Megan Casey reviews The Ultimate Exit Strategy by Nikki Baker

Hmm. This book was published by Bella Books in 2001, which would have made it one of their first publications. This means that for some reason Baker bailed on Naiad, who had published the first three books in this series. Naiad was subsumed by Bella two years later. The copy I read for this review was probably the only printing.

The fourth and last Virginia Kelly mystery takes place in the world of finance. The company Virginia has been working for since college, Whlytebread, Greese, Winslow, and Stoat, is about to be subsumed by a larger firm, Gold Rush Investments. This will make most of the Whytebread employees, including junior partner Virginia, fairly rich when they trade in their old company shares. There’s just one problem: Whytebread’s CEO, Wes Winslow, is murdered just a few days before the merger is scheduled to take place. If the murderer is not found, the deal will not go through. So Virginia sees it as her duty to solve the crime.

Like Baker’s other books, this one is too good to miss. Her flashbacks—often within other flashbacks—are not your basic narrative, but she manages to do it flawlessly—the reader always knows exactly where the story is going. Virginia is her old ironic self and her BFF Naomi Wolf is back to keep Virginia on her toes. To complicate the investigation, Virginia gets taken up with Detective Cassandra Hope, an old flame she would heartily like to rekindle. Then there is her faltering, long-distance relationship with Spike, who we met in Long Goodbyes. Virginia suspects that Spike is using her for her expectations and that Cassandra is using her to solve the case.

The British novelist C. P. Snow was a master at conducting dialogue without using actual quotations. Passages like: James was astonished when I told him that I knew his sister from my days at Cambridge. He told me that he had no idea that I had attended school there. Other novelists have done this as well, especially those that were not very good at rendering dialogue. But Baker goes Snow one better, blending active and passive conversation. Here’s an example in a conversation between Virginia and Naomi:

“I called Spike tonight and I broke up.”  I’d thought it was the best timing, considering Cassandra and all.

“Ok right.” Naomi picked up the mention of Cassandra as if it were a detail she’d forgotten. 

An article should be written on the best buds of lesbian sleuths. Certainly Naomi is at the top of the list, followed by Nyla Wade’s Audrey Louise and Jane Lawless’ Cordelia. Oddly, many of our protagonists’ BFFs are actually gay men (see Barbara Johnson, David Galloway, et al). Whenever Naomi is present, there is a spark—not only in Virginia, but in the story. Yet the reader senses that a romance between the two would be a mistake. In this novel, Naomi is trying to give up smoking, which makes her even bitchier than usual. And, as always, she figures out things just a little before Virginia does.

I have seen a review of this book that complains that Virginia is not black enough for the reviewer’s comfort. It reminds me of another review I read about a lesbian sleuth that was not lesbian enough. Virginia is a product of her time and her culture. She did not grow up in a ghetto, her parents were not divorced, and she completed a good college education. In fact, this is a brilliant portrait of a black woman who is trying to make it in the predominantly white profession of personal finance. The book does not dwell on Whitey vs. Blackie. It dwells on a sensitive and very intelligent young woman trying to survive in a world she has chosen. Bravo.

The Ultimate Exit Strategy is as good as the first three novels in the series, or at least it would have been if not for the sloppy job Bella Books did on both the editing and the proofreading. But the author has to shoulder some of her blame herself for not going over the final galleys more carefully (presuming that Bella provided any). The specter of HIV is thrust into the plot at the last minute and not only was it not foreshadowed, but it seems to come to nothing. Somebody missed something, or a couple of somethings. Like the half-dozen discretionary hyphens that pop up in the text. And the more-than-usual typos. In short, Baker made a mistake changing publishers. Maybe she thought that Naiad’s current editor would not be as good as Bella’s. She was probably wrong. Maybe the relative failure of this title made Baker rethink her aspirations as a writer. After all, she has published nothing else in over 15 years. Yet The Ultimate Exit Strategy does not end like the last book in a series. Like the author, Virginia ends up leaving her Chicago firm. Many adventures seem to lurk in the future.

Will there ever be another Virginia Kelly mystery? Who knows. But regardless, Nikki Baker is wildly underrated and underappreciated. Her books need to come out in new editions, including e-book editions. Give this book—and this series—a near-perfect rating, despite the editorial glitches.

For over 250 Lesbian Mystery reviews by Megan Casey, see her website at http://sites.google.com/site/theartofthelesbianmysterynovel/  or join her Goodreads Lesbian Mystery group at http://www.goodreads.com/group/show/116660-lesbian-mysteries

Megan Casey reviews Long Goodbyes by Nikki Baker

This is the third novel in Nikki Baker’s Virginia Kelly series. It is an odd novel. For one thing, unlike her other novels, it isn’t a mystery. Nor is it a thriller or a romance or any of the other typical genres. Although Virginia Kelly is the protagonist and the story is told in her inimitable voice, the location and the cast of characters has changed. Yet, except for a slightly sloppy ending, Long Goodbyes could be ranked high on a list of literary novels

Virginia Kelly, has traveled from Chicago to her home town of Blue River to attend her 10-year high school reunion. Because her relationship with her girlfriend Emily in Chicago seems to be over, Ginny becomes fixated on Rosie Paschen, her first love and her first lesbian dalliance, who has contacted her after a decade of silence to beg her to attend the reunion. But Blue River is not the same as it was when Ginny was a girl, nor are her friends. “I imagined many pasts in my home town, as many as there are individuals, as many as there are points of view. If they took up space, in the air overBlue River there would have been a huge traffic jam of individual perspectives returning, making it hard to avoid unfortunate accidents of colliding perception.

Ginny is looking forward to her meeting with Rosie  in order to complete an unfinished transaction, to show courage where she once felt fear. But when the two finally connect, Rosie is distant and standoffish. Ginny’s r near-obsession causes her to initiate sex with a reluctant Rosie anyway. And then Rosie completely disappears. The book is Ginny’s attempt to find her and make the kind of connection that she has been fantasizing about for years. Something that she hopes will validate her life and everything she has done up until this time.

Although Baker introduces Ginny’s parents and high school BFF Sandra, I missed the laconic Naomi Wolf, Ginny’s bud from Chicago. Without her, this novel is darker and more brooding, more desperate and haunting than the first two novels in the series. And I think this is the point. Ginny’s search is our search; the same search animals might make when looking over the fence or across the road or wondering what is on the other side of the mountain.

I wouldn’t be surprised if Baker conceived this novel as a stand-alone, with someone other than Virginia Kelly as the protagonist. But it works as it is and I was glad to connect with Virginia in a different setting. It must have been a difficult book to write—and to edit: Katherine V. Forrest missed a couple of convoluted paragraphs and seemed to be unable to get Baker to cut out unneeded scenes or characters—such as her gay friend Emery from high school. He was an interesting character and I would have liked to see him in another novel, but in this one he was extraneous. At 235 pages, Long Goodbyes is more than 60 pages longer than In the Game, which is a gem.

Despite its shortcomings, Long Goodbyes is a good addition to the Virginia Kelly series, and to lesbian fiction in general. It shows us another side of Ginny—one that most authors would hesitate to write. Anyone who is turned off by anything in the first two novels will certainly be turned off by this one. But for those of us who like Baker and Ginny, Long Goodbyes is simply another pleasure.

For over 250 Lesbian Mystery reviews by Megan Casey, see her website at http://sites.google.com/site/theartofthelesbianmysterynovel/  or join her Goodreads Lesbian Mystery group at http://www.goodreads.com/group/show/116660-lesbian-mysteries

Megan Casey reviews The Lavender House Murder by Nikki Baker

The Lavender House Murder by Nikki Baker cover

The second installment of the Virginia Kelly mystery series finds Ginny and her friend Naomi vacationing in Provincetown. Both are having girlfriend problems and simply need a break from their daily grind. But soon after they arrive, a famous lesbian journalist is killed in an alley. Seems that the woman was a gay rights advocate who believed that outing other LGBT folk—especially white-collar ones—was for their own good and the good of the cause. Now who would want to murder her? Well, the list is a long one.

The list should also be long for people who should read this book. Like In the Game, it has adventure, romance, and some of the best internal dialogue anywhere. Virginia Kelly, financial analyst by day and cruising lesbian by night, waxes poetic about her failing relationship with her lover Em. “There seems to be an irresistible force that causes all my relationships to self-destruct after a prescribed number of years. A kind of siren song that makes me want to hurl myself over the precipice into infidelities and deceit. And “What I wanted was a woman as flexible as builder’s putty to fill in the empty spaces in my life. I wanted a woman as large as a circus tent to wrap around me and keep me safe . . . to make a home for me in the ugly world. ” I can go on and on about Baker’s writing skills. Here’s a description of one of the suspects: “Her face had taken too much sun on its way to middle age, and her eye makeup was pastel blue. It was a school of beauty that had lost out in recent years to realism.” Ginny is sardonic, almost jaded—interesting but odd traits for a woman under 30. Through her introspection, The Lavender House Murders becomes not so much a question of finding a murderer, but of finding out about the world and solving questions in her own life.

While staying within Ginny’s point of view, the first half of the novel flashes back and forth between her and Naomi’s arrival in Provincetown, and Ginny’s discovery of the body a day or so later. It is tricky writing, but she pulls it off grandly. Baker’s cast of characters—all lesbians except for the obligatory gruff police officers—are varied and well-drawn, although a little clichéd at times. Ginny and Naomi are unique and thoroughly engaging, as is the lifestyle the author pictures with fine detail.

A similar book—one about a lesbian Bed & Breakfast in a coastal vacation spot—Death at Lavender Bay, was probably influenced by The Lavender House Murder. Even the titles are similar. This one is way better. In fact, this book was better than the excellent first novel in the series. Stay tuned for my review of the third next month at this time.

For over 250 Lesbian Mystery reviews by Megan Casey, see her website at http://sites.google.com/site/theartofthelesbianmysterynovel/  or join her Goodreads Lesbian Mystery group at http://www.goodreads.com/group/show/116660-lesbian-mysteries

 


Megan Casey Reviews In the Game by Nikki Baker

 

in the game nikki baker cover

Virginia Kelly is black. This is significant because it makes her the first African-American sleuth in lesbian fiction. Likewise, Nikki Baker is the first African-American author of lesbian mysteries. This makes In the Game an important literary event. At a mere 171 pages, this is one of Naiad’s shortest books, and it is also one of their sweetest.

Living in Chicago, where she got her MBA, Virginia Kelly has a well-paying job, an intelligent lover, and two good friends in Bev and Naomi. She certainly seems to have a good life going, but when Bev’s lover Kelsey is murdered near a lesbian bar, a pall is cast over them all. Naomi is worried about being outed if it becomes known that she associated with lesbian Kelsey. Ginny is worried that Bev will be charged with the murder and hires a lawyer to defend her. I guess that’s enough plot, because, although it is a good one, that’s not what makes this book outstanding.

Nikki Baker is one of the few authors who can outwrite her editor Katherine V. Forrest (Kate Allen is another). There is little poetic language or ethereal descriptions here; rather it is Ginny’s internal thought processes that put Baker in a class by herself. She waxes almost philosophical in almost everything she thinks about—from the presence of black women in high finance to love. And add chaos to that list: “Maybe craziness and order chase each other through our lives like seasons.” Ginny’s girlfriend Emily, like Gianna Maglione in Penny Mickelbury’s fine series of novels, is a white woman, so In the Game has another important racial element to it as well. In fact, black woman/white woman couplings seem to be a motif in Baker’s fiction. Another motif is that Ginny works in finance, an unusual profession for a black woman in the early 1990s—and don’t think that Ginny doesn’t obsess about that choice and about how she actually fits into a white, straight, world.

It is interesting that Ginny’s friend Naomi Wolf has the same name as the feminist author of The Beauty Myth, which came out in the same year as this book. Coincidence?

The only nitpick I can find in this book is that Ginny’s actions sometimes don’t live up to her thoughts. Not only does Ginny’s friend Naomi guess who the murderer is way before Ginny, but most readers will probably guess as well. A slight fault, and the only one this nitpicker can come up with.

Truthfully, it is hard to find a rating high enough for this book. Certainly it is as good as anything Naiad put out. And for it to be one of the first 50 or so lesbian mystery novels ever to be published speaks highly of the author and her editors.

For 200 other Lesbian Mystery reviews by Megan Casey, see her website at http://sites.google.com/site/theartofthelesbianmysterynovel/ or join her Goodreads Lesbian Mystery group at http://www.goodreads.com/group/show/116660-lesbian-mysteries