Tag Archives: mermaid

Larkie reviews The Gracekeepers by Kirsty Logan

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three covers of The Gracekeepers

In a world where the seas have risen and land is the rarest, most precious commodity, most of the population live on boats, constantly wandering and trying to find their next meal. This setting is where we find a circus, a graveyard, and two women stuck in situations they would rather not be: North, bear trainer in the circus, is engaged to the ringmaster’s son and destined to leave the circus, the only place she has ever thought of as home. Meanwhile, Callanish lives in a graceyard, performing funerals for those who die at sea. As the plot slowly unravels, we slowly uncover secrets and quiet interpersonal dramas that sit just beneath the surface of a tight-knit crew who rely on each other for their survival.

Where this book really shines is in the atmosphere. There’s no lack of poetic descriptions of the sea, the circus, and the fine balance between life and death. The world itself is complex, and as beautiful as it is cruel, and we get to see it through the eyes of most of the major characters, both protagonists and antagonists, which gives us a full view from all different perspectives. This book feels very meditative, rather than plot heavy, and I’ve always had a soft spot for any slow love affair with the sea. If you’re looking for a quick paced adventure, then this is not the book for you; it’s much more of an ethereal exploration of how people’s lives are shaped by their circumstances, and how they can find agency even within strict social roles.

I do wish we could have seen more of Callenish and North’s relationship. They’re from different worlds, and while it was interesting seeing how they circled each other and slowly came together, they didn’t actually have enough time together to explore their dynamic. I loved the tiny bit that we did get to see of this, and I thought it really drew everything together nicely at the end, but it did leave me wanting more. Also, while we got a lot of different perspectives from lots of different damplings, we didn’t see much of the landlocker side of things — or how Callenish comes to embrace her role in between land and sea. I wanted to know more about the merpeople and the changes in the world, and how humanity might progress with its relationship to the sea — all things that we got hints of throughout the book, but it was never really brought up. I guess this lack of information adds somewhat to the air of mystery, but it really just left me with a lot of questions.

Overall, I enjoyed this book, but it definitely has a very specific mood to it which might not appeal to everyone. If you like world building and plots with lots of room to explore on your own, then you’ll love this book. However, if you need everything to be tied up, this might be more frustrating than anything else. I liked it, but it’s definitely got more atmosphere than plot.

Danika reviews “The Freedom of the Shifting Sea” by Jaymee Goh

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New Suns edited by Nisi Shawl

New Suns is an anthology of speculative fiction by people of colour, and it does include a few queer women short stories, but one really stood out to me: “The Freedom of the Shifting Sea” by Jaymee Goh. The author describes it as “A pornographic triptych of three different individuals encountering a creature part human, part bobbit worm.” This story perfectly combines two tropes that need more f/f content: human/mermaid love stories and human/monster sexuality. Any time a movie like The Shape of Water comes out, it sparks a new rehashing of the age-old question: “Why are so many people attracted to monsters?” I’m not here to answer that question, only to recognize its truth, and this is the perfect short story to explore it.

Mayang is not a mermaid: her bobbit worm-like traits, including mandibles, are too disturbing to fit our sexualized and Disneyfied vision of a classic mermaid. But she is a fantastical creature who lives in the water, who is fascinated by people, but also separate from them. Salmah and Mayang have a relationship, but there is tension there: they belong in different places. Salmah can’t reconcile this relationship with her life or future. I don’t want to spoil it for you, but it is Mayang’s next, unexpected relationship that bring her more acceptance and really explores what is possible between their different lives (and bodies).

Part erotica and part revenge-against-misogynists story, with an undercurrent of the grotesque that leaves you equal parts disturbed and enthralled, this is a story I think a lot people have been looking for without knowing it.

Megan G reviews Surface Tension by Valentine Wheeler

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Surface Tension by Valentine Wheeler cover

Sarai thinks she’s found the adventure she longs for when she finds a job as a crew member of a ship. Before her adventure can end, however, a storm throws her overboard and separates her from the ship. When she awakes on the shore of her homeland, there is a week-long gap in her memory, and the ship she was on is nowhere to be seen. While searching for answers in the water, Sarai finds something she never could have imagined.

Fantasy and mythology were my bread and butter growing up, so when I saw this novella about a love story between a woman and a mermaid, I knew I had to pick it up. It’s a short, quick-paced story, with a very different take on mermaid’s than any I’ve ever read. There aren’t many characters, but they are well developed considering the length of the story, and the plot moves forward at a decent pace. It never drags, but never races. I applaud Wheeler for this, since I’ve found pacing to be the most difficult thing to nail in a novella.

The mermaid’s are fascinating, though I think a large part of that is how mysterious they are. While Sarai is with them, she learns very little about their history and their ways and, since we are in her head, we learn just as little. I have mixed feelings about this aspect. [minor spoilers] On one hand, I love that we become so immersed in the mythology of the story that, because we are humans like Sarai, we are never allowed to learn about the mysteries of the mermaid’s. On the other hand, I am not too fond of endings where many questions are left unanswered, and so found this lack of insight into mermaid culture to be frustrating. This is, of course, a purely subjective opinion though [end spoilers].

Ydri, the mermaid that kidnaps Sarai and brings her to the mermaid kingdom, is incredibly sweet and a wonderful love interest. She’s genuine and caring and does everything in her power to help Sarai both underwater and on land. If it weren’t for the fact that she literally kidnaps Sarai and forces her to remain underwater with her for about two weeks (with the promise of freedom and compensation, granted, but still), I would call theirs the perfect romance.

Sarai herself makes for a wonderful protagonist. She’s both headstrong and compassionate, and several times sets herself and her reputation aside in order to help others. It’s fun to be in her head, to hear her thoughts and experience the things she’s experiencing. She makes me want to travel back in time and live on a tiny coastal island.

My only real frustration (aside from the kidnapping aspect of the romance) is that at times the dialogue feels a bit repetitive. Ydri and Sarai seem to have the same conversation at least five or six times throughout the story, and while this is very realistic, it feels unnecessary to have to read that exact same conversation over and over again.

Overall, I enjoyed this novella. I found it original, interesting, and well-paced. Highly recommended to anybody who loves mermaids, or just love stories between women in general.

Marthese reviews Mermaid in Chelsea Creek by Michelle Tea

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mermaid-in-chelsea-creek

Mermaid in Chelsea Creek is yet another book I have been meaning to get into and the hype did not disappoint. This young adult fantasy book is set in Chelsea, Massachusetts and follows Sophia a teenage girl with Polish ancestry.

Sophia and her best friend Ella like to play the pass-out game because it’s the only thing to do in Chelsea. One day, when they are playing the game near the filthy creek, Sophia has a vision of a mermaid. Sophia’s mother Andrea is neglectful yet worried when Sophia admits to playing the game because she was freaking out. Something in her was coming forth. Sophia eats a lot of salt- this is a big element in the book.

At face value, this book is about Sophia coming into her powers and the people around her changing and being seen in new lights. Ella changes, people she saw often take on a new light and pigeons start to mean something nice, wonderful. On a deeper lever, this book tackles evil and sadness and the wrongness that’s in humanity- it treats elements like pollution and pain and sadness of both the oppressed and the oppressors. Humanity is caged, with seemingly no way out. This book plays on the readers understanding of these topics and offers lightness and hope. Sophia is supposed to help heal humanity from its corruption; her power allows her to see inside a person’s emotions and heal them. To heal humanity, that’s her mission.

Sophia discovers that she is a legend. She always knew she liked salt but now she understands why. Salt is an ancient preservative and measure- it makes sense to incorporate it into the story. Speaking about legends, this book beautifully incorporates different cultures and their ideas on witches. Chelsea is very multicultural.

This book also explores family dynamics: how generations can help each other or destroy one another. In Sophia’s case, it’s the latter; her mother is neglectful, her grandmother is worse. There are other positive family representations though. There’s Angel- who Sophia’s grandmother introduces as a guy but is in fact a girl- and her mother. There’s also Sophia’s lost relations which were in front of her the whole time.

This book features elements that at first you think are weird. Whoever thought that pigeons could be helpful main characters? Or mermaids making use of sea waste? All elements mash up well together. The sentences are constructed exquisitely, things like ‘She would submit to the grime, become like a feral cat wandering the heaps of trash’ offer a sense of aesthetic pleasure which Sophia, with all the awareness of her surroundings also shares with the reader. The illustrations, done in a simple style add more to the book experience.

The queer elements in this book do not focus on blatant relationships – although Angel for sure has a thing for Syrena the mermaid. Sophie is 13 but unlike Ella, she is not boy struck. She just values her friend.

I cannot wait to read the second book and see where the story goes. I definitely recommend this book to people that like fantasy, mermaids, pigeons, magic, character development and family dynamics and philosophical themes with some constructive criticism to the world that we live in.