A Devastating Story of Grief: We Are Okay by Nina LaCour

We Are Okay by Nina LaCour cover

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When I first picked up Nina LaCour’s We Are Okay and read the blurbs on the cover, I knew that it was going to be a sad one. After all, the noun “grief” appears multiple times alongside adjectives such as “devastating”, “raw”, and “lonely”. Still, I thought to myself, “I’ve read poignantly sad books before. How bad could it be?” Y’all, let me tell you that I was not prepared for how hard this book hit me. It is no exaggeration for me to say that I cried throughout large sections of it. The blurbs were true: We Are Okay is a beautiful and heartbreaking look at grief, its effects on people, and ultimately how the truth can help see us through.

Following a tragic event that shook Marin to her core, she leaves her California hometown for college in New York with only her phone, her wallet, and a picture of her mom. With the end of her first semester upon her, she still hasn’t spoken to anyone from home, not even her best friend Mabel. Instead of returning home, she plans to spend the entire Christmas break alone in an empty dorm. However, Mabel is coming to stay for three days of the break, forcing Marin to confront what happened and figure out if there is a way forward for her.

There is so much that Nina LaCour does in We are Okay that makes it so emotionally devastating. For starters, the language and writing style she employs really set the tone and sell the rawness of Marin’s emotions. Sentences tend to be shorter and more punchy and Nina avoids hiding things behind flowery metaphor. At the same time, she does an excellent job of showing Marin’s emotions rather than simply telling us what they are. These things combine in a way that either puts you directly into her shoes or makes you deeply empathize with her.  

Another thing that really sells the emotions of this book is the use of flashbacks and the slow reveal of the traumatic event. For most of the book, you flip back and forth between Marin now and Marin before the event. You get to see a younger, happier, more hopeful version of Marin directly contrasted to the Marin who has had that hope and happiness ripped away. By doing this and not revealing what happened until the third act of the novel, the mystery is properly built up and makes for an intensely heart-wrenching moment in the story when the curtain is pulled back.   

I also think Nina’s choice of setting the story around the first semester of college added to its overall impact. Living in a college town and working directly with college students, I see first-hand how hopeful and exciting that first semester of college can be for many of them. That first semester is a chance to reinvent oneself or engage in self-discovery. This new self then goes home and has the potential to crash against how people there once saw you. Marin’s experience is similar in a lot of ways to this, but in a much sadder fashion. She changes because change is foisted upon her by tragedy. Instead of going home, home comes to her and forces her to reckon with those changes.

Lastly, as sad as this story is at times, I did enjoy that it ended with at least some sense of hope. If this was a story that ended on a more downbeat tone or even mixed tone, I know I wouldn’t have enjoyed it at all.
We Are Okay is a book that emotionally destroyed me and left me bawling in my reading chair. That being said, it’s an experience that I am so happy that I got to have and will recommend to anyone else who asks about it. It’s a moving story of grief, what it does to us, and how we can slowly but surely come to live with it by, in part, opening ourselves up to others.

A Meditation On Grief Through a Speculative Lens: Our Wives Under The Sea by Julia Armfield

the cover of Our Wives Under the Sea

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I’ve seen this book mainly categorised as horror but after reading it, it feels more like a speculative fiction with elements of horror and sci-fi in it. This book transcends genres: that’s the mark of a phenomenal read! 

I went into this story expecting an action-packed, horror-strewn plotline and found something much better and resounding. Leah, a marine biologist, is married to Miri and embarks on a deep-sea mission from which she doesn’t return for six months. It’s a mission that goes horribly wrong and alters her life inextricably. The story is told from alternating points of view of Leah and her wife, Miri. 

The first portion of the book portrays the slow and gradual deterioration of their relationship and the silences that hover around them. The writing style is mundanely descriptive and intimate but charged with unspoken emotions. The author spotlights and emphasises their dynamic inner worlds and feelings and their reaction to this traumatic event. 

The chapters are interspersed with haunting and heartfelt past memories of the couple that throw into stark relief their dire situation in the present. Miri feels that the only way to move forward is to look back and hold the past as a beacon of light to guide their enigmatic future. This new unprecedented future seems endless, strange and indescribable, and in contrast, the past feels tangible and comforting. So she collects pieces of her past, holds them close to her heart, and soldiers on. 

There is a constant tone of nostalgia and a sense of something that is lost and irretrievable. Miri tries her best to be there for her wife through her transformations and it takes a toll on her. For Leah, she carries the horrors that she faced under the sea to her life on the land as well. The sea haunts her days and nights alike. Leah’s experience under the sea isolates her and brings her face-to-face with a truth that lodges itself into her body and continues to take charge of her. It is interesting to witness the struggles of the wives parallelly. 

Some of the chapters in the book make brilliant comments on grief and its enduring hold. It shows us how grief can transform us, either for the better or for the worse. Apart from the sea experience, I think the book also comments on how some traumatic events can really shake the foundations of our lives and relationships and permanently set us adrift. Also, I found the naming of the parts in this book very interesting and accurate. It documents how Leah gradually becomes one with the ocean and loses her grip on the land. 

The last portion of this book is filled with suspense and it takes on a frenzy sort of urgency. Even though I predicted the ending, it completely crushed me. It reminded me of the movie Shape of the Water. As long as you don’t dwell on the technicalities of the plot, the story is heartbreaking and profound. The book gets sadder as it progresses and then suddenly it plunges you into an abyss of absurdity and terror. I was not ready for it. However, I thoroughly enjoyed reading it! The entire reading experience feels like a poetic submersion!