A Debut with Staying Power: Please Stop Trying to Leave Me by Alana Saab

Please Stop Trying to Leave Me cover

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Please Stop Trying to Leave Me is a deeply engrossing, frenetic, and thought-provoking debut by Portuguese-Lebanese-American writer and screenwriter Alana Saab (she/her).

The story is narrated by Norma, a twenty-seven-year-old, privileged young woman living in present-day New York in the wake of a mental health breakdown. Described by Saab as “experimental”, the novel unfolds over eight months of Norma’s therapy sessions, which are interspersed with short stories from her manuscript. In therapy, Norma explores the “oblivion” that has plagued her since childhood. Though Norma previously only ebbed in and out of oblivion, she now finds herself stuck in it, unable to finish her manuscript and overwhelmed by the signs she believes God is sending her to break up with her girlfriend.

Early in the book, Norma’s therapist diagnoses her with major depressive disorder, depersonalization/derealization disorder, and immense anxiety. Norma’s therapist surmises that Norma is projecting meaning onto her external environment (i.e., signs from God that she should break up with her girlfriend) so that she does not have to do the internal work of reflection. Norma’s therapist believes that this is likely because Norma has experienced significant trauma.

Reading Please Stop Trying to Leave Me was an immersive experience. As someone who struggles with anxiety, Saab’s writing was so authentic that I had to put the book down several times to stop myself from getting swept up in Norma’s chaotic energy. Saab displayed such a high-level understanding of mental health issues and the ways in which they manifest that I was not at all surprised to learn she has a Masters in Psychology. It was also really refreshing that Saab wrote with such unflinching honesty about not only Norma’s traumas, but the reality of being in a healthy adult relationship, including the fact that ambivalence is a normal part of every relationship, romantic or otherwise.

My favorite short story from Norma’s manuscript was “Fertile Ashes”, wherein she charted her main character’s lifelong coming out journey and compared the art of fearlessly choosing for ourselves to the self-immolation and rebirth of a phoenix. I also really enjoyed how clever and incisive Norma was throughout the novel. No matter how heavy the subject matter, she managed to bring levity–whether she was criticizing the arrangement of the pillows on her therapist’s couch or cursing out Joe Biden for lying to the American people and upsetting her girlfriend.  

Saab is a masterful storyteller. Although I found Please Stop Trying to Leave Me difficult to get through at times, it was only because Saab had so expertly crafted Norma’s world that its chaos was palpable. I wholeheartedly recommend this book to anyone who’s ever wondered about how the mind works of someone who struggles with depression, anxiety, or dissociation, and to anyone who believes in the healing properties of writing.

Saab lives in New York with her partner.  She teaches writing workshops to survivors of domestic violence, human trafficking, and sexual assault through the non-profit Here There and Everywhere. She also mentors incarcerated writers with PEN America’s Prison Writing Program. You can find Saab on Instagram at @alana.saab.

Trigger warnings for discussions of mental health issues, including depression, anxiety, panic attacks, and depersonalization/derealization disorder; recreational and prescription drug use; child sexual abuse; suicidal ideation; and graphic detail of a medical procedure.

Raquel R. Rivera (she/her/ella) is a Latina lawyer and lady lover from New Jersey.  She is in a lifelong love affair with books and earned countless free personal pan pizzas from the Pizza Hut BOOK IT! program as a kid to prove it.

Mental Illness, Diaspora, and Eldritch Horror: Where Black Stars Rise by Nadia Shammas and Marie Enger

the cover of Where Black Stars Rise

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Dr. Amal Robardin, a sapphic Lebanese immigrant who just started working as a therapist, finds herself deeply concerned after the mysterious disappearance of her very first client, Yasmin, a young woman from Iran who has been diagnosed with schizophrenia. Amal feels a responsibility to Yasmin, not only as her therapist but as a fellow Middle Eastern woman trying to find her footing in a new country, far from her family, and where it’s difficult to build a support system. Using the information that Yasmin shared during their therapy sessions, Amal follows these clues to retrace her patient’s steps. When she accidentally falls into an alternate dimension of eldritch horror, she must find her way through the confusion and chaos of this new world to save Yasmin—and herself.

There is, sadly, a tendency in horror for authors and scriptwriters to misappropriate mental illness or use it as a convenient—yet harmful—plot device. Where Black Stars Rise stands out because of its particularly raw, honest, and vulnerable narrative voice. Stories that are centered around mental illness will always be quite heavy, and while this book is no exception, it addresses the topic with such beautiful nuance and even a tinge of heart-breaking hope. Enger, who also has schizophrenia, brought a sense of themself into the characters as well as the captivating world building, all of which made for an extremely emotional reading experience.

Indeed, the design of the alternate world, “Carcosa”, is some of the most harrowing yet stunning art I have ever come across in a graphic novel. Tied in with the character design with which I am deeply obsessed, this book made me an instant fan of Enger’s amazing talent.

Another one of my favourite elements of this story were the conversations that the characters had with regards to family and culture, and how they affect the ways in which we view and understand our mental health. I felt a very personal connection to the characters, especially Amal. Her relationship with her parents is quite complex and nuanced, and while she has a lot of love for her family, she also feels a distance between them because of her queerness and her career choices. This distance is in turn amplified by her reluctance to return and visit them in Lebanon. I so appreciate Shammas and her talent as a writer, and once again, I felt as though she had put a piece of herself into these characters. Being Palestinian-American, it’s clear that the topic of diaspora and having a life and family that is split between the Middle East and the United States was an element of the story that was very personal to her, and it elevated the book that much more.

By the end of this, my jaw was dropped, and tears were freely flowing down my face. As much as it broke me, I loved following these characters through their different, yet intertwined journeys. Shammas and Enger built a truly memorable story, with one of my favourite quotes of all time:

“Most of all? I love that in horror, our storytellers are always right. They’re never believed, they’re cast aside and undermined and left to face the cosmic cruelty alone. But they weren’t wrong. And the readers, the audience? We bear witness to them. We listen, and by merit of their narrative or performance, we believe them in that short burst of time. I want to write that feeling into being. I want to be believed.”

Fans of horror will understand the power of this passage, and readers of all kinds will be able to appreciate the overall chaotic beauty of this wonderful graphic novel.

Representation: Lebanese sapphic main character, Iranian main character with schizophrenia, Black sapphic love interest

Content warnings: mental illness, schizophrenia/psychosis, body horror, blood, gore, suicidal thoughts