Zoe reviews Don’t Go Without Me by Rosemary Valero-O’Connell

Don't Go Without Me by Rosemary Valero-O'Connell

Don’t Go Without Me is a triptych of comics written and illustrated by Spanish-American artist Rosemary Valero-O’Connell which deal with ‘love, loss, and connection.’ Valero-O’Connell is best known for her graphic novel collaboration Laura Dean Keeps Breaking Up With Me with Mariko Tamaki, a book about a teenage lesbian and her experience in a toxic relationship. Don’t Go Without Me has fantastic premises with achingly familiar emotional experiences at their core. Her art style is iconic, something that is best described as ‘dreamy.’ She also uses panels in increasingly creative ways–they almost become visual line breaks in her comic poetry. Valero-O’Connell thrives in weird worlds, where every inch of space is filled with bits of plants or sky or people, creating a holistic experience for the reader.

The first, titular story follows a lesbian couple who cross to a parallel dimension and lose each other. The main character trades stories and facts about her girlfriend, Almendra, with the magical and strange residents of this other world for clues about her location, unwittingly trading away the memories associated with Almendra. The search shows off Valero-O’Connell’s character and world building skills as the main character plunges through high class parties attended by four-eyed suit-wearing men and skeleton heads and sphinxes and more. Every background character is unique and intriguing. The art is so complex and interesting that I wanted to read the whole thing again focused solely on the illustration

“What is Left” has another strange but compelling premise. In this story, a new fuel has been developed for spaceships– memory. A human donor can power engines through the brain waves generated by memories. The story follows one of the passengers, who, after an explosion, finds herself within the memory core next to the dreamer. She watches the dreamer’s life play out with no ability to communicate, struck by the knowledge that the dreamer is likely already dead. While the pages do contain a lot of sad content, it never comes off as depressing. It always feels more like a celebration of the negative emotions rather than a pity party.

The third and final story in this book, “Con Temor, Con Ternura” involves a town on the ocean, where a giant slumbers away. No one knows exactly how it got there, why it’s there, or when it will wake. The devout followers of the giant have calculated turtle migration patterns and sea levels and have determined that the giant will wake tomorrow, though no one knows whether it will kill them all or save them. Not everyone thinks it will wake, but people prepare for it nonetheless, with a huge day of feasting and partying. This is more of an ensemble piece, but the only characters that recur is an old lesbian couple, who represent love and how we reflect on it. It’s a deeply thrilling, emotional treatise on ‘what would you do if the world was ending,’ and, of course, it made me cry.

Rosemary Valero-O’Connell proves once again that she is a master of comic storytelling, visually and textually. Almost all of her stories contain, if not explicit lesbian characters, queer themes, and they all speak to some deep emotion inside of us. This comic was originally Kickstarted and published by the comics subscription service ShortBox, and I was so excited to get my hands on it. Valero-O’Connell’s work always hits and always hits hard, and I recommend this to literally anyone. Everyone deserves to read this wonderful masterpiece.

Susan reviews Laura Dean Keeps Breaking Up With Me by Mariko Tamaki and Rosemary Valero-O’Connell

Laura Dean Keeps Breaking Up With Me by Mariko Tamaki

Mariko Tamaki and Rosemary Valero-O’Connell’s graphic novel Laura Dean Keeps Breaking Up With Me is EXCELLENT. It follows Freddy, a mixed-race high-school girl as she gets dumped by the titular Laura Dean for the third time, and it ripples throughout her friendship group.

I’m not gonna lie, I did spend a lot of Laura Dean Keeps Breaking Up With Me yelling first that Freddy deserved better, and then that Freddy’s friends deserved better. The narrative does such a good job of showing why Freddy keeps going back to Laura Dean; she’s magnetic and charming, despite her casual disregard for everything about Freddy that doesn’t involve her. But also the art is fantastic for showing how Freddy’s life revolves around Laura Dean when they’re together (especially in its use of one colour versus the standard black and white art), at the expense of her friends! So even as I admired the story’s craftmanship in how it showed the relationships and the characters’ reactions to them, I was shrieking on twitter about how they made me feel!

Freddy’s narration is witty and sweet – I especially liked her observation that her being able to be humiliated and broken up with in public like her hetero friends is progress, because as a reviewer I feel called out – and the gimmick of writing to an advice column feels simultaneously nostalgic for the YA stories I was reading as a teenager, and as an excellent way to justify both the narrative and the final conclusion that Freddy comes to about her relationship.

(We all saw Laura Dean’s reaction coming, right? And cheered for Freddy doing what she needed to?)

I appreciated it showing that someone can be not right for you even though you love them, and the advice Freddy gets feels simultaneously kind and realistic. And I like that there was so much importance on Freddy’s friends, who all clearly had their own stories going on that intersected with Freddy’s! It worked, especially for Doodle’s storyline, which broke my heart for her.

Laura Dean Keeps Breaking Up With Me is excellent, and if you want something that feels realistically messy and contemporary, with a strong current of friendship running through, definitely pick it up!

[Caution warning: cheating]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found as a contributing editor for Hugo-winning media blog Lady Business, or a reviewing for SFF Reviews and Smart Bitches Trashy Books. She brings the tweets and shouting on twitter.

Sash S reviews Don’t Go Without Me by Rosemary Valero-O’Connell

Don't Go Without Me by Rosemary Valero-O'Connell

“Two lovers get separated on a night out in a parallel dimension. A ship that runs on memories malfunctions in the dead of space. A giant prophesised to wake from its centuries-long slumber beneath the sea.”

This graphic novel is a delightful triptych of stories, all queer, all exploring themes of love and loss in various sci-fi/fantasy settings. I pledged for this particular version in Valero-O’Connell’s recent Kickstarter and I could not be happier with such a gorgeous quality book.

Art-wise, the book is so beautiful. Each story is coloured in a different pastel shade and emphasised with well-chosen line weights and deep blue, almost black shading. The art style is soft and easy on the eyes, but with tons of visual interest as the creator quite literally draws us into three otherworldly settings. Machinery and florals alike are depicted with tons of intricate detail, making each page a work of art in its own right.

Don't Go Without Me page

The stories themselves are simple, yet well-told. The pacing is great, with the particulars of each setting slowly unfolded in a way that doesn’t leave the reader drowning in exposition. There’s also just enough left unsaid that you can’t help but let your imagination stretch out to what the rest of the world might entail – particularly so with the open-ended nature of the final story. A shout-out to “What Was Left,” previously published as a stand-alone comic, for literally bringing tears to my eyes with such a dreamy, romantic concept turned to tragedy, then acceptance, then hope. Each romance is strongly defined, each character is someone you can root for, each character dynamic is compelling and unique.

It’s hard to write too much about short stories, especially ones where half the experience is visual. But if you like graphic novels (or even if you don’t, really, give this a shot!) and you want to read more stories about queer women that are also about love and loss and mystery and community and dozens of other things, you couldn’t go wrong with this book.

Rating: *****

Mallory Lass reviews Laura Dean Keeps Breaking Up With Me written by Mariko Tamaki, illustrated by Rosemary Valero-O’Connell

Laura Dean Keeps Breaking Up With Me by Mariko TamakiCW: teen pregnancy & abortion, minor homophobia.

I fell in love with Tamaki’s writing in female helmed superhero comics like She-Hulk. I was over the moon to hear she had a queer graphic novel coming out, and Laura Dean Keeps Breaking Up With Me is packed with queer representation.

Frederica “Freddy” Riley is an average high school student in Berkeley, CA and is in a relationship that reminded me of my first year of college, to the dawn of Facebook’s “it’s complicated” status. As it says on the tin, her girlfriend, Laura Dean, keeps breaking up with her.

Laura Dean is aloof and popular–actually, she might be the most popular girl in school. I would also call her a player. Our first introduction to her is Freddy walking in on her making out with another girl at a school dance. She is always dropping in on her own timeline and jetting off in a hurry without regard for anyone else. But there is just something about her Freddy can’t quit.

I find graphic novels often are an easy to read and quickly consumable format. Coming from the colorful world of comics, the black and white illustration style of this took a touch to get used to, but Valero-O’Connell’s illustrations are gorgeous and full of diverse bodies, races, and personal styles. The one complaint I have about the formatting is sometimes the dialogue bubbles are hard to track and there is a lot of directional gymnastics, which slowed me down and detracted from the story. That said, the intrigue and page turning quality came from wanting to know how Freddy was going to resolve the mess of a relationship she had with Laura.

Freddie has a fantastic squad. Eric and Buddy, friends who are also a gay couple, best friend Doodle, plus other queers like newfound friend Val, and her boss at Gertrude’s cafe make up the lovely supporting cast. I enjoyed how the story explored how relationships that have toxic elements end up having a ripple effect throughout your life, and that Freddie has the opportunity to change the course she’s headed down.

Along Freddie’s journey to resolve her relationship issues, Tamaki seamlessly works in relevant teen topics such as: consent; contraceptives; what it means to come out and the consequences queer people have faced for living life openly; teen pregnancy & abortion; and friendships as primary relationships. Tamaki integrates cell phones and texting into the story in a way that reflects reality but doesn’t seem like social commentary on technology.

The dialogue felt real and lived in, and I would have loved to find this book at 17. If you like graphic novels, and/or Tamaki’s other work I would definitely give this a read. If you know anyone under 20 who has come out or is struggle with navigating their late teens, this would make a great gift.