Tag Archives: workplace romance

Shannon reviews Something To Talk About by Meryl Wilsner

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Something to Talk About by Meryl Wilsner

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I picked up Meryl Wilsner’s Something To talk About as a palate cleanser of sorts. It looked like a quick, light read, something to make me smile in between some of the heavier books I’ve been reading lately. Unfortunately, though parts of the story were engaging, I struggled to connect with the characters, making this a less than stellar reading experience.

I love books that center around TV shows, so the synopsis of Something To Talk About looked right up my alley. It’s the story of Jo, a successful show-runner who holds the world at arm’s length, and Emma, her free-spirited assistant who is desperate to make her mark on Hollywood. Their relationship has been nothing but professional up until Emma accompanies Jo to an awards ceremony. A reporter snaps a photograph of the two of them on the red carpet, and from there, the town is buzzing with rumors about the romance that seems to have sprung up between them. Of course, these rumors are blatantly false, but no one seems to be interested in the truth. Instead, they’re looking for the next big scandal, and a scintillating romance between Jo and Emma promises to keep the rumor mill going strong.

Jo was a difficult character for me to warm up to. She’s really aloof, and while the author has given her a compelling backstory to explain her behavior, I had trouble getting past the facade she shows the world. Some readers may find her prickly nature endearing, but it didn’t work for me. I was turned off by the brusque way she treats Emma, even when they’re spending time together outside of work hours. It’s like she’s always in professional mode. The author tells us there’s another side to her, but the story doesn’t bear this out, and I ended up feeling more frustrated than intrigued.

Emma is Jo’s opposite in every imaginable way. She loves her work, but it doesn’t rule her life. Just around the time she and Jo are seen together at the ceremony, she learns she’s in line for a promotion, something she’s been working toward for years. Now though, she’s the subject of all kinds of gossip. She’s understandably concerned that all the talk could negatively impact her career, but Jo dismisses her concerns out of hand.

And this, my friends, is the basis for so much of what I disliked about Something To Talk About. There’s an obvious lack of equality between Jo and Emma, and Jo, the one with the most power in the relationship does nothing to address this fact. Instead, it felt like she was constantly dismissing Emma’s very real concerns. It didn’t come off as protective or nurturing, even though that seemed to be the author’s intent. It was off-putting and cringy, and I found myself wanting Emma to run for the hills as fast as she could. Unfortunately, she stuck around for more of Jo’s bad treatment.

In order for a romance to be believable, the characters must have some kind of chemistry on the page. Unfortunately, the relationship between Emma and Jo fell flat. I couldn’t buy into their feelings for one another, and a lot of what threatened to keep them apart felt contrived. I think it was a case of the author doing too much telling and not enough showing.

Some books just aren’t good matches for certain readers, and that’s okay. I’m sure there are people out there who will love everything about this particular romance, even though I struggled to make it through to the end. Luckily, there are tons of great books in the world and I’m sure I’ll find the perfect one for me in the not-too-distant future.

Meagan Kimberly reviews Perspective by Monica McCallan

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Perspective by Monica McCallan

Campbell St. Claire is a best-selling author whose novel is being produced for a film led by Sloane Murphy, a former friend from college. But the two haven’t spoken since an incident one night that left Campbell brokenhearted. Reunited, Campbell learns what happened that night with Sloane and the two reconcile. But misunderstandings ensue, and the two are once more at odds. It’s an uphill battle to get to their happily ever after.

For readers seeking a fun yet angst-filled romance novel, this is one to pick up. The character dynamic between Sloane and Campbell sizzles and burns as they orbit around one another, constantly coming together and pulling away. Miscommunications and mishaps cause their tug of war love affair as they decide what they mean to each other.

Both women suffer from insecurities that lead to their miscommunications. Campbell’s writing slump gives her a bout of impostor syndrome as she wonders if she’ll have another hit novel after her current gig. That impostor syndrome extends to how she sees herself and her worth. She considers Sloane totally out of her league and thinks the glamorous actress made her feelings clear long ago in college.

Sloane has a natural distrust of everyone as she created a career in the film industry. But her rough upbringing, which is kept vague, also influences how she views others. She believes the worst in people without knowing the full story. She guards her heart, but it’s a lonely life living in constant distrust.

The romance between Sloane and Campbell is built with care and compassion. While Campbell has been out and proud since college, Sloane did not come to peace with her sexuality until Campbell returned into her life. It’s a sweet relationship where Sloane wants to explore her feelings and Campbell helps her, but never pushes her. Their flirting is teasing, but never mean. It’s clear that although they have a great deal of sexual tension and physical fun, their relationship has always been based in friendship.

It’s a romance novel, so of course there are hot and steamy scenes throughout. But unlike many other romances, the sex doesn’t happen every other page. As Campbell guides Sloane through her journey of coming out as a lesbian, there’s more moments of tension than sex on the page. McCallan is adept at describing the sensuality of intimacy, especially in a budding romance between two women who take great care with their hearts.

When they do have sex, McCallan pulls all the stops. From start to finish, Sloane and Campbell’s intimate moments leave the readers and characters alike breathless. As they engage in their first time together, and Sloane’s first time with a woman, Campbell is incredibly careful about consent and boundaries.

Campbell always made sure to check in, but it never ruined the moment. The details in the scene depicted a positive experience for both women as they finally brought their burgeoning romance to its inevitable next level.

The one characterization that felt lacking was Sloane’s past with her mother. Details were dropped here and there indicating that the relationship was strained and that her childhood was traumatic. But it was all kept vague, making it hard to understand Sloane’s distrust in others. However, it can be argued that the point of leaving out Sloane’s difficult past and childhood was purposeful so as not to be voyeuristic.

One of the defining moments between Sloane and Campbell is when Campbell reaches out to Sloane after the actress’s mother gives the tabloids a tell-all. But Campbell never reads the story, because she knows that’s not what Sloane wants. Campbell is so considerate and respectful of Sloane’s boundaries that it’s what makes the actress drop her guard and give in to the love she has for the author.

There are a few supporting characters that round out the story and create a connection between the protagonists when they are circling each other. Riley the screenwriter befriends Campbell on set as the author stayed on as a consultant for the movie adaptation of her book. She also took a liking to Sloane, who had no choice but to keep her on as a friend. Riley is the kind of personality that doesn’t give others much choice in accepting her friendship.

Campbell’s younger sister Val plays a fleeting role. She acts more like a tool for the development of Campbell’s communication skills. She isn’t really given a chance to be her own character. Still, the love between the sisters is clear and sweet. In a story that’s mostly about Sloane and Campbell, it’s hard to add more of Val without digressing.

As with any good romance, the characters get their HEA. For any readers like myself who don’t usually gravitate toward the genre, this is a great book to give romance a chance. It keeps you turning the page and hoping for the best for everyone.

Mallory Lass reviews One Walk in Winter by Georgia Beers, narrated by Lori Prince

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One Walk in Winter by Georgia Beers

One Walk in Winter is a workplace romance set in the fictional mountain town of Evergreen spanning three US winter holidays: Thanksgiving through New Years. There is something about a book set in a place where it snows that really gets me into that cozy winter mindset. Light on the angst and high on the heat, Beers’ latest spin on a timeless trope left me smiling for days.

Hayley Boyd Markham is a New York City girl who has been working out her grief over her mother’s passing by setting the city on fire. After a particularly expensive night out, her father informs her he’s cutting off her credit cards. In order for Hayley to earn her allowance back, she’ll need to go manage one of the Markham family resorts, the slowly declining Evergreen Resort and Spa, through the winter. The problem is, Hayley is an artist like her mother and not very interested in the family business like her father and step brothers.

Olivia Santini has worked as the Assistant Manager of the Evergreen Resort and Spa for seven years; she thinks she’s a shoo-in for the open Manager position, only to be crushed when she doesn’t get the job. More ego bruising, the new Manager doesn’t seem to have any resort management experience, and Olivia isn’t sure where she went wrong. It doesn’t help that she’s finding it really hard to maintain her grudge against Hayley, who, aside from her penchant to be late, is extremely attractive and likeable.

Olivia and Hayley have a picturesque meet cute about 3 hours before finding out Hayley is Olivia’s new boss. After the rocky second meeting, despite their obvious attraction, Hayley and Olivia take it slow, working hard to earn each others favor. Sometimes, two people just need a good push in the right direction, and that is where Angela Santini, Olivia’s mom comes into the picture. Angela is a supportive mom, and she pushes Olivia to give Hayley the benefit of the doubt. It’s just the encouragement she needs to get out of her own way.

The supporting cast and the hidden gems of the town of Evergreen are slowly revealed throughout the story. Beers’ created a town I would love to be able to go visit and friends I wish I could call my own.

Hayley has been ordered by her father to conceal her Markham identity and prove she can help turn the Evergreen around. As Hayley and Olivia become closer, Hayley’s concealed identity is no doubt going to become an issue. I was pleasantly surprised with how Beers resolved their conflict, but will it be too late for Olivia to forgive Hayley? You’ll have to give this one a read (or a listen) to find out.

Speaking of, I listened to this book on audio, and Lori Prince does a wonderful job bringing Hayley and Olivia to life. I can’t wait to listen to other books she’s narrated.

Julie Thompson reviews Ask, Tell by E.J. Noyes

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Ask, Tell by E.J. Noyes cover

Just in case you’re unaware, author Jae is hosting Lesbian Book Bingo. There are twenty-five genre categories, including a free square in the center of the board. If you’re like me, some of the squares will challenge you to give books you might otherwise skip over a second chance. Celebrity romances and hospital dramas, for example, aren’t my cup of tea (though I did watch a shizzload of “Primetime in the Daytime” ER episodes between classes and devoured gossip magazines in college).

Aside from the joys of discovering great new books to read, if you participate you could win some sweet prizes! Starting this month and through the rest of the year, I’m going select review books based on bingo categories.

Last month I read Ask, Tell by E.J. Noyes, a romance set in the waning years of the “Don’t Ask, Don’t Tell” (DADT) United States policy, fits snugly inside the camo pocket of the “women in uniform” category. Department of Defense directive 1304.26, E1.2.8 (1993-2011) forbid US soldiers from asking about the sexuality of service members or tell others about their own or others. Prior to this, many people not only received dishonorable discharges from being targeted as gay, lesbian, and queer, they also lost out on future job opportunities and much, much more. The private and public ramifications of being labeled unfit for duty because of their sexuality had far-reaching effects.

One of the reasons that I usually avoid military novels is that I don’t want to read a 150 page plus advertisement for the armed services and that I’ve already watched countless documentaries, mini series, and movies. Thankfully, Noyes has crafted a thoughtful romance about the heavy toll that government policies such as DADT exact from queer service members.

Captain Sabine Fleischer, an Army surgeon, carries on her family’s tradition of military service. Out of range of the brass or colleagues, she lives openly as a lesbian with her supportive family, and her longtime girlfriend, Victoria. On duty, she hides all traces of her personal affairs. The pressure of leading a dual life is palpable throughout the story.

Her current deployment to Afghanistan is spent scrubbing in for surgery, hanging out with her best friend and fellow surgeon, Mitch, or crushing on her superior officer, Lieutenant Colonel Rebecca Keane. When an unexpected letter from home arrives, it triggers a surge of emotions with few healthy outlets. The novel’s romance, much like the surgeries performed on wounded soldiers, centers on patience and attention to detail as the women navigate attraction in a restrictive environment. Supporting cast of family, friends, and co-workers add depth to the story as it moves between Afghanistan and the US, between difficult decisions, and towards an uncertain future. If you’re like me, the almost snowglobe focus on routine medical procedures and DADT insulates you against the fact that they are in a war zone. Despite the battered and broken people coming through their operating rooms, the last quarter of the novel may take you off guard. Absorbing, moving, and unhurried, Ask, Tell gives readers a hard-won possibility.