Elinor Zimmerman reviews Set the Stage by Karis Walsh

When I picked up this book, I wasn’t sure if a romance set in the Oregon Shakespeare Festival would really be my thing because I’m not a theater person. But Walsh’s vivid descriptions of Ashland, Oregon, of the festival, and of her lead’s clashing career paths were so charming that I was transported. If you want a nice little romance to escape into, this might be the novel for you.

Emilie is an actor with more than a few career regrets who sees her season with the festival as a chance to finally get back on track professionally. She suffers from stage fright and once abandoned her theater dreams and initial acclaim for her work in order to follow her girlfriend, a fellow actor, on tour. She’s determined not to let anything stand in the way of her ambition again.

Arden is a lifelong Ashland resident, daughter of an actor and a director who left her to be raised by her grandparents while they pursued theater careers all over the world. She works in the local park, just like her late grandfather did. She dates actress who come for the festival and regularly gets her heart broken in the process.

Arden and Emilie are drawn to each other from the moment they meet in the park but agree that they should just be friends. Emilie doesn’t want a distraction and Arden doesn’t need another relationship with an expiration date. Over many months of rehearsals and performances, the two grow closer and closer, cheering each other on in their careers even as those ambitions threaten their bond.

The romance in this burns slow but I appreciated that. A lot of the focus is on their connection as dear friends, Emilie’s struggles to perform when her confidence is low, and Arden reconsidering the life she planned for herself and what her professional aims actually are. It’s engaging and fun.

The only thing I didn’t really like was Emilie’s roommate, a graduate student in psychology, who wants to use Emilie for her studies. While I’d buy an undergrad new to the field blurring personal and professional boundaries, by grad school a psych student should know better than to pressure a new roommate into quasi-therapy sessions for her research. Maybe this sort of thing would happen but it sounded unethical. It also seemed to be a way to reveal some of Emilie’s backstory and have her come to realizations. Luckily this roommate basically disappears from the book once she’s served that purpose.

Overall, it’s a fun romance. It made me want to go this festival, which I’d never had any interest in before. Set the Stage is worth a read for fans of romance or theater.

Elinor Zimmerman is the author of Certain Requirements, which will be released by Bold Strokes Books in Spring 2018 and is a contributor to the anthology Unspeakably Erotic, edited by D.L. King, and out now. Her website is ElinorZimmerman.com

Danika reviews As I Descended by Robin Talley

As I Descended robin talley

When I heard a YA book was coming out that was a lesbian boarding school Macbeth retelling, I was already on board before I had even heard that it was by Robin Talley, the author of one of my favourite lesbian YA books.

This isn’t a direct retelling of Macbeth, but it does cover most of the main plot points, and it delivered exactly the kind of broody atmosphere full of revenge plots that I was hoping for. There are some great nods to the original story, including the chapter titles all being lines from the play, but it also works if you haven’t read or seen the play–or if, like me, you read it years ago and have to Wikipedia the plot details. The haunted boarding school (built on a former plantation) adds to the creepy factor, pulling in a strong Southern Gothic vibe.

As I Descended immediately drops us into this atmosphere, with the main characters summoning spirits with a Ouija board. I really enjoyed this brooding story, but I was surprised when the genre started to slip slightly into horror territory. I would definitely warn anyone planning on reading it that there are triggers common to horror, including blood and violence, as well as a blurring of reality.

It’s probably silly to mention in a review of a Macbeth retelling, but this gets very dark. If you only read LGBTQ books with a happily ever after, this isn’t the book for you. These are deeply flawed people, and the relationship at the heart of Descended is an unhealthy one. Maria (read: Macbeth) and Lily (read: Lady Macbeth) obviously are devoted to each other, but Lily knows how to manipulate Maria and uses that information. Maria initially seems to be an ideal student and friend, but as soon as she begins to lose that moral high ground she can’t seem to stop slipping.

It’s enough to have a lesbian YA Macbeth retelling, but there are other elements going on in this narrative as well. Maria is Latina, and her understanding of what’s happening to her and the spirit(s?) in the school comes from her relationship with Altagracia, her childhood nanny, who taught her how to communicate with spirits. Mateo is also Latino, but he has a different understanding of the spirits at the school. Lily is desperate to overcome being seen as just “the girl with the crutches”, and is terrified of adding “lesbian” to that.

Mateo, Brandon, Lily, and Maria are all queer, so no one character has to represent all of queerkind. That way, although a Macbeth retelling has a low survival rate, this doesn’t feel like a “Bury Your Gays” situation, because a) it’s a genre that demands a high death rate and b) no one character is The Gay.

I did feel like I couldn’t quite understand why Maria changed so drastically over the course of the book, and I was surprised at the tone change from “delightfully broody” to “I’m legitimately horrified”, but those are small complaints.

I would definitely recommend this one, especially on a blustery fall evening.