Rachel reviews Plain Bad Heroines by Emily M. Danforth

Plain Bad Heroines by Emily M. Danforth

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A dark, haunting, gothic novel, Emily M. Danforth’s Plain Bad Heroines (2020) is a delightfully dark queer book with a complex and fun premise that was right up my alley.

Set across two separate timelines, the first begins in 1902 Rhode Island at the Brookhants School for Girls. Two students, Flo and Clara, are known to be uncommonly devoted to one another and to a writer named Many MacLane and her book. The two girls form The Plain Bad Heroine Society based around their love of each other and the book. But when their secret meeting place in the school’s apple orchard becomes the scene of their violent and startling deaths, a series of bizarre events begin to take place on the campus—haunting the students and staff until the school shutters for good five years later.

The second timeline finds us in the present day. Merritt Emmons publishes a hugely popular book about the darkly queer history of Brookhants School. The book inspires a film adaptation that introduces the reader to a cast of main characters. These three heroines will return to Brookhants for filming, but as they do, “past and present become grimly entangled” and the haunting forces that terrorized the Brookhants Heroines from a century ago may not be quite finished with their curse.

A layered story with multiple timelines and black and white illustrations by Sara Lautman, Plain Bad Heroines is an example of the neo-Gothic at its best. I absolutely loved this book. I ordered a copy as soon as a heard about its release, and I was not disappointed. Dark and Gothic, with characters that are thoroughly compelling and mysterious. The book alternates timelines and perspectives across chapters, but I never felt lost or confused. The narrative of Danforth’s novel is a complex one—it has many clues, red herrings, and conspiracies that constantly kept me guessing. And even then, I couldn’t guess the ending. I loved Danforth’s use of symbol and metaphor, and her investment in making both of her timelines as real and vivid as possible. In addition, the narration—with a cheeky narrator who addresses the reader and draws attention to the ‘storied’ nature of the novel—was fun and exciting and helped to organize the book’s complex plot.

The best part of Plain Bad Heroines is that nearly everyone is queer. Queer people abound across both timelines and I was particularly interested in Danforth’s portrayal of the queer women. Not only does Danforth link her modern and historic queer characters with each other through their shared and haunting experiences, but she also imagines a version of queer life in the early twentieth century that has an element of realism amongst her haunting and supernatural plot.

I could not recommend this book enough for those who love queer historical fiction, horror and the Gothic, or a good and dark mystery!

Please visit Emily M. Danforth on Twitter or on her website, and put Plain Bad Heroines on your TBR on Goodreads.

Content Warnings: Violence, physical and verbal abuse, homophobia

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Danika reviews As I Descended by Robin Talley

As I Descended robin talley

When I heard a YA book was coming out that was a lesbian boarding school Macbeth retelling, I was already on board before I had even heard that it was by Robin Talley, the author of one of my favourite lesbian YA books.

This isn’t a direct retelling of Macbeth, but it does cover most of the main plot points, and it delivered exactly the kind of broody atmosphere full of revenge plots that I was hoping for. There are some great nods to the original story, including the chapter titles all being lines from the play, but it also works if you haven’t read or seen the play–or if, like me, you read it years ago and have to Wikipedia the plot details. The haunted boarding school (built on a former plantation) adds to the creepy factor, pulling in a strong Southern Gothic vibe.

As I Descended immediately drops us into this atmosphere, with the main characters summoning spirits with a Ouija board. I really enjoyed this brooding story, but I was surprised when the genre started to slip slightly into horror territory. I would definitely warn anyone planning on reading it that there are triggers common to horror, including blood and violence, as well as a blurring of reality.

It’s probably silly to mention in a review of a Macbeth retelling, but this gets very dark. If you only read LGBTQ books with a happily ever after, this isn’t the book for you. These are deeply flawed people, and the relationship at the heart of Descended is an unhealthy one. Maria (read: Macbeth) and Lily (read: Lady Macbeth) obviously are devoted to each other, but Lily knows how to manipulate Maria and uses that information. Maria initially seems to be an ideal student and friend, but as soon as she begins to lose that moral high ground she can’t seem to stop slipping.

It’s enough to have a lesbian YA Macbeth retelling, but there are other elements going on in this narrative as well. Maria is Latina, and her understanding of what’s happening to her and the spirit(s?) in the school comes from her relationship with Altagracia, her childhood nanny, who taught her how to communicate with spirits. Mateo is also Latino, but he has a different understanding of the spirits at the school. Lily is desperate to overcome being seen as just “the girl with the crutches”, and is terrified of adding “lesbian” to that.

Mateo, Brandon, Lily, and Maria are all queer, so no one character has to represent all of queerkind. That way, although a Macbeth retelling has a low survival rate, this doesn’t feel like a “Bury Your Gays” situation, because a) it’s a genre that demands a high death rate and b) no one character is The Gay.

I did feel like I couldn’t quite understand why Maria changed so drastically over the course of the book, and I was surprised at the tone change from “delightfully broody” to “I’m legitimately horrified”, but those are small complaints.

I would definitely recommend this one, especially on a blustery fall evening.