Danika reviews This is What it Feels Like by Rebecca Barrow

This Is What It Feels Like by Rebecca Barrow

I’m grateful that we are finally starting to get YA (New Adult?) books like this. Queer YA in the last few years has really grown, including having more queer people of colour represented (although there is still much more needed). This Is What It Feels Like is so different from the kind of queer YA that was coming out just 5 or so years ago. It follows three teenage girls who have just graduated from high school. A few years ago, they were inseparable, and they played in a band together. Then, Hanna’s alcoholism landed her in the hospital with alcohol poisoning. Meanwhile, Dia’s boyfriend, who she was just starting to get close with, was killed in a car accident. Weeks after the funeral, Dia finds out she’s pregnant and decides to keep the baby. Hanna and Dia walk away from each other, and Jules sides with Dia. Now, their city is holding a music competition that includes a $15,000 prize, and they just might have a chance to win it–but it means getting the band back together.

Who doesn’t love a “getting the band back together” book, especially when it’s literal? Dia, Jules, and Hanna are all complex people, and the conflicts they have with each other are nuanced and understandable. Dia told Hanna that she couldn’t be around her baby because she couldn’t be trusted–but the real reason they drifted apart was because Dia was terrified to lose anyone else after Elliot died, and it’s the same reason she isn’t dating the boy she’s in love with. Hanna has been sober for over 400 days after going through rehab, but she’s lonely and feels like she can never be good enough for her parents. And Jules is caught in the middle, while she’s also trying to figure out a new relationship while carrying around the damage from her last one.

The three of them have a lot to work through, but I was relieved to see that they do talk about their problems. They air their grievances in a reasonable time frame–this isn’t one of those “Why don’t they just talk??” books where the only conflict is miscommunication. The problem is that they have a lot to work through, and it takes time, and more than just one conversation. They have to keep bumping up against these ghosts from the past and processing it again. I loved the realism of their relationships with each other, which are flawed and difficult, but also are the grounding forces in their lives.

This also has a great f/f romance (and a good m/f romance with Dia, to be fair). Jules meets her new coworker, Autumn and immediately has an all-consuming crush on her. If you’re allergic to instalove, you might not like that, but I think you’ll come around if you stick with it. Autumn has never been attracted to a girl before, so she’s working through that a little bit, but mostly they have an adorable beginning to their relationship. Unfortunately, Jules is working through her own issues: her last relationship was not great, and she’s a little too fixated on trying to have the perfect relationship with grand, romantic gestures instead of concentrating on what’s in front of her. Although they fall for each other quickly, they have to work at their relationship. (I have to share this cute line: “All she could see and feel and think was this girl and maybe she wasn’t really in love yet, but oh, maybe she was.”)

I am gratified to find a YA book with a teen mom where it isn’t the main focus of the book. My sister and my mother both had their first kids young, at 19 and 20 (which isn’t as young as Dia was). They also both went to an excellent school for pregnant teens, so that’s been something I’ve been acutely aware of since I was young. It is a very difficult and challenging thing to do, but it’s nice to see a depiction of a teen mom who is balancing raising her kid with school and being herself. Like Dia, my sister lived at home when my niece was young, and we all helped out. I liked seeing Dia able to be a young mom who still was pursuing her dreams and planning for her future.

I highly recommend this to anyone. I appreciated how layered and complex the relationships all are here, and I felt like I really got to know Hanna, Jules, and Dia. There’s also, of course, the thread of music running through, which is what they are all passionate about, so there’s another entry point into this story. Also, there’s an adorable toddler who is a fan of a dog named Waffles, so what more could you want? Of course, this whole review is for naught, because you should all be picking it up based on that gorgeous cover alone.

Danika reviews How To Make a Wish by Ashley Herring Blake

Even before this book came out, I have been hearing 100% positive things about it. Lots of people whose opinions I respect have sung its praises, and with bi & lesbian YA readers, it’s widely accepted as a favourite. But despite these glowing reviews, I was reluctant to pick it up. Why? Honestly? Because I didn’t like the cover. It looked so bland! I know that’s a silly reason, but that’s why it took so long to reach the top of my TBR stack. And in fact, it’s probably only because I read it on my phone instead of picking up the physical copy that I even made the leap then. I’m happy to say that I was utterly mistaken in putting it off, and everyone else was completely in the right. I loved this book.

This book deftly deals with grief and unhealthy/abusive family dynamics. Grace’s father died when she was young, and since then, her mother hasn’t acted much like a mom. Maggie has been dragging Grace from one boyfriend’s house to another, and Grace is used to following her into bars and pulling her out of dangerous situations. She feels like it is her responsibility to watch after Maggie.

This is a horrible situation to be in as a teenager, and Grace is obviously suppressing a lot of anger and pain. She never knows what she’s coming home to. She’s constantly scared that Maggie has gone out drinking or ended up with a questionable guy. Trying to grow up quickly and hold it together for the both of them means something has to give. I appreciated was Grace as a character because she has deep friendships and cares about people, but she also lashes out in ways that are very believable. She wants to reach out, even as she feels that making connections is meaningless, that she is trapped in this situation. It makes her a complex but relatable character.

The relationships between characters are nuanced: Grace’s best friend and his mother are a solid source of support for her, but Luca’s mother and Maggie have a strained relationship that causes Grace to try to cover up for Maggie. In the meantime, Luca and his mom have taken in Eva (Grace’s love interest), who has recently lost her mother. Maggie takes Eva under her wing, causing Grace to agonize over whether she should tell Eva the whole truth about Maggie.

That’s a lot going on, and it’s only scratching the surface. Maggie and Grace are living with Maggie’s new boyfriend, who happens to be the father of Grace’s ex-boyfriend, meaning she’s stuck in the same house as the guy who publicly posted their suggestive text conversations after they broke up. Grace desperately wants to pursue a career as a pianist–her passion–but is afraid to leave Maggie alone, and the deadline for her life-altering audition is rapidly approaching.

The heart of the story, though, is between Maggie, Grace, and Eva. Grace cherishes the relationship she forms with Eva, where she feels like she can be herself, while resenting Eva for having a more positive relationship with Maggie than she does. The push-and-pull between Grace and all the people in her life leaves her in a situation that feels unwinnable. It’s heartbreaking to see how Maggie lets Grace down, over and over. Particularly because it’s so believable. Maggie is not a cartoonish villain, but she’s a terrible mother who puts her own child in danger and doesn’t even notice.

In case it isn’t obvious, I highly recommend this. I thought it was masterfully handled, and I was completely invested in Grace and Eva–individually and as a couple. My only complaint was that I thought Grace’s ex-boyfriend, Jay, got off the hook too easily for what he did. But overall, the treatment of abuse and grief layered with a bisexual (yes, using the word bisexual) love story and accompanied with a thoughtful examination of race and art (Eva is a black ballet dancer) all came together into a five star read for me, regardless of the cover.


Whitney D.R. reviews The Love Song of Sawyer Bell by Avon Gale

Victoria “Vix” Vincent is an alt-country rocker girl and Sawyer Bell is a sweet, innocent violinist running away from Juilliard to join in Vix’s band. Vix is an out bisexual and Sawyer is figuring out whether or not she’s a lesbian (spoiler: she is). I feel like this might be a basis for an Avril Lavigne-type song. Now I have “Sk8r Boi” stuck in my head.

I’ve always wanted to be in a band and go out on the open road with my friends and play music. The Love Song of Sawyer Bell didn’t candy coat how hard it would be to live that kind of life when you don’t have financial backing of a major label. Touring is grueling and often gross, but at least you’d be doing it with your band-family instead of completely alone. And you’d get to live the dream of being a performing musician. It’s not glamourous, but the book still made it seem fun, and I felt like I was there with the band.

The relationship between Vix and Sawyer was just so…normal. I don’t mean that in a bad way. These two women would have fights, sulk about it for a day or two then talk it out and make up. Just like most normal couples do, but with a little flair to kick up the story. I did think Sawyer, perhaps because she was newly out and insecure about her place in the world outside of being a fiddler, was quick to push Vix away. While Vix was afraid of telling Sawyer how she really felt. Both are perfectly relatable for ~us millennials~ who are still figuring our lives out while entering into a new relationship.

Sawyer’s unhappiness at Juilliard and her bit about feeling betrayed that something she wanted she got, but ended up hating it really resonated with me. It’s hard when you work hard towards something, think you made it, and then it turns out worse than you expected.

I did find Vix to be a bit preachy about bisexuality, but with so much erasure and misunderstandings in all forms of media, I couldn’t really be mad at it.

Completely unnecessary for this review, but can I say that my fancasts for this book are totally Melanie Scrofano for Vix and Dominque Provost-Chalkley for Sawyer? I know they play sisters on tv and the opposite in height, but it’s who I pictured the entire time I was reading.

I liked The Love Song of Sawyer Bell. I’ll definitely read the next book in the series and I hope Victoria Vincent gets the success they deserve.


Korri reviews Sister Mischief by Laura Goode

SisterMischief

Sister Mischief is a coming of age young adult novel about a group of friends who form the titular hip hop group in the predominantly white suburb of Holyhill, Minnesota. It’s narrated by wordsmith Esme, whose footnotes scattered throughout the book reveal the contents of text messages, lyrics scribbled in her notebook, and drop backstory in the form of memories the group shares on each other’s Facebook walls. The narrative is punctuated by earnest conversations during car drives where the girls weigh in on misogyny and racism in lyrics, if it is cultural appropriation for white girls in the affluent suburbs of the Twin Cities to love hip hop music, and if it is possible to reclaim the word bitch in rap music.

Each of the friends grapple with their identities and relationships over the course of the book: Esme is Jewish but without her mother around she doesn’t know what that means. She is out to her friends and when she finds herself falling for Rowie she is uncomfortable keeping their relationship under wraps. Tessa tries to balance her religious faith against the hypocritical and mean “Christians” she knows from church while Rowie, who usually likes boys, struggles with her feelings for Esme and the pressure from her Bengali family. Marce, who doesn’t understand why her best friend Esme never spends time with her any more, lets the slurs she receives because of the androgynous/masculine-of-center way she presents roll off her back. The four girls are bound together by their love of listening to, writing, and performing hip hop music.

The new Holyhill High School code of conduct bans rap music and “any apparel associated with this violence-producing culture,” which spurs the girls to form a queer-friendly group to discuss hip hop in an academic setting: 4H (Hip Hop for Heteros and Homos). The administration is not pleased with the idea. Shortly thereafter Esme and Rowie kiss while high in kiss in Rowie’s tree house. Before long the nights get darker earlier and Esme is sneaking over every night to make love to Rowie in the tree house. Rowie wants to keep their relationship quiet because the hetero/homo hip hop alliance has people questioning. When Esme says that that is exactly what the group is meant to do, Rowie points out that their classmates are less interested in lyrics and social attitudes than speculating about members’ sexual identities. Esme and Rowie’s relationship is revealed around the same time a 4H meeting is firebombed, leaving the future of each uncertain.

The author Laura Goode introduces readers to an engaging voice in Esme. She reminds me of Lin Manuel-Miranda’s witty and ambitious Alexander Hamilton: Esme writes like she’s running out of time. In her own words, she is “becoming the author of my own chaos” and she feels “like there’s so much work to do, so much time and so little all the same…. Time to create and re-create myself and everything I create.” I raced through this book and thoroughly enjoyed my time with the close-knit cast of characters.