7 Sapphic YA Graphic Novels I Read at Work

Alright, I didn’t really read these while at my job. Contrary to what many seem to believe, library workers don’t actually get to read on the clock (much to our chagrin). But I do see a lot while I am shelving, sorting, shipping, and receiving books, and graphic novels are especially eye-catching. Sometimes I’ll see a book go by and think, “Hey, that looks like it might be gay.” Sometimes I’m able to check it out and see, and sometimes I have to remember to look it up later. The following graphic novels I spotted while working at the library, and actually managed to get around to reading—on my own time, of course. Mostly.

Mooncakes by Wendy Xu and Suzanne Walker

Mooncakes by Suzanne Walker and Wendy Xu is a cute little story about professional witch-in-training Nova Huang and her childhood crush, runaway werewolf Tam Lang, reuniting when an unruly forest demon starts haunting their hometown. It’s all very surface depth—the romance is straightforward and without drama, the characters are likable in very obvious ways, and the story is a basic set-up and knock-down affair that practically advertises its happy ending. That said, the graphic novel is executed clearly and effectively, and it ends with a complete tale all told. A lot of people will be happy with the variety of representation on display here, and for what I think started off as a serial webcomic, Mooncakes isn’t half bad.

I Married My Best Friend to Shut My Parents Up by Naoko Kodama (Amazon Affiliate Link)

I Married My Best Friend to Shut My Parents Up by Kodama Naoko is a short, stand-alone manga, punctuated with what seems to be the first chapter of a completely different manga over halfway through the book. It’s exactly what the title says—serious businesswoman Morimoto Machi enters into a domestic partnership with her lesbian friend Agaya Hana to get her parents to stop pestering her about finding a man. It’s certainly a bit contrived, although the manga does have some rudimentary exploration into the personal and societal forces that might push two people into the titular situation. Overall, though, I found the pacing awkward (it also ends rather abruptly), and the humor a little immature for my tastes. But while I can’t bring myself to call the writing good, it’s at least written with heart. I can see this being someone’s favorite manga, but I personally wouldn’t keep space on my bookshelf for it.

the cover of Kiss Number 8

Kiss Number 8 by Colleen AF Venable and Ellen T. Crenshaw is a story about a teenage girl at a Catholic high school grappling with a crush on her best friend, conflicting pressures from her parents and peers, and a long-buried queer history in her own family. I’ll be frank, I did not like this book—largely for personal reasons, though I feel I ought to give a warning in case others might feel the same. A lot in Kiss Number 8 (especially the hook of seven poor kisses with boys, followed by the titular eighth with a girl) lead me to believe that the protagonist’s primary struggle would be that of a lesbian wrestling with compulsory heterosexuality. This is not the case; she is solidly bisexual, and in fact has sex with the brother of the girl she shared her eighth kiss with. This is not a problem in and of itself, but the surprise of it did sour my experience with the graphic novel.

the cover of What If We Were… by Axelle Lenoir

What If We Were… by Axelle Lenoir feels like a cross between a classic graphic novel and a collection of Sunday newspaper comic spreads, a la Calvin and Hobbes. It introduces us to teenage best friends Nathalie and Marie, who pass time imagining themselves as wildly different people in a variety of hilarious situations. This isn’t a metaphor or a rhetorical tool—many pages are just spent on the visual spectacle and humor of this (granted, quite cute and imaginative) game. It was the humor that I found fell somewhat flat; it relies heavily on absurdism and overreaction in a way that just didn’t click for me. The anxious teenage romance between Nathalie and her crush Jane Doe carried the rest of the story, but without it I don’t think I’d have much to say about the writing.

Honor Girl by Maggie Thrash

Honor Girl by Maggie Thrash is a graphic memoir recounting the author’s first lesbian crush at an all-girls summer camp in the American South. Honor Girl was the first of these graphic novels that I felt really had something to say, where the pieces all came together to form something greater than the sum of its parts. It’s also just good memoir writing. Autobiography can be hard to nail, but Maggie Thrash has an excellent sense on which details to include and what moments to linger on, and they manage to weave a bittersweet and melancholy story without the sense of contrivance that a too-neat memoir can impart. Some graphic novel aficionados might pass Honor Girl by on account of the rough and raw art style, but if so, they’re missing out.

the cover of Laura Dean Keeps Breaking Up With Me

Laura Dean Keeps Breaking Up with Me by Mariko Tamaki and Rosemary Valero-O’Connell is a wonderfully drawn and well-written graphic novel about a bad relationship. Freddy Riley loves Laura Dean, but Laura Dean neglects, isolates, takes for granted, and yes, keeps breaking up with Freddy. Laura Dean Keeps Breaking Up with Me feels layered in a way that the other graphic novels here so far haven’t, and I really liked how the authors would just let certain moments or transitions breathe. That said, this book is never going to be a favorite of mine—and not just because it isn’t a happy romance. The characterization of Laura Dean clearly evokes the imagery of butch lesbians; it’s what makes her so “cool,” so desirable, but it’s also inextricably tied to what makes her a bad girlfriend. This isn’t to say that the story is invalid because I didn’t like how a character was coded; butches can, of course, be bad partners. But considering how poorly masculine women are still treated today, it honestly hurt a little to read Laura Dean Keeps Breaking Up with Me and see such an obvious elevation of queer femininity at their expense.

The Girl From the Sea cover

The Girl From the Sea by Molly Knox Ostertag takes the cake, hands down, as my favorite graphic novel of the bunch. It’s about a closeted teenage lesbian living in a small island town, whose teetering life balance is completely upended with she falls in love with a selkie. Everything I saw the other graphic novels in this list reach for, The Girl From the Sea pulls off. The romance is adorable and sweet, but the characters have their own nuances that keeps it from feeling flat or predictable. The story is tight and well-paced, but there’s enough complexity going on that I don’t feel like a second read-through would be merely perfunctory. The art is great, the humor lands well, and I finished the book wanting more but feeling satisfied with what I had.

Samantha Lavender is a lesbian library assistant on the west coast, making ends meet with a creative writing degree and her wonderful butch partner. She spends most of her free time running Dungeons & Dragons (like she has since the 90’s), and has even published a few adventures for it. You can follow her @RainyRedwoods on both twitter and tumblr.

Maggie reviews She Who Became the Sun by Shelley Parker-Chan

She Who Became the Sun cover

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In She Who Became the Sun, Zhu, a peasant girl in ancient China, watches as a fortune teller predicts greatness for her brother and nothingness for herself. Days later, she is the only one alive in her family, and she makes the decision to assume her brother’s identity, and thus his destiny. Zhu joins a monastery out of necessity and learns to suppress herself into her brother’s identity so that Heaven doesn’t snatch her brother’s destiny away from her. As Zhu becomes more confident, she realizes that greatness is a destiny that has to be seized and worked for. Afraid that Heaven will throw her back to nothingness if she doesn’t want hard enough, Zhu must adapt to every change in fortune and hold onto her destiny harder than anyone else around her, through politics, war, rebellion, and pain. Shelley Parker-Chan’s debut novel is a gripping adventure with a lot to say about destiny, fortunes, and gender identity that I found to be a great read.

“Female character must assume a male identity to have an adventure/do what they want” is not an unusual fantasy trope (the book description mentions Mulan, but honestly Tamora Pierce’s Alanna quartet also sprang to mind several times), but Parker-Chan takes this concept somewhat farther. Zhu is not just worried about those around her finding out that she’s not a man, she is terrified that Heaven will realize she’s not Zhu Chongba and cast her back into nothingness, and so she must totally become Zhu Chongba, and do nothing that Zhu Chongba wouldn’t do. Later, Zhu realizes that the destined greatness she senses is uniquely hers and not her brother’s, but by that point she no longer feels like a girl as she was, but nor does she feel like a man. Terms such as gender-fluid, genderqueer or nonbinary aren’t really in Zhu’s vocabulary, or the vocabulary of anyone else around her for that matter, which really leaves a lot of scope for a queer reader to project their own experiences on the character, and makes Zhu unique and interesting in the annals of disguised fantasy heroes. It also speaks to identity as a journey that can change over time. I really enjoyed Zhu’s evolving identity, and how Zhu interacted with those around her, and I felt like this book had a lot of really interesting viewpoints and nuance.

Zhu also experiences many instances where she feels an intense connection with other people. At first this makes her intensely uncomfortable – such as when she feels a connection to the Governor of Lu’s widow. Zhu promises her power if she will help Zhu in return, and the Lady accepts. Zhu feels a connection to a woman who knows they are competent and wants power, but she’s still in a place that to feel connection feels too risky, like it will call Heaven’s attention to the fact that she’s not Zhu Chongba. Her other instances of connection are rather more queer. She feels an instant connection with General Ouyang, a eunuch serving the Emperor, the instant she lays eyes on him when he’s at the Monastery, and that connection continues on as they become rival commanders. This connection makes Zhu uncomfortable both because they are on opposing sides and because Ouyang’s otherness is blatant and acknowledged. She feels if she becomes too associated with him, or if he is around her too much, her own otherness will become too apparent. There is also Ma Xiuying, a noble girl nominally engaged to one of the rebellion’s leaders. Zhu cannot understand why Ma Xiuying won’t take what she wants for herself, and why she lets others bully her. Unlike her connection of otherness with others, Zhu is drawn even closer to Ma Xiuying, and their relationship blooms into something both delightful and queer. Zhu’s connections with others serve only to highlight her otherness and queerness, and how she reacts to them changes over time as her comfort in herself changes over time. I really enjoyed these scenes of Zhu realizing a connection, they felt real and like a great foil for Zhu’s own character development.

She Who Became the Sun is a stunning queer fantasy debut full of wide, sweeping action, and intimate character development. Zhu is a nuanced, layered character, whose evolving gender presentation and identity are great to see in a mainstream release. I had a great time reading this book, and I heartily recommend it for the epic fantasy crowd. I’m looking forward to the sequel!