulty that the European Union has had in achieving even the limited amount of agreement it has and the disintegration of the Soviet Union after 1991 are instructive examples. How did these massive upheavals happen? Meanwhile, we also find out World War III took place, but nothing about who fought it, what started it, how was it fought, or who won, if anyone. Even though Jess and the other characters were born long after the war, even sixty years after World War II ended, references to specifics about it (Hitler, Nazis, the Holocaust, Hiroshima and Nagasaki, Pearl Harbor—these are are examples for the US, other countries have different common knowledge) are ubiquitous, even if often biased toward a particular nationalistic perspective on the conflict. The rest of the world building isn’t much better, and the lack of depth in politics and history weakens the rest of the story as well.

The best part is the midsection, which is focused on Jess’s job and her developing relationship with Abby. Jess shows more emotion here, and we learn more about how she feels about the people in her life, including her cute crush on Abby. Their interactions alternate between sweet and amusing, and I will never get tired of romances between women where homophobia plays no role at all. If the whole book had been this, it would have worked much better.

Two revelations in the midsection, that Abby is M and that Bells is Kid Chameleon were so obvious to me that it makes Jess seem dense. Maybe Lee is thinking that teenaged readers won’t make those connections as fast, but even when I was a teenager, I saw through such transparent attempts at concealment, so I’m skeptical.

The last part of the book, starting around Chapter 9, is less boring than the opening but no less problematic.

 

Spoilers

Some of the writing falls short. When we could have a climactic fight between Miss Mischief and Orion, instead we get, Mischief is brutal. She fights ruthlessly with Orion, whose superstrength damages the walls, and the entire house shakes with their battle, which is telling rather than showing if I’ve ever seen it. In an earlier fight, Claudia injects an unrestrained Abby with a syringe, even though stabbing someone, much less getting the fluid into them, is extremely difficult if they’re not cooperative and not strapped down.

These deficiencies aren’t the worst of it, though. We learn that all the heroes and villains are involved in a conspiracy where none of the fights are real, the heroes are in league with the North American Collective’s government, and the government is also intervening in foreign wars. I wasn’t surprised because, since there are no mentions of elections or other democratic systems, I’d already assumed that the North American Collective was authoritarian. Meanwhile, it’s also now imprisoning and experimenting on the villains and trying to use MonRobots for surveillance and assassination. I think Lee is trying to justify the superhero convention where conflicts between superheroes and villains don’t result in death, but none of the logic fits together here. Jess and her friends might be excused for not knowing they live under an autocratic government because they’re teenagers, but the adults would know. When villains started disappearing, the other villains would draw the obvious conclusion and the implicit bargain that keeps the conspiracy functioning would break down. Why were the other villains so passive, leaving Abby to do something? Meanwhile, even though Abby’s attempt to reveal the conspiracy becomes a major plot point, we don’t learn anything about the government, who has the power, or how it maintains control over everyone else. The heroes’ powers are not strong enough to defeat 21st-century level military technology much less 22nd-level technology, so if they’re running the government, how do they keep control? Who runs the military and the police, and why are they loyal to the heroes or whoever’s actually in charge?

Another major problem is that as the story veers into prison, human experimentation, torture, and autocratic government, the tone never changes to reflect how serious this is. Claudia depowers Abby, but how Abby feels about this is never addressed. For someone who’s had her powers for years, if not as long as she can remember, losing them would be like losing her sight or a limb. I think Lee means to convey that powers aren’t what gives a person moral value, which is true but irrelevant to what it would feel like for Abby to lose her powers. Adapting to a major disability is not easy and takes time. Claudia tells Jess, Your own person? You’re nothing but a byproduct of an experiment! … Maybe you should ask our parents what they’ve been keeping from you. I mean, they didn’t seem surprised at all when you didn’t get any powers, did they? Like they knew you wouldn’t?, but Jess never asks her parents about this, never even decides that Claudia is lying or think to herself that she doesn’t want to know the truth or any other reaction. Jess rejects Claudia’s offer to be her sidekick, but doesn’t feel anything else toward her, not even after Claudia maims Abby’s powers. Likewise, at the end of the story everything goes back to normal, even though Orion knows they broke Miss Michief out of prison and stole information from her DED. None of the adults or the teenagers express fear that the government is going to kill them or lock them up, frustration that they can’t reveal the government’s lies because they don’t have Abby’s powers, betrayal at the lies they’ve learned about, or anything else.

Along with this lack of seriousness is out-of-place humor. Orion never remembers Claudia’s name, and while Lee obviously wants this to show how little regard Orion has for Claudia, it comes off as silly and jarring in context. Orion and Claudia are such one-note villains that it’s impossible to take them seriously. Orion is a stereotype of a clueless, privileged white person, and the only motivation Claudia ever displays is a desire for power. They don’t carry the either side of the conflict.

 

Ultimately, it was the dissonance between the plot and the emotional resonance that left me unsatisfied with Not Your Sidekick, and I don’t recommend it.

Link Round Up: August 22 – September 3

small beauty jia qing wilson yang  princess princess ever after katie oneill   not your sidekick   labyrinth lost   tomboy survival guide ivan coyote

AfterEllen posted Identifying Queer Historical Figures.

ALA GLBT Reviews posted Land of Many Faces: Telling The Tales of LGBT India.

Autostraddle posted

style chelsea cameron   lieswetellourselves   batwoman   anne of green gables   The Girls in 3-B femmes fatales

Daily Xtra posted After 25 years at Little Sister’s, Janine Fuller now faces her toughest battle.

LGBTQ Reads posted Ten F/F YAs Under Five Bucks.

“Give ‘Em Elle: There’s No Such Thing as Organic [Pride Week],” on “organically” introducing queer characters in comics, was posted at Comics Alliance.

“Ursula Nordstrom and the Queer History of the Children’s Book” was posted at LARB.

Mount Saint Vincent University’s lesbian pulp collection was discussed at The Coast.

georgia peaches and other forbidden fruit jaye robin brown   Girl Mans Up by M-E Girard    you know me well   beyond   black wave michelle tea

Georgia Peaches and Other Forbidden Fruit by Jaye Robin Brown was reviewed at Queer Lit On My Mind.

Lights of the Heart by Nat Burns was reviewed at Lambda Literary.

Labyrinth Lost by Zoraida Córdova was reviewed at Lambda Literary.

Girl Mans Up by M-E Girard was reviewed at Queer Lit On My Mind.

You Know Me Well by Nina LaCour & David Levithan (audiobook) was reviewed at Omnivore Bibliosaur.

Beyond: The Queer Sci-Fi & Fantasy Comic Anthology edited by Sfe R. Monster was reviewed at Read Diverse Books.

Perfect Pairing by Rachel Spangler was reviewed at Lambda Literary.

Black Wave by Michelle Tea was reviewed at Lambda Literary.

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